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The Exiles Return
The Exiles Return is set in Occupied Vienna in 1954-5. It describes five people who grew up there before the war and have come back to see if they can re-establish the life they have lost.
The novel begins with Professor Kuno Adler, who is Jewish and fled Vienna after the Anschluss (the events of March 1938 when Hitler’s troops marched into Austria). He is returning from New York to try and take up his old life as a research scientist. We realise through his confrontation with officialdom and with the changed fabric of the city (the lime trees are there no longer, it is hard to know who behaved well during the war and who was a Nazi sympathiser) that a refugee who goes back has a very difficult time.
Next we are introduced to a wealthy Greek named Kanakis. Before the war his family had lived in great style with a coach and horses and many servants, and now the 40 year-old Kanakis has come back to try and buy an eighteenth-century hotel particulier, a little palais, in which to live a life of eighteenth-century pleasure. He meets Prince Lorenzo Grein-Lauterbach (who owes more than a little to Tadzio in Death in Venice). Bimbo, as he is known � and the nickname is an accurate one � is a 24 year-old who, because his aristocratic, anti- Nazi parents were murdered by the Germans, was spirited away to the country during the war years and afterwards. He is penniless yet retains an overweening sense of entitlement. Kanakis and he develop a homosexual relationship (a brave thing to write about in the 1950s) and he is kept by his older lover. But he has a sister, Princess Nina, who works in a laboratory, the same one to which Adler returns. She lives modestly in the attic of her family’s former palais, is a devout Catholic, loyal to her brother and the memory of her parents, intelligent and hard-working, but, as she perceives it, is stocky and unattractive. Lastly, there is 18 year-old Marie-Theres, whose parents went to America just before the war; they, and her siblings, have become completely American, but Resi (as she is known, possibly with a deliberate echo of Henry James’s What Maisie Knew) has never fitted in and is déplacée. So she goes back to her Austrian aunt and uncle to see if she can make a life in the home country (from her parents point of view to see if she can be married off) yet here too she is an innocent abroad, unable, to put down roots. Her tragedy is at the core of this moving and evocative book, which explores a very complex and interesting question: if an exile returns, how should he or she behave morally? Some have moral fastidiousness (Adler, Nina), some are ruthlessly on the make (Kanakis, Bimbo), some have no moral code because they have never been educated to acquire one (Resi).
Each of the exiles describes an aspect of the author herself. Elisabeth de Waal was brought up in the Palais Ephrussi, so wonderfully evoked by her grandson Edmund de Waal in his bestselling The Hare with Amber Eyes. Her mother’s life was the one for which the ‘startlingly beautiful�, fictional Resi was bred and should have grown into. Elisabeth herself was much more like Princess Nina, ‘a serious young girl who was, as Edmund de Waal said recently in an interview with Mark Lawson on BBC Radio 4’s Front Row, ‘desperate to get from one side of the Ringstrasse in this crazily marble and gilt edifice to the other side where there was this fantastically exciting university full of philosophers and economists, and she did it through sheer dogged will power.� Yet, although there are aspects of Resi and of Nina in Elisabeth, we can imagine that Professor Adler was the character with whom she identified most. And, although she obviously would have shrunk from identifying with Kanakis and Bimbo, she knew that they were in her family background and that even those two, the wealthy Greek playboy and the dissolute young aristocrat, had elements of what she might have been.
Elisabeth arrived in England in 1939 and became a wartime and post-war housewife, like so many of the women in Persephone books. We can imagine her struggling with How to Run your home without Help and Plats du Jour. She coached children in Latin, maintained a large correspondence, and wrote a few reviews for the TLS � but mostly what she did was write novels, two in German and three in English. The Exiles Return is the first to be published.
The novel begins with Professor Kuno Adler, who is Jewish and fled Vienna after the Anschluss (the events of March 1938 when Hitler’s troops marched into Austria). He is returning from New York to try and take up his old life as a research scientist. We realise through his confrontation with officialdom and with the changed fabric of the city (the lime trees are there no longer, it is hard to know who behaved well during the war and who was a Nazi sympathiser) that a refugee who goes back has a very difficult time.
Next we are introduced to a wealthy Greek named Kanakis. Before the war his family had lived in great style with a coach and horses and many servants, and now the 40 year-old Kanakis has come back to try and buy an eighteenth-century hotel particulier, a little palais, in which to live a life of eighteenth-century pleasure. He meets Prince Lorenzo Grein-Lauterbach (who owes more than a little to Tadzio in Death in Venice). Bimbo, as he is known � and the nickname is an accurate one � is a 24 year-old who, because his aristocratic, anti- Nazi parents were murdered by the Germans, was spirited away to the country during the war years and afterwards. He is penniless yet retains an overweening sense of entitlement. Kanakis and he develop a homosexual relationship (a brave thing to write about in the 1950s) and he is kept by his older lover. But he has a sister, Princess Nina, who works in a laboratory, the same one to which Adler returns. She lives modestly in the attic of her family’s former palais, is a devout Catholic, loyal to her brother and the memory of her parents, intelligent and hard-working, but, as she perceives it, is stocky and unattractive. Lastly, there is 18 year-old Marie-Theres, whose parents went to America just before the war; they, and her siblings, have become completely American, but Resi (as she is known, possibly with a deliberate echo of Henry James’s What Maisie Knew) has never fitted in and is déplacée. So she goes back to her Austrian aunt and uncle to see if she can make a life in the home country (from her parents point of view to see if she can be married off) yet here too she is an innocent abroad, unable, to put down roots. Her tragedy is at the core of this moving and evocative book, which explores a very complex and interesting question: if an exile returns, how should he or she behave morally? Some have moral fastidiousness (Adler, Nina), some are ruthlessly on the make (Kanakis, Bimbo), some have no moral code because they have never been educated to acquire one (Resi).
Each of the exiles describes an aspect of the author herself. Elisabeth de Waal was brought up in the Palais Ephrussi, so wonderfully evoked by her grandson Edmund de Waal in his bestselling The Hare with Amber Eyes. Her mother’s life was the one for which the ‘startlingly beautiful�, fictional Resi was bred and should have grown into. Elisabeth herself was much more like Princess Nina, ‘a serious young girl who was, as Edmund de Waal said recently in an interview with Mark Lawson on BBC Radio 4’s Front Row, ‘desperate to get from one side of the Ringstrasse in this crazily marble and gilt edifice to the other side where there was this fantastically exciting university full of philosophers and economists, and she did it through sheer dogged will power.� Yet, although there are aspects of Resi and of Nina in Elisabeth, we can imagine that Professor Adler was the character with whom she identified most. And, although she obviously would have shrunk from identifying with Kanakis and Bimbo, she knew that they were in her family background and that even those two, the wealthy Greek playboy and the dissolute young aristocrat, had elements of what she might have been.
Elisabeth arrived in England in 1939 and became a wartime and post-war housewife, like so many of the women in Persephone books. We can imagine her struggling with How to Run your home without Help and Plats du Jour. She coached children in Latin, maintained a large correspondence, and wrote a few reviews for the TLS � but mostly what she did was write novels, two in German and three in English. The Exiles Return is the first to be published.
336 pages, Hardcover
First published March 11, 2013
46 people are currently reading
1932 people want to read
About the author
Elisabeth de Waal
4books7followersElisabeth de Waal was born in Vienna in 1899, the eldest child of Viktor von Ephrussi, of the banking family, and Baroness Emmy Schey von Koromla. She was educated at home and at a leading boys' school, studied philosophy, law and economics at the University of Vienna, and when only 19 gave a paper at the first of Ludwig von Mises's legendary Private Seminars on economics. She completed her doctorate in 1923 and also wrote poems (exchanging letters about poetry with Rilke). She was a Rockefeller Foundation fellow at Columbia. In 1928 she married Hendrik de Waal, a Dutchman; they had two sons, Viktor and Constant (later Henry), lived first in Paris and then in Switzerland, and in 1939 settled in Tunbridge Wells, England. She wrote five unpublished novels, two in German and three in English, including 'The Exiles Return' which was published posthumously. She died in 1991.
Her grandson Edmund de Waal is also an author.
Her grandson Edmund de Waal is also an author.
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Displaying 1 - 30 of 125 reviews
April 7, 2013
A book that suits its dove-grey covers very well ...
