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THE EMPRESS OF INDRAPRASTHA - Entering Kuruvansh
Draupadi’s mother, Maharani Prishati, was influential in building her charismatic daughter’s strong character as a proponent of human rights and a shrewd politician. Why would such an independent thinker blindly follow something that Ma Kunti said accidentally? Did all the Paandav brothers agree to marry her immediately? The brilliant Sahdev and the far-sighted strategist Draupadi collectively argued for a partition to give Duryodhan his rights to half the kingdom. The intricate complexities of a dynamic polyamorous marriage and a sibling bond promoting gender equality are showcased through the series. Over five parts unfurl � the untold memoirs of an Empress�
176 pages, Kindle Edition
Published February 8, 2023
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Displaying 1 - 30 of 75 reviews
September 5, 2022
The empress of Indraprastha is the story of Draupadi.
One of the strongest & boldest character in Mahabharata.
Draupadi was not only the first feminist in Hindu mythology but her story and her character is an inspiration to many more women in contemporary time.
From a loving daughter of Panchal Naresh to the wife of Arjuna & then the whole Pandavas.
She faced lots of contempt in her character but she never let anyone taken her for granted.
She wasn't only a good wife or mother of pandavas and uppandavas but she was also a very good friend of Krishna.
Her fashion sense & way of handling things makes her an example of an ideal woman.
I recommend you all to read this book to extract some values & learn from the life of Draupadi.
One of the strongest & boldest character in Mahabharata.
Draupadi was not only the first feminist in Hindu mythology but her story and her character is an inspiration to many more women in contemporary time.
From a loving daughter of Panchal Naresh to the wife of Arjuna & then the whole Pandavas.
She faced lots of contempt in her character but she never let anyone taken her for granted.
She wasn't only a good wife or mother of pandavas and uppandavas but she was also a very good friend of Krishna.
Her fashion sense & way of handling things makes her an example of an ideal woman.
I recommend you all to read this book to extract some values & learn from the life of Draupadi.
August 22, 2022
Mahabharata from the perspective of Draupadi is always a delight to read, you always learn something new! Surprisingly, just as much as Draupadi’s, this book provided me a peek inside Karna’s marital life as well.
It is well known that Panchali had always been an arrogant and walks-with-her-head-held-high kind of woman. This book is a take on this aspect and goes on to bring out colours of Panchali’s individuality to show that she was by no means subservient. Be it the prospect of Karna winning her Swayamvar or her being involved into a polyamorous marriage, Draupadi always voiced out her thoughts.
While the factual details in the book are immaculate, I believed a bit of character development was missing. But it was refreshing to read about the lives of side characters such as Karna’s, Lord Krishna’s and Yudhisthira’s wives. A breath of fresh air from the books that obsessively revolve around Draupadi!
Eagerly waiting for the next part now!
It is well known that Panchali had always been an arrogant and walks-with-her-head-held-high kind of woman. This book is a take on this aspect and goes on to bring out colours of Panchali’s individuality to show that she was by no means subservient. Be it the prospect of Karna winning her Swayamvar or her being involved into a polyamorous marriage, Draupadi always voiced out her thoughts.
While the factual details in the book are immaculate, I believed a bit of character development was missing. But it was refreshing to read about the lives of side characters such as Karna’s, Lord Krishna’s and Yudhisthira’s wives. A breath of fresh air from the books that obsessively revolve around Draupadi!
Eagerly waiting for the next part now!
August 19, 2022
I have read my fair share of retellings of Mahabharata, with Draupadi in the limelight, in the last few years. While each story is similar in more ways than one, the main thing that differentiates them is the perspective of the author on this timeless saga. Some see it as the plight of Panchaali, while others view it as her uprising. This book, being the first installment in a series, had an optimistic tone.
Draupadi has always been a much talked about mythological character, given her one of a kind birth and upbringing in Panchaal, her marriage to five brothers and most importantly her flair for politics, science and warfare. Many discussions start and end around her, when it comes to the great epic of Mahabharata.
In this book, the author has mainly focused on making Draupadi sound more realistic. In her version, the princess' opinions are heard and respected. She presents an interesting alternative wherein Panchaali adores each of her husbands, though not equally, for their different skillsets and attitude towards life. Her relationship with Kunti is beautifully portrayed as well.
This book had me intrigued right from page one. The prose flowed flawlessly and with as much interesting details as possible. I will say that this is one of the best retellings of Mahabharata I've had the chance to read till date! If you love mythology, you should definitely read this book! Can't wait to read the next book in this series!
Draupadi has always been a much talked about mythological character, given her one of a kind birth and upbringing in Panchaal, her marriage to five brothers and most importantly her flair for politics, science and warfare. Many discussions start and end around her, when it comes to the great epic of Mahabharata.
In this book, the author has mainly focused on making Draupadi sound more realistic. In her version, the princess' opinions are heard and respected. She presents an interesting alternative wherein Panchaali adores each of her husbands, though not equally, for their different skillsets and attitude towards life. Her relationship with Kunti is beautifully portrayed as well.
This book had me intrigued right from page one. The prose flowed flawlessly and with as much interesting details as possible. I will say that this is one of the best retellings of Mahabharata I've had the chance to read till date! If you love mythology, you should definitely read this book! Can't wait to read the next book in this series!
September 18, 2022
3.7 Stars
One Liner: Nice
The Empress of Indraprastha - Entering Kuruvansh is the first book in the five-part series retelling Mahabharat from Draupadi’s perspective. The book deals with her Swayamvar until the partition of Hastinapur, where the Pandavas are allotted the barren section (Khandavprastha) of the kingdom.
My Observations:
The book is short, crisp, and easy to read. It sets a decent foundation for the remaining four books in the series.
I haven’t found any triggers (pseudo-intellectuals maligning the original), so that’s a relief. I will read the subsequent works to see if the intent continues or changes.
The overall feeling the book gives is light. As if I skimmed the surface and didn’t go into deep waters. This is an advantage and disadvantage, depending on what the reader wants.
The vibes are pretty much positive despite the post-modern phrases like gender equality (I was worried when this term appeared thrice in the first two chapters) and caste discrimination (which has to be ‘varna� as there was no ‘caste� during the Mahabharata era).
There’s Draupadi’s obsession with Karn again, albeit in a different manner. However, it could go either way, and I’ll reserve my views on it until I know where it leads. The author did handle it better in this book compared to CBD’s Palace of Illusions. I hope it continues.
Sahdev gets more screen space in this one, which I like. The interactions have strong undertones of foreshadowing (a little too much at times). Krishna’s wordplay gets a special mention (something I always enjoy in our old Telugu movies).
The book has more domesticated scenes that show the other side of the princes and kings. Of course, the author’s imagination is at work, but as long as it doesn’t harm the original, I don’t mind.
A little more research into confirming timeframes for samosas and Jaunpuri rang would have been better. Historical inaccuracies don’t look good in books. (it’s not like we don’t have enough native dishes and ragas to borrow from another culture and time.)
There are descriptions of the setting where it matters, and the individual characteristics of the Pandava brothers are well presented. But the book, as such, misses the feel of historical fiction.
A book set in ancient times has to have the charm of the period. Despite the sprinkling of some native words, the impact isn’t there. The writing feels contemporary (almost like modern-day characters role-playing a periodic drama).
To summarize, The Empress of Indraprastha - Entering Kuruvansh is a decent beginning to the series and a fast read if you aren’t too particular about a few things. Rounding off the rating to 4 stars since this is the author’s debut work (and I didn’t find anything offensive).
I thank the author for the complimentary copy of the book. This review is voluntary and contains my honest opinions.
If you’re interested in knowing more about Draupadi and Mahabharata in general, check out by a friend. It mentions the references from where the information is collected and presented in individual blogs.
P.S: I tried to be a nice person but� sigh! Too many adverbs. �
One Liner: Nice
The Empress of Indraprastha - Entering Kuruvansh is the first book in the five-part series retelling Mahabharat from Draupadi’s perspective. The book deals with her Swayamvar until the partition of Hastinapur, where the Pandavas are allotted the barren section (Khandavprastha) of the kingdom.
My Observations:
The book is short, crisp, and easy to read. It sets a decent foundation for the remaining four books in the series.
I haven’t found any triggers (pseudo-intellectuals maligning the original), so that’s a relief. I will read the subsequent works to see if the intent continues or changes.
The overall feeling the book gives is light. As if I skimmed the surface and didn’t go into deep waters. This is an advantage and disadvantage, depending on what the reader wants.
The vibes are pretty much positive despite the post-modern phrases like gender equality (I was worried when this term appeared thrice in the first two chapters) and caste discrimination (which has to be ‘varna� as there was no ‘caste� during the Mahabharata era).
There’s Draupadi’s obsession with Karn again, albeit in a different manner. However, it could go either way, and I’ll reserve my views on it until I know where it leads. The author did handle it better in this book compared to CBD’s Palace of Illusions. I hope it continues.
Sahdev gets more screen space in this one, which I like. The interactions have strong undertones of foreshadowing (a little too much at times). Krishna’s wordplay gets a special mention (something I always enjoy in our old Telugu movies).
The book has more domesticated scenes that show the other side of the princes and kings. Of course, the author’s imagination is at work, but as long as it doesn’t harm the original, I don’t mind.
A little more research into confirming timeframes for samosas and Jaunpuri rang would have been better. Historical inaccuracies don’t look good in books. (it’s not like we don’t have enough native dishes and ragas to borrow from another culture and time.)
There are descriptions of the setting where it matters, and the individual characteristics of the Pandava brothers are well presented. But the book, as such, misses the feel of historical fiction.
A book set in ancient times has to have the charm of the period. Despite the sprinkling of some native words, the impact isn’t there. The writing feels contemporary (almost like modern-day characters role-playing a periodic drama).
To summarize, The Empress of Indraprastha - Entering Kuruvansh is a decent beginning to the series and a fast read if you aren’t too particular about a few things. Rounding off the rating to 4 stars since this is the author’s debut work (and I didn’t find anything offensive).
I thank the author for the complimentary copy of the book. This review is voluntary and contains my honest opinions.
If you’re interested in knowing more about Draupadi and Mahabharata in general, check out by a friend. It mentions the references from where the information is collected and presented in individual blogs.
P.S: I tried to be a nice person but� sigh! Too many adverbs. �
September 9, 2022
This is the third book I read on Draupadi, and I have been lucky that they covered different perspectives. It starts on her Swayamwar, ends with Khandavprastha being offered as their share of the Kingdom to the Pandavas, and includes different stories from the interim.
The book depicts the strong personality of Panchaali (or Kalyani, if you prefer). There is an emphasis on Panchaal being an inclusive society compared to other kingdoms, with no discrimination based on gender, caste, or other parameters. Draupadi herself was treated at par with her brothers and taught the same skills without gender bias. She, however, used the caste card to reject Karna from participating in the Swayamwar, so that seemed out of place.
I liked the part wherein Draupadi and the Pandavas decided on their polyandrous marriage, as that is not something I remember being explained in other readings I have gone through. It was a combination of obeying the mother and doing something for the greater good of the family (and indirectly, also of the Kingdom). The author has also built up the Draupadi-Krishna friendship with specific comments that I expect would be referred to later ("I will be there for you when you really need me the most") and also the Draupadi-Karna hatred, which I am curious to evolve further. The part on Bhanumati, Supriyaa and Vrushaali and children was a pleasant diversion though they remain fringe characters.
I also liked that all Pandavas are handled separately and Sonali has given them equal coverage. I have not felt this in other books or discussions, and I am unsure if there was parity even in the actual epic (I have not read the original text but saying so based on the TV shows). It was nice to know more about each of the five brothers without much focus on their military skills.
The part I felt did not work for me was how the book seemed to end prematurely, with an intent to lead the reader to the next book in the series. Considering it was a short read, I feel it could have been one book (and not a series) to get to a logical ending since we already know the overall story of Draupadi. In the case of a series, I would prefer to pick the book after the whole series is out and binge-read it instead of reading the first book now and then waiting a few months/ years later. That conveys my intention to read more and my impatience to wait for it (so it's a problem with me and not the book).
The writing style was simple and would appeal to all kinds of readers. I loved and related to specific excerpts, a couple of my favourites are:
"Morals and ethics are not set in stone. While the two are closely related, there is a subtle difference between them. Morals are typically personal, whereas ethics relate to societal norms. What may be right for one person may be wrong for someone else."
"Love is not something that can be defined. There is no right or wrong way of loving someone. If you truly love someone, you must occasionally put their needs first, over and above yourself.�
I would have liked a 3.5 ⭐️ option, as that’s where I’d want to have here. 3 is not the right number!
The book depicts the strong personality of Panchaali (or Kalyani, if you prefer). There is an emphasis on Panchaal being an inclusive society compared to other kingdoms, with no discrimination based on gender, caste, or other parameters. Draupadi herself was treated at par with her brothers and taught the same skills without gender bias. She, however, used the caste card to reject Karna from participating in the Swayamwar, so that seemed out of place.
I liked the part wherein Draupadi and the Pandavas decided on their polyandrous marriage, as that is not something I remember being explained in other readings I have gone through. It was a combination of obeying the mother and doing something for the greater good of the family (and indirectly, also of the Kingdom). The author has also built up the Draupadi-Krishna friendship with specific comments that I expect would be referred to later ("I will be there for you when you really need me the most") and also the Draupadi-Karna hatred, which I am curious to evolve further. The part on Bhanumati, Supriyaa and Vrushaali and children was a pleasant diversion though they remain fringe characters.
I also liked that all Pandavas are handled separately and Sonali has given them equal coverage. I have not felt this in other books or discussions, and I am unsure if there was parity even in the actual epic (I have not read the original text but saying so based on the TV shows). It was nice to know more about each of the five brothers without much focus on their military skills.
The part I felt did not work for me was how the book seemed to end prematurely, with an intent to lead the reader to the next book in the series. Considering it was a short read, I feel it could have been one book (and not a series) to get to a logical ending since we already know the overall story of Draupadi. In the case of a series, I would prefer to pick the book after the whole series is out and binge-read it instead of reading the first book now and then waiting a few months/ years later. That conveys my intention to read more and my impatience to wait for it (so it's a problem with me and not the book).
