Tenderly, joyously, sometimes in sadness, sometimes in pain, Maya Angelou writes from the heart and celebrates life as only she has discovered it. In this moving volume of poetry, we hear the multi-faceted voice of one of the most powerful and vibrant writers of our time. "The wisdom, rue and humor of her storytelling are borne on a lilting rhythm completely her own, the product of a born writer's senses nourished on black church singing and preaching, soft mother talk and salty street talk, and on literature: James Weldon Johnson, Langston Hughes, Richard Wright, Shakespeare and Gorki." -- "The New York Times Book Review."
"Black, bitter and beautiful, she speaks of our survival." -- James Baldwin.
Maya Angelou was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim. She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961. With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for Black people and women, and her works have been considered a defense of Black culture. Her works are widely used in schools and universities worldwide, although attempts have been made to ban her books from some U.S. libraries. Angelou's most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing, and expanding the genre. Her books center on themes that include racism, identity, family, and travel.
Shaker Why Don't You Sing? is Maya Angelou's fourth volume of poetry, published in 1983. Early in her writing career, Maya Angelou had begun to alternate the publication of part of her autobiography (which now runs to seven volumes) and a volume of poetry. Many of the poems in this fourth collection focus on themes readers may be familiar with from her previous volumes. These include courage and survival despite threatened freedom, and also defeat, lost love, and disillusionment as hopes and dreams are dashed. Many of them - over half - are love poems of this latter type. There are rare instances of cheeky humour, such as in "The Health Food Diner", but as a collection the overall feel is dark. The nostalgia which is evoked, such as in "A Georgia Song", is bittersweet. And the love poems, such as "Unmeasured Tempo" are inevitably of doomed love, as in this final couplet,
"You did arrive, smiling, but too late."
All the poems feel very personal. "Amoebaean for Daddy", with its,
"White folks used to stop My mother Just to look at me (All black babies Are Cute)
is a raw, bitter account which hits a nerve, as so many of her poems do. I well remember thinking this myself as a white child, collecting photos of "Sunny Smiles" and preferring the black babies. But it is shortly followed by "Impeccable Conception", a mischievous and satirical comment on the overblown literature favoured by modern writers of romantic fiction,
"She'd find a hidden meaning in every pair of pants"
"Caged Bird", which refers to the first part of her autobiography, is next. This is one of the most powerful poems in this volume,
"But a bird that stalks down his narrow cage can seldom see through his bars of rage"
It reminds the reader of the poet William Blake's famous couplet from his poem, "To See a World..."
"A Robin Redbreast in a Cage Puts all Heaven in a Rage."
Maya Angelou continues,
"The free bird thinks of another breeze
... he names the sky his own.
But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream"
...
"for the caged bird sings of freedom"
The poems are immediate and intimate, often conveying a trapped claustrophobic feeling of desperation, inevitability, impotence and despair, such as in "A Plagued Journey",
"I cannot scream. A bone of fear clogs my throat"
and in "The Lie",
" ... screams are crowded in a corner of my throat"
but whenever the desolation and bitterness threaten to overwhelm, Maya Angelou will throw in a delightfully humorous take on black attitudes, youth, and posturing, such as these lines from "Weekend Glory"
"pawn their souls to the local banks Buying big cars they can't afford ridin' around town actin' bored"
...
"My job at the plant ain't the biggest bet, but I pay my bills and stay out of debt. I get my hair done for my own self's sake"
...
"And turn away from worry with sassy glance"
...
"My life ain't heaven but it sure ain't hell."
Black identity, and the Black history which has fed into it, is everpresent in descriptions such as this, from "Prescience",
"your black and insolent beauty
and this, from "Family Affairs"
" ... you descend And step lightly over My centuries of horror And take my hand, Smiling call me Sister."
Courage and determination, the poet reminds us, are never easy. They are hardwon, and difficult to maintain. In "Changes",
"Confidence, that popinjay, Is planning now To slip away"
And the horrors of history, the memories of the cruel treatment of slaves in the Southern United States, continually rear their ugly heads, such as in "Slave Coffle",
"all the earth is horror and the dark night long,
Then Before the dawning, bright as grinning demons came the fearful knowledge that my life was gone."
and in the final poem,
"my life has turned to blue."