I was intrigued by The Exiles Return as soon a I saw it written about, as a forthcoming Persephone Book last autumn. The authors name was familiar, because it was her grandson who wrote The Hare With Amber Eyes, a book that I think everyone in the world but me had read. But this was a book that hadn’t been read, though the author made every effort to get it into print.
And yet it holds a stories that have been little told. Stories of exiles returning to Austria after the war, when the country regained its independence. Fascinating stories, that are quietly compelling because they are much more than stories. They are testimonies created from the authors own experiences.
There are three main strands. There is a Jewish professor who had taken his family to America when he saw danger at home; they thrived in their new life but he did not, and has returned alone. There is an entrepreneur, of Greek descent, who is returning to a city where he believes he will find business and social openings. And there is an American girl, the daughter of immigrants, who has been sent to stay with relations in the hope that it would pull her out of what seemed to be apathy with her life.
And in consequence there are three very different stories, told in different styles. I questioned the shifting narrative at first, but as I read I came to realise that it was very, very effective. It emphasised that so many lives were affected, in so many ways, and that there would be countless consequences.
There are so many moments that I could pull out.
Professor Adler’s realisation that he really had come home. His later realisation that home had changed, in ways he had not anticipated. Most of all his realisation that there were people who had supported what he saw as an evil regime among his friends, neighbours and collegues.
For me Professor Adler was the emotional centre of the story. He was an intelligent and sensitive man, and he saw that the years he spent in exile could not be made up, that her would always be a little out of step with those who had stayed. The telling of his story was pitch perfect and utterly moving.
His experiences may have mirrored those of a German gentlemen who lived here on the promenade until he died a few years ago. He and his wife came to England during the war to try to raise awareness of what was happening in Germany, and they went home after the war but eventually they retired back to Cornwall. I am so pleased that this book has finally come into print, to shine a light on stories like his.
Resi’s story touched me too. She blossomed as she met her Austrian family, as she learned new things about her family background, and it was lovely to watch her living happily, in the country, with her cousins. It was the family’s move to the city that took the desperately pretty Resi out of her depth, and kicked off the plot that would bring the different strands of the story together.
That plot didn’t quite work, it felt a little over dramatic after the subtle and thought-provoking writing that has come before. And I was unconvinced that Resi would have acted as she did at the very end. But that by no means spoiled things, and I am more than ready to believe that a dramatic plot might have been necessary to sell a book about the consequences of war when it was written, years ago.
The Exiles Return is not the best written or the best structured novel on Persephone’s list. But it is as heartfelt, as honest, and as profound, as any of the one hundred and one titles it joins.
Essential reading.
I was intrigued by The Exiles Return as soon a I saw it written about, as a forthcoming Persephone Book last autumn. The authors name was familiar, because it was her grandson who wrote The Hare With Amber Eyes, a book that I think everyone in the world but me had read. But this was a book that hadn’t been read, though the author made every effort to get it into print.
And yet it holds a stories that have been little told. Stories of exiles returning to Austria after the war, when the country regained its independence. Fascinating stories, that are quietly compelling because they are much more than stories. They are testimonies created from the authors own experiences.
There are three main strands. There is a Jewish professor who had taken his family to America when he saw danger at home; they thrived in their new life but he did not, and has returned alone. There is an entrepreneur, of Greek descent, who is returning to a city where he believes he will find business and social openings. And there is an American girl, the daughter of immigrants, who has been sent to stay with relations in the hope that it would pull her out of what seemed to be apathy with her life.
And in consequence there are three very different stories, told in different styles. I questioned the shifting narrative at first, but as I read I came to realise that it was very, very effective. It emphasised that so many lives were affected, in so many ways, and that there would be countless consequences.
There are so many moments that I could pull out.
Professor Adler’s realisation that he really had come home. His later realisation that home had changed, in ways he had not anticipated. Most of all his realisation that there were people who had supported what he saw as an evil regime among his friends, neighbours and collegues.
For me Professor Adler was the emotional centre of the story. He was an intelligent and sensitive man, and he saw that the years he spent in exile could not be made up, that her would always be a little out of step with those who had stayed. The telling of his story was pitch perfect and utterly moving.
His experiences may have mirrored those of a German gentlemen who lived here on the promenade until he died a few years ago. He and his wife came to England during the war to try to raise awareness of what was happening in Germany, and they went home after the war but eventually they retired back to Cornwall. I am so pleased that this book has finally come into print, to shine a light on stories like his.
Resi’s story touched me too. She blossomed as she met her Austrian family, as she learned new things about her family background, and it was lovely to watch her living happily, in the country, with her cousins. It was the family’s move to the city that took the desperately pretty Resi out of her depth, and kicked off the plot that would bring the different strands of the story together.
That plot didn’t quite work, it felt a little over dramatic after the subtle and thought-provoking writing that has come before. And I was unconvinced that Resi would have acted as she did at the very end. But that by no means spoiled things, and I am more than ready to believe that a dramatic plot might have been necessary to sell a book about the consequences of war when it was written, years ago.
The Exiles Return is not the best written or the best structured novel on Persephone’s list. But it is as heartfelt, as honest, and as profound, as any of the one hundred and one titles it joins.
Essential reading.
June 27, 2013
Persephone generally publishes books that have often enjoyed great success in the past, but have been out of print for a number of years. This is not the case with The Exiles Return. The author Elisabeth De Waal was the grandmother of Edmund De Waal who wrote the hugely successful The Hare with Amber Eyes � which I have not read � I think I might though now. It is solely through his efforts that Elisabeth’s book is now available. The manuscript of what became The Exiles Return Elisabeth De Waal kept with her on her travels across Europe for years, the story was important to her although it seems she had little hope of it ever being read by anyone, much less that it would be published. Before I go any further I must say I really enjoyed this book, which I hadn’t intended to read this month until I saw a lovely review of it from Claire at word by word. I loved the sense of time and place, the feeling of returning to place once loved is strong, and the idea of things being put back together again � of families reconnecting is one I really enjoyed. However I don’t think this is a faultless novel; there were moments when I felt oddly disconnected from it.
“Kuno Adler handed over his passport, his American passport, with a sense of defiance, as if challenging him to question its authenticity. The man leafed through it, looked at the photograph and at Adler himself for what seemed an intolerably long time, probably twenty seconds, cocking his head to look at him from all angles. All right, all right! Adler thought, of course he can see that I am a Jew, a refugee. What of it?
‘Coming back?� the man asked, closing the passport and handing it back to him.
Adler had meant to answer the question in English. But somehow he couldn’t. ‘Ja� he replied, and in the same soft German, ‘I’m coming back.’�
The Exiles Return is set in Austria in 1954/55 during the occupation following World War Two. As the title suggests it concerns the return home of people living in Exile. There are three story strands � which are linked slightly � but which at times felt oddly disjointed. Having thought about the novel some more since I finished it � I think that this is a strangely powerful way to portray that feeling of exile that Elisabeth De Waal herself experienced.
Professor Adler a Jewish scientist returns to Vienna from America where he has been living with his wife and daughters. However Adler returns alone, his relationship with his wife is difficult. Adler finds a place familiar and yet altered. The Professor finds he needs to work with people who had worked within the regime that saw him having to flee his homeland fifteen years earlier. Entrepreneur Kanakis , an Austrian of Greek descent returns, intending to find his dream home, and make money out of the new opportunities that he hopes will be opening up. Resi � is an American the nineteen year old daughter of immigrants, she is sent by her mother to her Austrian relations in the Austrian countryside. Resi enjoys her time in the country; she becomes happier in these idyllic surroundings, finding herself drawn to her aunt, and happy in the company of her older cousin Hanni. However a move to the city that allows Resi to attend university and socialise with friends of Hanni’s, sets in motion events that will lead to tragedy. (This is not a spoiler- the tragedy is revealed in the novel’s prelude).
I loved the story of Professor Adler � and rather wished I had rather more of him in the novel. His sad disillusion is touching, his delight in meeting up with an old man who he knew years earlier, and an unexpected romance are wonderfully poignant. Resi’s story is different � more dramatic, and for me, a little strange, especially at the end. I didn’t connect with the character of Resi � I was unconvinced by some of her actions and was a little confused by her attitude toward some of the characters � there were a few things for me which didn’t entirely hold together. All in all although I did enjoy this novel � and I am glad that I have read it, I do feel it is not as strong as other Persephone novels.
