In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, and intrigue and a battle of wits in this masterful historical novel from the author of the USATODAY bestseller The Square of Sevens.
Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionary shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author-turned-magistrate, is threatening to confiscate the money in her husband’s bank account because he believes it might have been illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.
Only William Devereux seems different. A friend of her late husband, Devereux helps Hannah unravel some of the mysteries surrounding his death. He also tells her about an Italian delicacy called iced cream, an innovation she is convinced will transform the fortunes of her shop. But their friendship opens Hannah to speculation and gossip and draws Henry Fielding’s attention her way, locking her into a battle of wits more devastating than anything she can imagine.
Laura Shepherd-Robinson was born in Bristol in 1976. She has a BSc in Politics from the University of Bristol and an MSc in Political Theory from the London School of Economics. Laura worked in politics for nearly twenty years before re-entering normal life to complete an MA in Creative Writing at City University. She lives in London with her husband, Adrian.
Set in 18th-century London, Hannah Cole, after the murder of her husband, faces struggle of keeping her confectionary shop open with bare profits and men conspiring against her. As Chief Magistrate, Henry Fielding, investigates the case of her husband’s murder and holds her savings, she tries to hold her own.
When William Devereux presents at her shop and claims to be her late husband’s friend, putting claim to some investments, it gives her hope. To present himself even more believable, he gives her recipe of an Italian delicacy called iced cream. Their new friendship draws some attention to speculation and gossip.
The story begins with Hannah’s narrative, and then alternates with William’s narrative, making the story very absorbing as they reveal nuances of their stories. Both backstories are fascinating, with Hannah’s passion for new creations in the world of confectionary. And William’s sad story of his mother who made iced cream for him and was badly mistreated by his father. William’s story can make one feel sympathetic toward him, but Hannah’s uncovering can make one change the mind.
As the story progresses, it becomes even more gripping as both characters try to outwit each other. At the same time, bringing to the surface true colors� of Hannah’s late husband.
This well-crafted story feels authentic, exploring the characters that represented the middle-class tradespeople who grew substantially in number during the 18th century Georgian London. Also, revealing the Georgian craze for ice cream and the curious method for making it.
Henry Fielding is a historical character, novelist and playwright, later becoming Chief Magistrate of Westminster, who was battling political and judicial abuse of power. Hannah Cole is a fictional character but she represents the ten percent of women who ran businesses in Georgian London despite being disadvantaged by the inheritance laws.
This fast-paced story is filled with twists and turns ruled by corruption, lies and deception led by characters that are complex and intriguing.
Source: ARC was provided by the publisher via NetGalley in exchange for an honest review.
Hmm. This author's previous novel was my favorite book I read in all of 2024. This one wasn't as much of a homerun for me.
The writing style is quite good, and it is evident that a lot of research went into bringing 18th century London to life upon the pages here. From Hannah Cole's confectionary shop to the various parks, grand homes, and gambling houses, the details all rang as authentic and do an admirable job dropping the reader directly into the setting. This story is a decent one featuring widows, murderers, con artists, and one satirical novelist turned crime-busting magistrate based off of a real historical figure. There is a mystery that largely stems from not knowing which information you can and cannot trust.
However, I found myself kind of annoyed spending time with the main characters. The story alternates between two points of view, and while the reader knows when one person or the other is being lied to, it can be quite frustrating when the characters themselves are unaware of this. You spend your reading time wondering if and when things will come to light for them, or if their part of the tale will continue to see them reacting to false pretenses. This set up had me feeling kind of angsty, and knowing what I knew as the reader sort of left a bad taste in my mouth as I read on.
Many other reviewers seemed to really appreciate the ending, but I have to say that to me it seemed rather sudden and underwhelming. Especially considering this author's other work, I was expecting the rug to be pulled out from under me in much more dramatic fashion at the last moment. There were still unexpected twists throughout, but the final one didn't really wow me the way I think it was intended to.
But in all this is still well written historical fiction with some twisty mystery for added spice. I just had difficulty enjoying my time with the characters in this one.
