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Don't Let the Forest In
ŷ Choice Award
Nominee for Readers' Favorite Young Adult Fantasy (2024)As alluring as it is unsettling, award-winning author CG Drews' debut YA psychological horror will leave readers breathless and hesitant to venture deeper into the woods.
Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him.
Kill for him.
High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more.
But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won't say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew's wicked stories.
Desperate to figure out what's wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas's drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator...
Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him.
Kill for him.
High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more.
But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won't say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew's wicked stories.
Desperate to figure out what's wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas's drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator...
352 pages, Kindle Edition
First published October 29, 2024
2039 people are currently reading
148567 people want to read
About the author
C.G. Drews
8books23.7kfollowersCG Drews is the award-winning author of The Boy Who Steals Houses and NYT Bestseller Don’t Let The Forest In, which is also a Junior Library Guild Gold Standard Selection, Indie Next Pick, and Barnes & Noble YA Book Club Pick. Their next YA horror, Hazelthorn, is out October 28th, 2025, with debut adult horror, You Did Nothing Wrong, coming in 2026. Their work has been translated into six languages, received a nomination for the 2020 CILIP Carnegie Medal, and won the 2020 CBCA Honour Award. CG lives in Australia, never sleeps, and is forever buried under a pile of unread books. Find on Instagram as @paperfury, TikTok as @cgdrews, and at cgdrews.com.
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Displaying 1 - 30 of 6,340 reviews
November 3, 2024
Holy �. my words will never do this story justice.
It hadn’t hurt, the day he had cut out his own heart � No one would want a heart like his. But he’d still cut it out and given it away.
Sometimes, when I’m writing a review, all I want to do is quote. Because the writing of an author is so stunning and poetic, it hypnotizes me, and I can’t put into words what that book did to me. This is such a book.
Everyone saw Andrew as shattered and fragile, and maybe he was to them. But when Thomas looked at Andrew’s sharp edges, he thought them dangerous and beautiful—not weak.
Don’t Let the Forest is about an asexual boy �
People didn’t just kiss and continue on with their lives. They undid buttons and touched mouths to hot skin and lost themselves within each other.
� and his feelings for his best friend, the boy with hair like autumn leaves �
Thomas was a wild machete with blazing emotions he’d never learned how to moderate properly � this boy made of angular frowns and thorny words. He was brilliant and terrible and unmanageable.
It's about monsters, but in the end, it’s about hurt and our own fears and how we handle them �
When something moved in the dark, everyone’s first instinct was to go inside and hide under the covers. As if monsters couldn’t open doors and crawl into bed with you.
Let me tell you, I’m not much of a horror fan, but I devour books like these. You know when tension and pain are clawing themselves into your body and trying to tear your heart out? Like an undercurrent so strong it will leave you gasping for breath? A story that digs and digs and, despite all the discomfort and angst, embraces you and warms you on the inside? Don't Let the Forest In is gruesome at times but oh so soft and comforting simultaneously.
This was the place where he roared and grew taller, where his smile could make flowers bloom and his energy could flow endless and untamed.
For those who love Jeff Zentner's writing and can handle more angst, this one is for you. C.G. Drew’s writing reminded me so much of his�. Both authors juggle with words and put them together in stunning sentences, and I want to read those sentences on and on and on.
They were beautiful together; they were magic and monstrous, and they had created a whole vengeful world between them.
Please read this book!
Thank you so much, Macmillan Children's Publishing Group and NetGalley, for this beautiful ARC. I'll never forget this story!
Follow me on
It hadn’t hurt, the day he had cut out his own heart � No one would want a heart like his. But he’d still cut it out and given it away.
Sometimes, when I’m writing a review, all I want to do is quote. Because the writing of an author is so stunning and poetic, it hypnotizes me, and I can’t put into words what that book did to me. This is such a book.
Everyone saw Andrew as shattered and fragile, and maybe he was to them. But when Thomas looked at Andrew’s sharp edges, he thought them dangerous and beautiful—not weak.
Don’t Let the Forest is about an asexual boy �
People didn’t just kiss and continue on with their lives. They undid buttons and touched mouths to hot skin and lost themselves within each other.
� and his feelings for his best friend, the boy with hair like autumn leaves �
Thomas was a wild machete with blazing emotions he’d never learned how to moderate properly � this boy made of angular frowns and thorny words. He was brilliant and terrible and unmanageable.
It's about monsters, but in the end, it’s about hurt and our own fears and how we handle them �
When something moved in the dark, everyone’s first instinct was to go inside and hide under the covers. As if monsters couldn’t open doors and crawl into bed with you.
Let me tell you, I’m not much of a horror fan, but I devour books like these. You know when tension and pain are clawing themselves into your body and trying to tear your heart out? Like an undercurrent so strong it will leave you gasping for breath? A story that digs and digs and, despite all the discomfort and angst, embraces you and warms you on the inside? Don't Let the Forest In is gruesome at times but oh so soft and comforting simultaneously.
This was the place where he roared and grew taller, where his smile could make flowers bloom and his energy could flow endless and untamed.
For those who love Jeff Zentner's writing and can handle more angst, this one is for you. C.G. Drew’s writing reminded me so much of his�. Both authors juggle with words and put them together in stunning sentences, and I want to read those sentences on and on and on.
They were beautiful together; they were magic and monstrous, and they had created a whole vengeful world between them.
Please read this book!
Thank you so much, Macmillan Children's Publishing Group and NetGalley, for this beautiful ARC. I'll never forget this story!
Follow me on
May 1, 2025
This masterful cover art speaks volumes about the creepy, sensational, ominous, yet uniquely artistic themes of this YA fantasy-horror, queer novel that you absolutely must add to your reading list immediately!
I devoured it in one sitting and found myself liking it even more than I expected, despite piecing together the mystery a little earlier thanks to my overworking spidey senses that are always searching for underlying meanings. The concept of monstrous drawings coming to life to hunt down their creator and loved ones is a perfectly creative plotline. The intense chemistry between Andrew and Thomas had me squirming in my seat, screaming at the chapters, “Just kiss him already, damn it!� I'm always a little impatient when I see smoking passion between characters. The gothic school theme, the detailed descriptions of the monsters lurking around the haunted forest, and the dynamics within the school, including popular kids, bullies, queer kids, and wallflowers, were portrayed realistically and made us care and root for Andrew even more. Even though I’m a middle-aged woman, I easily connected with Andrew's characterization, which helped me embrace my own quirky, outsider, sensitive childhood self.
Here's a recap of the story: it opens with Andrew Perrault’s return to Wickwood Academy with his polar opposite twin, Dove, who is a high achiever, competitive, and a social butterfly compared to Andrew's anxious, socially unadapted, shy demeanor. Andrew enjoys creating twisted fairytales with non-happy endings, ending in tragedies, and the only one who can see him as he is is Thomas Rye: rebellious, quick-witted, talented artist boy who becomes Andrew's guardian angel after the school bullies target him, becoming the third member of the tight bond he shares with his sister, Dove.