The writing style was simple and would appeal to all kinds of readers. I loved and related to specific excerpts, a couple of my favourites are:
"Morals and ethics are not set in stone. While the two are closely related, there is a subtle difference between them. Morals are typically personal, whereas ethics relate to societal norms. What may be right for one person may be wrong for someone else."
"Love is not something that can be defined. There is no right or wrong way of loving someone. If you truly love someone, you must occasionally put their needs first, over and above yourself.�
I would have liked a 3.5 ⭐️ option, as that’s where I’d want to have here. 3 is not the right number!
October 19, 2022
Many different qualities make up a good mythology book. Some of these qualities include a well-told story, interesting characters, and a rich and detailed setting. A good mythology book should also offer readers a new perspective on the world and the creatures that inhabit it.
Draupadi is a central character in the Hindu epic, the Mahabharata. She is the daughter of Drupada, the king of Panchala. She is married to the five Pandava brothers. Draupadi is the epitome of beauty, valour, and virtue.
Any lady would think that life was perfect if she had been born a princess and had been reared by a devoted father and three adoring brothers. Draupadi is a unique woman who cannot be content to follow the way less travelled because she was born from the sacred fire. She is more insightful and intuitive than she should be given the treachery and division she gives birth to seen within her own family. Her journey seemed to go on forever—complicated marriage relationships, a meteoric rise and a catastrophic loss, humiliation never before experienced and a vow of vengeance. She withstands everything, though, never giving in or breaking. The Mahabharata's one of its most memorable characters,
Since Draupadi is one of the main characters in the story, it also serves as a collective representation of all women in society and provides us with insight into their psychology. The author of the book has specifically evaluated Draupadi's feelings and internal struggles in light of the sequence of occasions that led to the Mahabharat War.
It's mythology, so if someone understands it the same way that the authors do, that's okay. Although I believe there were few instances of departure, there has always been a space for a writer to use creative licence and alter the plot somewhat, exaggerate, or criticise a character.
But It was unquestionably a fantastic read, and Sonali's perspectives on Draupadi's views helped to make it shine!
Even if she wasn't interested in Karn, Draupadi's inventive interactions with his wife and kids were a highly engaging part for me.
I incredibly appreciated comprehending her interactions with lord Krishna and her excursion to Dwarka.
The language of this book is so simple, so anyone can easily understand this book.
I really like how the author represents Draupadi's character in very simple words.
Also, I'd want to add one more point regarding this book. Publisher Using very poor paper quality with very ok ok type printing.
Editing work is very remarkable.
Overall this rendition of the legend of India's most beloved heroine is brilliant in its own right. Throughout the pages, strong viewpoints are given, and stimulating conversations pique the reader's interest. It was a pleasure to fall in love with each of the characters because they were perfectly written and all were developed in the novel in an honestly charismatic way itendsataplacethathas arousedmyinterestinwhatwillcomenextinthesubsequentparts.
Lastly, I like to say congratulationstoSonaliRajeMaam forwonderfully penning thisamazingmasterpiece.
Recommend this book to all mythological lovers
Draupadi is a central character in the Hindu epic, the Mahabharata. She is the daughter of Drupada, the king of Panchala. She is married to the five Pandava brothers. Draupadi is the epitome of beauty, valour, and virtue.
Any lady would think that life was perfect if she had been born a princess and had been reared by a devoted father and three adoring brothers. Draupadi is a unique woman who cannot be content to follow the way less travelled because she was born from the sacred fire. She is more insightful and intuitive than she should be given the treachery and division she gives birth to seen within her own family. Her journey seemed to go on forever—complicated marriage relationships, a meteoric rise and a catastrophic loss, humiliation never before experienced and a vow of vengeance. She withstands everything, though, never giving in or breaking. The Mahabharata's one of its most memorable characters,
Since Draupadi is one of the main characters in the story, it also serves as a collective representation of all women in society and provides us with insight into their psychology. The author of the book has specifically evaluated Draupadi's feelings and internal struggles in light of the sequence of occasions that led to the Mahabharat War.
It's mythology, so if someone understands it the same way that the authors do, that's okay. Although I believe there were few instances of departure, there has always been a space for a writer to use creative licence and alter the plot somewhat, exaggerate, or criticise a character.
But It was unquestionably a fantastic read, and Sonali's perspectives on Draupadi's views helped to make it shine!
Even if she wasn't interested in Karn, Draupadi's inventive interactions with his wife and kids were a highly engaging part for me.
I incredibly appreciated comprehending her interactions with lord Krishna and her excursion to Dwarka.
The language of this book is so simple, so anyone can easily understand this book.
I really like how the author represents Draupadi's character in very simple words.
Also, I'd want to add one more point regarding this book. Publisher Using very poor paper quality with very ok ok type printing.
Editing work is very remarkable.
Overall this rendition of the legend of India's most beloved heroine is brilliant in its own right. Throughout the pages, strong viewpoints are given, and stimulating conversations pique the reader's interest. It was a pleasure to fall in love with each of the characters because they were perfectly written and all were developed in the novel in an honestly charismatic way itendsataplacethathas arousedmyinterestinwhatwillcomenextinthesubsequentparts.
Lastly, I like to say congratulationstoSonaliRajeMaam forwonderfully penning thisamazingmasterpiece.
Recommend this book to all mythological lovers
August 12, 2022
This book is definitely a great read! The story is narrated from Draupadi’s point of view. The author has done a great job capturing the most basic human emotions that lie at the heart of the epic saga � Mahabharat. If you take out ego and pride from all of the characters in Mahabharat, this great epic drama would probably never have occurred. But what is a human being without her or his ego! There are many incidences in Mahabharat which remain a mystery and defy rationale such as why Draupadi refuses to let Karn participate in her swayamwar or why Arjun nurses this intense hatred for Karn or the inexplicable decision of Kunti asking her sons to obey her command of sharing a wife when it was uttered without knowing the context. However, the author’s interpretation of these incidences is very relatable to the emotions that we experience in our day-to-day life. The author has managed to captivate the reader as she takes us through an emotional roller coaster of every character’s desires, jealousies, insecurities and pride.
The story is refreshing as it presents a modern outlook through Draupadi’s character where a female is not just represented as a symbol of beauty and obedience but also participates in intellectual conversations and matters of political interests. Last but not the least, each character is depicted as a gray shade which I think is the gist of Mahabharat. No individual is completely evil or a total saint. In fact each character has their own positives and negatives depending on the circumstance and the reader’s point of view.
All in all this book has definitely made it to my shelf, right beside Palace of Illusions, Jaya, Mrityunjay and Yugandhar. Now waiting for the next one in this series.
The story is refreshing as it presents a modern outlook through Draupadi’s character where a female is not just represented as a symbol of beauty and obedience but also participates in intellectual conversations and matters of political interests. Last but not the least, each character is depicted as a gray shade which I think is the gist of Mahabharat. No individual is completely evil or a total saint. In fact each character has their own positives and negatives depending on the circumstance and the reader’s point of view.
All in all this book has definitely made it to my shelf, right beside Palace of Illusions, Jaya, Mrityunjay and Yugandhar. Now waiting for the next one in this series.
August 31, 2022
Rating edit: 3.5 stars
Finished 'The Empress of Hastinapur' by Sonali Raje. It's her debut book, and first in the five book series.
And, this is my third book on Draupadi, one of my favourite and one of the most powerful mythological characters. Writing mythological fiction is not easy because we already know the basic story and it's challenging to extract striking elements out of it.
The book starts with Draupadi's swayamvar and ends on an interesting note, which makes you want to know more.
What I liked:
I loved Draupadi's friendship with Krishna, of course. Plus, it is the first book where Sehdev gets a generous space. I liked the Draupadi-Sehdev relationship. Also, this book tells about some lesser known characters, like Devaki (Yudhisthir's wife); Karn's wives Supriya and Vrushali. I particularly liked Supriya.
Also, I liked Shikhandi's portrayal and how Draupadi doesn't hesitate to stand up for him when talking to Bheeshma.
The language is very neat and simple, which makes the read easy.
You see, I am not a fan of purple prose but for this genre particularly, I expected the language to be a bit lyrical. The writing seemed too straightforward to me (for this genre). Also, I felt there were too many dialogues. But maybe it's just me.
Overall it was a nice, interesting take on Draupadi's life.
Finished 'The Empress of Hastinapur' by Sonali Raje. It's her debut book, and first in the five book series.
And, this is my third book on Draupadi, one of my favourite and one of the most powerful mythological characters. Writing mythological fiction is not easy because we already know the basic story and it's challenging to extract striking elements out of it.
The book starts with Draupadi's swayamvar and ends on an interesting note, which makes you want to know more.
What I liked:
I loved Draupadi's friendship with Krishna, of course. Plus, it is the first book where Sehdev gets a generous space. I liked the Draupadi-Sehdev relationship. Also, this book tells about some lesser known characters, like Devaki (Yudhisthir's wife); Karn's wives Supriya and Vrushali. I particularly liked Supriya.
Also, I liked Shikhandi's portrayal and how Draupadi doesn't hesitate to stand up for him when talking to Bheeshma.
The language is very neat and simple, which makes the read easy.
You see, I am not a fan of purple prose but for this genre particularly, I expected the language to be a bit lyrical. The writing seemed too straightforward to me (for this genre). Also, I felt there were too many dialogues. But maybe it's just me.
Overall it was a nice, interesting take on Draupadi's life.
November 13, 2022
"𝙄 𝙖𝙢 𝙟𝙪𝙨𝙩 𝙖 𝙗𝙞𝙩 𝙨𝙘𝙖𝙧𝙚𝙙 𝙤𝙛 𝙙𝙤𝙞𝙣𝙜 𝙨𝙤𝙢𝙚𝙩𝙝𝙞𝙣𝙜 𝙩𝙝𝙞𝙨 𝙪𝙣𝙘𝙤𝙣𝙫𝙚𝙣𝙩𝙞𝙤𝙣𝙖𝙡."
"𝙄𝙩 𝙙𝙖𝙬𝙣𝙚𝙙 𝙤𝙣 𝙢𝙚 𝙩𝙝𝙖𝙩 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙚𝙞𝙩𝙝𝙚𝙧 𝙗𝙚 𝙡𝙤𝙤𝙠𝙚𝙙 𝙪𝙥𝙤𝙣 𝙖𝙨 𝙖 𝙨𝙮𝙢𝙗𝙤𝙡 𝙤𝙛 𝙨𝙩𝙧𝙚𝙣𝙜𝙩𝙝; 𝙖𝙨 𝙩𝙝𝙚 𝙬𝙤𝙢𝙖𝙣 𝙬𝙝𝙤 𝙨𝙩𝙚𝙥𝙥𝙚𝙙 𝙤𝙣 𝙩𝙝𝙚 𝙪𝙣𝙘𝙤𝙣𝙫𝙚𝙣𝙩𝙞𝙤𝙣𝙖𝙡 𝙥𝙖𝙩𝙝 𝙞𝙣 𝙖 𝙨𝙩𝙧𝙞𝙘𝙩𝙡𝙮 𝙥𝙖𝙩𝙧𝙞𝙖𝙧𝙘𝙝𝙖𝙡 𝘼𝙧𝙮𝙖𝙣 𝙨𝙤𝙘𝙞𝙚𝙩𝙮 𝙤𝙧, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙗𝙚 𝙘𝙤𝙣𝙙𝙚𝙢𝙣𝙚𝙙 𝙖𝙣𝙙 𝙟𝙪𝙙𝙜𝙚𝙙 𝙗𝙮 𝙩𝙝𝙚 𝙢𝙖𝙟𝙤𝙧𝙞𝙩𝙮 𝙤𝙛 𝙩𝙝𝙚 𝙥𝙤𝙥𝙪𝙡𝙖𝙩𝙞𝙤𝙣."
Draupadi, Kalyani, Panchali, Krishnaa or the Empress of Indraprasth, she who married the 5 Pandavs, this story is HER story..
This book from the 5 part series can be said to be the scene setting book and explores the early life of Draupadi. The book starts from the very famous scene of Mahabharat that is the Swayamvar of Draupadi and ends at Khandvaprasth (named Indraprasth later).
This is a perfect book to explore several characters from Mahabharat - Karn, Duryodhan, Bhanumati, Supriya, Vrushali, Dhrisht, Shikhandi and a few others. The author has covered several encounters of Draupadi with each one of them and has shed light on their bonds in a very precise manner. Apart from this, you get to experience each of the Pandu brothers - Yudhisthir, Bheem, Arjun, Nakul and Sehdev from Draupadi's eye as her husband and less of a warrior.
While I was reading this book, I could sense myself smile, get angry and feel a few more emotions as the writing is quite descriptive and leaves a footprint on your mind.
Draupadi is one of my favourite characters from our history and certainly her fierce and strong personality is a reason I look up to her. And this books adds to whatever I have learnt and gathered about her.
With that being said, I'm quite excited to read the coming parts and would highly recommend this book!
"𝙄𝙩 𝙙𝙖𝙬𝙣𝙚𝙙 𝙤𝙣 𝙢𝙚 𝙩𝙝𝙖𝙩 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙚𝙞𝙩𝙝𝙚𝙧 𝙗𝙚 𝙡𝙤𝙤𝙠𝙚𝙙 𝙪𝙥𝙤𝙣 𝙖𝙨 𝙖 𝙨𝙮𝙢𝙗𝙤𝙡 𝙤𝙛 𝙨𝙩𝙧𝙚𝙣𝙜𝙩𝙝; 𝙖𝙨 𝙩𝙝𝙚 𝙬𝙤𝙢𝙖𝙣 𝙬𝙝𝙤 𝙨𝙩𝙚𝙥𝙥𝙚𝙙 𝙤𝙣 𝙩𝙝𝙚 𝙪𝙣𝙘𝙤𝙣𝙫𝙚𝙣𝙩𝙞𝙤𝙣𝙖𝙡 𝙥𝙖𝙩𝙝 𝙞𝙣 𝙖 𝙨𝙩𝙧𝙞𝙘𝙩𝙡𝙮 𝙥𝙖𝙩𝙧𝙞𝙖𝙧𝙘𝙝𝙖𝙡 𝘼𝙧𝙮𝙖𝙣 𝙨𝙤𝙘𝙞𝙚𝙩𝙮 𝙤𝙧, 𝙄 𝙬𝙤𝙪𝙡𝙙 𝙗𝙚 𝙘𝙤𝙣𝙙𝙚𝙢𝙣𝙚𝙙 𝙖𝙣𝙙 𝙟𝙪𝙙𝙜𝙚𝙙 𝙗𝙮 𝙩𝙝𝙚 𝙢𝙖𝙟𝙤𝙧𝙞𝙩𝙮 𝙤𝙛 𝙩𝙝𝙚 𝙥𝙤𝙥𝙪𝙡𝙖𝙩𝙞𝙤𝙣."