Loved this! I absolutely loved this! And I have to say this would make a great film! The Georgian streets came to life and Henry Fielding plays a prominent part. I learned quite a bit about him, let me tell you! It’s quite difficult to write much about the story without introducing spoilers- the two main characters were interestingly portrayed, with a certain amount of star-crossing. Many thanks to Netgalley for an arc of this book.
"'I love you' She'd said and I hadn't seen the truth of that moment either. Not a sigh of surrender, but a declaration of war."
oh my god i actually have no words for how UNWELL i am. read this book. dont ask any questions. just do it. and listen to lana's Henry, Come on, while your doing that this BOOK THIS book. first half was kind of slow, but that all led up to a world shattering ending my guy just trust me
Yet another totally addictive, original, thrilling read from one of my favourite authors! Not only is this such a brilliant read, also the descriptions of the food made me hungry on more than a few occasions! The grandeur so expertly spliced with the heinous nature of some of the characters had me under its spell the whole way through! Laura remains at the height of her writing career and long may it continue! Full review coming closer to publication, and thank you ever so much to the publisher for the beautiful proof.
This was not at all what I expected, but I enjoyed it very much. I planned to read just a few chapters last night before bed, but then I got to the last sentence of chapter 5, and from that point on I couldn’t put the book down until I was finished. (Who needs sleep?)
Set in London during the Georgian era, it starts like your typical historical mystery about a character � Hannah � whose life was upended by a crime (the murder of her husband), and who finds out her dead loved one kept quite a few secrets from her, so she starts investigating. But then it took a completely unexpected turn in a direction that gripped me even more. Battles of wit! Confidence schemes! (Though again, not in the way you would expect.) Sign me up!
It’s hard to say anything about this story without getting into spoiler territory, but I loved how it always kept you guessing who had the upper hand in the characters� games of deception. You could never be completely sure who currently fell for (or didn’t fall for) whose lies and manipulations.
I loved Hannah, she was smart, resourceful and likeable. I was rooting for her the entire time. But I also enjoyed Billy’s POV. He was less likeable, but no less intriguing. And the inclusion of Henry Fielding as another major character in this cat-and-mouse game was also very interesting.
Fair warning about the male POV, which doesn’t appear until later in the book (about 70 pages in): It contains strong language and really is a shift in tone from Hannah’s narrative voice. If that sort of thing puts you off, maybe skip this book. But if you don’t mind strong language, I definitely recommend this. And I loved the ending, which was positively Shakespearean. (Karma? Irony? Tragedy?)
I’m also really craving ice cream now. 😉
I received a review copy of this book from the publisher, Pan Macmillan, via NetGalley. This review reflects my honest opinion.
Thank you to Atria Books for providing this ARC for review consideration via NetGalley. All opinions are my own.
The Art of a Lie by Laura Shepherd-Robinson is a story that blends historical fiction, thriller, and crime drama. The story interjects the colorful details and intriguing characters of Georgian London into a game of cat and mouse, in which both of the narrators are very much in both roles. I was delighted to find that the author did a significant amount of research on the middle-class tradespeople of the era and included fictionalized accounts of real-life figures; chiefly Fielding. I appreciate when authors take the time to make an effort when crafting a reasonably authentic image of a setting. The setting of a confectionary was also a really fun and compelling choice; who doesn’t love crime and ice cream?
I liked that this book was committed to keeping the reader on the back foot. In switching narrators, the reader gets lulled into the sense they have an idea of all of the information, but like the characters, they’re often scheming based on false assumptions or lies. I thought this book would be a murder mystery set in a frilly ice cream parlor, but was actually pleasantly surprised when it veered in a different direction. While the “iced creams� may be the constant, the intrigue seems to shift quickly through the story.
Overall, I thought this was a very fun read. I think for fans of historical fiction that want a break from princesses or war stories, this is a great choice. I think fans of thrillers and mysteries may also find this a pretty engaging choice that’s slightly lower stakes than other options. For me, it’s a very solid 4/5 stars.
A struggling shopkeeper learns there might be more to her husband’s death than a robbery gone awry, and a business acquaintance of her husband offers to help her investigate. With a moralistic Magistrate (Henry Fielding, no less) threatening her money when she needs it the most, Hannah is eager to take up William’s offer.