Thomas brings Andrew's twisted fairytales to life on paper, creating artistic, powerful, and extra-frightening monster drawings.
Andrew is thrilled to reunite with his friend after the tragedy that occurred nearly five months ago, changing their lives. But as soon as he steps foot into the academy, he realizes that nothing is as it used to be. Dove is still angry at Thomas after their fight, and Thomas is acting suspiciously, trying to hide a blood stain on his sleeve. The surprise visit from the police officers to question Thomas only makes things weirder. Gossip starts spreading around the school, with students speculating that Thomas may be the murderer of his abusive parents.
Could it be true? Why is Thomas distancing himself and disappearing into the woods every night? Could he have a secret relationship with Dove? Andrew grapples with jealousy over his unrequited feelings for Thomas and fear for him if he's involved in something malicious. What exactly is happening in the woods when darkness falls? Could it be related to the monstrous universe they created together?
Overall, this book is eerie, tragic, haunting, but also a heart-wrenching, beautiful love story that I highly recommend you read!
Many thanks to NetGalley and Macmillan Children’s Publishing Group/Feiwel & Friends for sharing this amazing book's digital reviewer copy with me in exchange for my honest opinions.
I devoured it in one sitting and found myself liking it even more than I expected, despite piecing together the mystery a little earlier thanks to my overworking spidey senses that are always searching for underlying meanings. The concept of monstrous drawings coming to life to hunt down their creator and loved ones is a perfectly creative plotline. The intense chemistry between Andrew and Thomas had me squirming in my seat, screaming at the chapters, “Just kiss him already, damn it!� I'm always a little impatient when I see smoking passion between characters. The gothic school theme, the detailed descriptions of the monsters lurking around the haunted forest, and the dynamics within the school, including popular kids, bullies, queer kids, and wallflowers, were portrayed realistically and made us care and root for Andrew even more. Even though I’m a middle-aged woman, I easily connected with Andrew's characterization, which helped me embrace my own quirky, outsider, sensitive childhood self.
Here's a recap of the story: it opens with Andrew Perrault’s return to Wickwood Academy with his polar opposite twin, Dove, who is a high achiever, competitive, and a social butterfly compared to Andrew's anxious, socially unadapted, shy demeanor. Andrew enjoys creating twisted fairytales with non-happy endings, ending in tragedies, and the only one who can see him as he is is Thomas Rye: rebellious, quick-witted, talented artist boy who becomes Andrew's guardian angel after the school bullies target him, becoming the third member of the tight bond he shares with his sister, Dove.
Thomas brings Andrew's twisted fairytales to life on paper, creating artistic, powerful, and extra-frightening monster drawings.
Andrew is thrilled to reunite with his friend after the tragedy that occurred nearly five months ago, changing their lives. But as soon as he steps foot into the academy, he realizes that nothing is as it used to be. Dove is still angry at Thomas after their fight, and Thomas is acting suspiciously, trying to hide a blood stain on his sleeve. The surprise visit from the police officers to question Thomas only makes things weirder. Gossip starts spreading around the school, with students speculating that Thomas may be the murderer of his abusive parents.
Could it be true? Why is Thomas distancing himself and disappearing into the woods every night? Could he have a secret relationship with Dove? Andrew grapples with jealousy over his unrequited feelings for Thomas and fear for him if he's involved in something malicious. What exactly is happening in the woods when darkness falls? Could it be related to the monstrous universe they created together?
Overall, this book is eerie, tragic, haunting, but also a heart-wrenching, beautiful love story that I highly recommend you read!
Many thanks to NetGalley and Macmillan Children’s Publishing Group/Feiwel & Friends for sharing this amazing book's digital reviewer copy with me in exchange for my honest opinions.
November 5, 2024
"Everything inside me is in ruins, for you..."
This creepy horrific macabre book has captured my entire soul and sewn it into its pages.
Was I expecting to pick this up and cancel all of my plans for the day to read it in an entire sitting? Nope.
Was I expecting to underline every other sentence because every word in this book sounded like poetry? Nope.
Was I expecting to sob dramatically and declare this is the best book I've read since reading Jandy Nelson's brilliant book, I'll Give You the Sun? Nope.
And yet, here I sit, clutching the book to my chest for dear life, about to start reading it again because I refuse to leave this world of gothic forests, and poisoned fairytales, and broken hearts, and monsters that will eat you alive...
"A fine misty rain started, and it tasted of the forest. Andrew stared at his knuckles gone white against the spine of his notebook. He could tear out a dozen stories and shove them in Thomas's face. Each said, in bloody and beautiful ways, I love you, I love you, I love you..."
Take my bleeding breaking heart you STUPID WONDERFUL WEIRD LITTLE BOOK and give it to your monsters to devour.
Five stars I guess, idk lol
This creepy horrific macabre book has captured my entire soul and sewn it into its pages.
Was I expecting to pick this up and cancel all of my plans for the day to read it in an entire sitting? Nope.
Was I expecting to underline every other sentence because every word in this book sounded like poetry? Nope.
Was I expecting to sob dramatically and declare this is the best book I've read since reading Jandy Nelson's brilliant book, I'll Give You the Sun? Nope.
And yet, here I sit, clutching the book to my chest for dear life, about to start reading it again because I refuse to leave this world of gothic forests, and poisoned fairytales, and broken hearts, and monsters that will eat you alive...
"A fine misty rain started, and it tasted of the forest. Andrew stared at his knuckles gone white against the spine of his notebook. He could tear out a dozen stories and shove them in Thomas's face. Each said, in bloody and beautiful ways, I love you, I love you, I love you..."
Take my bleeding breaking heart you STUPID WONDERFUL WEIRD LITTLE BOOK and give it to your monsters to devour.
Five stars I guess, idk lol
November 3, 2024
What. The. Actual. Fuck. Did. I. Just. Read.
This book is the closest decent into madness I have ever encountered and I am fucked up about it.
(4.5 stars)
(The asexual rep in this was neat)
(What the actual fuck is wrong with every adult in this book).
This book is the closest decent into madness I have ever encountered and I am fucked up about it.
(4.5 stars)
(The asexual rep in this was neat)
(What the actual fuck is wrong with every adult in this book).
November 7, 2024
dnf @ pg 171
plain and simple � i’m bored
this was a wonderful cure for my insomnia but i have far too many books on my tbr to be put to sleep by this story anymore 😴
too much purple prose. i dislike all the main characters. not enough horror. repetitive.
plain and simple � i’m bored
this was a wonderful cure for my insomnia but i have far too many books on my tbr to be put to sleep by this story anymore 😴
too much purple prose. i dislike all the main characters. not enough horror. repetitive.