The dark tones of these poems do not make for easy reading, despite the short lines, enjoyable rhythmic patterns and the sporadic, interjected humour. Yet afterwards, there is a shift. The immediate bitterness, sorrow and despair, seem to recede. And what remains with the reader, is hope and courage. Maya Angelou oozes determination; a belief in the ability of human beings to survive, to achieve liberation, overcome rejection and oppression, and never, ever, be defeated.
"The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom."
...
"My life ain't heaven but it sure ain't hell. I'm not on top but I call it swell if I'm able to work and get paid right and have the luck to be Black on a Saturday night."
Here is a list of all 28 poems contained in Shaker, Why Don't You Sing?:
Awaking in New York A Good Woman Feeling Bad The Health-Food Diner A Georgia Song Unmeasured Tempo Amoebaean for Daddy Recovery Impeccable Conception Caged Bird Avec Merci, Mother Arrival A Plagued Journey Starvation Contemporary Announcement Prelude to a Parting Martial Choreograph To a Suitor Insomniac Weekend Glory The Lie Prescience Family Affairs Changes Brief Innocence The Last Decision Slave Coffle Shaker, Why Don't You Sing? My Life has Turned to Blue
This is not one of Maya Angelou's better known volumes of poetry and it is more on the pessimistic side than most of her other poetic works, but my first impression of it is that it still a solid volume of poetry. It is a short-length work, but very technically sound. The themes feel like a person in transition from peek power to middle-age, but the poet still is not running on spent power. We still have to look forward to and she would be publishing a lot of prose-work after 1983, but this book is definitely a turning-point for Angelou the poet. A particular favorite/relatable poem from here is "Insomniac":
"There are some nights when sleep plays coy, aloof and disdainful. And all the wiles that I employ to win its service to my side are useless as wounded pride, and much more painful. "
There are books that evoke deeper feelings than others, and by is one such book. The book is about survival when freedom is at stake, lost love, racism, and defeated dreams. Angelou addresses these issues with confidence and courage; and you can't help but feel pulled towards her creativity by an invincible winch.
Love is a central theme, and the reality of doomed relationships; technically the pain of love. Additionally, Angelou has employed poetic license with ease, some poems sounding more lyrical with simple rhymes. But don't be fooled by the love theme and the simplicity, the poems are as painful as they come, the hurt piercing the heart like a sword.
Some powerful pieces in this authentic collection. Angelou's lyrics have a music all their own, though her rhyming works here stumble more than they stride.
This was my first Maya Angelou poetry collection or anything, actually. This is the first time I've ever read her work and I loved it and I hope to read more. In fact, I want to study it, not just read. I made a list of my favourite poems out of the 28 in the book: A Good Woman felling Bad, Impeccable Conception, Contemporary Announcement, Prelude to a Parting, To a Suitor, Insomniac, Weekend Glory, The lie and The Last Decision. The poems were varying on themes and yet lyrically powerful and beautiful. Some of the more thematically powerful ones incidentally haven't featured in my list mainly because they were the most mainstream ones and every reader obviously loves them. I also found one very comprehensive review here which was so brilliant, I fell in love with the book more because of that.
A while ago, I read Kevin Young's great anthology of Black poetry ("African American Poetry") and found myself entranced by the wide variety of voices contained within. But I was also perplexed, because one poet was not prominently featured. A few of her poems were included, of course, but fewer than I might have anticipated, given her status as a literary figure in American life. I don't know enough about twentieth-century American poetry to authoritatively declare Maya Angelou as "the most well-known poet" of her generation or indeed of the twentieth century, but I'd venture that she is the poet most people have heard of even if they've never read her work. Because of her series of autobiographies and her distinctive, rich voice, Angelou cast a large shadow over the landscape of American literature in her time. So for Young to only feature a couple of her poems in his anthology seemed off.
Turns out, I think he merely meant for me to get a taste for her work, in order to follow through and seek out more of it on my own.
"Shaker, Why Don't You Sing?" is a collection from 1983, and it is fantastic. There are a wide variety of poems in this slim volume, some humorous and some serious, but all capturing the idea of what it means to be Black and female in America. Angelou writes with a fierce but gentle insistence that her voice will be heard, whether she's celebrating what it means to be Black on Saturday nights or what it feels like to cry out for help like a fairy-tale princess but be ignored because you are trapped in a slave ship. The sheer scope, offset by the brevity of the collection, is enough to recommend it to first-time readers alone. This was my first book by Maya Angelou; it will not be my last. Highly recommend it.