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Nothing is as it seems.
I thought this would be a historical murder mystery in the style of Shepherd-Robinson’s earlier works. In fact, I think it’s closer to a psychological thriller or a character study. There are a lot of twists that leave the reader on the back foot and questioning who knows what (and when!). Which was a slight disappointment, even if it worked as what it was. Compared to other protagonists, Hannah felt a bit of a tabula rasa: dismissed because of her gender and station, we don’t see much of her true personality, even when inside her head. But as plot went I found the story innovative. The 18th century confectionary was a personal highlight for me.
I received an advance copy from NetGalley, and I am voluntarily leaving a review.
I’m going on vacation in a few weeks, and part of me wishes I had saved The Art of a Lie for beach reading. While the topics it addresses are serious and not the typical beach read fluff, the story itself, along with how it’s told, is immersive. The detailed descriptions of the Punch and Pineapple, with its brightly colored decor and exotic desserts, make me wish I could hop into a time machine, walk up to the counter, and order my own pistachio iced cream.
The story’s characters are as compelling as the setting. Hannah Cole is a woman who, while grappling with her own immense loss, spends her life trying to honor her family’s legacy and bring joy to others. She’s creative, courageous, smart, and passionate in a time when these qualities were frowned upon in women, and I love how determined she is to carve out a life that’s hers and hers alone. Her narrative counterpart, William Devereux, is the consummate trickster. He’s perfected the part he must play to get what he wants, but there are plenty of small cracks in that carefully constructed facade where we can see his humanity peek through. Like everyone in the world, he too has a story, and though he may not be a character we wish to emulate, he is a character we can certainly empathize with.
Because each character is so well-crafted and interesting, I appreciated the author’s choice to allow both of them to play a role in narrating the story. Doing so allows readers to connect with each character, and from a functional standpoint, it creates an opportunity for dramatic irony while still preserving the story’s twists and turns.
My only complaint about the story is its ending. While I appreciate why it had to happen, I’m also a little sad not to get the ending I wanted- a finish that I thought the characters deserved, too.
4.5 stars! (I really, really wish we could give half stars!)
Thanks to Atria and Netgalley for providing me with an ARC in exchange for my honest review.
Wow, what a book! This is definitely Laura Shepherd-Robinson's best yet. Set in 1749, Piccadilly, a young widow, is trying to keep her confectionery shop afloat after the murder of her husband but is barely turning a profit. There is money in her late husbands bank, but Henry Fielding, the famous author-turned-magistrate, thinks it was earned illegally and is threatening to confiscate it. When William Devereux walks into her shop, claiming to be a friend of her late husband, he tells Hannah about an Italian delicacy called iced cream, Hannah is convinced that this could save her shop. This is an immersive historical thriller with twists and turns aplenty. Just when you think you've worked an element out, the story twists away in another direction. Told in a 2-person POV that you get both the main characters' complex back stories. I loved this. Thank you to Netgalley and publishers for the ARC
The Art of a Lie by Laura Shepherd-Robinson is a great historical fiction that kept me engaged from beginning to end.
This is an engaging, thrilling, and overall very difficult to put down novel that takes us into the heart of London in the 18th century. There is mystery, intrigue, double crossing, twists/turns, and a fascinating plot that kept me up late several nights trying to get to the end and the “A-Ha!� Moments.
The characters were well-thought out and complex, the pacing was perfect, and it really held my interest. Yes, this is an historical fiction that alternates between character POVs, however do not let it fool you…it is so much more.
5/5 stars
Thank you NG and Atria Books for this wonderful arc and in return I am submitting my unbiased and voluntary review and opinion.
I am posting this review to my GR and Bookbub accounts immediately and will post it to my Amazon, Instagram, and B&N accounts upon publication on 8/5/25.
I received an ARC of this book through a Å·±¦ÓéÀÖ giveaway.
Overall, I found this novel quite enjoyable! It has a twisty-turny plot that kept surprising me. I would think I had everything figured out, and then the next chapter would twist in a totally different direction from where I thought the story was going. The author masterfully crafted this unpredictable plot through the use of dual POVs, and it was fascinating to jump between the two narrators, Hannah and William, and see their perspectives on the events of the novel. William's POV in particular could be a little grittier and earthier than I usually like; I would recommend it to adult readers for this reason.