Draupadi, Kalyani, Panchali, Krishnaa or the Empress of Indraprasth, she who married the 5 Pandavs, this story is HER story..
This book from the 5 part series can be said to be the scene setting book and explores the early life of Draupadi. The book starts from the very famous scene of Mahabharat that is the Swayamvar of Draupadi and ends at Khandvaprasth (named Indraprasth later).
This is a perfect book to explore several characters from Mahabharat - Karn, Duryodhan, Bhanumati, Supriya, Vrushali, Dhrisht, Shikhandi and a few others. The author has covered several encounters of Draupadi with each one of them and has shed light on their bonds in a very precise manner. Apart from this, you get to experience each of the Pandu brothers - Yudhisthir, Bheem, Arjun, Nakul and Sehdev from Draupadi's eye as her husband and less of a warrior.
While I was reading this book, I could sense myself smile, get angry and feel a few more emotions as the writing is quite descriptive and leaves a footprint on your mind.
Draupadi is one of my favourite characters from our history and certainly her fierce and strong personality is a reason I look up to her. And this books adds to whatever I have learnt and gathered about her.
With that being said, I'm quite excited to read the coming parts and would highly recommend this book!
March 17, 2023
Finally A Read A Book Which Shared Draupadi's Perspective About The Political Turmoil Within Nations Of Indraprastha,Hastinapur And Entire Aryavrata.
This Fresh Third Person View Of Course Provides Unique Storyline,But What It Does Better Is Providing Much More Of Depth To Characters Which Enhance The Reader's Engagement To The Story.
Coming To Story Part,Since I Am Already A Bit Fascinated About Mythological Fiction Genre,It Was Absolute Delight For Me To Read It As I Was Pre-aware About The Personalites And Character's Mindset. Which Author Tries To Narrate But Takes Time In Setting Up Them. The Story Telling Was Top-Notch From My View,Because I Feel...If The Story Intrigues A Reader This Means That Author Has Excelled Their Task.
But The Back Drop For Me Was The Pace...It Kept On Changing Like Some Scenes Were Too Descriptive And Some Were Just Touched For The Sake Of Doing It.
But As The Story Proceeds You Understand That The Author Tried Explaining Characters And Their Motives Of Using That Words.So,That Balances All Things Up!
Overall, A Fresh-Read.
This Fresh Third Person View Of Course Provides Unique Storyline,But What It Does Better Is Providing Much More Of Depth To Characters Which Enhance The Reader's Engagement To The Story.
Coming To Story Part,Since I Am Already A Bit Fascinated About Mythological Fiction Genre,It Was Absolute Delight For Me To Read It As I Was Pre-aware About The Personalites And Character's Mindset. Which Author Tries To Narrate But Takes Time In Setting Up Them. The Story Telling Was Top-Notch From My View,Because I Feel...If The Story Intrigues A Reader This Means That Author Has Excelled Their Task.
But The Back Drop For Me Was The Pace...It Kept On Changing Like Some Scenes Were Too Descriptive And Some Were Just Touched For The Sake Of Doing It.
But As The Story Proceeds You Understand That The Author Tried Explaining Characters And Their Motives Of Using That Words.So,That Balances All Things Up!
Overall, A Fresh-Read.
September 13, 2022
THE EMPRESS OF INDRAPRASTHA - Entering Kuruvansh by Sonali Raje, is a retelling of the epic Mahabharata from Draupadi's point of view. This book, narrates the life of Draupadi since her birth, her life and deep conversation with her best friend Krishna and the number of events happening in her life.
Through this novel, we get to know a different perspective of Paanchali. She is portrayed here as a fearless and intellectual soul. The novel delineates in detail, her relationship with her five husbands, her interaction with Karna's Wife and his child & the injustices she has faced.
I solely liked the way, the author has described the events and Paanchali's in details. It also gives a glimpse of the bonds Draupadi shared with other major characters. Through this novel, a reader could discover the different side of Paanchali. I liked reading this novel, it's narrated in a lucid manner and I waiting for upcoming sequel to this book.
Through this novel, we get to know a different perspective of Paanchali. She is portrayed here as a fearless and intellectual soul. The novel delineates in detail, her relationship with her five husbands, her interaction with Karna's Wife and his child & the injustices she has faced.
I solely liked the way, the author has described the events and Paanchali's in details. It also gives a glimpse of the bonds Draupadi shared with other major characters. Through this novel, a reader could discover the different side of Paanchali. I liked reading this novel, it's narrated in a lucid manner and I waiting for upcoming sequel to this book.
February 16, 2025
I am fascinated by the Mahabharata and keen to read more about this historical event. Therefore, I will read any book written with the Mahabharata as its backdrop. However, the narrative of Panchali's obsession with Karna needs to stop; authors should abandon this narrative angle.
March 23, 2025
The Empress of Indraprastha Entering Kuruvansh by Sonali Raje:
Sonali Raje’s The Empress of Indraprastha Entering Kuruvansh is more than a retelling of the Mahabharata; it is a bold re-examination of Draupadi’s role as a stateswoman, strategist, and queen in a deeply patriarchal society. Drawing upon history, world mythology, political structures, economic shifts, and cultural anthropology, Raje’s work reframes Draupadi as a figure of defiance and resilience, placing her alongside legendary female leaders from both myth and reality. The novel is reminiscent of Pratibha Ray’s Yajnaseni and Chitra Banerjee Divakaruni’s The Palace of Illusions but brings in an additional layer of political and economic consciousness, making it a landmark work in mythological fiction.
Draupadi: The Queen, Not Just the Wife:
Draupadi’s marriage to the Pandavas has often been seen as a divine decree or an unfortunate fate, but Raje presents it as a political and economic maneuver that reshapes Indraprastha. This marriage is not unlike the unions seen in medieval European courts, where queens played critical roles in diplomacy—similar to how Catherine of Aragon’s marriage shaped English politics or how Isabella of Castile’s union with Ferdinand led to the unification of Spain. Draupadi’s position within the Pandava household is not one of passive acceptance but active engagement, making her a figure akin to Eleanor of Aquitaine, a queen who refused to be sidelined in governance.
In a world where women were seen as mere instruments of dynastic alliances, Draupadi emerges as a ruler in her own right. Her influence over the Pandavas� strategies, her ability to challenge societal norms, and her command over state affairs place her in the lineage of powerful queens like Nur Jahan, who ruled from behind the veil, or Queen Hatshepsut of Egypt, who defied expectations by taking on traditionally masculine roles. This novel reconstructs Draupadi’s legacy, removing the shackles of victimhood and presenting her as a sovereign force in her own destiny.
The Political Chessboard: Draupadi as a Diplomat and a Catalyst for Change:
One of Raje’s greatest strengths is her portrayal of Draupadi’s political awareness. Unlike many retellings that focus on her emotional turmoil, this novel delves into how she actively shaped the governance of Indraprastha. The text showcases how her presence elevated Indraprastha from a fledgling state to an economic powerhouse, much like the rise of Florence under the Medici family during the Renaissance. Her knowledge of diplomacy and administration is comparable to Cleopatra’s ability to navigate Roman politics or Theodora’s influence over the Byzantine Empire.
Raje’s Draupadi understands that power is not only about warfare but also about economic stability and resource management. Indraprastha’s transformation into a thriving kingdom is reflective of the importance of trade, infrastructure, and alliances in maintaining sovereignty—ideas that parallel the strategic expansions of empires such as the Mauryan dynasty under Chandragupta and Kautilya’s political philosophy. In cinematic terms, her role is reminiscent of Daenerys Targaryen from Game of Thrones, who builds her own empire before confronting the injustices of a corrupt world.
Gender, Patriarchy, and the Power of Resistance:
Draupadi’s humiliation in the Kuru court during the infamous dice game is one of the most powerful moments in the Mahabharata. Raje does not depict her as a helpless victim but as a woman whose fury shakes the very foundation of the kingdom. The scene is reminiscent of Medea’s wrath in Greek mythology, though with a crucial difference—Medea seeks personal vengeance, whereas Draupadi’s anger is a cry for justice. Her defiance aligns her with historical figures like Joan of Arc, who stood against institutional oppression, or even Rosa Parks, whose refusal to be silenced sparked a movement.
In Indian cinema, Draupadi’s portrayal has evolved from a tragic heroine in BR Chopra’s Mahabharat (1988) to a feminist icon in Star Plus� Mahabharat (2013). Raje’s version feels even more contemporary, akin to the modern reimaginings of powerful women in pop culture—think Wonder Woman’s battle against patriarchal oppression or Black Widow reclaiming her autonomy in the Marvel Cinematic Universe.
World Mythology and the Archetype of the Wronged Woman:
Draupadi’s story resonates with mythological figures across cultures. Like Helen of Troy, she is at the center of a war not of her making, yet her intellect and agency set her apart. Unlike Helen, who is often seen as a passive figure, Draupadi actively influences the course of history. She shares traits with Sita from Ramayana, both being women wronged by society, yet where Sita chooses renunciation, Draupadi chooses resistance. Her story also echoes that of Queen Dido from The Aeneid, a woman of power whose fate is tied to the ambitions of men.
From Norse mythology, Draupadi bears a resemblance to Freyja, the goddess of love and war, who commands great influence but is often at the mercy of the gods� politics. In Japanese folklore, her role is akin to that of Tomoe Gozen, the legendary samurai warrior who defied gender roles. These parallels highlight how Draupadi’s struggles and triumphs are part of a universal narrative of women challenging societal expectations.
Economic and Social Implications of Draupadi’s Era:
Beyond the palace intrigue, The Empress of Indraprastha Entering Kuruvansh provides an insightful look into the socio-economic fabric of Draupadi’s time. The book subtly discusses the economic ramifications of war, the burden of taxation, and the role of trade in sustaining empires. The rise and fall of Indraprastha mirror real-world shifts in power, much like how the economic decline of the Ottoman Empire affected its military prowess.
Yudhisthira’s gambling addiction is not merely a personal flaw—it reflects the reckless financial decisions that have historically led to the downfall of kingdoms. The novel’s exploration of the fragility of economies in times of war is reminiscent of how World War I drained the European powers, leading to global shifts. Draupadi, much like modern-day policymakers, understands the dangers of unchecked ambition and economic mismanagement, making her one of the most forward-thinking figures in mythological fiction.
Anthropological Perspectives: Women and Power Across Cultures:
Anthropologically, Draupadi’s journey reflects the status of women in patriarchal societies—revered yet restricted, powerful yet vulnerable. Her polyandrous marriage, while divinely ordained, can be viewed through the lens of matrilineal societies, such as those in Meghalaya, India, where lineage is traced through the mother. The novel raises critical questions about agency, choice, and the societal structures that dictate women’s lives.
Draupadi’s role as an advisor and queen aligns with the leadership roles seen in indigenous cultures, where women often played key roles in governance. Her struggle for justice is similar to that of the Iroquois women, who held political authority long before Western feminism recognized women’s rights. Raje’s novel, therefore, transcends mythology—it becomes a sociocultural study of gender, power, and resistance.
Final Thoughts: A Definitive Draupadi Retelling:
With The Empress of Indraprastha Entering Kuruvansh, Sonali Raje reclaims Draupadi’s legacy from the margins of history and mythology, placing her alongside the most powerful figures of legend and reality. The novel bridges the gap between ancient texts and contemporary feminist discourse, drawing from history, world mythology, pop culture, and socio-political theory to create a Draupadi for the modern world.
Whether you are a fan of mythological fiction, a student of history, or a lover of strong female protagonists, this book is essential reading. As Draupadi stands at the crossroads of fate and free will, her story is not just one of an empress—it is the story of every woman who refuses to be silenced.
Sonali Raje’s The Empress of Indraprastha Entering Kuruvansh is more than a retelling of the Mahabharata; it is a bold re-examination of Draupadi’s role as a stateswoman, strategist, and queen in a deeply patriarchal society. Drawing upon history, world mythology, political structures, economic shifts, and cultural anthropology, Raje’s work reframes Draupadi as a figure of defiance and resilience, placing her alongside legendary female leaders from both myth and reality. The novel is reminiscent of Pratibha Ray’s Yajnaseni and Chitra Banerjee Divakaruni’s The Palace of Illusions but brings in an additional layer of political and economic consciousness, making it a landmark work in mythological fiction.
Draupadi: The Queen, Not Just the Wife:
Draupadi’s marriage to the Pandavas has often been seen as a divine decree or an unfortunate fate, but Raje presents it as a political and economic maneuver that reshapes Indraprastha. This marriage is not unlike the unions seen in medieval European courts, where queens played critical roles in diplomacy—similar to how Catherine of Aragon’s marriage shaped English politics or how Isabella of Castile’s union with Ferdinand led to the unification of Spain. Draupadi’s position within the Pandava household is not one of passive acceptance but active engagement, making her a figure akin to Eleanor of Aquitaine, a queen who refused to be sidelined in governance.
In a world where women were seen as mere instruments of dynastic alliances, Draupadi emerges as a ruler in her own right. Her influence over the Pandavas� strategies, her ability to challenge societal norms, and her command over state affairs place her in the lineage of powerful queens like Nur Jahan, who ruled from behind the veil, or Queen Hatshepsut of Egypt, who defied expectations by taking on traditionally masculine roles. This novel reconstructs Draupadi’s legacy, removing the shackles of victimhood and presenting her as a sovereign force in her own destiny.