“Kuno Adler handed over his passport, his American passport, with a sense of defiance, as if challenging him to question its authenticity. The man leafed through it, looked at the photograph and at Adler himself for what seemed an intolerably long time, probably twenty seconds, cocking his head to look at him from all angles. All right, all right! Adler thought, of course he can see that I am a Jew, a refugee. What of it?
‘Coming back?� the man asked, closing the passport and handing it back to him.
Adler had meant to answer the question in English. But somehow he couldn’t. ‘Ja� he replied, and in the same soft German, ‘I’m coming back.’�
The Exiles Return is set in Austria in 1954/55 during the occupation following World War Two. As the title suggests it concerns the return home of people living in Exile. There are three story strands � which are linked slightly � but which at times felt oddly disjointed. Having thought about the novel some more since I finished it � I think that this is a strangely powerful way to portray that feeling of exile that Elisabeth De Waal herself experienced.
Professor Adler a Jewish scientist returns to Vienna from America where he has been living with his wife and daughters. However Adler returns alone, his relationship with his wife is difficult. Adler finds a place familiar and yet altered. The Professor finds he needs to work with people who had worked within the regime that saw him having to flee his homeland fifteen years earlier. Entrepreneur Kanakis , an Austrian of Greek descent returns, intending to find his dream home, and make money out of the new opportunities that he hopes will be opening up. Resi � is an American the nineteen year old daughter of immigrants, she is sent by her mother to her Austrian relations in the Austrian countryside. Resi enjoys her time in the country; she becomes happier in these idyllic surroundings, finding herself drawn to her aunt, and happy in the company of her older cousin Hanni. However a move to the city that allows Resi to attend university and socialise with friends of Hanni’s, sets in motion events that will lead to tragedy. (This is not a spoiler- the tragedy is revealed in the novel’s prelude).
I loved the story of Professor Adler � and rather wished I had rather more of him in the novel. His sad disillusion is touching, his delight in meeting up with an old man who he knew years earlier, and an unexpected romance are wonderfully poignant. Resi’s story is different � more dramatic, and for me, a little strange, especially at the end. I didn’t connect with the character of Resi � I was unconvinced by some of her actions and was a little confused by her attitude toward some of the characters � there were a few things for me which didn’t entirely hold together. All in all although I did enjoy this novel � and I am glad that I have read it, I do feel it is not as strong as other Persephone novels.
December 22, 2019
The Exiles Return was written by Elisabeth de Waal, grandmother to Edmund de Waal - and not published until 2013, by Persephone Books, a full two decades after the author’s death. Presumably, interest in the book was kindled by the huge success of Edmund’s The Hare with Amber Eyes, but the book had (and has) every right to be published and read on its own merits. I’ve wondered quite a bit what kept it from being published: perhaps the subject matter was considered too controversial, or perhaps editors assumed that their reading audience were tired of books dealing with the Jewish experience during World War II. There are several potentially controversial subjects in the book - a homosexual relationship, although it is merely hinted at and not the least graphic, and a suicide - but considering what the world witnessed during the years of 1938-45, I cannot imagine, even in the staid 1950s, that these events would have the power to shock or offend most adults. Perhaps the book just disturbed too much the collective desire for amnesia. Perhaps the book touched on a spot still too sore.
Set in Vienna during the 1950s, the title gives a good hint of the novel’s subject matter. The three ‘exiles� in the book are: Professor Kuno Adler, a research scientist who is returning to the University after 15 years in New York City; Theophil Kanakis, a rich Greek tycoon whose family had helped turn Vienna into the jewel of the Austro-Hungarian Empire; and Marie-Theres ‘Resi�, the American daughter of an exiled Austrian princess and her Danish husband. All three characters have their own storylines and secondary characters, but the author also connects them together in a storyline as tragic as an opera plot. (The importance of the opera in Vienna is alluded to in more than one scene in the novel.)
The novel begins with a direct reference to an exact moment in Vienna’s history: ”it was in the middle fifties, a short while before the conclusion of the so-called State Treaty which led to the withdrawal of the Allied Occupation forces and finally restored Austria’s independence.� Vienna is still rebuilding, a full decade after the war. A long season of hunger is finally coming to an end. A partial restitution is being made to the Jewish population, from whom so much was stolen. The author, whose own family had been prominent citizens of Vienna for several generations, does not just make her book about the Jewish experience, though. Impoverished aristocrats and the ambitious sons of former servants also play a role, as do former Nazis. What the book does so well is describe a diverse society, totally ruptured, which is attempting to knit itself back together.
Elisabeth de Waal was a linguist in the highborn, well-educated European style: I know that she spoke fluent German, French, Dutch and English at the very least. During the war, she and her Dutch husband settled in Tunbridge Wells, Kent, and presumably it was there that she perfected her English. I mention this only because her writing never gives even a hint that she is not a native speaker. She has a graceful, flowing style - truly a pleasure to read - and it completely mystifies me that this book was not published in her lifetime.
Set in Vienna during the 1950s, the title gives a good hint of the novel’s subject matter. The three ‘exiles� in the book are: Professor Kuno Adler, a research scientist who is returning to the University after 15 years in New York City; Theophil Kanakis, a rich Greek tycoon whose family had helped turn Vienna into the jewel of the Austro-Hungarian Empire; and Marie-Theres ‘Resi�, the American daughter of an exiled Austrian princess and her Danish husband. All three characters have their own storylines and secondary characters, but the author also connects them together in a storyline as tragic as an opera plot. (The importance of the opera in Vienna is alluded to in more than one scene in the novel.)
The novel begins with a direct reference to an exact moment in Vienna’s history: ”it was in the middle fifties, a short while before the conclusion of the so-called State Treaty which led to the withdrawal of the Allied Occupation forces and finally restored Austria’s independence.� Vienna is still rebuilding, a full decade after the war. A long season of hunger is finally coming to an end. A partial restitution is being made to the Jewish population, from whom so much was stolen. The author, whose own family had been prominent citizens of Vienna for several generations, does not just make her book about the Jewish experience, though. Impoverished aristocrats and the ambitious sons of former servants also play a role, as do former Nazis. What the book does so well is describe a diverse society, totally ruptured, which is attempting to knit itself back together.
Elisabeth de Waal was a linguist in the highborn, well-educated European style: I know that she spoke fluent German, French, Dutch and English at the very least. During the war, she and her Dutch husband settled in Tunbridge Wells, Kent, and presumably it was there that she perfected her English. I mention this only because her writing never gives even a hint that she is not a native speaker. She has a graceful, flowing style - truly a pleasure to read - and it completely mystifies me that this book was not published in her lifetime.
May 20, 2014
Loden--people really wore it back then. This book has some beautiful descriptions, of characters and of places, that kept me going through its slow development and awkward dialogue.
For example, there is an electrifying scene of one Austrian scientist named Krieger telling the (Jewish) scientist returned from exile about Krieger's wartime experiments on prisoners. Krieger points out that they were Roma, not Jews (he seems to think his audience will approve). He goes on about how these experiments advanced science, and, most chillingly, how he regrets that there probably would not be similar opportunities in the future to experiment on live people.
On a lighter note, there is a kind princess-aunt telling her young American niece to always have fresh flowers in the house because it's nice to get dressed in front of flowers. The aristocrats' mindset is fascinating throughout the book.
Unfortunately, the last 40 or so pages are a rushed, breathless, melodramatic plot. Part bad telenovela, part cheap romance novel, with a little seasoning of homophobia. It's especially disappointing because it revolves around the American niece, the least interesting character in the bunch.
My recommendation: read the first 80% or so, especially if (like me) all you know about Austria is from "The Sound of Music" and "The Grand Budapest Hotel" and you don't mind that nothing really happens. Skip the end.
For example, there is an electrifying scene of one Austrian scientist named Krieger telling the (Jewish) scientist returned from exile about Krieger's wartime experiments on prisoners. Krieger points out that they were Roma, not Jews (he seems to think his audience will approve). He goes on about how these experiments advanced science, and, most chillingly, how he regrets that there probably would not be similar opportunities in the future to experiment on live people.
On a lighter note, there is a kind princess-aunt telling her young American niece to always have fresh flowers in the house because it's nice to get dressed in front of flowers. The aristocrats' mindset is fascinating throughout the book.