Other than using two POVs to enhance the twistiness of the plot, the author also skillfully incorporated elements of history. Eighteenth century England, especially London, comes to life in this novel, and the author achieved this in a natural way. She never bored me with long chapters of historical exposition. Instead, she interspersed the chapters with little details that made me feel like I was there with the characters in that particular time and place.
I recommend this novel to anyone who enjoys a mystery with lots of plot twists and/or historical novels that make you feel like a time traveler.
4.5 stars rounded down after much thought. Laura’s books never disappoint, being rich in research and description, and twisty turny in plot� and for the majority of this book I thought I’d be marking it as a 5 star read. The only reason I marked it down a little in the end, is because the finale wraps up very quickly - which can be a deliberate thing to shock and wow the reader, but here I was left wondering what on earth happens with Musgrave when he doesn’t get his money� will Hannah ever be safe?
However, leaving that part aside, I’d strongly recommend this book with the characters, historical description, and intricacy of plot. You marvel at just how in depth the lay is once it becomes apparent that William is not who he says he is, and you start rooting for Hannah� but then realise she has her own secrets. It’s con man versus lying woman, and who will succeed?
I received a free ARC copy of this via NetGalley and the publishers, in return for an unbiased review.
Laura Shepherd-Robinson is a favourite author of mine and this novel demonstrates exactly why. She writes historical thrillers which are witty and compelling with a great deal of historical detail and fully formed characters. There is intrigue, plot twists and romance and a lot of ice cream. Hannah and William were a fantastic fictional couple and I was really rooting for them both. It struck me that not a lot has changed in politics over the years! Having Henry Fielding as the magistrate was a deft touch and I enjoyed the scenes he was in. All in all a brilliant novel and right up there for me alongside 'blood and sugar' my favourite
Very much enjoyed this book I received from a Å·±¦ÓéÀÖ giveaway. A story told from the perspective of two characters who are both hiding secrets, and telling lies to the other. With only the reader being privy to what each character is up to, the story actually becomes more about following along to see who figures out the other’s deception first and what consequences there might be for each of them.
Thank you to Atria Books for providing this ARC for review consideration via NetGalley. All opinions are my own.
In 18th-century England, a widowed confectioner is drawn into a web of love, betrayal, and intrigue and a battle of wits in this masterful historical novel
I enjoyed the dual narration in this book. The writing was good. The first half of the novel was definitely better than the second for me. It slowed down a bit in the middle and toward the end. 3.5 stars
I won an advanced copy of this book on Å·±¦ÓéÀÖ. I absolutely loved it. It takes place in England in 1749. Hannah Cole and her husband own a confectionary shop. Sadly her husband is murdered during an attempted robbery. Hannah then discovers that her husband had a large sum of money in his bank account and doesn't know how he obtained the money. This was a beautifully written book with many twists and surprises.
I so enjoyed it that I purchased Ms Shepherd-Robinson's 4 previous books.
I wish I could give it higher than 5 stars. It deserves it.
Well done Laura!! I am not usually blindsided by a book's plot. But, The Art of a Lie by Laura Shepherd-Robinson definitely caught me off guard. From the beginnings' unexpected reveal to its startling but necessary ending, this book does not disappoint.
Set in 18th century England, Hannah Cole finds herself on the precipice of losing her family home and confectionary shop as the result of the brutal death of her husband during a robbery....or was it murder? Enter Henry Fielding, an English writer and the magistrate who founded the Bow Street Runners, the precursor to London's police force. He elects to investigate what he deems a suspicious death. This leads to more financial complications for Hannah given he freezes her assets until his investigation is completed.
Enter William Devereux, a friend of Hannah's late husband who befriends her as she tries to find answers to some of the mysteries regarding her husband's death and business dealings. William also introduces her to iced cream which has the potential to save her struggling business. But, only if she can solve her husband's murder and convince Fielding to release her inheritance.
I enjoyed the well developed and flawed characters and their interactions. Laura did a great job of keeping me torn between loving and hating Hannah and William. I did like the story being told from their different viewpoints. Additionally, the historical insight into Fieldings, London's underworld as well as the creation of ice cream for mainstream society was also intriguing.
