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A Countryman's Spring Notebook

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A seasonal selection from the weekly column Bell wrote from 1950 to 1980 for the Eastern Daily Press and catches beautifully the arrival of Spring in the East Anglian landscape he loved and knew so well. Each essay is a little masterpiece, a fleeting moment captured with a painterly eye and the down-to-earth observation of the farmer Bell became after he left his fashionable life in Chelsea shortly after the First World War.

224 pages, Hardcover

Published January 1, 2023

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About the author

Adrian Bell

62Ìýbooks12Ìýfollowers
Adrian Bell is one of the best-known of modern writers dealing with the countryside. His books are noted for their close observations of country life.
The son of a newspaper editor, Bell was born in London and educated at Uppingham School in Rutland. At the age of 19 he ventured into the countryside in Hundon, Suffolk, to learn about agriculture, and he farmed in various locations over the next sixty years, including the rebuilding of a near-derelict 89-acre smallholding at Redisham.

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Displaying 1 - 2 of 2 reviews
Profile Image for Elizabeth.
1,413 reviews146 followers
July 22, 2023
Loved this collection of short essays by the inimitable Adrian Bell! I read them out loud to myself which was so fun. He has such a good sense of humor and mixes nature writing and common sense philosophy in such a winsome way. I love his love for the English countryside and how he graciously shares his own experience with us of how rural living and farming evolved and changed from 1920 to his death some 60 years later. The illustrations in this edition are lovely. I know there is a winter essay collection, so I look forward to reading that and hope Slightly Foxed will compile summer and autumn collections too!
Profile Image for Charles Sheard.
577 reviews15 followers
May 15, 2023
Once again Slightly Foxed issues an edition that melts the senses even before reading the first quotable lines. The color of this cloth binding should be named "youth green", for it calls to mind nothing if not the newest shoots of life breaking through autumn's mould.

I took this one at a more leisurely pace than , trying to limit myself to an essay every day or two in order to last the whole spring. I'm not sure it was more enjoyable this way, as it is very difficult to stop after a mere few pages then put this aside. As before, Bell always brings his wondrous ability to observe the details around him, never failing to take notice of, and enjoyment from, the present moment and surroundings.
It was a day when, if a man travels, he cannot go slowly enough. At anything faster than a foot pace a man seems to lose life as he goes, on a day like this. So quick and prodigal is nature now. It would make of man a pilgrim. Not only daffodils and the wild arums sought notice, but the blue bird's eye tiny in the grass, the pink and intricate ground-ivy flower. In a cleared coppice perfect bright ovals of severance shone on the hazel butts, and told of expert work with a sharp tool.

Such an ability to bring us directly to his side and point out the wonders makes this such an enjoyable and enlightening glimpse into a rural, simple past that was already fading from sight then, and is now lost to most of us.

And yet also Bell is aware always of the moment's echoes from the past, which blanket the fields with layers of importance just beyond the visible. Whether it is the unchanging aspects of milking cows, or the work of tools that have been wielded through ages of life, or the old oak beams of a surviving ancient room and the lost bones of houses long torn down, time is never absent from Bell's essays, always scenting them with a whiff of melancholy, and a deep breath of poignance.
There was wonder in that insubstantial pointer; it gave me news that no clockwork could do. Time was not a fixed series of moments, it said, but something moving like a flower that grows, growing perhaps even like a flower; or traveling the minutes like the spokes of a shadowy wheel turning once a day, and perhaps going somewhere or somewhen, carrying me along with it ... Here birds sang the minutes on their way; warblers with a sliding succession of notes, blackbirds as though shouting the beginnings of a tune which they challenged their mates to finish, and larks continuous above all. A spire rose above the trees; the grey church itself was a phantom-like seen through so much bright positive green. The clock of the tower struck the half-hour.

While themselves a literary time capsule, these essays never fail to walk us back even farther into the pastures of the past where undoubtedly there were always those who took the same joy in the sounds and sights of spring amid their labours in the soil.

Summer is coming, Mr. Hawking and Slightly Foxed. The next edition is anxiously awaited!
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