Unfortunately, the last 40 or so pages are a rushed, breathless, melodramatic plot. Part bad telenovela, part cheap romance novel, with a little seasoning of homophobia. It's especially disappointing because it revolves around the American niece, the least interesting character in the bunch.
My recommendation: read the first 80% or so, especially if (like me) all you know about Austria is from "The Sound of Music" and "The Grand Budapest Hotel" and you don't mind that nothing really happens. Skip the end.
February 18, 2021
4.5 stars - what a wonderful surprise
I love a meandering classic that treats its characters well, shows each snippet of their lives proper respect, and manages to make me love them enough to do the same.
I love a meandering classic that treats its characters well, shows each snippet of their lives proper respect, and manages to make me love them enough to do the same.
June 1, 2018
I listened to this in German and the language draws you into the story, time and setting. Not sure if it would work so well in translation. It reminded me of some of Stefan Zweig's novels.
February 16, 2018
This is the 102nd book on the Persephone list. As with Emma Smith's The Far Cry, I did not know much about this novel before I began to read it, apart from the fact that it was set in Austria. The Exiles Return was written in the late 1950s, and was not published in de Waal’s lifetime. The preface to the Persephone edition is written by the Viennese author’s grandson, Edmund de Waal. He states that his grandmother ‘wanted� to create novels of ideas�, and his introduction is truly fascinating.
The novel takes place over a relatively short period, beginning in 1954 and ending the following year, just after Austria recovered her independence following Hitler’s Anschluss. Whilst there are several characters who are introduced and focused upon in detail, the two protagonists of the piece are Professor Kuno Adler, ‘the academic whose need to return to Vienna is at the heart of the book�, and a ‘beautiful girl� named Marie-Theres, the American-raised daughter of an Austrian princess, who comes to be known as Resi. Adler is barely on speaking terms with his wife, and has returned from New York alone, leaving his daughters in her care. Resi is sent to stay with her uncle and aunt, a Count and Countess, because it is believed that a change of scenery will be ‘good� for her.
The characters whom de Waal focuses upon come from different walks of life � a prince who has lost most of his family to the Gestapo, a rich Greek man, and the children of the Count and Countess, for example. Pre- and post-war differences within Vienna are set out well, as are the ways in which the place impacts upon those who live within it. Lots of history has been bound alongside the story, and the novel consequently has such depths; it becomes richer as each new character or scene is introduced. The whole is rendered almost luscious in this respect. The Exiles Return is a fabulous addition to the Persephone list, and I can only hope that the rest of de Waal’s books are � or will soon be, at any rate � readily available in English.
The novel takes place over a relatively short period, beginning in 1954 and ending the following year, just after Austria recovered her independence following Hitler’s Anschluss. Whilst there are several characters who are introduced and focused upon in detail, the two protagonists of the piece are Professor Kuno Adler, ‘the academic whose need to return to Vienna is at the heart of the book�, and a ‘beautiful girl� named Marie-Theres, the American-raised daughter of an Austrian princess, who comes to be known as Resi. Adler is barely on speaking terms with his wife, and has returned from New York alone, leaving his daughters in her care. Resi is sent to stay with her uncle and aunt, a Count and Countess, because it is believed that a change of scenery will be ‘good� for her.
The characters whom de Waal focuses upon come from different walks of life � a prince who has lost most of his family to the Gestapo, a rich Greek man, and the children of the Count and Countess, for example. Pre- and post-war differences within Vienna are set out well, as are the ways in which the place impacts upon those who live within it. Lots of history has been bound alongside the story, and the novel consequently has such depths; it becomes richer as each new character or scene is introduced. The whole is rendered almost luscious in this respect. The Exiles Return is a fabulous addition to the Persephone list, and I can only hope that the rest of de Waal’s books are � or will soon be, at any rate � readily available in English.
May 27, 2014
The Exiles Return promises a lot but then fails to deliver on some fronts. The setting is Vienna in the early 1950s in the aftermath of World-War II - a disheveled, occupied city keen to recapture its illustrious past. The characters are a potent mix of those who fled from the Nazis, those who stayed and fought them and those who remained and co-operated with them. The publisher’s cover blurb talks the book up a storm, and the Foreword by the author’s grandson, Edmund de Waal, (author of the beautifully written, ‘The Hare with Amber Eyes�)certainly adds weight. The book’s strength comes in patches when the author very ably manages to capture the atmosphere of post-war Vienna, the privations that its citizens had to face, and the politics of the time. She also has crafted characters with interesting histories that seem bound to lead to conflict. However, the book really fails in its execution. The characters behave in unbelievable, precipitous ways and say preposterous things to each other. Also, the writing at many times is clumsy. I was very disappointed that the story - which initially promised to focus on two of the eponymous exiles, a rich business man and a scientist � instead revolves around the love life of the beautiful and vacuous daughter of another couple of Viennese exiles. This is a book written by an intelligent person who knows and empathizes with her subject matter. However, the writing is not compelling. Despite this, I feel it is a book worth reading, if only for its insights into life in Vienna in the early 1950s.
September 20, 2024
Love this picture of post war Vienna, but very much a novel of ideas and structure was quite jarring as such
September 2, 2024
I like such kind a style of storytelling, clear, and not overcomplicated.
The story wasn't original, but weren't all stories already told?
I found a few very interesting facts about Austria in those times.
In other words, I enjoyed the novel. It was fast reading. I understood the characters and their motives.
The story wasn't original, but weren't all stories already told?
I found a few very interesting facts about Austria in those times.
In other words, I enjoyed the novel. It was fast reading. I understood the characters and their motives.
March 17, 2017
I knew going into this that it was about several different people. But once I started reading and I totally got into Professor Adler's story, I forgot about that. When it switched to another character, I didn't want to leave Professor Adler. But after about a day of sulking, I picked up the book again and went back into it.
The style of writing may not suit today's taste for all action all the time, but I really enjoyed it. I felt like I got to know the characters inside and out, and I liked the feel or atmosphere that the narrator created. Marie-Theres/Resi's absorption in the natural world, her innate slow-moving-ness, and her lack of connection with the whole US suburban culture definitely resonated with me. Those moments she has with Frans were really evocative, and I was sorry she didn't connect up with him again.
It did seem as if some threads of the story were beginning to be woven and were not picked up again later in the story. But I did get sucked into the drama between Kanakis, Bembo, and Resi, to the point that I gasped out loud at one point. Not like, Oh, these events are so shocking! in a prudish 1950s way (which might have kept this book from being published at the time) but more in an I-can't-believe-she-did-that kind of way.
Besides being portraits of people, this novel is also portrait of a city at a certain time in its history -- Vienna, immediately post-WWII. That's a place and a time that we don't hear much about, and I was glad to be given a picture of it. Thanks, Elisabeth, for writing down a portrait of your time, and thanks, Edmund, for seeing that it got published.
The style of writing may not suit today's taste for all action all the time, but I really enjoyed it. I felt like I got to know the characters inside and out, and I liked the feel or atmosphere that the narrator created. Marie-Theres/Resi's absorption in the natural world, her innate slow-moving-ness, and her lack of connection with the whole US suburban culture definitely resonated with me. Those moments she has with Frans were really evocative, and I was sorry she didn't connect up with him again.
It did seem as if some threads of the story were beginning to be woven and were not picked up again later in the story. But I did get sucked into the drama between Kanakis, Bembo, and Resi, to the point that I gasped out loud at one point. Not like, Oh, these events are so shocking! in a prudish 1950s way (which might have kept this book from being published at the time) but more in an I-can't-believe-she-did-that kind of way.
Besides being portraits of people, this novel is also portrait of a city at a certain time in its history -- Vienna, immediately post-WWII. That's a place and a time that we don't hear much about, and I was glad to be given a picture of it. Thanks, Elisabeth, for writing down a portrait of your time, and thanks, Edmund, for seeing that it got published.
September 4, 2023
From the outset, a straight-forward story of the return of émigrés to Austia shortly after WW2. There's an underlying note of discomfort as those involved try to deal with displacement, loss, social readjustment and the inevitable hangover from a recent Nazi regime. And the usual drama of families, generational realignment and the societal conventions that have been fractured by war.
But then, De Wall surprises us with a deliciously contrived denouement. I will not drop any spoilers here, except to note that she very neatly, cleverly and beautifully draws inspiration from Tchaikovsky's "Eugene Onegin". Masterfully done!