The Political Chessboard: Draupadi as a Diplomat and a Catalyst for Change:
One of Raje’s greatest strengths is her portrayal of Draupadi’s political awareness. Unlike many retellings that focus on her emotional turmoil, this novel delves into how she actively shaped the governance of Indraprastha. The text showcases how her presence elevated Indraprastha from a fledgling state to an economic powerhouse, much like the rise of Florence under the Medici family during the Renaissance. Her knowledge of diplomacy and administration is comparable to Cleopatra’s ability to navigate Roman politics or Theodora’s influence over the Byzantine Empire.
Raje’s Draupadi understands that power is not only about warfare but also about economic stability and resource management. Indraprastha’s transformation into a thriving kingdom is reflective of the importance of trade, infrastructure, and alliances in maintaining sovereignty—ideas that parallel the strategic expansions of empires such as the Mauryan dynasty under Chandragupta and Kautilya’s political philosophy. In cinematic terms, her role is reminiscent of Daenerys Targaryen from Game of Thrones, who builds her own empire before confronting the injustices of a corrupt world.
Gender, Patriarchy, and the Power of Resistance:
Draupadi’s humiliation in the Kuru court during the infamous dice game is one of the most powerful moments in the Mahabharata. Raje does not depict her as a helpless victim but as a woman whose fury shakes the very foundation of the kingdom. The scene is reminiscent of Medea’s wrath in Greek mythology, though with a crucial difference—Medea seeks personal vengeance, whereas Draupadi’s anger is a cry for justice. Her defiance aligns her with historical figures like Joan of Arc, who stood against institutional oppression, or even Rosa Parks, whose refusal to be silenced sparked a movement.
In Indian cinema, Draupadi’s portrayal has evolved from a tragic heroine in BR Chopra’s Mahabharat (1988) to a feminist icon in Star Plus� Mahabharat (2013). Raje’s version feels even more contemporary, akin to the modern reimaginings of powerful women in pop culture—think Wonder Woman’s battle against patriarchal oppression or Black Widow reclaiming her autonomy in the Marvel Cinematic Universe.
World Mythology and the Archetype of the Wronged Woman:
Draupadi’s story resonates with mythological figures across cultures. Like Helen of Troy, she is at the center of a war not of her making, yet her intellect and agency set her apart. Unlike Helen, who is often seen as a passive figure, Draupadi actively influences the course of history. She shares traits with Sita from Ramayana, both being women wronged by society, yet where Sita chooses renunciation, Draupadi chooses resistance. Her story also echoes that of Queen Dido from The Aeneid, a woman of power whose fate is tied to the ambitions of men.
From Norse mythology, Draupadi bears a resemblance to Freyja, the goddess of love and war, who commands great influence but is often at the mercy of the gods� politics. In Japanese folklore, her role is akin to that of Tomoe Gozen, the legendary samurai warrior who defied gender roles. These parallels highlight how Draupadi’s struggles and triumphs are part of a universal narrative of women challenging societal expectations.
Economic and Social Implications of Draupadi’s Era:
Beyond the palace intrigue, The Empress of Indraprastha Entering Kuruvansh provides an insightful look into the socio-economic fabric of Draupadi’s time. The book subtly discusses the economic ramifications of war, the burden of taxation, and the role of trade in sustaining empires. The rise and fall of Indraprastha mirror real-world shifts in power, much like how the economic decline of the Ottoman Empire affected its military prowess.
Yudhisthira’s gambling addiction is not merely a personal flaw—it reflects the reckless financial decisions that have historically led to the downfall of kingdoms. The novel’s exploration of the fragility of economies in times of war is reminiscent of how World War I drained the European powers, leading to global shifts. Draupadi, much like modern-day policymakers, understands the dangers of unchecked ambition and economic mismanagement, making her one of the most forward-thinking figures in mythological fiction.
Anthropological Perspectives: Women and Power Across Cultures:
Anthropologically, Draupadi’s journey reflects the status of women in patriarchal societies—revered yet restricted, powerful yet vulnerable. Her polyandrous marriage, while divinely ordained, can be viewed through the lens of matrilineal societies, such as those in Meghalaya, India, where lineage is traced through the mother. The novel raises critical questions about agency, choice, and the societal structures that dictate women’s lives.
Draupadi’s role as an advisor and queen aligns with the leadership roles seen in indigenous cultures, where women often played key roles in governance. Her struggle for justice is similar to that of the Iroquois women, who held political authority long before Western feminism recognized women’s rights. Raje’s novel, therefore, transcends mythology—it becomes a sociocultural study of gender, power, and resistance.
Final Thoughts: A Definitive Draupadi Retelling:
With The Empress of Indraprastha Entering Kuruvansh, Sonali Raje reclaims Draupadi’s legacy from the margins of history and mythology, placing her alongside the most powerful figures of legend and reality. The novel bridges the gap between ancient texts and contemporary feminist discourse, drawing from history, world mythology, pop culture, and socio-political theory to create a Draupadi for the modern world.
Whether you are a fan of mythological fiction, a student of history, or a lover of strong female protagonists, this book is essential reading. As Draupadi stands at the crossroads of fate and free will, her story is not just one of an empress—it is the story of every woman who refuses to be silenced.
August 27, 2022
I have read multiple books on Mahabharata
(The great Indian Epic) from Draupadi, Bhanumati and other characters' points of view. As a matter of fact - The more I read the different perspectives on Mahabharata, the more I fall in love with Krishna and the many roles he has played in this epic tale.
One such role was being the best friend of Draupadi!
Author @sonali_eoi has done a fabulous job in writing this book. This is the first book of the five part series of an Empress so strong willed and charismatic that all five brothers fell for her charm.
While we may know the milestone events of this epic, the princess of Panchal marrying the five brothers, the division of Hastinapur, the oath of revenge by Shikhandi and Drishtadyumna, it is how the author has intricately induced her perspective of how these events would have unfolded their paths and the circumstances of their occurence that kept me hooked to this book. It's imperative that the perceptions of our age old epics be modified to fit in today's world and convey the message of Karma and Righteousness that prevails all! The angle of gender equality installed by the author in Shikhandi's acceptance in his family and how Panchal championed its pride in supporting gender equality was a refreshing perspective and highly appreciated!
The best moments for me in the book were the dialogues between Draupadi and two of her ardent confidantes - Krishna and Sahdev.
Congratulations @sonali_eoi on writing this successful debut! I can't wait to read the upcoming parts of this series!
(The great Indian Epic) from Draupadi, Bhanumati and other characters' points of view. As a matter of fact - The more I read the different perspectives on Mahabharata, the more I fall in love with Krishna and the many roles he has played in this epic tale.
One such role was being the best friend of Draupadi!
Author @sonali_eoi has done a fabulous job in writing this book. This is the first book of the five part series of an Empress so strong willed and charismatic that all five brothers fell for her charm.
While we may know the milestone events of this epic, the princess of Panchal marrying the five brothers, the division of Hastinapur, the oath of revenge by Shikhandi and Drishtadyumna, it is how the author has intricately induced her perspective of how these events would have unfolded their paths and the circumstances of their occurence that kept me hooked to this book. It's imperative that the perceptions of our age old epics be modified to fit in today's world and convey the message of Karma and Righteousness that prevails all! The angle of gender equality installed by the author in Shikhandi's acceptance in his family and how Panchal championed its pride in supporting gender equality was a refreshing perspective and highly appreciated!
The best moments for me in the book were the dialogues between Draupadi and two of her ardent confidantes - Krishna and Sahdev.
Congratulations @sonali_eoi on writing this successful debut! I can't wait to read the upcoming parts of this series!
Read
August 14, 2022"Revenge is not always better, but neither is forgiveness, learn to know them both son, so there is no problem""
- Draupadi in the Mahabharata, quoting Prahlada
The epics are the creative fount of the Indian mindscape, a fact that is so obvious that repeating it sounds cliched. Scholars throughout the world have recognized the profound impact they have had on this country. They are a spring that resembles the fountain of youth, never getting old and will continue to provide creative fodder for generations to come.
Draupadi is one of the most enigmatic, vivid and fiery characters ever etched in Puranic narratives and certainly exposed to heart-rending suffering, perhaps exceeding even the trauma Sita encountered in some places. Contemporary takes on the epics have gained currency in recent years, with Amish Tripathi, Anand Neelakantan, Chitra Banerjee Divakaruni among others.
Oriya writer and 2022 Padmashri Pratibha Ray also has her own take on Draupadi in the now relatively 'old' Yajnaseni. In the 21st century, with women increasingly in positions of power and participating in more spheres, there is a slight alteration in the gender politics.
All traditions throughout the world are naturally more predisposed to patriarchy, and it reflects in the Indian epics as well. However, skewed feminism neglects the creative liberty and 'relative' freedom of choice ancient Bharatiya culture offered women in the form of 'swayamvaras', education and teaching. In fact the so-called 'pagan' cultures across the globe including the Greeks, Egyptians, Celts and the Polynesians revered the 'female' goddess, or the 'shakti' principle in Indian thought.
In comparison to the weighty academic debate, reading the author Sonali Raje's 'The Empress of Indraprastha: Entering Kuruvansh' was a breeze in comparison. Admittedly, the writer has mentioned that this is the first in a series of books on Draupadi and being from the 'STEM' field, this is her first brush with 'creative' writing.
I enjoyed reading it as it has many lyrical and descriptive passages and gives us a sense of Draupadi's point-of-view. Dhristadyumna, Shikhandi and Drupada often mentioned in the epic get a more 'contemporary chic' element associated with them as 'Jyeshth', 'Pitashree' and 'Dhrist'. Although I feel the writer Rahi Masoom Raza coined the moniker 'Pitashree', Bhratashree et al in the most famous televised Mahabharata of them all, B.R Chopra's take, it has made its way into popular culture.
There is sparse detail about the 'birth' and the 'youth' of the young princess, but the story never lags in pace, a good point. We are confronted quite early with the real 'movers' and 'shakers' of the epic and the 'sutradhar' of the entire piece, the enigmatic and wily mastermind Lord Shri Krishna. Although Divakaruni gave us an extremely rebellious Draupadi, the Dharmic fiery epitome of Puranic 'women' was etched very vividly in my mind by Sai Swaroopa Iyer's 'Rukmini'.
The author's Draupadi is somewhere in between in my opinion, not hinging at extremes, but unsure at times, independent at others. This is a more realistic portrayal of Draupadi, but nevertheless any 'creative' work carries the imprint of the writer's personality. Some jarring anachronisms in the text were munching 'samosas' and Raag 'Jaunpuri' both of which are a later interpolation that do not match with the epic timeframe. Also, like the last book I reviewed Ashwin Sanghi's 'Magicians of Mazda', it would be better if the 'mythology' categorization was kept aside for Puranic narratives referred to as 'Itihasas' in the Indic tradition.
The author has done a creditable job of exploring the personalities of all the Pandavas, including the often less discussed Nakul and Sahadev. Draupadi's 'mother' Prishati also makes an appearance, albeit less often. The comparitively 'controversial'(in recent times) feelings of Draupadi towards Karna have also been handled by the author with 'tact'.
As most Indians know the 'gist' of the epic and the fact that Kunti's first-born was Karna, the chapter where the Queen Mother hands over her most prized 'necklace' to his wife makes sense. There is some foreshadowing of events of come, as we know the 'eventual' trajectory of her life. The visit to Dwarka, meeting Rukmini, conversations with Lord Krishna and dealing with Karna's wives were the chapters I most enjoyed reading.
In the insightful 'Evolution of the Mahabharata' by SR Ramaswamy the evolution of the current 'palimpsest' of the epic with its multiple recensions(Northern, Southern et al), the diversity of the epic narrative over the ages has been discussed in fascinating detail along with the effort done by great scholars like VK Sukthankar in compiling the famous Bhandkarkar 'Critical' Edition of the Mahabharata.
Apart from accounts of other epics like AK Ramanujan's essay '300 Ramayanas' and the works of legendary Sanskrit poets and playwrights such as Kalidasa and Bhasa, the epics have been consistenly evolving and morphing into newer forms. However, till the last century, the Dharmic framework has been more or less kept 'intact' as it permeates the entire text. A danger in today's times is the complete 'subversion' of the noble message of the epics with a vindictive, malicious 'mindset'.
The author's attempt at breathing new life into the fascinating story of one of the most powerful 'women' in India's civilizational narrative is creditable and fun to read. However, quite like the 'fiery' protagonist, we need to challenge the 'rigidity' of our 'platitudes' mouthed by the political patriarchy and skewed opinion-makers in both the Indian context and internationally. Draupadi's tale can be trailblazer and a guide for the Indian mind for generations to come as it has been in the past, if interpreted in the right context.
Hoping that the writer comes up with even more interesting volumes on the great Draupadi as she matures into the regal personality that is one of the primary catalysts of the great "Mahabharata' war.
- Draupadi in the Mahabharata, quoting Prahlada
The epics are the creative fount of the Indian mindscape, a fact that is so obvious that repeating it sounds cliched. Scholars throughout the world have recognized the profound impact they have had on this country. They are a spring that resembles the fountain of youth, never getting old and will continue to provide creative fodder for generations to come.
Draupadi is one of the most enigmatic, vivid and fiery characters ever etched in Puranic narratives and certainly exposed to heart-rending suffering, perhaps exceeding even the trauma Sita encountered in some places. Contemporary takes on the epics have gained currency in recent years, with Amish Tripathi, Anand Neelakantan, Chitra Banerjee Divakaruni among others.
Oriya writer and 2022 Padmashri Pratibha Ray also has her own take on Draupadi in the now relatively 'old' Yajnaseni. In the 21st century, with women increasingly in positions of power and participating in more spheres, there is a slight alteration in the gender politics.