November 21, 2024
4.5 stars
This is such an atmospheric and beautifully written story, even though it's quite dark and gruesome. More than I'm usually comfortable with.
I have to say that there were a couple things that I knew or guessed, but that didn't take away from how completely invested I was in the storyline and the characters.
The only unfortunate outcome of reading this book is that I don't see myself walking in the forest or eating mushrooms anytime soon. 😅
This is such an atmospheric and beautifully written story, even though it's quite dark and gruesome. More than I'm usually comfortable with.
I have to say that there were a couple things that I knew or guessed, but that didn't take away from how completely invested I was in the storyline and the characters.
The only unfortunate outcome of reading this book is that I don't see myself walking in the forest or eating mushrooms anytime soon. 😅
October 25, 2024
4.5 �
Don’t Let the Forest In felt like a dark fever dream and i mean that as a compliment. this is the exact kind of psychological horror that i love. i was so easily wrapped into the story of these two boys who would do literally anything for eachother, regardless of the outcome. the writing is immersive, with just the right amount of intrigue and pull to keep you from looking away.. even when things start to take a turn for the worse.
“Everything inside me is ruins,� Thomas said. “For you.�
Andrew and Thomas are friends who hold their deeper feelings for one another close to their chest. Andrew is asexual and struggles with feeling out of place, which leads to a sense of wanting to crawl out of his own skin. Thomas is a bit of a recluse, showing his true self to no one other than Andrew. they have a sort of trio of friendship going on with Thomas, Andrew and his twin sister Dove being a unit but not wanting to rip that dynamic apart by pursuing their feelings for one another and in turn isolating Dove. i loved the way the horror was done here with these monsters being manifested out of Andrews stories and Thomas� drawings. the end went in a direction that completely took me off guard but it made me love all that i read before it so much more. i think this book won’t be for everyone but i really appreciated the approach the author took to tackling Andrew’s emotions and things he had repressed through this codependent connection he has with both Dove and Thomas. this was such a dark, melancholy, unique and atmospheric read.
� many thanks to NetGalley, the author and Macmillan Publishing group for the arc, all opinions are my own.
Don’t Let the Forest In felt like a dark fever dream and i mean that as a compliment. this is the exact kind of psychological horror that i love. i was so easily wrapped into the story of these two boys who would do literally anything for eachother, regardless of the outcome. the writing is immersive, with just the right amount of intrigue and pull to keep you from looking away.. even when things start to take a turn for the worse.
“Everything inside me is ruins,� Thomas said. “For you.�
Andrew and Thomas are friends who hold their deeper feelings for one another close to their chest. Andrew is asexual and struggles with feeling out of place, which leads to a sense of wanting to crawl out of his own skin. Thomas is a bit of a recluse, showing his true self to no one other than Andrew. they have a sort of trio of friendship going on with Thomas, Andrew and his twin sister Dove being a unit but not wanting to rip that dynamic apart by pursuing their feelings for one another and in turn isolating Dove. i loved the way the horror was done here with these monsters being manifested out of Andrews stories and Thomas� drawings. the end went in a direction that completely took me off guard but it made me love all that i read before it so much more. i think this book won’t be for everyone but i really appreciated the approach the author took to tackling Andrew’s emotions and things he had repressed through this codependent connection he has with both Dove and Thomas. this was such a dark, melancholy, unique and atmospheric read.
� many thanks to NetGalley, the author and Macmillan Publishing group for the arc, all opinions are my own.
December 9, 2024
...what 👁️👄👁️
I mean...what the actual fuck 👁️👄👁️
Sweet baby jesus this feels like Andrew Joseph White but on crack. This book made an absolute mess of me, scrambling my brain and wrecking my heart while snickering in my face (...ignore me I'm still in shock).
I can't say anything because this kind of story is unexplainable and needs to be experienced (and what an experience it is wow). Just go find it and let it sink its claws right into your brain and consume you. What I can safely say is that the prose is stunning - haunting and atmospheric, immediately setting the tone as sinister and mysterious.
And as a little treat for AFTG fans - Andrew and Thomas look practically the same as Andrew and Neil ❤️
Oh, and the asexual rep? Gut-wrenching, I didn't expect it to hit this close to home. It's not very often I feel seen this much, with asexuality being such a wide spectrum, but this one...my god. Poor Andrew is my spirit animal.
How am I meant to function normally after something like this?
I mean...what the actual fuck 👁️👄👁️
Sweet baby jesus this feels like Andrew Joseph White but on crack. This book made an absolute mess of me, scrambling my brain and wrecking my heart while snickering in my face (...ignore me I'm still in shock).
I can't say anything because this kind of story is unexplainable and needs to be experienced (and what an experience it is wow). Just go find it and let it sink its claws right into your brain and consume you. What I can safely say is that the prose is stunning - haunting and atmospheric, immediately setting the tone as sinister and mysterious.
And as a little treat for AFTG fans - Andrew and Thomas look practically the same as Andrew and Neil ❤️
Oh, and the asexual rep? Gut-wrenching, I didn't expect it to hit this close to home. It's not very often I feel seen this much, with asexuality being such a wide spectrum, but this one...my god. Poor Andrew is my spirit animal.
How am I meant to function normally after something like this?
March 6, 2025
This book utterly shredded me emotionally, leaving me in a tangled web of feelings. As the story unfolded, I encountered some scenes that didn't resonate with me, but the ending was a stunning surprise that far exceeded my expectations. What an ending it was! It wrapped me in a whirlwind of emotions—confusion, relief, sadness, and inexplicable joy—simultaneously crashing over me like waves on a rocky shore.
The ending gave the book 5 stars instantly, even if I had some issues with some things.
The author wove together a peculiar yet magnificent narrative that lingered in my mind like an echo long after I turned the final page. The atmosphere enveloped me in a delightful kind of creepiness, both unsettling and exhilarating, compelling me to delve deeper into the mysteries within. I raced through the pages, my pulse quickening as I eagerly grasped at the threads of the story, desperate to uncover the conclusion.
The romance unfolded in a way that I had long yearned for, raw and mesmerizingly intense. Although it was toxic, obsessive, and undeniably unsettling, I found myself irresistibly drawn into it. The boys' love for each other radiated such profound desperation that it often brought tears to my eyes. Andrew’s fierce devotion and willingness to go to any lengths for Thomas—even to the extreme of taking a life—made me feel happy in a very disturbing way, while Thomas's haunting readiness to let Andrew destroy him, just to see Andrew happy, made my heart ache.