I find it astonishing that no one saw fit to publish this exquisite novel during De Waal's lifetime.
Another forgotten treasure brought to light by the folks at Persephone.
But then, De Wall surprises us with a deliciously contrived denouement. I will not drop any spoilers here, except to note that she very neatly, cleverly and beautifully draws inspiration from Tchaikovsky's "Eugene Onegin". Masterfully done!
I find it astonishing that no one saw fit to publish this exquisite novel during De Waal's lifetime.
Another forgotten treasure brought to light by the folks at Persephone.
June 22, 2013
She wrote 5 novels and long after her own death, thanks to the success of her grandson's award winning book Edmund De Waal's The Hare With Amber Eyes, we now get to read that most personal of all the stories she wrote, Elisabeth De Waal's The Exiles Return inspired by her own return from exile to Vienna after the war.
The return is never really the return, it might be another beginning, if one is fortunate, for other's it represents the end.
My complete review .
The return is never really the return, it might be another beginning, if one is fortunate, for other's it represents the end.
My complete review .
January 28, 2014
3.5 stars -- closer to 4 than 3, so I'm rounding up.
August 8, 2018
Im Vorwort zum Roman erwähnt Edmund de Waal, der Enkel der inzwischen verstorbenen Autorin, die Liebe seiner Großmutter zu Marcel Prousts Büchern. Als ich die ersten Kapiteln las, konnte ich in der Tat spüren, sie wären von jemandem verfasst, wer sich mit Erinnerungen und vor allem mit der Sprache umzugehen weiß. Ich war bereit, Professor Adlers Schicksal zu verfolgen, seine Persönlichkeit gewann langsam an individuellen Zügen, doch kaum angefangen, war es schon vorbei mit der guten Lektüre. Die zweite Geschichte nämlich, die von einer jungen Erbin eines alten adeligen Clans handelt, hat mit der ersten nichts zu tun, weder inhaltlich noch sprachlich. Die Kapiteln über Marie-Theres, die (leider) die meisten Seiten des kleinen Romans füllen, wirken sehr skizzenhaft und roh: es gibt viele Wiederholungen, das heißt, wenn de Waal auf eine gelungene Metapher kommt, dann reitet sie auch weiterhin herum, ohne sich was neues einfallen zu lassen. Weiterhin, sind die endlosen sich wiederholenden Anspielungen auf den gesellschaftlichen Status a la "sein Vater war doch ein Graf und meiner nur sein Förster" ebenso lästig: man fühlt sich wie ein kleines Kind zig mal an dasselbe erinnert, obwohl man eigentlich imstande ist, sich die wenigen biographischen Details der Protagonisten gleich bei der ersten Bekanntschaft zu merken. Insgesamt fand ich den Einblick in die Wiener hohen Kreise der Nachkriegszeit schon interessant, auch wenn dieser Blick nicht gerade tief war. Andererseits war es für mich sprachlich gesehen ein ziemlich anspruchsloses Buch und ich habe mich am Ende enttäuscht gefühlt und war über die vergeudete Zeit verärgert.
June 2, 2024
This is a perfectly enjoyable look at a handful of returnees to Vienna following the end of the Second World War. You get a fabulous sense of post war decay and neglect as well as an interesting (if maybe too fleeting) insight in to the reality of government promises to resettle those who had been displaced by the Nazis. However there is some naivity to some of the writing (in particular dialogue) and plot lines (that can be a bit more dramatic than they need to be) although for me these are forgivable given that this wasn’t professionally edited or published during the author’s lifetime. A good if flawed contemporaneous account of an aspect of the Second World War that I have had little understanding of.
October 24, 2021
The book contains fictional stories about people who come back to Vienna after the war. It's not a very positive book as nobody is trully happy and most of the people are disappointed as they've lost their assets in the bombing, also the position and status. It's hard to adjust to the new reality, especially when they still apply old-fashioned standards in their lives. I'm glad that nowadays we are more flexible and we can choose our own standards.
May 19, 2020
this was a lovely surprise, just picked it up from the little free libraries and found it an excellent story about returning Austrians in the early 50's.
July 5, 2020
this book was so spectacularly bland that i think i aged 20 years while reading it.
January 26, 2023
Not the elegiac novel of return one might expect, more a lurid mashup of Musil, The Third Man and Mills and Boon.
March 21, 2014
Beautifully written and some wonderful moments and characters that served as microcosms into post-war Vienna. This being said, I have many bones to pick with this book. The narrative was engulfed into the upper-class and their post-war plight. Knowing Waal's background I can see why she told their (the upper-class) story but there was not even the slightest mention of anyone but those whom had wealth, at least not by name. There were some rich and vibrant characters but I felt that they were more the sideline characters rather than the protagonists. Despite the great moments in the book, which mostly came after page 165, much of the story seems quite plainly unnecessary. What I mean is that if you are telling such an important story - as an 'exiles return' - why not devote the story to a plight of true struggle. I feel that only Adler had a hard time 'returning' to Vienna, but even he was swiftly returned to his former post. Resi had no interest in politics or the regions history so ignorance allowed her to transition all too happily. And every man (besides one)seemed happy to accept her into society. I was a bit disappointed with this novel but maybe it is because I expected too much from it.
June 26, 2014
When I began this novel, I didn't read the author bio on the back flap. After a few pages, I was delighted to find a new author whose style actually evoked/matched the period that they were writing about. Then I discovered that de Waal was writing in the 1950s. Oh well!
This was a delightful read. The three threads of the plot are woven effortlessly together. I especially enjoyed following Professor Adler's journey home to Austria after fleeing the country to avoid Nazi persecution and the death camps. His developing relationship with the Princess Nina Grien was quite romantic. I felt sorry for hapless Marie-Teres - she was pretty much destined for trouble. de Waal's writing reminds me of Irene Nemirosky's, which I also like very much. The bio said that de Waal had four unpublished novels. I hope some of the three are in publication now
This was a delightful read. The three threads of the plot are woven effortlessly together. I especially enjoyed following Professor Adler's journey home to Austria after fleeing the country to avoid Nazi persecution and the death camps. His developing relationship with the Princess Nina Grien was quite romantic. I felt sorry for hapless Marie-Teres - she was pretty much destined for trouble. de Waal's writing reminds me of Irene Nemirosky's, which I also like very much. The bio said that de Waal had four unpublished novels. I hope some of the three are in publication now
February 4, 2014
as this is a recovered manuscript it holds up well. The subtleties of her writing was what I liked. Now the endings can seem trite but at the time in the 50's each character's end would have been unexpected. I really liked the beginning of the book. This was what I was expecting in reading Trieste but didn't get. It puts into intimate descriptive fiction so much of the 50's history as she experienced I believe.
Read
February 1, 2014Please see in The Washington Post.
August 10, 2016
I felt there could have been more depth or substance to the characters. The one character I would have thought to be bland and boring, was, but in a comforting manner. He knew what he was seeking and was content with his choice.
October 18, 2021
There's a particular kind of pleasure in finding a memorable novel by a relatively unknown writer, tucked away on the shelves of a secondhand bookshop. A few weeks ago, I found a pristine copy of "The Exiles Return," by Elisabeth de Waal, in such a bookshop, and although I hadn't heard of the author, I was drawn to the title and to the short excerpt on the book's opening flap.
When I came home and looked up the author, I realized I had heard of Elisabeth de Waal. Born in 1899 in Vienna, she was the eldest child of Viktor von Ephrussi and Baroness Emmy Schey von Koromla. She was also the grandmother of Edmund de Waal, the author of a marvelous memoir of the Ephrussi banking family, "The Hare with Amber Eyes." Elisabeth de Waal studied at the University of Vienna; she wrote five unpublished novels, two in German and three in English. The Exiles Return, which she wrote in the late 1950s, was published in 2013.
It seems strange that it took decades to publish this novel, for it is beautifully-written. The Exiles Return tells two slightly intertwined stories: that of Professor Kuno Adler, a scientist who had escaped the Nazi Anschluss in 1938 and fled with his wife and two daughters to New York; and the more dramatic, and tragic, tale of Resi, a beautiful Austrian-American ingenue whose parents have sent her to Austria to live with aristocratic relatives as an alternative to psychotherapy.