All traditions throughout the world are naturally more predisposed to patriarchy, and it reflects in the Indian epics as well. However, skewed feminism neglects the creative liberty and 'relative' freedom of choice ancient Bharatiya culture offered women in the form of 'swayamvaras', education and teaching. In fact the so-called 'pagan' cultures across the globe including the Greeks, Egyptians, Celts and the Polynesians revered the 'female' goddess, or the 'shakti' principle in Indian thought.
In comparison to the weighty academic debate, reading the author Sonali Raje's 'The Empress of Indraprastha: Entering Kuruvansh' was a breeze in comparison. Admittedly, the writer has mentioned that this is the first in a series of books on Draupadi and being from the 'STEM' field, this is her first brush with 'creative' writing.
I enjoyed reading it as it has many lyrical and descriptive passages and gives us a sense of Draupadi's point-of-view. Dhristadyumna, Shikhandi and Drupada often mentioned in the epic get a more 'contemporary chic' element associated with them as 'Jyeshth', 'Pitashree' and 'Dhrist'. Although I feel the writer Rahi Masoom Raza coined the moniker 'Pitashree', Bhratashree et al in the most famous televised Mahabharata of them all, B.R Chopra's take, it has made its way into popular culture.
There is sparse detail about the 'birth' and the 'youth' of the young princess, but the story never lags in pace, a good point. We are confronted quite early with the real 'movers' and 'shakers' of the epic and the 'sutradhar' of the entire piece, the enigmatic and wily mastermind Lord Shri Krishna. Although Divakaruni gave us an extremely rebellious Draupadi, the Dharmic fiery epitome of Puranic 'women' was etched very vividly in my mind by Sai Swaroopa Iyer's 'Rukmini'.
The author's Draupadi is somewhere in between in my opinion, not hinging at extremes, but unsure at times, independent at others. This is a more realistic portrayal of Draupadi, but nevertheless any 'creative' work carries the imprint of the writer's personality. Some jarring anachronisms in the text were munching 'samosas' and Raag 'Jaunpuri' both of which are a later interpolation that do not match with the epic timeframe. Also, like the last book I reviewed Ashwin Sanghi's 'Magicians of Mazda', it would be better if the 'mythology' categorization was kept aside for Puranic narratives referred to as 'Itihasas' in the Indic tradition.
The author has done a creditable job of exploring the personalities of all the Pandavas, including the often less discussed Nakul and Sahadev. Draupadi's 'mother' Prishati also makes an appearance, albeit less often. The comparitively 'controversial'(in recent times) feelings of Draupadi towards Karna have also been handled by the author with 'tact'.
As most Indians know the 'gist' of the epic and the fact that Kunti's first-born was Karna, the chapter where the Queen Mother hands over her most prized 'necklace' to his wife makes sense. There is some foreshadowing of events of come, as we know the 'eventual' trajectory of her life. The visit to Dwarka, meeting Rukmini, conversations with Lord Krishna and dealing with Karna's wives were the chapters I most enjoyed reading.
In the insightful 'Evolution of the Mahabharata' by SR Ramaswamy the evolution of the current 'palimpsest' of the epic with its multiple recensions(Northern, Southern et al), the diversity of the epic narrative over the ages has been discussed in fascinating detail along with the effort done by great scholars like VK Sukthankar in compiling the famous Bhandkarkar 'Critical' Edition of the Mahabharata.
Apart from accounts of other epics like AK Ramanujan's essay '300 Ramayanas' and the works of legendary Sanskrit poets and playwrights such as Kalidasa and Bhasa, the epics have been consistenly evolving and morphing into newer forms. However, till the last century, the Dharmic framework has been more or less kept 'intact' as it permeates the entire text. A danger in today's times is the complete 'subversion' of the noble message of the epics with a vindictive, malicious 'mindset'.
The author's attempt at breathing new life into the fascinating story of one of the most powerful 'women' in India's civilizational narrative is creditable and fun to read. However, quite like the 'fiery' protagonist, we need to challenge the 'rigidity' of our 'platitudes' mouthed by the political patriarchy and skewed opinion-makers in both the Indian context and internationally. Draupadi's tale can be trailblazer and a guide for the Indian mind for generations to come as it has been in the past, if interpreted in the right context.
Hoping that the writer comes up with even more interesting volumes on the great Draupadi as she matures into the regal personality that is one of the primary catalysts of the great "Mahabharata' war.
November 5, 2024
Mahabharata from Draupadi's view is not a new concept now but I found some freshness in this story. This story focuses on the way she is building up her relationships and working on in politics of Hastinapur. The interactions of Krishna and Draupadi are also interesting.
This is the first book from the series where we see the building up of characters and how the story starts. I found the hint of Chitra mam in the writing style and I took a lot of time in completing this one. The language is simple and I liked the way it is communicated in the form of dialogues instead of paragraphs. We get to know the thought process of all five brothers. Even Nakul and Sahdev get fair share of part in this one. We see how the ladies of the palace didn't have animosity or malice for each other and were there for support.
It's a simple and light read. People looking for mythological fiction can pick this one up.
This is the first book from the series where we see the building up of characters and how the story starts. I found the hint of Chitra mam in the writing style and I took a lot of time in completing this one. The language is simple and I liked the way it is communicated in the form of dialogues instead of paragraphs. We get to know the thought process of all five brothers. Even Nakul and Sahdev get fair share of part in this one. We see how the ladies of the palace didn't have animosity or malice for each other and were there for support.
It's a simple and light read. People looking for mythological fiction can pick this one up.
August 31, 2022
The Empress of Indraprastha is a book written by Ms Sonali Raje.
As a huge fan of the Mahabharata, any book with the characters of the great epic attract me and I try to read them. Each author gives their perspective and reading it makes me happy.
Sonali ji has written this book with Draupadi as the central character. This is the first part of her series and she does a good job in telling her story. She has clearly mentioned that some creative liberties were taken.
I found the book engaging. The flow of the story is smooth. Though there were parts of it that were a bit out of place, overall she succeeded in telling her story smoothly.
As a person who has read various versions of the great epic, I found the conversations a bit too contemporary. I may not agree with everything in the book, yet it is definitely a nice read.
As a huge fan of the Mahabharata, any book with the characters of the great epic attract me and I try to read them. Each author gives their perspective and reading it makes me happy.
Sonali ji has written this book with Draupadi as the central character. This is the first part of her series and she does a good job in telling her story. She has clearly mentioned that some creative liberties were taken.
I found the book engaging. The flow of the story is smooth. Though there were parts of it that were a bit out of place, overall she succeeded in telling her story smoothly.
As a person who has read various versions of the great epic, I found the conversations a bit too contemporary. I may not agree with everything in the book, yet it is definitely a nice read.
June 29, 2023
THE EMPRESS OF INDRAPRASTHA - Entering Kuruvansh
by Sonali Raje
I started reading Mythological Fiction almost after a gap of six years, and it is interesting to find books re-showing the epic in a new light. In the process, some new characters get created, old characters are shown from a different perspective, and the story passes through unchartered lanes. Sikhandi (ni) is shown as a transgender, always fuming against Hastinapur. Bhishma thinks of him as a woman only.
So what?
It is still Mahabharata.
A new tale spun out of the timeless Mahabharata, interestingly presented for new generation readers.
Purists can find a lot of deviations from the original story; however, the original story itself is available in different versions authors do take liberty in following different versions suiting their imagination. Not only those versions but the author had also drawn from the existing fiction on Mahabharata.
Draupadi of the author is a friend of Krishna, even before she was married to Pandavas. It was Krishna who suggested using water as a medium instead of the mirror in the archery test so that only Arjuna can succeed. Of course, Karna was about to do it, but Draupadi stopped him, saying the famous,' I don't marry a Sutaputra.' Actually, her real reason was she didn't want to be a third wife of Karna, and she did not like him because his interest seemed to be in meeting the challenge and not in winning her. He also detested his role in helping Duryodhana in abducting Bhanumati. However, she said those words to say something to stop him. Actually, Panchalas are very liberal with respect to gender equality and varna. Interestingly, Krishna does not like such an insult by Draupadi. Karna is one of his closest friends. He chides her for citing an insulting wrong reason. Another interesting deviation from the original is the decision to marry all five Pandavas was taken by her and her alone. Neither Drupada needed convincing from Vedavyasa, nor there was a need for a mystical explanation as to why she should marry all five. She hears the case pleaded by Kunti, and talks to Krishna, who talks in generalities and leaves the decision to her, and she considers the question of Sahadeva as to why a woman can not have more husbands when a man can have many wives. Finally, she asks the brothers whether they are willing to be her husbands and only after making sure that they were willing she accepts the proposal. It was she who announced the decision to Drupada boldly.
Then the story moves to Hastinapur and we get to see the reactions of Shakuni, Drona etc.
Draupadi is surprised that the four brothers implicitly obey their elder brother and finally finds out the reason. She finds Sahadeva to be thinking like her (intelligently) and has a whole library with him. Nakula's quarters remind her of Panchala, and he is a competent doctor besides showing interest in horse/chariot races.
Bhima is seen making delicious dishes, and Arjuna is found to be a lover of music and enjoys drinking Madira. Yudhistira's interest in dice games does not please Draupadi, but she compromises that everyone has a weakness.
Another interesting episode is the travel of Pandavas ( except the newly married Yudhistira and his wife Devika) and Draupadi to Dwaraka, where Draupadi meets Rukmini Devi and adores her. Then she asks Krishna whether it is true that he was once in love with Radha, and Krishna replies to her that he loves Radha even now, though there was no necessity of being together physically.
Then there was a picnic on her becoming pregnant for the first time, and all of them go to Anga. That's where she meets the two wives and two sons of Karna. That episode also shows how Kunti passes on the family jewellery to Karna's first wife. As readers, we know why she does that, which Draupadi or Pandavas can not fathom. Draupadi and Sahadeva identify the problem correctly and insist on demanding partition. Finally, it happens, but they get the forest area of Khandavaprasta. Pandavas decide to convert this as Indraprastha. Readers have to wait for the next book for Draupadi to assume the role title suggests .....The Empress of Indraprastha. For now, they have to be content with the subtitle .....Entering Kuruvansh.
Overall, the novel is interesting. Draupadi and five Pandavas converse amongst themselves, cut jokes, and pull one another just like modern-day class fellows. Draupadi comes out as a spirited lady, broad-minded, well brought up to take up independent decisions with a shrewd political mind.
The author explains in her note that she was inspired to write this mythological fiction after reading Palace of Illusions by Chitra Divakaruni and Karna's Wife by Kavitha Kane. I hope those two writers would have certainly read this and appreciated it. The author must be congratulated on her bold portrayal of Draupadi and planning to come up with four more books to ultimately unveil what kind of Draupadi she would like her readers to remember.
I like the mention of the illustrator to whom this is a debut cover page too. He did a good job. A blue lotus in the hands of Draupadi is a symbolic representation of the natural body fragrance of the heroine.
Waiting for the rest of the series.......
Sesha
by Sonali Raje
I started reading Mythological Fiction almost after a gap of six years, and it is interesting to find books re-showing the epic in a new light. In the process, some new characters get created, old characters are shown from a different perspective, and the story passes through unchartered lanes. Sikhandi (ni) is shown as a transgender, always fuming against Hastinapur. Bhishma thinks of him as a woman only.
So what?
It is still Mahabharata.
A new tale spun out of the timeless Mahabharata, interestingly presented for new generation readers.
Purists can find a lot of deviations from the original story; however, the original story itself is available in different versions authors do take liberty in following different versions suiting their imagination. Not only those versions but the author had also drawn from the existing fiction on Mahabharata.
Draupadi of the author is a friend of Krishna, even before she was married to Pandavas. It was Krishna who suggested using water as a medium instead of the mirror in the archery test so that only Arjuna can succeed. Of course, Karna was about to do it, but Draupadi stopped him, saying the famous,' I don't marry a Sutaputra.' Actually, her real reason was she didn't want to be a third wife of Karna, and she did not like him because his interest seemed to be in meeting the challenge and not in winning her. He also detested his role in helping Duryodhana in abducting Bhanumati. However, she said those words to say something to stop him. Actually, Panchalas are very liberal with respect to gender equality and varna. Interestingly, Krishna does not like such an insult by Draupadi. Karna is one of his closest friends. He chides her for citing an insulting wrong reason. Another interesting deviation from the original is the decision to marry all five Pandavas was taken by her and her alone. Neither Drupada needed convincing from Vedavyasa, nor there was a need for a mystical explanation as to why she should marry all five. She hears the case pleaded by Kunti, and talks to Krishna, who talks in generalities and leaves the decision to her, and she considers the question of Sahadeva as to why a woman can not have more husbands when a man can have many wives. Finally, she asks the brothers whether they are willing to be her husbands and only after making sure that they were willing she accepts the proposal. It was she who announced the decision to Drupada boldly.
Then the story moves to Hastinapur and we get to see the reactions of Shakuni, Drona etc.
Draupadi is surprised that the four brothers implicitly obey their elder brother and finally finds out the reason. She finds Sahadeva to be thinking like her (intelligently) and has a whole library with him. Nakula's quarters remind her of Panchala, and he is a competent doctor besides showing interest in horse/chariot races.
Bhima is seen making delicious dishes, and Arjuna is found to be a lover of music and enjoys drinking Madira. Yudhistira's interest in dice games does not please Draupadi, but she compromises that everyone has a weakness.
Another interesting episode is the travel of Pandavas ( except the newly married Yudhistira and his wife Devika) and Draupadi to Dwaraka, where Draupadi meets Rukmini Devi and adores her. Then she asks Krishna whether it is true that he was once in love with Radha, and Krishna replies to her that he loves Radha even now, though there was no necessity of being together physically.
Then there was a picnic on her becoming pregnant for the first time, and all of them go to Anga. That's where she meets the two wives and two sons of Karna. That episode also shows how Kunti passes on the family jewellery to Karna's first wife. As readers, we know why she does that, which Draupadi or Pandavas can not fathom. Draupadi and Sahadeva identify the problem correctly and insist on demanding partition. Finally, it happens, but they get the forest area of Khandavaprasta. Pandavas decide to convert this as Indraprastha. Readers have to wait for the next book for Draupadi to assume the role title suggests .....The Empress of Indraprastha. For now, they have to be content with the subtitle .....Entering Kuruvansh.