Their love story was undeniably one of codependency and toxicity, but it was a hauntingly beautiful connection they desperately needed. I couldn’t help but see myself in Andrew, especially with his struggles with anxiety. I often felt a wave of frustration wash over me in his moments of panic, only to realize I would likely react in precisely the same way in similar situations. The author succeeded beautifully in depicting the nuances of anxiety—something I experience daily. Through the pages, I could almost feel Andrew’s turmoil resonating within me.
Throughout the story, I longed to envelop Andrew in a reassuring embrace, even when my heart ached in frustration at his choices. Thomas, with his sweetness, reminded me of a perfectly baked cinnamon roll—warm and inviting, keen to shield Andrew with his love. Only for Andrew through. Initially, I found him to be a bit of a jerk for avoiding Andrew, but as he revealed the reasons behind his behavior, everything fell into place, making his vulnerability heart-wrenchingly relatable.
The bond between these two boys felt as if they inhabited their own secluded galaxy, fiercely loving and protecting each other while the rest of the world faded into oblivion. While the side characters were not particularly fleshed out, it felt justified; after all, Andrew was drowning in his trauma and singularly focused on Thomas.
In conclusion, this book was nothing short of spectacular. I’m already counting down the days until the author’s next release in October, knowing full well I will devour it just as greedily.
~~~~~~~~~~~~~~~~~~~~~~~~~~
《It was strange, Andrew thought, how when something moved in the
dark, everyone’s first instinct was to go inside and hide under the covers.
As if monsters couldn’t open doors and crawl into bed with you.�
《His breathing evened out, but he made no move to get up. Andrew
didn’t care, not while they still touched. He craved Thomas’s affection, with
an intensity that left him dizzy. If he never had more, he had this.
It was almost worth being ripped apart by monsters.�
《Thomas turned off his flashlight and Andrew did, too. They stood for a
moment in the dark, before Thomas said, “I like how you are. There’s an
entire world of ink and magic stuffed inside your head, and I think it’s
beautiful. I just wish everything didn’t hurt you so much.”�
《This was how they were, bones broken and mended crookedly, each
entwined with the other. He thought maybe you could love someone so
much you ruined them, and then you ruined yourself.�
《Thomas tilted his head up, and the way he looked at Andrew was so
tender and fierce, so full of fearless worship. “I don’t care how dark the
world is for you. I’ll hold out my hand until you find it, and I won’t let go.� �
The ending gave the book 5 stars instantly, even if I had some issues with some things.
The author wove together a peculiar yet magnificent narrative that lingered in my mind like an echo long after I turned the final page. The atmosphere enveloped me in a delightful kind of creepiness, both unsettling and exhilarating, compelling me to delve deeper into the mysteries within. I raced through the pages, my pulse quickening as I eagerly grasped at the threads of the story, desperate to uncover the conclusion.
The romance unfolded in a way that I had long yearned for, raw and mesmerizingly intense. Although it was toxic, obsessive, and undeniably unsettling, I found myself irresistibly drawn into it. The boys' love for each other radiated such profound desperation that it often brought tears to my eyes. Andrew’s fierce devotion and willingness to go to any lengths for Thomas—even to the extreme of taking a life—made me feel happy in a very disturbing way, while Thomas's haunting readiness to let Andrew destroy him, just to see Andrew happy, made my heart ache.
Their love story was undeniably one of codependency and toxicity, but it was a hauntingly beautiful connection they desperately needed. I couldn’t help but see myself in Andrew, especially with his struggles with anxiety. I often felt a wave of frustration wash over me in his moments of panic, only to realize I would likely react in precisely the same way in similar situations. The author succeeded beautifully in depicting the nuances of anxiety—something I experience daily. Through the pages, I could almost feel Andrew’s turmoil resonating within me.
Throughout the story, I longed to envelop Andrew in a reassuring embrace, even when my heart ached in frustration at his choices. Thomas, with his sweetness, reminded me of a perfectly baked cinnamon roll—warm and inviting, keen to shield Andrew with his love. Only for Andrew through. Initially, I found him to be a bit of a jerk for avoiding Andrew, but as he revealed the reasons behind his behavior, everything fell into place, making his vulnerability heart-wrenchingly relatable.
The bond between these two boys felt as if they inhabited their own secluded galaxy, fiercely loving and protecting each other while the rest of the world faded into oblivion. While the side characters were not particularly fleshed out, it felt justified; after all, Andrew was drowning in his trauma and singularly focused on Thomas.
In conclusion, this book was nothing short of spectacular. I’m already counting down the days until the author’s next release in October, knowing full well I will devour it just as greedily.
~~~~~~~~~~~~~~~~~~~~~~~~~~
《It was strange, Andrew thought, how when something moved in the
dark, everyone’s first instinct was to go inside and hide under the covers.
As if monsters couldn’t open doors and crawl into bed with you.�
《His breathing evened out, but he made no move to get up. Andrew
didn’t care, not while they still touched. He craved Thomas’s affection, with
an intensity that left him dizzy. If he never had more, he had this.
It was almost worth being ripped apart by monsters.�
《Thomas turned off his flashlight and Andrew did, too. They stood for a
moment in the dark, before Thomas said, “I like how you are. There’s an
entire world of ink and magic stuffed inside your head, and I think it’s
beautiful. I just wish everything didn’t hurt you so much.”�
《This was how they were, bones broken and mended crookedly, each
entwined with the other. He thought maybe you could love someone so
much you ruined them, and then you ruined yourself.�
《Thomas tilted his head up, and the way he looked at Andrew was so
tender and fierce, so full of fearless worship. “I don’t care how dark the
world is for you. I’ll hold out my hand until you find it, and I won’t let go.� �
November 7, 2024
I think my head just got fucked and I seriously need a smoke�. Oh it will haunt me lady author and I will never forgive you for inflicting me with this amazing book.
This story starts like a fever dream where you don’t know what is happening, what’s real or fantasy and you know something bad is coming, you are dreading it but you cannot stop reading.
There’s a mystery about the forest and something that happened last year, and it continues to be a mystery for the majority of the story, you will come up with many different theories and it’s just wonderful and intriguing and comes to light in a spectacular way! The ‘paper cuts� stories that Andrew wrote were all dark and macabre and each was better than the last “Ones with dark, bitter corners and magic curled into thorns. Ones about monsters with elegant, razor-like teeth. He wrote fairy tales, but cruel.� Thomas� drawings of the monsters from those stories were included as well and they were good and terrifying, the artist did phenomenal work. The asexual representation in the book was done well and made me like it and the characters more, honestly their relationship seemed toxic at times because of the obsession but wow “Shut up. Can you even hear yourself? You screw up and you want to be punished. You want to be absolved in violence. Do you realize how incredibly fucked up that is?� The prose this story is written in and the metaphors and the way Andrew describes Thomas, be it bad or good is magic. I kept rereading most of it because it was beautiful. Me? I don’t even like YA but wholeheartedly recommend YOU TO PICK UP THIS BOOK AND TREAT YOURSELF! I hope it gets turned into an animated movie 🍿🎥
@Evie I love you girl💕 I know you didn’t ask for this but thank you for putting up with me and my freaking out on you with all the theories and stuff 🫢🧡 on the plus side, I won’t have to send monsters to wipe your memory and my messages 🤣🤣
I plan on rereading this with the audiobook next time, the narrator isn’t the best and that’s why I got the ebook but his voice is calm and soothing with this ‘heart break� quality that I feel he is perfect for narrating Andrew’s story.