"Had I known that the heart breaks slowly, dismantling itself into unrecognizable plots of misery,
Had I known the heart would leak, slobbering its sap, with a vulgar visibility, into the dressed-up dining rooms of strangers,
Had I known that solitude could stifle the breath, loosen the joint, and force the tongue against the palate,
Had I known, yet I would have loved you, your brash and insolent beauty, your heavy comedic face and knowledge of sweet delights." -Prescience
" I focus beyond those cacophonies for the anthem of your hands and swelling chest, for the perfect harmonies which are your lips. Yet darkness brings no syncopated promise. I rest somewhere between the unsung notes of night. Shaker, why don't you sing?" - Shaker, why don't you sing ?
"Our summer's gone, the golden days are through. The rosy dawns I used to wake with you have turned to grey, my life has turned to blue. The once-green lawns glisten now with dew. Red robin's gone, down to the South he flew. Left here alone, my life has turned to blue. I've heard the news that winter too will pass, that spring's a sign that summer's due at last. But until I see you lying in green grass, my life has turned to blue." - My life has turned blue
One of Maya Angelou’s lesser known poem compilations and for good reason. Not as impactful as the previous one I reviewed but I did pull out some of my favourites. The Health - Food Diner ( comic relief for me ), Family Affairs ( strong message ) and Caged Bird ( wonderful metaphor ) I’m giving this a three star rating because it wasn’t organised like a journey but more like a bunch of poems. Some average, some enjoyable, but not quite working in unison. It had its shares of happy lighthearted verse as well as more serious lines but it was quite an awkward switch from one to another.
glorious. haunting. she wields words so deftly and deliberately. 4.5 only because i am not a fan of rhyming poetry most of the time and would’ve rather a few of those (not emotional hard hitters) had been left out so as not to detract from the poignance, candor, and piercing imagery that are essential to the collection. on the other hand, maybe they are there for a reason. will definitely be reading again
Fantastic collection! From the soulful and melancholic Caged Bird and The Lie to the fun and light Weekend Glory, this collection travels though an astounding range of humanity. The poem Prescience touched me the most in this moment as a loved one and all of us around them struggle with their addiction.
'The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.' . .
Acest volum de poezie are ceva diferit în el. Ceva atractiv. O sinceritate, o sensibilitate și o minte limpede care se strălucesc în spatele acestor poeme simple și minunat scrise.
'The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.' . .
I’d never read any Maya Angelou before, but a friend somehow scored a 1st edition for my Christmas gift. It wasn’t my favorite poetry i’ve ever read, but it was really good. I would definitely recommend it to others.
Great, pure poetry. I don't know what else to say. I've long been a distant fan of the works of Maya Angelou, but I never cared enough to write a review. Until today. I read this in about thirty minutes, the perfect time to savor every word. Amazing and beautiful. Worth the read.
Aunque el libro tiene algunos pasajes oscuros o cómicos buenos, ningún poema es redondo, memorable o consiguió atraparme por completo, y el poemario tampoco se siente orgánico sino casi como una antologÃa de poemas sueltos. Muy por debajo de sus otros libros.
there were some great poems in this but i feel like thematically it was hard to connect the narratives. i liked the nature elements and anthropomorphism. great “fast� sit-in-the-public-library afternoon read!
My favorites: -a Georgia song - caged bird - plagued journey - martial choreograph - weekend glory - family affairs - changes - my life has turned to blue
This book of Angelou's poetry is more alive than her earlier works. There's more resolution and focus in these poems. We venture from her earlier Africa to the American south. There is more jazz and bop present in these poems that encounter daddy-issues, eviction notices, and wild weekends. One of my favorite poems was "Impeccable Conception" where a poet finds beauty to write about it, just as joyfully as those who find beauty and live it.
This is Angelou’s fourth book, and the second in which she is a really great poet. I’m especially impressed by those reveling in her sexuality, looking cynically on relationships, celebrating African-American cultural motifs, and those most deeply from the heart. Not everything resonates for me, still, this is a book to recommend without reservation.
Although not quite as amazing as And Still I Rise, this is another strong collection. I enjoy any collection that feels as though it's meant to be read all in one sitting, but this also brings with it the bonus joy of Maya Angelou's voice in my head as I read. Even the most distressing poems invoke a soothing calm.