Overall, the novel is interesting. Draupadi and five Pandavas converse amongst themselves, cut jokes, and pull one another just like modern-day class fellows. Draupadi comes out as a spirited lady, broad-minded, well brought up to take up independent decisions with a shrewd political mind.
The author explains in her note that she was inspired to write this mythological fiction after reading Palace of Illusions by Chitra Divakaruni and Karna's Wife by Kavitha Kane. I hope those two writers would have certainly read this and appreciated it. The author must be congratulated on her bold portrayal of Draupadi and planning to come up with four more books to ultimately unveil what kind of Draupadi she would like her readers to remember.
I like the mention of the illustrator to whom this is a debut cover page too. He did a good job. A blue lotus in the hands of Draupadi is a symbolic representation of the natural body fragrance of the heroine.
Waiting for the rest of the series.......
Sesha
August 17, 2022
The Empress of Indraprastha � Entering Kuruvansh by debutant author is the first part of five-part series of untold memoirs of an Empress � Draupadi � one of the most important characters of Mahabharata. Draupadi, the daughter of Drupada and Prishati, sister of Shikhandi and Dhrishtadhyumna, a close friend of Lord Krishna, and wife of five Pandavas, plays an important part in the Mahabharata.
This book by Sonali is about Draupadi and her experiences, her journey of becoming the empress of Indraprastha and embracing one of the bizarre experiences of marrying five brothers. Both the storytelling and the development of the characters were really good. There are also messages about women empowerment, gender equality, etc. which are handled really well. Sonali seems a seasoned writer and not a novice one who is writing for the first time. The cover of the book shows the main protagonist Draupadi elegantly and beautifully. So it scores well even in that department.
Draupadi and almost all the characters in this book feel more human than mythological ones. Some of the retellings suffer from either glorifying too much or interpreting things in some farfetched manner but I believe the author has done a very well job and presented the main characters of this epic tale in a balanced way. They feel happiness, anguish, joy, grief, and all the other emotions a human being feels. The book starts with Swayamvara, where Draupadi’s fate is sealed when Arjuna becomes successful in the archery challenge but the happiness is short-lived for Draupadi as she has to decide whether she will honor the words which came out from Maa Kunti’s mouth and be a common wife to all the Pandavas. Her thought process, her dialogues, and the reason behind accepting this strange living condition are very well written by Sonali.
What I also enjoyed about the book is how the author has given details about the daily lives of five Pandavas and Draupadi � their daily banter, their food, their palaces, their tastes, and their thought processes � these things have been vividly described in the book. Similarly, Draupadi’s close relationship with Lord Krishna is also beautifully depicted through their conversations. Lord Krishna who will love, adore and respect is well captured in this book. The author has used her imagination effectively in creating a world where Kuruvansh resided.
Lastly, there are subtle hints during the conversations and events - signs of the imminent future which is also very cleverly done. This book is easy to read and yet it will give one thorough satisfaction about reading something which is not only pleasant but also heart-warming and refreshing, like a home-cooked meal which will satisfy not only your hunger but also please your heart.
I am really looking forward to reading the next part of this memoir and I really hope that Sonali is ready with the next parts, I would love to see how our protagonist Draupadi is going to deal with the abundance of challenges that are in store for her!
This book by Sonali is about Draupadi and her experiences, her journey of becoming the empress of Indraprastha and embracing one of the bizarre experiences of marrying five brothers. Both the storytelling and the development of the characters were really good. There are also messages about women empowerment, gender equality, etc. which are handled really well. Sonali seems a seasoned writer and not a novice one who is writing for the first time. The cover of the book shows the main protagonist Draupadi elegantly and beautifully. So it scores well even in that department.
Draupadi and almost all the characters in this book feel more human than mythological ones. Some of the retellings suffer from either glorifying too much or interpreting things in some farfetched manner but I believe the author has done a very well job and presented the main characters of this epic tale in a balanced way. They feel happiness, anguish, joy, grief, and all the other emotions a human being feels. The book starts with Swayamvara, where Draupadi’s fate is sealed when Arjuna becomes successful in the archery challenge but the happiness is short-lived for Draupadi as she has to decide whether she will honor the words which came out from Maa Kunti’s mouth and be a common wife to all the Pandavas. Her thought process, her dialogues, and the reason behind accepting this strange living condition are very well written by Sonali.
What I also enjoyed about the book is how the author has given details about the daily lives of five Pandavas and Draupadi � their daily banter, their food, their palaces, their tastes, and their thought processes � these things have been vividly described in the book. Similarly, Draupadi’s close relationship with Lord Krishna is also beautifully depicted through their conversations. Lord Krishna who will love, adore and respect is well captured in this book. The author has used her imagination effectively in creating a world where Kuruvansh resided.
Lastly, there are subtle hints during the conversations and events - signs of the imminent future which is also very cleverly done. This book is easy to read and yet it will give one thorough satisfaction about reading something which is not only pleasant but also heart-warming and refreshing, like a home-cooked meal which will satisfy not only your hunger but also please your heart.
I am really looking forward to reading the next part of this memoir and I really hope that Sonali is ready with the next parts, I would love to see how our protagonist Draupadi is going to deal with the abundance of challenges that are in store for her!
August 13, 2022
“She lived with a fire burning in her soul all her life�
Draupadi, the daughter of Drupad, and the wife of Pandavas, is one of the strongest and most important characters in the epic Mahabharata. She is not only beautiful but also quite intelligent. She is educated and is well versed in the art of warfare. She is not a mute spectator but a person who is not afraid to speak her mind.
Sonali Raje in her book ‘The Empress of Indraprastha � Entering Kuruvansh� has shown her as a woman who goes through unprecedented situations in life and how she deals with them. She is depicted as a woman who knows how to sail through the difficult times with elan and equanimity. Although she has made mistakes and is sometimes confused too but her practical approach has made it possible for her to overcome difficult situations in her life. Her marriage to all the five brothers is the watershed moment in Mahabharata but the way she accepted it and made it work shows her commitment and clear thinking. No wonder she is considered as one of the Panchkanyas (five iconic women of the Hindu epics) alongside Ahalya, Sita/Kunti, Tara and Mandodari.
The book has been written from the perspective of Draupadi. It is divided into fourteen chapters, where the last chapter acts as a teaser for the next book in the series ‘Building an Empire�. The language of the book is lucid with a dash of difficult words here and there. However, given the context you can easily guess their meaning and they do not restrict your flow of reading. I liked the chapter ‘Vrishsen’s Picnic� the most. The book has been categorized as ‘Mythological Fiction�. However, I think it would have been more appropriate to call it a ‘Historical Fiction� as Mahabharata is considered as ‘Itihasa� or history. Although it is a work of fiction, but I still had some “Oh, come on now� moments while reading the book. Arjuna playing raga ‘Jaunpuri� (it was created by Sultan Hussain Sharqi of Jaunpur in 16th century), and Pandavas relishing samosas (originated in Middle East in 10th century) are some of them.
There are many books that have been written from the perspective of Draupadi. However, each writer’s approach has been different. I read ‘The Palace of Illusions� by Chritra Banerjee Divakaruni which is full of conjectures and far from the original narrative. On the other hand, this book has kept the instances as near as possible to the original Mahabharata and has not taken the creative liberty for granted.
Overall, it’s a good book and I will recommend it to all Mahabharata admirers. This is Sonali’s first book. I would like to congratulate her and wish her all the best for her future endeavors. I look forward to reading the next book in the series.
Draupadi, the daughter of Drupad, and the wife of Pandavas, is one of the strongest and most important characters in the epic Mahabharata. She is not only beautiful but also quite intelligent. She is educated and is well versed in the art of warfare. She is not a mute spectator but a person who is not afraid to speak her mind.
Sonali Raje in her book ‘The Empress of Indraprastha � Entering Kuruvansh� has shown her as a woman who goes through unprecedented situations in life and how she deals with them. She is depicted as a woman who knows how to sail through the difficult times with elan and equanimity. Although she has made mistakes and is sometimes confused too but her practical approach has made it possible for her to overcome difficult situations in her life. Her marriage to all the five brothers is the watershed moment in Mahabharata but the way she accepted it and made it work shows her commitment and clear thinking. No wonder she is considered as one of the Panchkanyas (five iconic women of the Hindu epics) alongside Ahalya, Sita/Kunti, Tara and Mandodari.
The book has been written from the perspective of Draupadi. It is divided into fourteen chapters, where the last chapter acts as a teaser for the next book in the series ‘Building an Empire�. The language of the book is lucid with a dash of difficult words here and there. However, given the context you can easily guess their meaning and they do not restrict your flow of reading. I liked the chapter ‘Vrishsen’s Picnic� the most. The book has been categorized as ‘Mythological Fiction�. However, I think it would have been more appropriate to call it a ‘Historical Fiction� as Mahabharata is considered as ‘Itihasa� or history. Although it is a work of fiction, but I still had some “Oh, come on now� moments while reading the book. Arjuna playing raga ‘Jaunpuri� (it was created by Sultan Hussain Sharqi of Jaunpur in 16th century), and Pandavas relishing samosas (originated in Middle East in 10th century) are some of them.
There are many books that have been written from the perspective of Draupadi. However, each writer’s approach has been different. I read ‘The Palace of Illusions� by Chritra Banerjee Divakaruni which is full of conjectures and far from the original narrative. On the other hand, this book has kept the instances as near as possible to the original Mahabharata and has not taken the creative liberty for granted.
Overall, it’s a good book and I will recommend it to all Mahabharata admirers. This is Sonali’s first book. I would like to congratulate her and wish her all the best for her future endeavors. I look forward to reading the next book in the series.
January 31, 2025
The Empress of Indraprastha: Entering Kuruvansh is the first book in a five-part series written by Sonali Raje. This book is narrated from Draupadi's point of view, bringing the story to life through her perspective. The story begins a few days before Draupadi's swayamvar and takes readers on her journey, concluding with the Paandav brothers receiving Khandavaprastha-“a barren, hostile region full of nagas where no one dares to go!� with the promise to make this barren land into heaven. In the story, you will explore Draupadi's relationships with each of the Paandav brothers. I loved Draupadi and Sahdev's bonding. Throughout the story, you will see how united the Paandav brothers were. You’ll also encounter some of Krishna's teachings and gain insight into the people living in the palace. As you read the book, you will appreciate the challenges Draupadi faced and how strong she was, though she also made a few mistakes. You will uncover everything as you read the book.
What I liked about the book is that Draupadi is portrayed as a woman ahead of her time—strong, intelligent, and politically perceptive. This is how sage Ved Vyas has also portrayed her in the originals, although I haven’t read it, but I have seen it in reviews. In some books, you will find Draupadi portrayed as a helpless, emotional woman. That is why I liked this book more. This book shows the struggles a woman faces in a male-dominated world. I also liked how all the characters were described. The best part of the book is how it highlights women's equality and the support for the transgender community. I especially loved how Draupadi’s father, king Drupad, and his family were so progressive and open-minded, even in an era when such thinking was rare.
There were a few chapters that truly hooked me to the book, like the Swayamvar and the encounter with the kid in the Vrishen’s picnic chapter. Both the chapters were thrilling, and I was curious to see what would happen next. From the moment I started reading, I felt like I was transported to that era. the author described every scene so vividly that I could visualize them in seconds especially the part where the Pandav brothers show their palaces, i loved sahdev palace because his palace was full of books. While I appreciated the overall narrative, I did wish that some parts had a bit more detail or a deeper connection. Nevertheless, this book completely transformed my perception of Draupadi. Many other books don’t portray her as richly as this author has, and I loved that unique perspective. It made me so invested in her character that now I'm eager to read the second book of the series. I highly recommend this book to everyone.
What I liked about the book is that Draupadi is portrayed as a woman ahead of her time—strong, intelligent, and politically perceptive. This is how sage Ved Vyas has also portrayed her in the originals, although I haven’t read it, but I have seen it in reviews. In some books, you will find Draupadi portrayed as a helpless, emotional woman. That is why I liked this book more. This book shows the struggles a woman faces in a male-dominated world. I also liked how all the characters were described. The best part of the book is how it highlights women's equality and the support for the transgender community. I especially loved how Draupadi’s father, king Drupad, and his family were so progressive and open-minded, even in an era when such thinking was rare.
There were a few chapters that truly hooked me to the book, like the Swayamvar and the encounter with the kid in the Vrishen’s picnic chapter. Both the chapters were thrilling, and I was curious to see what would happen next. From the moment I started reading, I felt like I was transported to that era. the author described every scene so vividly that I could visualize them in seconds especially the part where the Pandav brothers show their palaces, i loved sahdev palace because his palace was full of books. While I appreciated the overall narrative, I did wish that some parts had a bit more detail or a deeper connection. Nevertheless, this book completely transformed my perception of Draupadi. Many other books don’t portray her as richly as this author has, and I loved that unique perspective. It made me so invested in her character that now I'm eager to read the second book of the series. I highly recommend this book to everyone.
September 10, 2022
Being one of the biggest admirers of Indian mythology and least fan of Mahabharata, this book came to me with a bit of doubt. Doesnt your mind question you at times like 'Hey, it's something that you like, but would you actually like it?' And then I started the book.
There are majorly two things that drew my consciousness to the book- One being the post modernist approach and the second being the values it conveys. As said before, I'm not such a great fan of Mahabharata but the book made me read more about it. I think the book has been successful here. But if you ask me whether it's the best one in the market, well it has all the potential to. This is the first part of the book and sequels are yet to come. And for the post modernist approach and values it conveys, I feel this can be one of the top notch series of the time.
The book talks about a lot of these values that are currently being taboo-ed to a greater extent even if the mass media tries to portray its reality. Well it's saddening as well as hopeful to see that women empowerment has to be discussed every time in mythological books so that they can be reflected in our times. The Draupadi characterised here is furious, questions, fierce and a flawed soft yet bold soul who has been loved and fondled by her family and Krishna. My biggest win from the book was the discussion of polygamy between Krishna and Kalyani. Polygamy is one of the basic reasons why Mahabharata never won my heart but the explanation in this book is just beyond words!