While I enjoyed the story being told from both Hannah's and William's viewpoints, the transition between those voices could be disjointed. I found it difficult at times to immediately tell whose voice was being heard since both voices were in first person. It would have been helpful to either change the font of each character speaking or list the character at the beginning of their respective chapters to make it an easier transition between them. Regardless, I thoroughly enjoyed this book and look forward to reading other books by Laura.
Again, if you are looking for a story with fresh, unique twists and believable, flawed characters wrapped in a murder mystery, then look no further than The Art of a Lie. Thank you NetGalley and Atria Publishing for the opportunity to review this wonderful book before it's release.
The Punchbowl and Pineapple was a confectionery shop on Piccadilly in the Georgian London of 1749. Hannah Cole, proprietor, had been schooled in anticipating a shopper’s wants and needs, tempting her clientele with mouthwatering creations. The late night violent robbery and murder of her husband Jonas would impact her ability to keep the business afloat. It was clear that the suppliers of flour, salt and sugar did not appreciate women in trade. Neither did the fruiterer or the egg-man. Two visitors would soon grace Hannah’s shop, each with a distinct agenda.
William Devereux ingratiated himself into Hannah’s company by complimenting her Persian Sherbet. He offered condolences on the death of her husband then explained that he was the monetary advisor who helped Jonas secure sound investments. Hannah would be provided with monetary relief since there would be forthcoming stock dividends. William was a well practiced con-man who cunningly encouraged widows to part with their money. He informed Hannah that Jonas had amassed 1500 pounds. Were these funds earned or were they ill gotten gains from gambling dens? If William could con Henry Fielding then hoodwink Hannah, he would be able to generously help himself to Hannah’s money.
Henry Fielding, the Chief Magistrate of Westminster, visited the Punchbowl and Pineapple to discuss Jonas Cole’s murder,. Fielding was “a gentleman disordered in his own life and habits seeking to impose order upon others.� He was determined to “out� the murderer. He ran his courtroom from his home. Henry’s theory was that Jonas had been afraid for his life due to villainous activity. A fish “hell� token denoting dealings at a high end gambling den, nightly filled with corrupt politicians, was discovered in Jonas� garment when his body was fished out of the Thames.
It seemed that both Hannah Cole and William Devereux worked to “out-con� each other. Henry Fielding, meanwhile, was hot on the trail of the culprit in this historical cat and mouse thriller. Devereux’s nefarious agenda was not without kindness. He introduced Hannah to the art of making iced cream using the “frigorific� method. Makeshift ice tubs could keep the flavored creams frozen. Salt mixed with the surrounding ice caused an endothermic reaction that lowered the freezing temperature of the liquid ice surrounding the individual iced cream portions. The Punchbowl and Pineapple’s capacity to freeze the creams was enhanced by the underground river that flowed beneath Piccadilly and emptied into the Thames, along with Jonas Cole's body that had previously been thrown into the cavity of the underground well.
Jonas was a despicable con-man. "A man didn’t get into parliament without buying off the right people.� With a change of plan, he intended to abscond and leave Hannah penniless. The Devereux method, however, was to wine and dine the widow Hannah to achieve his monetary windfall. In “The Art of the Lie� it was difficult to cheer for any protagonist. Corruption, lies and deception ruled. This read of multiple twists and turns had delectable iced cream included!
Thank you Atria Books/Simon and Schuster for the print ARC in exchange for an honest review.
After reading the blurb and the first few chapters of this book, I wondered why the author chose to title it The Art of A Lie. The main characters seemed truthful in their motivations, and the mystery seemed pretty straightforward to me. However, as I got further into the story, I soon realized that I couldn't have been more wrong about this novel. Much like a few characters, I was drawn in by the idea of a simple story and a pretty appearance, but, instead of getting scammed, I got to enjoy an intriguing historical mystery set in Georgian London.