As the novel opens in March 1954, Adler is sitting on a train in the "great echoing hall" of Zurich Central Station, en route to Vienna, filled with apprehension about his impending return to the land of his birth. For Professor Adler has never felt at home in New York, where his wife, Melanie, has "set herself up as a corsetiere, making a tremendous success of it." She would, understandably, "be miserable if she had to live in Vienna again," so Adler's is a solitary return. "He was not sure if he wasn't going to miserable himself [...] yet the urge to go had been irresistible."
As Edmund de Waal writes in his preface, "The Exiles Return is profoundly autobiographical." His grandmother had returned to Vienna after World War II had ended, when she tried to find and restitute the looted Ephrussi family art collections and property, seized at the Anschluss in 1938. "In Professor Adler, the academic whose need to return to Vienna is at the heart of the book, and who has to evaluate where he belongs amongst those who stayed, I think there is a strong sense of an alternative life being lived out," he writes.
Although Adler is re-instated in his former position at the Institute from which he had resigned almost two decades previously, and even begins to work on new experiments, he knows that he is still an outsider. For a time, he is lonely, but later embarks on a friendship with his lab assistant, Nina Grein, that blossoms into something more.
Perhaps the most chilling encounter in this novel is a conversation that occurs between Professor Adler's boss, Dr. Krieger, the director of the Institute. Unprompted, Krieger tells Adler about his own postwar trial by "the Doktor's Tribunal," "set up by our enemies after the war in order to prosecute medical men," for alleged 'crimes' "against the inmates of certain institutions."
As Krieger tells Adler, "I was among the accused - and I was acquitted," before admitting that he and his colleagues had carried out experiments on live human subjects at what were, Adler assumes, concentration camps. But, Krieger assures Adler, "I can tell you for your comfort that our material - I mean my colleagues' material - were not Jews. They were Gypsies."
As Adler replies, "It is a satisfaction to me to have met at least one, self-confessed, unrepentant Nazi. There must be many of them. Where have they got to? They all seem to have disappeared." One can hear the echo of Elisabeth de Waal in the last sentence of this terrible conversation: "I am one of those, Dr. Krieger, whom you didn't get rid of."
When I came home and looked up the author, I realized I had heard of Elisabeth de Waal. Born in 1899 in Vienna, she was the eldest child of Viktor von Ephrussi and Baroness Emmy Schey von Koromla. She was also the grandmother of Edmund de Waal, the author of a marvelous memoir of the Ephrussi banking family, "The Hare with Amber Eyes." Elisabeth de Waal studied at the University of Vienna; she wrote five unpublished novels, two in German and three in English. The Exiles Return, which she wrote in the late 1950s, was published in 2013.
It seems strange that it took decades to publish this novel, for it is beautifully-written. The Exiles Return tells two slightly intertwined stories: that of Professor Kuno Adler, a scientist who had escaped the Nazi Anschluss in 1938 and fled with his wife and two daughters to New York; and the more dramatic, and tragic, tale of Resi, a beautiful Austrian-American ingenue whose parents have sent her to Austria to live with aristocratic relatives as an alternative to psychotherapy.
As the novel opens in March 1954, Adler is sitting on a train in the "great echoing hall" of Zurich Central Station, en route to Vienna, filled with apprehension about his impending return to the land of his birth. For Professor Adler has never felt at home in New York, where his wife, Melanie, has "set herself up as a corsetiere, making a tremendous success of it." She would, understandably, "be miserable if she had to live in Vienna again," so Adler's is a solitary return. "He was not sure if he wasn't going to miserable himself [...] yet the urge to go had been irresistible."
As Edmund de Waal writes in his preface, "The Exiles Return is profoundly autobiographical." His grandmother had returned to Vienna after World War II had ended, when she tried to find and restitute the looted Ephrussi family art collections and property, seized at the Anschluss in 1938. "In Professor Adler, the academic whose need to return to Vienna is at the heart of the book, and who has to evaluate where he belongs amongst those who stayed, I think there is a strong sense of an alternative life being lived out," he writes.
Although Adler is re-instated in his former position at the Institute from which he had resigned almost two decades previously, and even begins to work on new experiments, he knows that he is still an outsider. For a time, he is lonely, but later embarks on a friendship with his lab assistant, Nina Grein, that blossoms into something more.
Perhaps the most chilling encounter in this novel is a conversation that occurs between Professor Adler's boss, Dr. Krieger, the director of the Institute. Unprompted, Krieger tells Adler about his own postwar trial by "the Doktor's Tribunal," "set up by our enemies after the war in order to prosecute medical men," for alleged 'crimes' "against the inmates of certain institutions."
As Krieger tells Adler, "I was among the accused - and I was acquitted," before admitting that he and his colleagues had carried out experiments on live human subjects at what were, Adler assumes, concentration camps. But, Krieger assures Adler, "I can tell you for your comfort that our material - I mean my colleagues' material - were not Jews. They were Gypsies."
As Adler replies, "It is a satisfaction to me to have met at least one, self-confessed, unrepentant Nazi. There must be many of them. Where have they got to? They all seem to have disappeared." One can hear the echo of Elisabeth de Waal in the last sentence of this terrible conversation: "I am one of those, Dr. Krieger, whom you didn't get rid of."
Read
August 16, 2020My view from page 172.
Adler storyline is the only one I'm really invested in.
The realization that life went on - the university continued to employ scientists, careers continued to advance, and scientific "progress" continued, even as the world collapsed and cultures erased through genocide...was a shock to Adler and to me. That in fact, the "progress," the entire trajectory of his once-beloved scientific institution, was dependent on that genocide.
This is a story about gaps in time, missing pieces, and not belonging. And of those who, during these gaps of exile, seeped up from the rising tide of blood to take one's place and hijack one's reality, transmogrifying it into a specialized manifestation of the national horror. The exiles, once characters in their own lives, now cast out of them...as any exile knows, there is no such thing as return. That place no longer exists. But, you also no longer exist. You were murdered, yet you live. You return as a ghost, not to haunt the sites of your earthly existence, but to confusedly float through empty, bloody facsimiles, inhabited by demons. The person and the place are gone. The act of return is a desperate attempt at restoring a destroyed sacramentality.
Adler's tortuous daily ritual of navigating polite society, all the while not knowing who was a Nazi and who wasn't - unable, separated by the chasm of their experiences, to relate to old friends. But, what's more, unable to trust them, retrospectively. Unable to discern whether or not they were Nazis. Their degree of culpability and collaboration. Whether, just several years ago, they would've turned you in. Heart of Darkness theory.
It's "safe." It's home.
You're walking right back into the lions' den.
---
Have to admit by the middle of the book i was bored. Resi is just annoying af and not interesting at all.
The common theme is being out of place...
---
But then, back to Adler. Enter the CREEPY NAZI DOKTOR!!! who refers to the camps as "circumstances which were ideally favorable to the gaining of pure scientific knowledge." BOZHE MOI.
This exchange, a tortured psychological dance of power dynamics, "legality," and identity says it all:
Herr Doktor (harassing Adler, fueled by anti-Semitic hate (was he anti-Semitic or just an opportunist??)): " I have no regrets, except that in the foreseeable future such opportunities will probably not be available again. Of course you have prejudices. That is natural in your case. Although I ought to point out that a true scientist should have no prejudices, but should approach every field of investigation without preconceptions... I was acquitted. But I can tell you for your comfort that our material - I mean my colleagues' material - were not Jews. They were Gypsies."
Adler: "And you say this to comfort me! Good God! Material! Living men and women, whoever they were!"
Herr Doktor: "Well, I suppose I shouldn't have told you! I was carried away. I'm sorry."
Adler: "Don't be sorry. It is a satisfaction to me to have met at least one self-confessed, unrepentant Nazi. There must be many of them. Where have they got to? They all seem to have disappeared. One goes about, amongst people, wondering. It is so harassing to have to suspect, looking for signs, listening for unpremeditated, revealing remarks, and perhaps being unfair to people whom one may have wrongly suspected. So I am pleased to have met one openly, face to face. I can only thank you for being so frank. I can also understand now why you asked me why I came back. I am one of those, Dr. Krieger, whom you didn't get rid of."
To catch the rat in the light is better for Adler than constantly hearing them scrambling in the walls. reduces cognitive dissonance of the polite dances of pretense. What a torture chamber. Bolshaya zona.