The other themes such as women's choices, women supporting each other, women and politics, the caste hierarchy, stigma around trans people, gender equality, marriages along with personal themes such as friendship, mentor mentee relationship, love and family bonds are also discussed. For a debut author to come up with such fine work is definitely commendable. I would be really glad if you could do a little research about Hindu Mythology, Mahabharata or at least the story of Panchali and pick this book so that you absorb the real essence of this book to its core. I have high hopes for the upcoming books and I think only after reading the series, I can come to a conclusion about rating and judgement about the book. But still, if read as a standalone, it definitely tempts you to read more, so it's a big thumbs up from my side.
There are majorly two things that drew my consciousness to the book- One being the post modernist approach and the second being the values it conveys. As said before, I'm not such a great fan of Mahabharata but the book made me read more about it. I think the book has been successful here. But if you ask me whether it's the best one in the market, well it has all the potential to. This is the first part of the book and sequels are yet to come. And for the post modernist approach and values it conveys, I feel this can be one of the top notch series of the time.
The book talks about a lot of these values that are currently being taboo-ed to a greater extent even if the mass media tries to portray its reality. Well it's saddening as well as hopeful to see that women empowerment has to be discussed every time in mythological books so that they can be reflected in our times. The Draupadi characterised here is furious, questions, fierce and a flawed soft yet bold soul who has been loved and fondled by her family and Krishna. My biggest win from the book was the discussion of polygamy between Krishna and Kalyani. Polygamy is one of the basic reasons why Mahabharata never won my heart but the explanation in this book is just beyond words!
The other themes such as women's choices, women supporting each other, women and politics, the caste hierarchy, stigma around trans people, gender equality, marriages along with personal themes such as friendship, mentor mentee relationship, love and family bonds are also discussed. For a debut author to come up with such fine work is definitely commendable. I would be really glad if you could do a little research about Hindu Mythology, Mahabharata or at least the story of Panchali and pick this book so that you absorb the real essence of this book to its core. I have high hopes for the upcoming books and I think only after reading the series, I can come to a conclusion about rating and judgement about the book. But still, if read as a standalone, it definitely tempts you to read more, so it's a big thumbs up from my side.
January 21, 2025
Entering Kuruvansh is the first book from the series of 5 books, covering different segments of the maha gatha. It covers parts from Draupadi Swayamwar to them accepting Khandavpratha as their kingdom, and damn if this isn’t the most exciting book I’ve read in so long. I mean, one of the most celebrated books in our culture and that too a woman’s POV? Isn’t that a treat?
Before telling you more about the book, let me tell you, this is a work of fiction. Not everything that happened in the book is true. It is a wonder that Sonali Raje, the author did in the book, showcasing the story's varied aspects that have never been explored before. Things like Draupadi’s interaction with Nakul and Sehdev, her feelings for Devika, her meeting with Karn’s family � his kids, his wives, and truly a lot more. I totally loved how she covered such diverse parts of the gatha so beautifully.
I have not read the originals but as far as I know, no author has ever covered these parts. They mostly care about how the story went from the men’s POV while keeping the story in a continuity. However, in “The Empress of Indraprastha� you get to know the story from a woman’s perspective too and I totally loved it to the core.
If we talk about how she put life to the characters, oh my gosh, I am her fan already! She just did it so fluently! Every character in her book is so lively and amazing and relatable and true to their character. Draupadi? Strong yet childish at moments (just like girls her age are). Arjun? Well arrogant yet loving. Bheem? As we all know, foodie and hyper. Yudhishtir? Ah, the statue of righteousness. Nakul? Mischievous. Sehdev? OMG, my fav! Karn? As we all know, ignorant yet sensible. And well, there are so many other characters, I can’t list them all but what I can tell you is, they’re all so perfect! ToT
I agree, because it is based on a historical/mythical (however you take it) story, the author was bound to stick to some aspects of the story but it’s incredible how she’s still done a wonderful job in showing the growth of each character while keeping them true to their actual nature. More than that, the way she wrote some parts, like when Kunti asked Draupadi to agree on the marriage or when she had a talk with Pitamaha Bheeshma regarding Shikhandi, or when Karn’s elder son gave Draupadi 2 Kachoris, her style of framing the moments is incredible.
Before telling you more about the book, let me tell you, this is a work of fiction. Not everything that happened in the book is true. It is a wonder that Sonali Raje, the author did in the book, showcasing the story's varied aspects that have never been explored before. Things like Draupadi’s interaction with Nakul and Sehdev, her feelings for Devika, her meeting with Karn’s family � his kids, his wives, and truly a lot more. I totally loved how she covered such diverse parts of the gatha so beautifully.
I have not read the originals but as far as I know, no author has ever covered these parts. They mostly care about how the story went from the men’s POV while keeping the story in a continuity. However, in “The Empress of Indraprastha� you get to know the story from a woman’s perspective too and I totally loved it to the core.
If we talk about how she put life to the characters, oh my gosh, I am her fan already! She just did it so fluently! Every character in her book is so lively and amazing and relatable and true to their character. Draupadi? Strong yet childish at moments (just like girls her age are). Arjun? Well arrogant yet loving. Bheem? As we all know, foodie and hyper. Yudhishtir? Ah, the statue of righteousness. Nakul? Mischievous. Sehdev? OMG, my fav! Karn? As we all know, ignorant yet sensible. And well, there are so many other characters, I can’t list them all but what I can tell you is, they’re all so perfect! ToT
I agree, because it is based on a historical/mythical (however you take it) story, the author was bound to stick to some aspects of the story but it’s incredible how she’s still done a wonderful job in showing the growth of each character while keeping them true to their actual nature. More than that, the way she wrote some parts, like when Kunti asked Draupadi to agree on the marriage or when she had a talk with Pitamaha Bheeshma regarding Shikhandi, or when Karn’s elder son gave Draupadi 2 Kachoris, her style of framing the moments is incredible.
April 19, 2024
Hello bookworms 📚!!!This is my first post
Today I would like to review a favourite book of mine!!!
Book Review📖📚
Book:-"The Empress of Indraprastha " Entering Kuruvansh
Author:-Sonali Raje
Review:- The story is very impressive.The plot revolves around the very important character of the great indian epic Mahabharata, Draupadi,who is also referred as Krishnaa ,Kalyani,Yaagyaseni and Panchali ,who is the princess of the very progressive Kingdom of Paanchal and her best friend Is Krishna .She is later married to Arjuna, as he won her in the swayamvar. But the problem arises when Ma Kunti (her mother-in-law) accidentally tells all the five brothers to marry her.The story keeps on getting very interesting.It's between Draupadi 's cheerfulness, kindness ,humbleness and her pride, prestige and principles.Does her struggle and sacrifices for her family justify? And what different episodes come to her life , which changes her life completely ?To know more, you have to read the book.It is the first part of the pentalology.
The author Sonali Raje is a chemistry professor in a college and an Alumnus of IIT -B. She has written this book with dignity, passion ,her brillance and realism .She has understood the strong and bold character of Kalyani.At a point you will feel like Draupadi herself is telling you her story. It's very impressive of the author as she has depicted the early society where people respect all genders.In the book, there is a line when Krishna said the siblings that"The fact you Shrikhandi,are the commander-in-chief of the Panchal force when transgender personalities shunned everywhere else;and Kalyani,here is well-trained in martial arts,politics and science,despite being a woman speaks highly of their vision for a better future of Paanchal,the only Kingdom to actively encourage the tenant of gender equality besides Dwarka...."
Besides everything, it's really hard to believe that this is her first book. I would rate this book 5 / 5 for being a personal favourite. I
would surely recommend you all to read it as well.I'm eagerly waiting to read the second part of this series soon.
Till then Bye.
Adyeassha Banerjee
Today I would like to review a favourite book of mine!!!
Book Review📖📚
Book:-"The Empress of Indraprastha " Entering Kuruvansh
Author:-Sonali Raje
Review:- The story is very impressive.The plot revolves around the very important character of the great indian epic Mahabharata, Draupadi,who is also referred as Krishnaa ,Kalyani,Yaagyaseni and Panchali ,who is the princess of the very progressive Kingdom of Paanchal and her best friend Is Krishna .She is later married to Arjuna, as he won her in the swayamvar. But the problem arises when Ma Kunti (her mother-in-law) accidentally tells all the five brothers to marry her.The story keeps on getting very interesting.It's between Draupadi 's cheerfulness, kindness ,humbleness and her pride, prestige and principles.Does her struggle and sacrifices for her family justify? And what different episodes come to her life , which changes her life completely ?To know more, you have to read the book.It is the first part of the pentalology.
The author Sonali Raje is a chemistry professor in a college and an Alumnus of IIT -B. She has written this book with dignity, passion ,her brillance and realism .She has understood the strong and bold character of Kalyani.At a point you will feel like Draupadi herself is telling you her story. It's very impressive of the author as she has depicted the early society where people respect all genders.In the book, there is a line when Krishna said the siblings that"The fact you Shrikhandi,are the commander-in-chief of the Panchal force when transgender personalities shunned everywhere else;and Kalyani,here is well-trained in martial arts,politics and science,despite being a woman speaks highly of their vision for a better future of Paanchal,the only Kingdom to actively encourage the tenant of gender equality besides Dwarka...."
Besides everything, it's really hard to believe that this is her first book. I would rate this book 5 / 5 for being a personal favourite. I
would surely recommend you all to read it as well.I'm eagerly waiting to read the second part of this series soon.
Till then Bye.
Adyeassha Banerjee
March 8, 2025
The Empress of Indraprastha is a retelling of the ancient Indian epic Mahabharata through the eyes of Draupadi, the wife of the five Paandavs: Yudhisthir, Bheem, Arjun, Nakul, and Sahdev.
The first book begins with the Draupadi's Swayamar and follows the Paandavs moving to Khandvaprastha, later known as Indraprastha.
Read the book to know more about The Empress of Indraprastha.
The captivating retelling by Sonali Raje has its heart in the right place and righteousness to the fullest. Draupadi often voices her views and warns the Paandavs about their inactions.
What I enjoyed most about this book is experiencing the epic world as Draupadi perceives it, allowing us to delve deeper into her thoughts and views on various topics. Her interactions with each of her husbands highlight the unique dynamics of their relationships.
Married to Arjun, Draupadi is taken aback by the revelation of her unconventional marriage with his four brothers. However, she welcomes this challenge and prepares herself to understand the complexities involved.
Sonali Raje enriches the narrative through Draupadi's relationship with Sahdev, as her views resonate closely with him among the Pandaavs. I loved how this Mahabharata retelling provided Sahdev with a meaningful space.
The author uses lucid language, making the book accessible even to new readers. The engaging narration keeps readers absorbed throughout, making it an unputdownable read.
Immersed in this epic saga, I hoped it would never end, letting me live within the Mahabharata indefinitely. The first book concludes in 136 pages, leaving me excited for the sequel.
Each character is depicted with human qualities, showcasing their strengths and vulnerabilities. Lord Krishna is presented in a relatable way; his divine form may come forth in the following parts.
The only aspect I desired was more scenes featuring Lord Krishna, as he only makes a few brief appearances in the first book.
Overall, The Empress of Indraprastha masterfully retells the Mahabharata, showcasing the complexities of womanhood from Draupadi’s viewpoint.
The first book begins with the Draupadi's Swayamar and follows the Paandavs moving to Khandvaprastha, later known as Indraprastha.
Read the book to know more about The Empress of Indraprastha.
The captivating retelling by Sonali Raje has its heart in the right place and righteousness to the fullest. Draupadi often voices her views and warns the Paandavs about their inactions.
What I enjoyed most about this book is experiencing the epic world as Draupadi perceives it, allowing us to delve deeper into her thoughts and views on various topics. Her interactions with each of her husbands highlight the unique dynamics of their relationships.
Married to Arjun, Draupadi is taken aback by the revelation of her unconventional marriage with his four brothers. However, she welcomes this challenge and prepares herself to understand the complexities involved.
Sonali Raje enriches the narrative through Draupadi's relationship with Sahdev, as her views resonate closely with him among the Pandaavs. I loved how this Mahabharata retelling provided Sahdev with a meaningful space.
The author uses lucid language, making the book accessible even to new readers. The engaging narration keeps readers absorbed throughout, making it an unputdownable read.
Immersed in this epic saga, I hoped it would never end, letting me live within the Mahabharata indefinitely. The first book concludes in 136 pages, leaving me excited for the sequel.
Each character is depicted with human qualities, showcasing their strengths and vulnerabilities. Lord Krishna is presented in a relatable way; his divine form may come forth in the following parts.
The only aspect I desired was more scenes featuring Lord Krishna, as he only makes a few brief appearances in the first book.
Overall, The Empress of Indraprastha masterfully retells the Mahabharata, showcasing the complexities of womanhood from Draupadi’s viewpoint.
August 28, 2022
Mythological fiction has been one of my favorite genres and Mythological retellings got a special place in my heart ever since I read Chitra Banerjee Divakaruni's and Kavita Kane's works. I love the way they subvert the conventions and give voice to voiceless, marginalised characters from the epics.
"The Empress of Indraprastha" by Sonali Raje is without doubt one such beautiful retelling of Mahabharata from the perspective of Draupadi. In the Foreword to the book, the author has said that she was inspired by "The Palace of Illusions" written by Divakaruni. At first I thought, it will be same as the mesmerizing world created by Divakaruni but as I read on I understood how beautifully and magnificently Raje has written about Draupadi. I couldn't stop reading the book. I think every Mythology fic fans should read this book just for this fresh take.
"Morals are typically personal, whereas ethics relate to societal norms. What may be right for one person may be wrong for someone else... In my view, not being in charge of your actions, looking away when someone is being harassed.. and causing intentional harm to someone weak is immoral and unethical"
- Sonali Raje
What I loved the most about this book was the thoughtful take on transgender community. I loved how Raje gave Shikandi's character voice. Even though Draupadi is put into limelight, we also get to know more about Kunti, Karn and his family as well. I loved reading about Karn in a different perspective as well. Draupadi was an, impulsive, outspoken person and I loved how bold & petty she was at the same time.. The author beautifully painted her character without hiding her human flaws.