Hannah Cole runs a confectionary shop in thriving parish of St. James, but profits have been falling as London's wealthy run off to resort towns for summer. Along with the death of her husband and rising prices from suppliers, Hannah needs the shop running to keep herself afloat, at least until she is granted the money her husband's will. But it will never happen if chief magistrate Henry Fielding continues to investigate the strange circumstances leading up to Mr. Cole's death. When things look like they're falling apart, an affluent investor named William Devereux enters the shop, claiming he was a friend of Hannah's late husband. Inspiring her to bring the Italian delicacy of iced cream to the streets of London and helping her convince Fielding to give her the money, Devereux seems like everything she needed. As their friendship spirals into something more, Hannah must fight to hide her secrets from Devereux, while uncovering his own.
This book exceeded my expectations, every twist shocked me, even the few that I could anticipate. The first point of view switch was a little jarring, but it was welcome, as even more secrets began to be revealed. It was obvious that the 1749 setting was well-researched, and the author truly brought the era to life in this novel. While not something I would typically read, The Art of Lie is worth checking out, it will keep any reader obsessively turning pages until its tragic, Shakespearean end.
Another colourful and riveting tale of lies and deceit.
"The Art of a Lie" opens in London, 1749. Widow Hannah Cole is struggling to keep her confectionery shop The Punchbowl and Pineapple, afloat. Since the death of her husband, money has been short, and she has been unable to access his bank account. When Henry Fielding, famous author and new magistrate, appears. claiming her husband was murdered, and that the money in the bank is from the proceeds of crime, things look to get worse. Only when an old friend of her husband's, William Devereux appears, promising to help, do things start to look up. He even suggests to her that she could improve her shop takings by introducing iced cream.
Soon Hannah is drawn into a world of lies, deceit and corruption, not knowing who she can trust. Life for a widow in the 18th century is hard enough, but when certain people start to move in, she realises that there's more at stake then just her shop. As usual, the author tells her story against a colourful and fully rendered background. In this case, 18th century London, with its fine shops, its upper-class gentry and lower class rascals, and readers might very well recognise several famous names. We get to see the light and the dark places, the safe places and the bad, and all populated with characters straight from a Dickens or Hardy novel. Along the way we also learn of some delicious confecti0nery treats.
This book contains several surprises, most of which are revealed to the reader early on, which makes the story all that much more enticing. Knowing certain things brings a different perspective to situations and people. Hannah, Fielding, Deveraux, and others each hides their secrets, and even when they share information, the recipient never know if it's the truth or more lies.
Readers of the authors previous books will love this one, as will fans of Andrew Taylor, Natasha Pulley and Stacey Halls. Thoroughly recommended.
Wow I enjoyed this so much! The lies, the twists and turns, the characters, the historical details, it was all fantastic. Once I started reading I could not put it down, because there was always some new twist to the tale. The ending left me a tad confused, but I suppose that was intentional.
Writing: Excellently written, good mix of description and dialogue. My only issue is that sometimes when the POV switched, there was an overly long recap of what happened in the other person's POV. Those could've been condensed quite a bit to still convey the missing thoughts/feelings from those scenes without being redundant.
World: Very well described, amazing historical details about locations, people, events of the time. I loved reading the notes at the end about all the people and places that were real. The dialogue was neither so overly modern it felt unrealistic, nor so overly period-accurate that it was unintelligible to modern audiences - it felt natural for the setting and the reader.
Plot: Fantastic idea, beautifully executed. The pacing was great, the timing of the reveals of various lies was spot on.
Characters: Loved them all, very well characterized, excellent complex backstories that emerged quite naturally and created conflicts that felt not in the least bit contrived by the author for drama's sake. The only one I was left a bit confused about (again, because of the ending) was Tom... I can think of many explanations for his actions but none seem to wholly fit with his character throughout the book. I just wish I knew why he did that! It seems like there were other options that fit his desires better.
