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273 pages, Kindle Edition
First published May 17, 2005
John Vaillant is an author and freelance writer whose work has appeared in The New Yorker, The Atlantic, National Geographic, and the Guardian, among others. His first book,The Golden Spruce (Norton, 2005), was a bestseller and won several awards, including the Governor General's and Rogers Trust awards for non-fiction (Canada). His second nonfiction book, The Tiger(Knopf, 2010), was an international bestseller, and has been published in 16 languages. Film rights were optioned by Brad Pitt’s film company, Plan B. In 2014 Vaillant won the Windham-Campbell Prize, a global award for non-fiction. In 2015, he published his first work of fiction, The Jaguar's Children (Houghton Mifflin), which was long-listed for the Dublin IMPAC and Kirkus Fiction Prizes, and was a finalist for the Writers� Trust Fiction Prize (Canada).
Unless a tree is particularly large, or unusually shaped, it will not stand out as an individual, and unless it is isolated from its mates, it will seldom announce itself from a distance. But despite being embedded in a forest of similarly large trees, the tree that came to be known as the golden spruce was an exception on both counts. From the ground, its startling colour stopped people dead in their tracks; from the air, it stood out like a beacon and was visible from miles away. Like much of the surrounding landscape, the tree was incorporated into the Haida’s vast repertoire of stories, but as far as anyone knows, it is the only tree, in what was then an infinity of trees, ever to be given a name by the Haida people. They called it K’iid K’iyaas: Elder Spruce Tree. According to legend, it was a human being who had been transformed.
From the vantage point of the twenty-first century, it is hard to say who was more inebriated by greed: the Europeans who were seeing profits in the hundreds of percent, or the Natives who were suddenly able to leapfrog their way to the top of the social hierarchy and put on spectacles of largesse hitherto unimaginable by any potlatch host on the coast. So eager were the Natives to get their hands on the traders� various technological marvels that a man would readily sell the otter cloak off his wife’s back and, on occasion, her back as well. And so desperate were the Iron Men to acquire these skins that they would trade away virtually anything that wasn’t crucial to the journey home; this included Native slaves from down the coast, firearms, silverware, door keys, and the sailors� own clothing. These were boom times for all concerned, a rapacious festival of unrestrained capitalism.`
“When society places so much value on one mutant tree and ignores what happens to the rest of the forest, it’s not the person who points this out who should be labelled,� Hadwin told a Prince Rupert reporter who questioned his sanity. In the short term at least, the collective reaction to the loss of the golden spruce ended up proving his point: that people fail to see the forest for the tree.
At the root of the golden spruce story is a very simple message: respect your elders, or you’ll be sorry. However, beneath this surface layer of meaning, the parable could also be read as a lesson on how to survive the loss of one’s entire village to massacre, how to weather a stint in residential school: don’t look back; don’t try to return to that dead place. But everyone in a position to deny or confirm this, or any other theory, is dead. Like the tree and the man who cut it down, the story is a puzzle or, more accurately, a piece of a puzzle, the whole of which can never be fully known.
It seems that in order to succeed - or even function - in this world, a certain tolerance for moral and cognitive dissonance is necessary.
Down below, the undergrowth is thick, and between this and the trees, it is hard to see very far; the sound of moving water is constant, and the ground is as soft and spongy as a sofa with shot springs. You have the feeling that if you stop for too long, you will simply be grown over and absorbed by the slow and ancient riot of growth going on all around you. It can be suffocating, and the need to see the sun can become overpowering-something you could do easily if it weren't for all those trees.