Even though many incidents were already familiar to me from various readings, Karn's introduction, Draupadi 's encounter with Karn's family, the partition, steadfast friendship with Krishna were written in a refreshingly original manner and I loved reading it the most. Looking forward to the next part to read more about the life of Draupadi!!
"The Empress of Indraprastha" by Sonali Raje is without doubt one such beautiful retelling of Mahabharata from the perspective of Draupadi. In the Foreword to the book, the author has said that she was inspired by "The Palace of Illusions" written by Divakaruni. At first I thought, it will be same as the mesmerizing world created by Divakaruni but as I read on I understood how beautifully and magnificently Raje has written about Draupadi. I couldn't stop reading the book. I think every Mythology fic fans should read this book just for this fresh take.
"Morals are typically personal, whereas ethics relate to societal norms. What may be right for one person may be wrong for someone else... In my view, not being in charge of your actions, looking away when someone is being harassed.. and causing intentional harm to someone weak is immoral and unethical"
- Sonali Raje
What I loved the most about this book was the thoughtful take on transgender community. I loved how Raje gave Shikandi's character voice. Even though Draupadi is put into limelight, we also get to know more about Kunti, Karn and his family as well. I loved reading about Karn in a different perspective as well. Draupadi was an, impulsive, outspoken person and I loved how bold & petty she was at the same time.. The author beautifully painted her character without hiding her human flaws.
Even though many incidents were already familiar to me from various readings, Karn's introduction, Draupadi 's encounter with Karn's family, the partition, steadfast friendship with Krishna were written in a refreshingly original manner and I loved reading it the most. Looking forward to the next part to read more about the life of Draupadi!!
August 29, 2022
Draupadi, the pivotal character in the Mahabharata or you can say the regal Queen was one of the main reasons behind the epic war of Mahabharata.
From time immemorial, several authors have tried their hands at giving life to this magnanimous character through their words. There are so many books written only on her, sharing her story from different perspectives.
I too had read so many books about her even recently got a chance to read 'The Empress of Indraprastha' where Sonali Raje has brought Draupadi's character to life through her own point of view.
The book starts from a day before the swayamvar of Draupadi where the readers get to witness Draupadi's anxiety about her would-be husband as the conditions set by her brothers and father were difficult to fulfil.
The author takes the story further from her Swayamvar where she insulted Karna for being a sutaputra and finally marry Arjuna.
The Empress of Indraprastha is the first part of the series 'Entering Kuruvansh' and in this whole series, the author has decided to divide Draupadi's tale into parts according to the events that occurred in her life.
The first part ends with the partition of Hastinapur where Khandava Pradesh was given to the Pandavas.
And then the Pandavas decided to build an empire vast and more prosperous than Hastinapur and from here will begin the second part of the series.
Now coming to the writing style, narration and language. The author has used easy yet effective words to share her story. The character of Draupadi is shown as actually was, strong, regal and fierce. Even the author has done justice with other characters also.
As this is mythological fiction and the author has the liberty to mould the story as she desired which she utilised fully and efficiently yet she didn't fail to inculcate the important events that shaped Draupadi's life.
For a mytho fiction lover like me, this book was nothing less than a treat and am eagerly waiting to read the next part.
You too should definitely give this book a read.
From time immemorial, several authors have tried their hands at giving life to this magnanimous character through their words. There are so many books written only on her, sharing her story from different perspectives.
I too had read so many books about her even recently got a chance to read 'The Empress of Indraprastha' where Sonali Raje has brought Draupadi's character to life through her own point of view.
The book starts from a day before the swayamvar of Draupadi where the readers get to witness Draupadi's anxiety about her would-be husband as the conditions set by her brothers and father were difficult to fulfil.
The author takes the story further from her Swayamvar where she insulted Karna for being a sutaputra and finally marry Arjuna.
The Empress of Indraprastha is the first part of the series 'Entering Kuruvansh' and in this whole series, the author has decided to divide Draupadi's tale into parts according to the events that occurred in her life.
The first part ends with the partition of Hastinapur where Khandava Pradesh was given to the Pandavas.
And then the Pandavas decided to build an empire vast and more prosperous than Hastinapur and from here will begin the second part of the series.
Now coming to the writing style, narration and language. The author has used easy yet effective words to share her story. The character of Draupadi is shown as actually was, strong, regal and fierce. Even the author has done justice with other characters also.
As this is mythological fiction and the author has the liberty to mould the story as she desired which she utilised fully and efficiently yet she didn't fail to inculcate the important events that shaped Draupadi's life.
For a mytho fiction lover like me, this book was nothing less than a treat and am eagerly waiting to read the next part.
You too should definitely give this book a read.
February 21, 2024
3.5 Stars out of 5
The Empress of Indraprastha - Entering Kuruvansh is a retelling of part of the story of Draupadi, the wife of five Pandavas. It is simply recounting of a few events from the epic of Mahabharata, from the perspective of a woman. A woman raised with values of gender equality. This is the first in a series of books.
The Princess of Panchaal is an intelligent, educated and headstrong woman of royal birth. I was a bit surprised to see her story in this book begin with the tale of her swayamvar. In theory, swayamvar is an empowering concept, apparently giving the woman the freedom to choose her husband. But in the end, it is just as patriarchal or chauvinist as most of the traditions of the era. A man essentially winninga woman in a contest devised by her father, is hardly the most feminist of traditions.
My opinions about the traditions of myth notwithstanding, the author has done justice to the event and the story which is all too well known to most of us. Words like polyamory and polygamy are mentioned, although I don’t know why the word polyandry isn’t used to describe Draupadi’s marriage to five husbands.
As such, this being a well known tale, you will find it hard to be surprised anywhere in the story with the author being limited in her creative freedom due to the source material. I would like to see author Sonali Raje write fiction with her penmanship and the fervour of her feminist beliefs.
All in all, this is a relatively short read which is mainly a preamble to the next book (Building an Empire). The first book ended suddenly, in my opinion, without much of a climax, again highlighting my point of the author’s restriction. She couldn’t have dramatized the climax because the main character of Panchaali was only a passive spectator, unable to intervene in the proceeding or or contest the injustice doled out.
I would like to see how the author handles the even more one-sided insults and injustices the heroine Draupadi has in store for her in the future.
This is an easy read, recommended for young women.
The Empress of Indraprastha - Entering Kuruvansh is a retelling of part of the story of Draupadi, the wife of five Pandavas. It is simply recounting of a few events from the epic of Mahabharata, from the perspective of a woman. A woman raised with values of gender equality. This is the first in a series of books.
The Princess of Panchaal is an intelligent, educated and headstrong woman of royal birth. I was a bit surprised to see her story in this book begin with the tale of her swayamvar. In theory, swayamvar is an empowering concept, apparently giving the woman the freedom to choose her husband. But in the end, it is just as patriarchal or chauvinist as most of the traditions of the era. A man essentially winninga woman in a contest devised by her father, is hardly the most feminist of traditions.
My opinions about the traditions of myth notwithstanding, the author has done justice to the event and the story which is all too well known to most of us. Words like polyamory and polygamy are mentioned, although I don’t know why the word polyandry isn’t used to describe Draupadi’s marriage to five husbands.
As such, this being a well known tale, you will find it hard to be surprised anywhere in the story with the author being limited in her creative freedom due to the source material. I would like to see author Sonali Raje write fiction with her penmanship and the fervour of her feminist beliefs.
All in all, this is a relatively short read which is mainly a preamble to the next book (Building an Empire). The first book ended suddenly, in my opinion, without much of a climax, again highlighting my point of the author’s restriction. She couldn’t have dramatized the climax because the main character of Panchaali was only a passive spectator, unable to intervene in the proceeding or or contest the injustice doled out.
I would like to see how the author handles the even more one-sided insults and injustices the heroine Draupadi has in store for her in the future.
This is an easy read, recommended for young women.
August 14, 2022
🚩“Ma, look what we have brought back as alms today�
"Share the alms amongst the 5 of u equally�
✨Most of us know the story that Pandavas on returning home after the swayamvar, Kunti, who was not aware that the prize was her daughter in law had asked the brothers to divide it equally among each other. It was because of the irony of fate that Draupadi had to marry the brothers as well!!
🛕I love to read mythology from a specific character's perspective rather than a generalized informative way. In that case,what's better than reading Mahabharata through Draupadi's Perspective!! A woman who was born from sacred flames of fire🔥
🔱'THE EMPRESS OF INDRAPRASTHA - Entering Kuruvansh' by Sonali Raje tells the age-old tale of Mahabharata, but, through the perspective of Draupadi; daughter of King of Panchala & the wife of Pandavas. It’s a refreshing take on the Mahabharta & this book is the first out of five in its sequel!! It takes us through the various stages in Draupadi’s life � from her luxurious stay in the father’s palace, to her swayamvara & wedding to the Pandavas & being the empress of Indraprasta🛕🚩
🛕Sonali beautifully portrayed Draupadi's emotions & relationships with the other characters, of which, something I liked, in particular, was the bond she shares with Krishna💕. Coming from the depths of Draupadi’s heart, this book is an ode to her feelings, experiences & life.The author very well depicted Draupadi's perspective without disturbing the structure of the original epic. Her way of writing will leave a magical world around you. A world where Mahabharata is not just a story, it is so real!!�
🚩Overall, it’s an amazing book🙌🏻 I couldn't keep it down until I finished it. I am mesmerised by the story & I want to write more but the word limit won’t allow☹️I would say this is a must read for all Indian history lovers. It's Such page turning beauty...!!!🔥Mythology lovers going to love this penned work.
5🌟 ✨Eagerly waiting for the 2nd part of this series😇
"Share the alms amongst the 5 of u equally�
✨Most of us know the story that Pandavas on returning home after the swayamvar, Kunti, who was not aware that the prize was her daughter in law had asked the brothers to divide it equally among each other. It was because of the irony of fate that Draupadi had to marry the brothers as well!!
🛕I love to read mythology from a specific character's perspective rather than a generalized informative way. In that case,what's better than reading Mahabharata through Draupadi's Perspective!! A woman who was born from sacred flames of fire🔥
🔱'THE EMPRESS OF INDRAPRASTHA - Entering Kuruvansh' by Sonali Raje tells the age-old tale of Mahabharata, but, through the perspective of Draupadi; daughter of King of Panchala & the wife of Pandavas. It’s a refreshing take on the Mahabharta & this book is the first out of five in its sequel!! It takes us through the various stages in Draupadi’s life � from her luxurious stay in the father’s palace, to her swayamvara & wedding to the Pandavas & being the empress of Indraprasta🛕🚩
🛕Sonali beautifully portrayed Draupadi's emotions & relationships with the other characters, of which, something I liked, in particular, was the bond she shares with Krishna💕. Coming from the depths of Draupadi’s heart, this book is an ode to her feelings, experiences & life.The author very well depicted Draupadi's perspective without disturbing the structure of the original epic. Her way of writing will leave a magical world around you. A world where Mahabharata is not just a story, it is so real!!�
🚩Overall, it’s an amazing book🙌🏻 I couldn't keep it down until I finished it. I am mesmerised by the story & I want to write more but the word limit won’t allow☹️I would say this is a must read for all Indian history lovers. It's Such page turning beauty...!!!🔥Mythology lovers going to love this penned work.
5🌟 ✨Eagerly waiting for the 2nd part of this series😇
July 11, 2023
There are many different characters in the Mahabharata, each with their own flaws and moral ambiguities. Retellings frequently dive deeper into these characters' emotional and psychological qualities, enabling readers to relate to them more intimately. The Mahabharata is a timeless epic that remains relevant despite being thousands of years old. A modern perspective is frequently used to reinterpret these themes in retellings, which explore topics like obligation, morality, power, familial dynamics, and the effects of decisions. The retelling may become more relatable and stimulating due to its connection to modern society.
“Sonali Raje� through her debut book “The Empress of Indraprastha, entering Kuruvansh,� brings the retelling of the most complex character of Mahabharta “Draupadi.� Sonali narrates all the events of Draupadi’s life with Draupadi’s narrative. I always feel Draupadi saw as an opinionated and courageous woman, and Sonali highlighted these characters in this book. Sonali emphasizes Draupadi’s choices challenging the patriarchal norms. With Draupadi’s story, the author raised questions about gender roles, identity, and the treatment of women in society.
We all knew about Draupadi’s devotion and bond to Lord Krishna. I love how Sonali kept it in the story conversationally, understanding the different aspects of life, like marriage, societal prejudice, and the complexity of relationships. I found it particularly fascinating how intricately Sonali described the complications of Draupadi's polyandrous marriage. Sonali also detailed all the other characters and highlighted their vulnerabilities and flaws, allowing us to understand how politics, power, and conflicts impacted individuals� lives.
Overall, this retelling offers a chance to reconsider and go deeper into Draupadi's persona, showcasing her as an intriguing character with many facets. I will recommend this book to all my readers.
“Sonali Raje� through her debut book “The Empress of Indraprastha, entering Kuruvansh,� brings the retelling of the most complex character of Mahabharta “Draupadi.� Sonali narrates all the events of Draupadi’s life with Draupadi’s narrative. I always feel Draupadi saw as an opinionated and courageous woman, and Sonali highlighted these characters in this book. Sonali emphasizes Draupadi’s choices challenging the patriarchal norms. With Draupadi’s story, the author raised questions about gender roles, identity, and the treatment of women in society.
We all knew about Draupadi’s devotion and bond to Lord Krishna. I love how Sonali kept it in the story conversationally, understanding the different aspects of life, like marriage, societal prejudice, and the complexity of relationships. I found it particularly fascinating how intricately Sonali described the complications of Draupadi's polyandrous marriage. Sonali also detailed all the other characters and highlighted their vulnerabilities and flaws, allowing us to understand how politics, power, and conflicts impacted individuals� lives.
Overall, this retelling offers a chance to reconsider and go deeper into Draupadi's persona, showcasing her as an intriguing character with many facets. I will recommend this book to all my readers.
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