⚠️մ⚠️ The ending is ambiguous and can be interpreted in many different ways. some people will definitely hate it, I just thought you had to know.
-
This story starts like a fever dream where you don’t know what is happening, what’s real or fantasy and you know something bad is coming, you are dreading it but you cannot stop reading.
There’s a mystery about the forest and something that happened last year, and it continues to be a mystery for the majority of the story, you will come up with many different theories and it’s just wonderful and intriguing and comes to light in a spectacular way! The ‘paper cuts� stories that Andrew wrote were all dark and macabre and each was better than the last “Ones with dark, bitter corners and magic curled into thorns. Ones about monsters with elegant, razor-like teeth. He wrote fairy tales, but cruel.� Thomas� drawings of the monsters from those stories were included as well and they were good and terrifying, the artist did phenomenal work. The asexual representation in the book was done well and made me like it and the characters more, honestly their relationship seemed toxic at times because of the obsession but wow “Shut up. Can you even hear yourself? You screw up and you want to be punished. You want to be absolved in violence. Do you realize how incredibly fucked up that is?� The prose this story is written in and the metaphors and the way Andrew describes Thomas, be it bad or good is magic. I kept rereading most of it because it was beautiful. Me? I don’t even like YA but wholeheartedly recommend YOU TO PICK UP THIS BOOK AND TREAT YOURSELF! I hope it gets turned into an animated movie 🍿🎥
@Evie I love you girl💕 I know you didn’t ask for this but thank you for putting up with me and my freaking out on you with all the theories and stuff 🫢🧡 on the plus side, I won’t have to send monsters to wipe your memory and my messages 🤣🤣
I plan on rereading this with the audiobook next time, the narrator isn’t the best and that’s why I got the ebook but his voice is calm and soothing with this ‘heart break� quality that I feel he is perfect for narrating Andrew’s story.
⚠️մ⚠️ The ending is ambiguous and can be interpreted in many different ways. some people will definitely hate it, I just thought you had to know.
-
@ 21%
I finally started reading this today after finishing my other books, because unlike them, it grabs your attention and doesn’t give you the chance to wander to other things.� so far?! I have so many questions and I don’t think I’ll be stopping till the final page (or if my phone falls on my face because I’m suddenly asleep) AND THIS IS YA, I USUALLY HATE THOSE! For now I need these two questions answered: 1) are the boys ending up together? 2) is the twin real or imaginary or a different identity?
-
I FINALLY HAVE THIS BOOK!!!
I CAN'T WAIT TO GET STARTED!
March 7, 2024
"𝐓𝐡𝐞 𝐫𝐞𝐦𝐚𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐛𝐚𝐭𝐭𝐥𝐞𝐟𝐢𝐞𝐥𝐝 𝐥𝐚𝐲 𝐢𝐧 𝐡𝐢𝐬 𝐰𝐚𝐤𝐞, 𝐛𝐫𝐨𝐤𝐞𝐧 𝐬𝐰𝐨𝐫𝐝𝐬 𝐚𝐧𝐝 𝐡𝐨𝐥𝐥𝐲𝐡𝐨𝐜𝐤 𝐜𝐫𝐨𝐰𝐧𝐬 𝐥𝐞𝐟𝐭 𝐭𝐨 𝐝𝐞𝐜𝐚𝐲 𝐚𝐦𝐨𝐧𝐠 𝐩𝐢𝐥𝐞𝐬 𝐨𝐟 𝐛𝐨𝐧𝐞𝐬. 𝐁𝐮𝐭 𝐭𝐡𝐞 𝐬𝐰𝐨𝐫𝐝 𝐩𝐥𝐮𝐧𝐠𝐞𝐝 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐡𝐢𝐬 𝐬𝐭𝐨𝐦𝐚𝐜𝐡 𝐰𝐚𝐬 𝐡𝐢𝐬 𝐟𝐚𝐮𝐥𝐭."
2.5 Stars
Have you ever seen a book cover so beautiful and macabre that it just screams "read me" and then the story itself is a total let down? For me, this is that exact situation. Judging a book by its cover art really can be a double-edged sword... you either miss out on a GREAT book with less impressive artwork or you are completely underwhelmed after falling in love with it. Clearly, I am in the VERY slim minority here when it comes to how I feel about this story. The beginning was hard. Hell, even up until about 50% thru, I was considering DNF'ing.
Before I get into my issues and why I rated the way I did, let me praise the two things I think are great about this story. First off, the spectrum of representation in this story is refreshing. The author touches on themes of identity, mental health, and even eating disorder. While these are not easy topics to discuss or convey, they are very important to talk about - especially for the target audience of this story (teenagers). Second, Drews has a gorgeous writing style. Despite my enjoyment of the story being what it was, the prose is beautiful and I'd absolutely be willing to try another book by this author just because of that.
Onto the things that I really wasn't feeling:/
𝐓𝐡𝐞 𝐟𝐢𝐫𝐬𝐭 𝐡𝐚𝐥𝐟 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐨𝐨𝐤. I struggled here so much. This story is labeled as "YA psychological horror" and based on the blurb, I was expecting to be thrown into this insane world of horrors come to life. What I was not expecting was how focused this book was on sexual identity and being okay with one's self the way they are. While that is an EXTREMELY IMPORTANT aspect of a story, especially for a YA book, I wish there would have been more indication that desire and romance was a major part of the plot. While that's not a bad thing, I wish I had known that that's how the story was going to move forward. The only thing that kept me going was the author throwing a bone here and there with something creepy to make me think that something was actually going to happen (spoiler, nothing really happens until about 75% of the way through).
I also found that I was 𝐫𝐞𝐚𝐥𝐥𝐲 𝐧𝐨𝐭 𝐚 𝐟𝐚𝐧 𝐨𝐟 𝐀𝐧𝐝𝐫𝐞𝐰, 𝐭𝐡𝐞 𝐦𝐚𝐢𝐧 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫. I don't know what about him put me off, but something about his attitude throughout the story really kind of threw me. I think it's the angsty teenager vibe that surrounded the story... though I'm not so sure, because I did enjoy Thomas' character for the most part.