The Art of a Lie brings together Hannah Cole, recently widowed and the owner of a confectionary shop, William Deveroux, a handsome, charming stranger and Henry Fielding (based on the author of Tom Jones), the local magistrate investigating the murder of Jonas Cole, Hannah’s husband. The tale unfolds through first person narrative by Hannah and William and as the characters are developed it becomes clear that not all is as it seems (the clue is in the title). I warmed immediately to Hannah, I loved the detail of the confectioners and her little household, her determination to succeed and development of the ‘iced cream� that took Georgian London by storm. William I liked less, in part due to the flurry of swear words that featured in his rather lengthy introduction, but this lessened considerably (and thankfully) as the story wore on and gained pace. The plot is detailed but the author explains through her narrators exactly what is going on � at times it might have been more subtle to keep the reader in the dark, letting the plot play out through the characters and action. Fielding is an admirable investigator, more devious than he seems and often underestimated. It is a clever story, very enjoyable and great fun to read although again the ending could have been managed with a slightly lighter touch. The history is very well researched and beautifully managed creating a realistic and lifelike setting moving from seedy gaming houses to the highest levels of aristocracy with ease. Another terrific story from this author.
Many thanks to the publishers and to Netgalley for an opportunity to read this ARC.
Now see here! My Southern is coming out thinking about this novel. I won’t give anything away, but there’s a great twist at the beginning, and that’s so refreshing. Hannah Cole is recently widowed and is run ragged trying to keep her confectionary shop afloat. She is worried about money, naturally, as the times are not favorable to women (it is 18th-century England after all). Her suppliers start charging her more because she’s a woman. Hannah’s husband was murdered, but is being investigated by Henry Fielding, a famous author who is now a magistrate. Fielding is suspicious that a large sum of money in Hannah’s husband’s bank account was obtained illegally. Enter William Deveraux, who arrives at her shop one day claiming to have been a friend of her late husband. He helps Hannah solve some of the questions related to her husband and also tells her about an ice cream recipe he tried in Italy, prompting her to try it in her store. She and William develop a friendship, and Henry Fielding takes notice.
This book should be made into a movie. It was like a breath of fresh air. Both devastating and lovely, it will make you feel all the emotions on the spectrum. Alternating between Hannah’s point of view and William’s point of view, you are always kept on your toes. The dance is wonderful to read. You are “in� on their secrets, yet you do not know how it will all pan out until you finish the book. And when you finish…oh my goodness. Wow. That ending.
Thank you to Atria Books for providing this book for review consideration via NetGalley. All opinions are my own.
Clear your diaries because once you start this deliciously layered and clever historical thriller you will not want to put it down, as the bags under my eyes prove. Newly widowed Hannah is struggling to keep her father's confectionary shop going as bills increase and her inheritance is bound up in probate (no matter the shop belonged to her father - 18th century law meant once she married it belonged to her now dead husband. Just one of the many jaw dropping details of the plight of women in 18th Century England woven in lightly but impactfully). So meeting William, an unknown friend of her husband who comes with news of investment income she can claim is welcome indeed. Also welcome is his suggestion she add an Italian delicacy to her shop, an iced cream his mother used to make. And that's literally all I can say... It is impossible to give any detailed review of this book without spoilers and so I am going to have to keep this brief because I want every reader to enjoy the non stop twists and turns as much as I did. What I can say is that once again Laura Shepherd-Robinson employs her research richlyand expertly, every detail authentic, adding texture to the world she conjures up as opposed to showing how much she knows, making this an immersive novel historically and as a thriller. Utterly absorbing, highly recommended.
I was invited by the publisher to review this book. In 18th century England, Hannah's husband is murdered and she is left to save their confectionary shop due mainly to suppliers not believing in women working. On top of that, the government in the form of Henry Fielding believes the money in Hannah's husband's bank account was obtained illegally, and are threatening to take it. A friend of her husband, William, becomes a friend of Hannah's as he tries to help her and dig into the murder of her husband, which seems to be less random and more calculated. It is William who also tells Hannah about an Italian treat, called iced cream. And though the iced cream is sure to help turn Hannah's shop around, that success is clouded by the looks and gossip surrounding her friendship with William.
There certainly were a lot of unlikeable characters in this book, which did not impact my desire to continue to read this book at all - rather, it pushed me to want to read more, as I wanted to see Hannah rise above. I loved the incorporation of historical research, which was very well-done, and real life historical figures, too. I also liked reading about Hannah herself, a woman beyond her time, but who demonstrated perseverance.
Thank you to NetGalley and Atria Books for this ARC in exchange for an honest review.