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Beat Collection
By dividing the Beat Collection into three The Original Beats � New York 1944-53; The San Francisco Scene 1954-57 and The Second Wave � New York 1958-60, New York Times bestselling author and Beat expert Barry Miles pulls together writings from, among others, Jack Kerouac, Gregory Corso, John Clellon Holmes, Lawrence Ferlinghetti, Philip Lamantia, Frank O'Hara, Diane DiPrima and Alexander Trocchi to create a fascinating compendium that epitomizes the Beat vibe.
- GenresPoetryAnthologies
388 pages, Hardcover
First published November 10, 2005
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About the author
Barry Miles
67Ìýbooks146ÌýfollowersBarry Miles is an English author best known for his deep involvement in the 1960s counterculture and for chronicling the era through his prolific writing. He played a key role in shaping and documenting the London underground scene, becoming a central figure among the poets, musicians, and artists who defined the decade’s rebellious spirit. A close associate of figures such as Allen Ginsberg and Paul McCartney, Miles not only witnessed the cultural revolution firsthand but also actively participated in it through ventures like the Indica Gallery and the alternative newspaper International Times.
In the early 1960s, Miles began working at Better Books in London, a progressive bookshop that became a hub for the avant-garde. While there, he was instrumental in organizing the International Poetry Incarnation at the Royal Albert Hall in 1965, an event that marked the emergence of the British underground movement and featured prominent poets like Allen Ginsberg. The same year, Miles co-founded the Indica Bookshop and Gallery, which became a gathering place for creatives and countercultural icons. It was here that John Lennon first met Yoko Ono, at one of her art exhibitions.
Miles also played a role in launching International Times, one of the UK’s first underground newspapers, which Paul McCartney discreetly funded. Miles introduced McCartney to the people behind the project and facilitated many of his early connections with the underground scene. In 1967, he co-organized The 14 Hour Technicolor Dream, a legendary multimedia event at Alexandra Palace featuring Pink Floyd, Yoko Ono, and John Lennon, among others.
Later in the decade, Miles took on the management of Zapple Records, an experimental subsidiary of Apple Records. During this time, he produced poetry albums, including one by Richard Brautigan. However, his personal relationship with Brautigan became strained after Miles became romantically involved with Brautigan’s partner, Valerie Estes. The fallout led to communication only through legal representatives. Although Zapple closed before releasing the Brautigan album, it was eventually issued by another label in 1970.
Miles also produced a recording of Allen Ginsberg’s musical interpretation of William Blake’s Songs of Innocence and Experience, which was released in 1970. He briefly lived with Ginsberg in New York before returning to England following the breakdown of his first marriage. He later married travel writer Rosemary Bailey and continued to live and work in London.
In addition to his memoirs In the Sixties and In the Seventies, Miles has written definitive biographies of cultural icons such as Paul McCartney (Many Years From Now), Frank Zappa, William S. Burroughs, Jack Kerouac, Charles Bukowski, and Allen Ginsberg. He is also the author of Hippie, a visual and narrative exploration of the 1960s counterculture. His writings often reflect a mix of personal experience and historical documentation, offering insight into the worlds of rock, literature, and art.
Miles is known not only for his historical accounts but also for his critical views, including pointed commentary on musicians like Rush and Frank Zappa, examining the political and commercial aspects of their work. With a career that spans over five decades, Barry Miles remains one of the most insightful chroniclers of the countercultural and musical revolutions of the 20th century.
In the early 1960s, Miles began working at Better Books in London, a progressive bookshop that became a hub for the avant-garde. While there, he was instrumental in organizing the International Poetry Incarnation at the Royal Albert Hall in 1965, an event that marked the emergence of the British underground movement and featured prominent poets like Allen Ginsberg. The same year, Miles co-founded the Indica Bookshop and Gallery, which became a gathering place for creatives and countercultural icons. It was here that John Lennon first met Yoko Ono, at one of her art exhibitions.
Miles also played a role in launching International Times, one of the UK’s first underground newspapers, which Paul McCartney discreetly funded. Miles introduced McCartney to the people behind the project and facilitated many of his early connections with the underground scene. In 1967, he co-organized The 14 Hour Technicolor Dream, a legendary multimedia event at Alexandra Palace featuring Pink Floyd, Yoko Ono, and John Lennon, among others.
Later in the decade, Miles took on the management of Zapple Records, an experimental subsidiary of Apple Records. During this time, he produced poetry albums, including one by Richard Brautigan. However, his personal relationship with Brautigan became strained after Miles became romantically involved with Brautigan’s partner, Valerie Estes. The fallout led to communication only through legal representatives. Although Zapple closed before releasing the Brautigan album, it was eventually issued by another label in 1970.
Miles also produced a recording of Allen Ginsberg’s musical interpretation of William Blake’s Songs of Innocence and Experience, which was released in 1970. He briefly lived with Ginsberg in New York before returning to England following the breakdown of his first marriage. He later married travel writer Rosemary Bailey and continued to live and work in London.
In addition to his memoirs In the Sixties and In the Seventies, Miles has written definitive biographies of cultural icons such as Paul McCartney (Many Years From Now), Frank Zappa, William S. Burroughs, Jack Kerouac, Charles Bukowski, and Allen Ginsberg. He is also the author of Hippie, a visual and narrative exploration of the 1960s counterculture. His writings often reflect a mix of personal experience and historical documentation, offering insight into the worlds of rock, literature, and art.
Miles is known not only for his historical accounts but also for his critical views, including pointed commentary on musicians like Rush and Frank Zappa, examining the political and commercial aspects of their work. With a career that spans over five decades, Barry Miles remains one of the most insightful chroniclers of the countercultural and musical revolutions of the 20th century.
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Displaying 1 of 1 review
February 5, 2014
Like most compendiums, the editor overlooks influential women like Joanne Kyger and barely nods at Diane DiPrima and Lenore Kandel. It's a shame that the machismo world of beat poetry rarely has room for women even in a 359 page volume. Nothing particularly new or interesting in Miles' Introduction or Biographical notes. The longer poem selections are often disjointed snippets from the originals. These samples from longer works rarely read well. I did like the way he divided the collection into subsets, but there are better Beat collections out there. My four stars are based solely on content and the inclusion of some lesser known works. I would have given the editing two stars.
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