Lastly, the story as a whole/the ending. Without spoiling anything, I truly had a hard time connecting the pieces. 𝐈 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 𝐭𝐡𝐞 𝐡𝐨𝐫𝐫𝐨𝐫 𝐚𝐬𝐩𝐞𝐜𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐭𝐨𝐫𝐲 𝐫𝐞𝐚𝐥𝐥𝐲 𝐝𝐢𝐝 𝐧𝐨𝐭 𝐟𝐥𝐨𝐰 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐚𝐬 𝐰𝐞𝐥𝐥 𝐚𝐬 𝐭𝐡𝐞 𝐮𝐧𝐝𝐞𝐫𝐥𝐲𝐢𝐧𝐠 𝐫𝐨𝐦𝐚𝐧𝐜𝐞/𝐢𝐝𝐞𝐧𝐭𝐢𝐭𝐲 𝐩𝐥𝐨𝐭 𝐝𝐢𝐝. I did enjoy the creepy parts, I just don't quite know... how it fits together? I guess? I can make the basic surface-level connections, but to me, the two stories kind of felt disjointed from one another. Maybe it would be worth rereading just to see if I'm missing something or can see the foreshadowing, but I don't think that I can drag myself through what I struggled through the first time.
Overall, I think it definitely fits into the YA category and will do really well there. While I didn't enjoy it as much as I had expected to, I think had I went into it knowing that 'horror' was more of a vessel to move a story along rather than then entirety of the plot I would have liked it the slightest bit more.
Thank you to the publisher, CG Drews, and Netgalley for an advanced copy of this book.
2.5 Stars
Have you ever seen a book cover so beautiful and macabre that it just screams "read me" and then the story itself is a total let down? For me, this is that exact situation. Judging a book by its cover art really can be a double-edged sword... you either miss out on a GREAT book with less impressive artwork or you are completely underwhelmed after falling in love with it. Clearly, I am in the VERY slim minority here when it comes to how I feel about this story. The beginning was hard. Hell, even up until about 50% thru, I was considering DNF'ing.
Before I get into my issues and why I rated the way I did, let me praise the two things I think are great about this story. First off, the spectrum of representation in this story is refreshing. The author touches on themes of identity, mental health, and even eating disorder. While these are not easy topics to discuss or convey, they are very important to talk about - especially for the target audience of this story (teenagers). Second, Drews has a gorgeous writing style. Despite my enjoyment of the story being what it was, the prose is beautiful and I'd absolutely be willing to try another book by this author just because of that.
Onto the things that I really wasn't feeling:/
𝐓𝐡𝐞 𝐟𝐢𝐫𝐬𝐭 𝐡𝐚𝐥𝐟 𝐨𝐟 𝐭𝐡𝐞 𝐛𝐨𝐨𝐤. I struggled here so much. This story is labeled as "YA psychological horror" and based on the blurb, I was expecting to be thrown into this insane world of horrors come to life. What I was not expecting was how focused this book was on sexual identity and being okay with one's self the way they are. While that is an EXTREMELY IMPORTANT aspect of a story, especially for a YA book, I wish there would have been more indication that desire and romance was a major part of the plot. While that's not a bad thing, I wish I had known that that's how the story was going to move forward. The only thing that kept me going was the author throwing a bone here and there with something creepy to make me think that something was actually going to happen (spoiler, nothing really happens until about 75% of the way through).
I also found that I was 𝐫𝐞𝐚𝐥𝐥𝐲 𝐧𝐨𝐭 𝐚 𝐟𝐚𝐧 𝐨𝐟 𝐀𝐧𝐝𝐫𝐞𝐰, 𝐭𝐡𝐞 𝐦𝐚𝐢𝐧 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫. I don't know what about him put me off, but something about his attitude throughout the story really kind of threw me. I think it's the angsty teenager vibe that surrounded the story... though I'm not so sure, because I did enjoy Thomas' character for the most part.
Lastly, the story as a whole/the ending. Without spoiling anything, I truly had a hard time connecting the pieces. 𝐈 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 𝐭𝐡𝐞 𝐡𝐨𝐫𝐫𝐨𝐫 𝐚𝐬𝐩𝐞𝐜𝐭 𝐨𝐟 𝐭𝐡𝐞 𝐬𝐭𝐨𝐫𝐲 𝐫𝐞𝐚𝐥𝐥𝐲 𝐝𝐢𝐝 𝐧𝐨𝐭 𝐟𝐥𝐨𝐰 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 𝐚𝐬 𝐰𝐞𝐥𝐥 𝐚𝐬 𝐭𝐡𝐞 𝐮𝐧𝐝𝐞𝐫𝐥𝐲𝐢𝐧𝐠 𝐫𝐨𝐦𝐚𝐧𝐜𝐞/𝐢𝐝𝐞𝐧𝐭𝐢𝐭𝐲 𝐩𝐥𝐨𝐭 𝐝𝐢𝐝. I did enjoy the creepy parts, I just don't quite know... how it fits together? I guess? I can make the basic surface-level connections, but to me, the two stories kind of felt disjointed from one another. Maybe it would be worth rereading just to see if I'm missing something or can see the foreshadowing, but I don't think that I can drag myself through what I struggled through the first time.
Overall, I think it definitely fits into the YA category and will do really well there. While I didn't enjoy it as much as I had expected to, I think had I went into it knowing that 'horror' was more of a vessel to move a story along rather than then entirety of the plot I would have liked it the slightest bit more.
Thank you to the publisher, CG Drews, and Netgalley for an advanced copy of this book.
May 30, 2025
5 stars! �
� major spoilers ﹒⟢
what the fuck. like genuinely what the fuck.
this book completely messed me up. like i finished it and just sat there staring at the wall. i really think this might be one of my favorite reads of the year. i picked it up so randomly—had it sitting on my tbr for months, didn’t reread the blurb, just dove in—and somehow it was exactly what i needed. i didn’t know where it was going, i didn’t know what was real, i didn’t even care. i was fully in it.
the writing is so haunting and strange and lyrical. there’s this heaviness to the atmosphere—like you’re reading something poisonous and beautiful at the same time. the way the monsters are described, the little story fragments and illustrations woven in, the forest itself—it’s just creepy and gorgeous and terrifying all at once. and the pacing? the way it slowly descends into horror? i kept forgetting this was horror until something absolutely deranged happened and i had to stop and go “oh my god.�
andrew fully broke my heart. he’s anxious and lost and holding himself together with tape and stories. he spends so much of this book not knowing what’s real, not knowing who to trust, and just trying to survive—and not in a horror way, in a mental breakdown way. the reveal that dove was dead for five months and he didn’t know? that he was hallucinating her and everyone else was trying to tiptoe around it? that completely destroyed me. and it made everything earlier in the book so much sadder. like him ripping up that drawing of the three of them and not understanding why thomas looked so devastated? yeah. because she was dead. andrew not knowing what’s real, begging thomas to be real, realizing his stories might be killing people—he spirals so hard and i was right there with him.
