Nisi Shawl is a founder of the diversity-in-speculative-fiction nonprofit the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers� Workshop. Their story collection Filter House was a winner of the 2009 Tiptree/Otherwise Award, and their debut novel, Everfair, was a 2016 Nebula finalist. Shawl edited Bloodchildren: Stories by the Octavia E. Butler Scholars (2013). They coedited Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E. Butler (2013).
'The Afrodiasporic religious outlook is deeply pragmatic; it makes use of what is useful'-Nisi Shawl.
I don't want to rate this collection; as it was really only four short stories, an explanation of Ifa (a Yoruba religion and system of divination) and Shawl's involvement in it, and an interview on their writing process and views on SFFH (Science Fiction, Fantasy and Horror).
The story 'Women of the Doll' was the most memorable for me; a secret, not-so-secret organization that give at risk, vulnerable women the opportunity to protect their most precious essence, so as not to get lost in the crucible of the world.
I did appreciate them explaining what drew them to Ifa and the beliefs and values that make up this religion.
Women of the Doll was Five Stars, and the interviews were great, but I didn’t get into the other stories. The authors other work sounds interesting though.
I enjoyed these stories, but I thought the best chapters in this collection were the essay and the interview. I was super interested in everything Nisi Shawl had to say about science fiction and science, Ifa and religion, especially when they spoke about Ifa's social technologies, including altars, music, and offerings. "Viewing Ifa more as a spiritual practice, a cultural and social milieu, than as a theoretical construct of the cosmos, it's possible to see certain of its elements as social tools, as parts of a social technology" (89). I was also drawn to the Afrofuturism conversation, and I wish that there had been more time dedicated to that. The next Shawl work I read will be Writing the Other.
Somehow, Nisi Shawl's writing always comes at the right time for me. I enjoyed the shorts and essays here and with "Something More" was reminded of how I wish I could write about music and musicians in the way they do. I was taken back to what struck me about Filter House and see that Shawl still has that flair for making the fantastic part of the every day.
I honestly didn’t quite understand what I was reading a lot of the time. Probably not the best introduction to their writing, maybe I should start with something else. Very imaginative, but I had trouble tracking the stories.