Update: finished 8/15. Underwhelmed. It's not fleshed out and in desperate need of an editor. Characters lack depth. Certainly not on the level of Fallada or Zweig as claimed, I'm afraid :(
The antique dealer "buying" and using Resi as a porcelain object, a "shield," a "screen" - a relationship intended to serve his image, devoid of love - was kind of exactly what I needed to hear right now, though.
Adler storyline is the only one I'm really invested in.
The realization that life went on - the university continued to employ scientists, careers continued to advance, and scientific "progress" continued, even as the world collapsed and cultures erased through genocide...was a shock to Adler and to me. That in fact, the "progress," the entire trajectory of his once-beloved scientific institution, was dependent on that genocide.
This is a story about gaps in time, missing pieces, and not belonging. And of those who, during these gaps of exile, seeped up from the rising tide of blood to take one's place and hijack one's reality, transmogrifying it into a specialized manifestation of the national horror. The exiles, once characters in their own lives, now cast out of them...as any exile knows, there is no such thing as return. That place no longer exists. But, you also no longer exist. You were murdered, yet you live. You return as a ghost, not to haunt the sites of your earthly existence, but to confusedly float through empty, bloody facsimiles, inhabited by demons. The person and the place are gone. The act of return is a desperate attempt at restoring a destroyed sacramentality.
Adler's tortuous daily ritual of navigating polite society, all the while not knowing who was a Nazi and who wasn't - unable, separated by the chasm of their experiences, to relate to old friends. But, what's more, unable to trust them, retrospectively. Unable to discern whether or not they were Nazis. Their degree of culpability and collaboration. Whether, just several years ago, they would've turned you in. Heart of Darkness theory.
It's "safe." It's home.
You're walking right back into the lions' den.
---
Have to admit by the middle of the book i was bored. Resi is just annoying af and not interesting at all.
The common theme is being out of place...
---
But then, back to Adler. Enter the CREEPY NAZI DOKTOR!!! who refers to the camps as "circumstances which were ideally favorable to the gaining of pure scientific knowledge." BOZHE MOI.
This exchange, a tortured psychological dance of power dynamics, "legality," and identity says it all:
Herr Doktor (harassing Adler, fueled by anti-Semitic hate (was he anti-Semitic or just an opportunist??)): " I have no regrets, except that in the foreseeable future such opportunities will probably not be available again. Of course you have prejudices. That is natural in your case. Although I ought to point out that a true scientist should have no prejudices, but should approach every field of investigation without preconceptions... I was acquitted. But I can tell you for your comfort that our material - I mean my colleagues' material - were not Jews. They were Gypsies."
Adler: "And you say this to comfort me! Good God! Material! Living men and women, whoever they were!"
Herr Doktor: "Well, I suppose I shouldn't have told you! I was carried away. I'm sorry."
Adler: "Don't be sorry. It is a satisfaction to me to have met at least one self-confessed, unrepentant Nazi. There must be many of them. Where have they got to? They all seem to have disappeared. One goes about, amongst people, wondering. It is so harassing to have to suspect, looking for signs, listening for unpremeditated, revealing remarks, and perhaps being unfair to people whom one may have wrongly suspected. So I am pleased to have met one openly, face to face. I can only thank you for being so frank. I can also understand now why you asked me why I came back. I am one of those, Dr. Krieger, whom you didn't get rid of."
To catch the rat in the light is better for Adler than constantly hearing them scrambling in the walls. reduces cognitive dissonance of the polite dances of pretense. What a torture chamber. Bolshaya zona.
Update: finished 8/15. Underwhelmed. It's not fleshed out and in desperate need of an editor. Characters lack depth. Certainly not on the level of Fallada or Zweig as claimed, I'm afraid :(
The antique dealer "buying" and using Resi as a porcelain object, a "shield," a "screen" - a relationship intended to serve his image, devoid of love - was kind of exactly what I needed to hear right now, though.
December 23, 2015
Received a copy of The Exiles Return by Elisabeth de Wall through the First Reads Giveaway in exchange for an honest review
"Social relationships were at best superficial, they could be pleasant if treated lighthearted,
they could easily be hurtful if too much was expected of them."
For elder statesmen Kuno Adler and Theophil Kanakis their home of Vienna, Austria is definitely where the heart is. With respect to the young and impressionable New Yorker, Marie-Theres Larsen, she is still searching for a place to call her own, lucky for her she has a strong belief that it is out there and a determination to find it. Will these longing characters find what they are looking for, or will they get caught in a place between warm, comforting dreams and a cold, hard reality?
Like his grandfather S. Kantorowicz and father Simon Adler before him, Dr. Kuno Adler is being pulled by the magnetism possessed by his homeland of Vienna, Austria. After fifteen years as an emigre in Manhattan working in one of United States of America's leading hospitals as a researcher and assistant pathologist, he has finally had enough of the bigotry that has crossed the Atlantic and the past that is coming to the surface. With the lack of support from his shrewd yet successful corsitiere wife Melanie, who enjoys their lives together in New York, she is angered by his desertion despite Kuno believing it is something he must do. Under the false sense of hope and distinct naivety he is shocked to see that after a terrible war his homeland no longer shows the inherent beauty, but the bare bones of its remaining existence. He can't tell if it is real, an illusion, or deja vu. Being gone from the country that you love for fifteen years will leave a lot of questions to be answered. Searching for repatriation, the society as he now understands it, is making it incredibly difficult for him to acclimatise and gather his footing despite his willingness to compromise. For him acceptance, tolerance, love, and hard work will allow him to grow his roots, or so he hopes.
"But then he had remembered what would await him if he gave up: his wife who would gloat over
his disappointment and taunt him with it, and almost certainly the refusal to give him back
his position at the hospital, since he had resigned it: he knew he might have held it a few
years longer, but there had already been murmurs that he was too old. And that meant he would
be entirely dependent on his wife's earnings. He would have to live on the proceeds of - corsets,
on money extracted from the humiliation of rich middle-aged women. He would rather face anything
than that."
Theophil Kanakis is the son of a successful real estate investor who helped transform Vienna from a small, unassuming town into an expansive and ever-evolving city. Like many business people with a distinct trade, especially in this book, the word shrewd is a very common trait possessed among the characters, and for Mr.Kanakis it is no different. With great wealth comes great responsibility but also comes differing of values and statuses. During his childhood Theophil vividly remembers the varying treatments of employees towards his father, and in turn his father towards his employees. The way they were addressed, the attention paid, the doors in which they entered and exited the building, it was not the same and as time passed on Theophil started to understand why. After the death of his father, Theophil took his inherited fortune to New York where he continued to profit from it and became a financial figure even through the lens of American grandeur. Targeting derilect buildings it is quite easy to see that Vienna would provide a prime spot for new investment and further wealth. However; Theophil has other intentions while utilizing a common motivation. He wants to build his dream home in his childhood city, and with the exterior plans in place and an eye for creativity he must complete the interior decorating. Smaller scale investments, same opportunistic perspective provides a new challenge for a willing participant.
"But you, Herr von Kanakis, well, there is no comparison, is there? American dimensions are on
a different scale. I am told that everything in America is much bigger - the buildings, the
distances, the rivers, even the birds, they say, are larger editions of our own, and we have
only got to look at the cars. Still, I'm quite pleased with my own modest competence."
In Lesveldt's Castle in Wald, Upper Austria, Count Poldo and Countess Francisca receive a letter from Francisca's sister Valery Altmansdorf reporting that her and her husband Peter Larsen are having complications with their eldest daughter Marie-Theres. She is currently in a listless, lazy, dreamy, and indifferent state. She resents her mother for adopting a big city living attitude that empowers and caters to her husband's every whim at the sake of her independence and true identity. While Vakery enjoys the social conventions America has provided, Marie-Theres seems to be in between generations and would like the world around her to slow down. What Valery views as achievement and security, Marie-Theres views as monotony and oppression. After a chance encounter with Marie-Theres's teacher Miss Bates where she ironically admits to being memorized by her character she feels a trip to a psychiatrist would help smooth out the rough edges and guide her down the correct path. This confession expedites Valery's reason for contacting her sister and sending Marie-Theres on a one-way trip to Lesveldt's Castle. Will Marie-Theres find the love she so desperately seeks? Or will she find herself on a lifetime quest for her elusive place on Earth?