thomas was a disaster in the best way. he’s reckless and guarded and constantly holding back some horrible truth. and i wanted to shake him half the time but also he’s trying so hard to protect andrew and it made me feel worse. like him pushing andrew away because he thinks the monsters are killing everyone close to him? horrible. and then he comes back anyway. every time. and then we get that scene. “i’ve loved you since we were twelve.� the reveal that the fight with dove was about him. the way he’s angry and devastated and still shows up? love him.
their relationship is so messy and painful. andrew would literally die for thomas. has probably tried. he says at one point that he’d kill for him. and thomas just knows that. they keep hurting each other but never actually let go. the tension between them was insane. like the scene where andrew thinks thomas isn’t real and thomas puts his thumb over his pulse and kisses him like it’s the only way to prove he exists? actually unwell. and then the fight about dove. andrew asking if they kissed. thomas not answering. like i was already spiraling and then that scene just made it worse. it’s not even a romance in the traditional sense, but it’s so charged and devastating.
dove gutted me. i didn’t even like her at first. she felt cold and distant and mean, and then the reveal hit and suddenly every scene with her broke my heart. andrew was hallucinating his dead sister and had no idea. and everyone else knew. they just didn’t say anything. didn’t bring her up. didn’t correct him. they acted like it was normal because no one knew how to tell him. the scene where thomas says “that thing you were talking to wasn’t her�?? one of the scariest and saddest moments in the whole book. and then the memory coming back. what actually happened in the forest. actually insane.
even the side characters felt layered. lana, especially. her anger at thomas was so sharp, and once you realize what she knows and what andrew DZ’t, it hits different. her calling him a murderer. the way she clearly still cared about dove and felt betrayed by all of it. and clemens. actual worst teacher in existence. the way he treated andrew and thomas? insane. and then what happened to him. i was like okay� good. and then immediately spiraled over what it meant for andrew. the book is constantly playing with who you trust, who you’re scared for, who’s in control. it’s exhausting. but in a entertaining way.
and the horror. the actual monsters. the antler king. the stories coming to life. andrew being the creator without realizing. thomas trying to take the blame anyway. it’s all so layered and weird and brilliant. the drawings were terrifying. the monsters breaking into the school, the wallpaper scene, the mirror, the vines. i was genuinely creeped out. and i love that there’s still no clear answer by the end. the story never confirms what’s real. thomas might not be real. the monsters might not be real. maybe dove’s still alive. maybe she never was. i still don’t know. and i kinda love that.
the ending absolutely wrecked me. everything was so intense and then it just ends. no warning. no closure. i cried. i rarely cry during books. but andrew’s final realization, the note, the memories, the way he doesn’t even know what’s true anymore? it was so much. and then going back through my annotations after? i was screaming. all the moments that seemed off at the time that make so much sense in hindsight? yeah. it’s one of those books that rewards you for rereading. and then ruins you again.
this was genuinely incredible. i don’t even know how to explain what it did to me. i love andrew. i love thomas. i’m terrified of the forest. i will be reading whatever this author writes next the second it comes out. i need more people to read this so i can scream about it properly.
━━━━ ⊱⋆� ━━━━
� 🖇� pre-read 𖥻 ＜꒱
last book in my no series streak. after this i’m going back to 600 page fantasies with sequels i’ll never finish.
� major spoilers ﹒⟢
what the fuck. like genuinely what the fuck.
this book completely messed me up. like i finished it and just sat there staring at the wall. i really think this might be one of my favorite reads of the year. i picked it up so randomly—had it sitting on my tbr for months, didn’t reread the blurb, just dove in—and somehow it was exactly what i needed. i didn’t know where it was going, i didn’t know what was real, i didn’t even care. i was fully in it.
the writing is so haunting and strange and lyrical. there’s this heaviness to the atmosphere—like you’re reading something poisonous and beautiful at the same time. the way the monsters are described, the little story fragments and illustrations woven in, the forest itself—it’s just creepy and gorgeous and terrifying all at once. and the pacing? the way it slowly descends into horror? i kept forgetting this was horror until something absolutely deranged happened and i had to stop and go “oh my god.�
andrew fully broke my heart. he’s anxious and lost and holding himself together with tape and stories. he spends so much of this book not knowing what’s real, not knowing who to trust, and just trying to survive—and not in a horror way, in a mental breakdown way. the reveal that dove was dead for five months and he didn’t know? that he was hallucinating her and everyone else was trying to tiptoe around it? that completely destroyed me. and it made everything earlier in the book so much sadder. like him ripping up that drawing of the three of them and not understanding why thomas looked so devastated? yeah. because she was dead. andrew not knowing what’s real, begging thomas to be real, realizing his stories might be killing people—he spirals so hard and i was right there with him.
thomas was a disaster in the best way. he’s reckless and guarded and constantly holding back some horrible truth. and i wanted to shake him half the time but also he’s trying so hard to protect andrew and it made me feel worse. like him pushing andrew away because he thinks the monsters are killing everyone close to him? horrible. and then he comes back anyway. every time. and then we get that scene. “i’ve loved you since we were twelve.� the reveal that the fight with dove was about him. the way he’s angry and devastated and still shows up? love him.
their relationship is so messy and painful. andrew would literally die for thomas. has probably tried. he says at one point that he’d kill for him. and thomas just knows that. they keep hurting each other but never actually let go. the tension between them was insane. like the scene where andrew thinks thomas isn’t real and thomas puts his thumb over his pulse and kisses him like it’s the only way to prove he exists? actually unwell. and then the fight about dove. andrew asking if they kissed. thomas not answering. like i was already spiraling and then that scene just made it worse. it’s not even a romance in the traditional sense, but it’s so charged and devastating.
dove gutted me. i didn’t even like her at first. she felt cold and distant and mean, and then the reveal hit and suddenly every scene with her broke my heart. andrew was hallucinating his dead sister and had no idea. and everyone else knew. they just didn’t say anything. didn’t bring her up. didn’t correct him. they acted like it was normal because no one knew how to tell him. the scene where thomas says “that thing you were talking to wasn’t her�?? one of the scariest and saddest moments in the whole book. and then the memory coming back. what actually happened in the forest. actually insane.
even the side characters felt layered. lana, especially. her anger at thomas was so sharp, and once you realize what she knows and what andrew DZ’t, it hits different. her calling him a murderer. the way she clearly still cared about dove and felt betrayed by all of it. and clemens. actual worst teacher in existence. the way he treated andrew and thomas? insane. and then what happened to him. i was like okay� good. and then immediately spiraled over what it meant for andrew. the book is constantly playing with who you trust, who you’re scared for, who’s in control. it’s exhausting. but in a entertaining way.
