Å·±¦ÓéÀÖ

Timothy Samara

Timothy Samara’s Followers (18)

member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo

Timothy Samara



Average rating: 3.9 · 5,201 ratings · 127 reviews · 30 distinct works â€� Similar authors
Making and Breaking the Gri...

3.88 avg rating — 4,072 ratings — published 2003 — 17 editions
Rate this book
Clear rating
Design Elements: A Graphic ...

4.01 avg rating — 628 ratings — published 2007 — 15 editions
Rate this book
Clear rating
Typography Workbook: A Real...

really liked it 4.00 avg rating — 281 ratings — published 2004 — 9 editions
Rate this book
Clear rating
Publication Design Workbook...

3.88 avg rating — 65 ratings — published 2005 — 5 editions
Rate this book
Clear rating
Drawing for Graphic Design:...

4.27 avg rating — 41 ratings — published 2012
Rate this book
Clear rating
The Designer's Graphic Stew...

4.22 avg rating — 32 ratings — published 2010 — 3 editions
Rate this book
Clear rating
Graphic Designer's Essentia...

3.75 avg rating — 36 ratings — published 2011 — 6 editions
Rate this book
Clear rating
Type Style Finder: The Busy...

3.61 avg rating — 28 ratings — published 2006 — 6 editions
Rate this book
Clear rating
Letterforms: Typeface Desig...

4.45 avg rating — 22 ratings
Rate this book
Clear rating
Manuel de design graphique ...

4.60 avg rating — 5 ratings2 editions
Rate this book
Clear rating
More books by Timothy Samara…
Quotes by Timothy Samara  (?)
Quotes are added by the Å·±¦ÓéÀÖ community and are not verified by Å·±¦ÓéÀÖ.

“I have little interest in illustration, which lacks a kind of transcendental quality. It is too literal. I find typography more straightforward, conceptual, and appealing, with its strict geometric vocabulary. There is a bridge between typographic design and fine art, especially since typography possesses a complex subtlety. The idea, the method, and the honesty in expression are central to a designer who works with type.”
Timothy Samara, Typography Workbook: A Real-World Guide to Using Type in Graphic Design

“Simplicity, clarity, complexity, and ambiguity are not mutually exclusive states in language; the sensitive typographer is one who can manifest these states in the right mix by controlling the elements at his or her disposal.”
Timothy Samara

“Some time around 1932, Adolf Loos, the noted Viennese architect, said, “There is a great difference between an urn and a chamber pot, and in this difference there is leeway for culture.”
Timothy Samara, Design Elements: A Graphic Style Manual



Is this you? Let us know. If not, help out and invite Timothy to Å·±¦ÓéÀÖ.