"And all these invariably revolved around the one and only subject; love. There were infinite
variations to this theme: love undying, love lighthearted, love as a vocation, love as a
pastime, and on all these Hanni would pontificate seriously as if arguing a philosophical
thesis. But not for very long, for then laughter would break in and she would pass from the
general to the particular and illustrate her thesis with concrete examples: what made a
certain young man attractive, why one girl she knew had a string of successes and another had
none, poor creature. It was all very fascinating for Resi but especially so when Hanni talked
about herself, which she did for the sheer enjoyment of making confidences to an impressionable
and admiring listener and at the same time doing something for her young cousin's education."
Given the scope of the novel as well as the author's hope for the story's publication and ultimate denial, this brought about great intrigue. Much gratitude for her grandson Edmund for bringing this unique story to light and providing background information in the provided foreward. At times the book is difficult to follow, but once you get comfortable with the format it becomes easier to grasp. My first impression was that this was going to be a World War Two read that I have read many times over. Given that this book was originally written as an instantaneous reflection rather than historical fiction my initial perceptions were skewed. After the first few chapters and realizing that war was a backdrop to the psychology of the individual stories my interest was piqued. After reading the novel I am left with quite a few questions because the author left a lot of ends untied and left for the readers own interpretation. It was weird reading a story where you are waiting for certain parts of the story to come full-circle and it just never comes to fruition. The book was also too flowery at times with descriptions which showed the author's immediate passion for the environment but it sidetracked the flow and the integrity of the story. While I feel that there were plenty of complaints to be had, I can't help but like the novel and some of the execution even if it is difficult to explain. Solid themes of social class distinctions, loss, acceptance, love, betrayal, desperation and harmony in a world that was once there's but is now nowhere close. All of these elements made for an interesting read and one that I recommend, albeit with some reservation
" 'Almost', that was the poisonous word in which his parents still revelled and which he so
bitterly hated. 'Almost', that was why he himself was treated by the princesses, the
daughters, almost as an equal, almost as one of the family. 'Almost', what a hidden sting
there was in that word."
"Social relationships were at best superficial, they could be pleasant if treated lighthearted,
they could easily be hurtful if too much was expected of them."
For elder statesmen Kuno Adler and Theophil Kanakis their home of Vienna, Austria is definitely where the heart is. With respect to the young and impressionable New Yorker, Marie-Theres Larsen, she is still searching for a place to call her own, lucky for her she has a strong belief that it is out there and a determination to find it. Will these longing characters find what they are looking for, or will they get caught in a place between warm, comforting dreams and a cold, hard reality?
Like his grandfather S. Kantorowicz and father Simon Adler before him, Dr. Kuno Adler is being pulled by the magnetism possessed by his homeland of Vienna, Austria. After fifteen years as an emigre in Manhattan working in one of United States of America's leading hospitals as a researcher and assistant pathologist, he has finally had enough of the bigotry that has crossed the Atlantic and the past that is coming to the surface. With the lack of support from his shrewd yet successful corsitiere wife Melanie, who enjoys their lives together in New York, she is angered by his desertion despite Kuno believing it is something he must do. Under the false sense of hope and distinct naivety he is shocked to see that after a terrible war his homeland no longer shows the inherent beauty, but the bare bones of its remaining existence. He can't tell if it is real, an illusion, or deja vu. Being gone from the country that you love for fifteen years will leave a lot of questions to be answered. Searching for repatriation, the society as he now understands it, is making it incredibly difficult for him to acclimatise and gather his footing despite his willingness to compromise. For him acceptance, tolerance, love, and hard work will allow him to grow his roots, or so he hopes.
"But then he had remembered what would await him if he gave up: his wife who would gloat over
his disappointment and taunt him with it, and almost certainly the refusal to give him back
his position at the hospital, since he had resigned it: he knew he might have held it a few
years longer, but there had already been murmurs that he was too old. And that meant he would
be entirely dependent on his wife's earnings. He would have to live on the proceeds of - corsets,
on money extracted from the humiliation of rich middle-aged women. He would rather face anything
than that."
Theophil Kanakis is the son of a successful real estate investor who helped transform Vienna from a small, unassuming town into an expansive and ever-evolving city. Like many business people with a distinct trade, especially in this book, the word shrewd is a very common trait possessed among the characters, and for Mr.Kanakis it is no different. With great wealth comes great responsibility but also comes differing of values and statuses. During his childhood Theophil vividly remembers the varying treatments of employees towards his father, and in turn his father towards his employees. The way they were addressed, the attention paid, the doors in which they entered and exited the building, it was not the same and as time passed on Theophil started to understand why. After the death of his father, Theophil took his inherited fortune to New York where he continued to profit from it and became a financial figure even through the lens of American grandeur. Targeting derilect buildings it is quite easy to see that Vienna would provide a prime spot for new investment and further wealth. However; Theophil has other intentions while utilizing a common motivation. He wants to build his dream home in his childhood city, and with the exterior plans in place and an eye for creativity he must complete the interior decorating. Smaller scale investments, same opportunistic perspective provides a new challenge for a willing participant.
"But you, Herr von Kanakis, well, there is no comparison, is there? American dimensions are on
a different scale. I am told that everything in America is much bigger - the buildings, the
distances, the rivers, even the birds, they say, are larger editions of our own, and we have
only got to look at the cars. Still, I'm quite pleased with my own modest competence."
In Lesveldt's Castle in Wald, Upper Austria, Count Poldo and Countess Francisca receive a letter from Francisca's sister Valery Altmansdorf reporting that her and her husband Peter Larsen are having complications with their eldest daughter Marie-Theres. She is currently in a listless, lazy, dreamy, and indifferent state. She resents her mother for adopting a big city living attitude that empowers and caters to her husband's every whim at the sake of her independence and true identity. While Vakery enjoys the social conventions America has provided, Marie-Theres seems to be in between generations and would like the world around her to slow down. What Valery views as achievement and security, Marie-Theres views as monotony and oppression. After a chance encounter with Marie-Theres's teacher Miss Bates where she ironically admits to being memorized by her character she feels a trip to a psychiatrist would help smooth out the rough edges and guide her down the correct path. This confession expedites Valery's reason for contacting her sister and sending Marie-Theres on a one-way trip to Lesveldt's Castle. Will Marie-Theres find the love she so desperately seeks? Or will she find herself on a lifetime quest for her elusive place on Earth?
"And all these invariably revolved around the one and only subject; love. There were infinite
variations to this theme: love undying, love lighthearted, love as a vocation, love as a
pastime, and on all these Hanni would pontificate seriously as if arguing a philosophical
thesis. But not for very long, for then laughter would break in and she would pass from the
general to the particular and illustrate her thesis with concrete examples: what made a
certain young man attractive, why one girl she knew had a string of successes and another had
none, poor creature. It was all very fascinating for Resi but especially so when Hanni talked
about herself, which she did for the sheer enjoyment of making confidences to an impressionable
and admiring listener and at the same time doing something for her young cousin's education."
Given the scope of the novel as well as the author's hope for the story's publication and ultimate denial, this brought about great intrigue. Much gratitude for her grandson Edmund for bringing this unique story to light and providing background information in the provided foreward. At times the book is difficult to follow, but once you get comfortable with the format it becomes easier to grasp. My first impression was that this was going to be a World War Two read that I have read many times over. Given that this book was originally written as an instantaneous reflection rather than historical fiction my initial perceptions were skewed. After the first few chapters and realizing that war was a backdrop to the psychology of the individual stories my interest was piqued. After reading the novel I am left with quite a few questions because the author left a lot of ends untied and left for the readers own interpretation. It was weird reading a story where you are waiting for certain parts of the story to come full-circle and it just never comes to fruition. The book was also too flowery at times with descriptions which showed the author's immediate passion for the environment but it sidetracked the flow and the integrity of the story. While I feel that there were plenty of complaints to be had, I can't help but like the novel and some of the execution even if it is difficult to explain. Solid themes of social class distinctions, loss, acceptance, love, betrayal, desperation and harmony in a world that was once there's but is now nowhere close. All of these elements made for an interesting read and one that I recommend, albeit with some reservation
" 'Almost', that was the poisonous word in which his parents still revelled and which he so
bitterly hated. 'Almost', that was why he himself was treated by the princesses, the
daughters, almost as an equal, almost as one of the family. 'Almost', what a hidden sting
there was in that word."
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