and the horror. the actual monsters. the antler king. the stories coming to life. andrew being the creator without realizing. thomas trying to take the blame anyway. it’s all so layered and weird and brilliant. the drawings were terrifying. the monsters breaking into the school, the wallpaper scene, the mirror, the vines. i was genuinely creeped out. and i love that there’s still no clear answer by the end. the story never confirms what’s real. thomas might not be real. the monsters might not be real. maybe dove’s still alive. maybe she never was. i still don’t know. and i kinda love that.
the ending absolutely wrecked me. everything was so intense and then it just ends. no warning. no closure. i cried. i rarely cry during books. but andrew’s final realization, the note, the memories, the way he doesn’t even know what’s true anymore? it was so much. and then going back through my annotations after? i was screaming. all the moments that seemed off at the time that make so much sense in hindsight? yeah. it’s one of those books that rewards you for rereading. and then ruins you again.
this was genuinely incredible. i don’t even know how to explain what it did to me. i love andrew. i love thomas. i’m terrified of the forest. i will be reading whatever this author writes next the second it comes out. i need more people to read this so i can scream about it properly.
━━━━ ⊱⋆� ━━━━
� 🖇� pre-read 𖥻 ＜꒱
last book in my no series streak. after this i’m going back to 600 page fantasies with sequels i’ll never finish.
October 31, 2024
i- speechless. c.g. drews when i catch you !!
August 16, 2024
Thanks to NetGalley for the arc. All opinions are my own (clearly).
Don’t Let the Forest In follows Andrew Perrault in the aftermath of a mysterious friendship disaster between his twin, Dawn, and his obsessive crush, Thomas. His return to Wickwood Academy is bad enough, dealing with having no friends and continued bullying, when Thomas’s monsterous drawings come to life, threatening him and everyone around him. Together, the two boys try to rub their two braincells together to put an end to the monsters and figure out what they mean to each other, even as the horrific odds turn against them. The result is a poorly anchored book with terribly handled twists and weak characters.
The main problem with the book is the lack of on-page set up for characters and their relationships. Much of the premise of the book lies in how different Thomas and Dawn act with Andrew compared to when their friendship at its peak. Unfortunately, their friendship is completely off page, so the whip-lash that Andrew feels has to be tediously explained to us. The reader is meant to understand that these characters have this deeply established connection, without any work being done to make us believe it. This is a huge issue, as this book revolves around Andrew and Thomas’s intensely obsessive and codependent relationship.
The problem with the relationships is also tied to Andrew’s weakness as a character. He is completely obtuse about the things going around him and he’s annoying to read about. Things that are obviously worth considering about the horrors haunting him and the people around him fly right over his head every time, making for an incredibly frustrating reading experience. The way he speaks is so melodramatic and overwrought that it’s laughable. This continues into the excerpts of his fairytales, which are all edgy and fake-deep.
I appreciate what C. G Drews tried to do with Andrew as a representation of anxiety, depression, and eating disorders, but the work put in didn’t work on-page. As an audience, the reader is out of the loop of his non-monster anxieties, so he sometimes makes leaps in logic that make no sense and we can’t even see how he got there. Ideally, the reader would be led onto the same traps that Andrew’s anxiety leads him, but instead it’s confusing and aggravating. I also think the way that mental health is sometimes shown plainly on-page and other times in symbolic imagery and allegory creates a confused depiction of mental illness.
I also found the exploration of Asexuality to be mixed. I was very excited as an Ace-spectrum person to see how this was done, and I’m still not sure. For a YA audience, I would expect the explanation of asexuality to be heavy handed, but that wasn’t what I got. An actual introduction of asexuality doesn’t exist at all, but Andrew’s fears and feelings about being “wrong� are who’ll to explained to the point of being repetitive. I’ll be honest, some of my opinions about the representation is clouded by how little I cared about Andrew as a character. I can’t really complain about it though, because this was one of the better elements.
The decent element is the horror. It’s not the best I’ve read even in YA, but it’s competent. The gore is gorey and gave me the creeps more than a couple times. My only issue with the horror is how poorly rooted it is within the story. This is the same issue I had with character relationships. The characters know all about these monsters and why they are important to them, but it’s only clunkily explained to the reader. The horror also suffers by the poorly defined setting and passage of time. Every time the time of day was mentioned, it was news to me. The characters just float around from scene to scene untethered. This is emphasized by the unrealistic dialogue and one-dimensional supporting characters.
No one in this book talks like real people. I understand the point of exaggerating for the purpose of creating drama and tension, but this book’s attempt was laughable. Andrew and Thomas say unhinged things about living inside each other and how they’d die without each other, but I could at least see the draw of that. The background characters spend most of the book bullying Thomas for being a murderer, even at times where if they truly believe this, they would be in immense danger. As the death toll increases, the lack of panic is covered up because the school is just ignoring people dying in the middle of day for some reason. The main bully repeatedly complains about people “slandering� him. I mean, this is just ridiculous, people. Some side characters I actually like, Lana Lang (unrelated to Superman’s friend) and Chloe Nguyen, are sidelined by the narrative in favor of the riveting relationship between Andrew and Thomas. Some characters aren’t even deigned to have names, even if they eventually get significant page time. Anyone who isn’t directly related to the romance/monster plot is severely undeveloped compared to Andrew and Thomas, and I already said how lacking they are as characters.
The final nail in the coffin is the horrible ending. I don’t want to spoil the twist(s) but I can stress how hard they fall on their face. There are fakeouts that are so dumb to be laughable. There is an actually good twist that is ruined because of execution. And there is a final twist that is SO OBVIOUS because it had been a blind spot in the boys� pisspoor problem solving the whole book. The thematic meaning behind the horror fails to meaningfully connect to the characters and their terrible romance. What makes things worse is that these twists rely on the established character relationships that never got fleshed out the entire book.
Overall, I can see how teens would get a little bit more out of this than I would, and it could be worth checking out at a library if it’s convenient. That being said, I’m not that far out of teenhood and I know that I would not have been charmed by this. Everything that this book does has been done better by other books. I can’t strongly recommend it to anyone.
Don’t Let the Forest In follows Andrew Perrault in the aftermath of a mysterious friendship disaster between his twin, Dawn, and his obsessive crush, Thomas. His return to Wickwood Academy is bad enough, dealing with having no friends and continued bullying, when Thomas’s monsterous drawings come to life, threatening him and everyone around him. Together, the two boys try to rub their two braincells together to put an end to the monsters and figure out what they mean to each other, even as the horrific odds turn against them. The result is a poorly anchored book with terribly handled twists and weak characters.
The main problem with the book is the lack of on-page set up for characters and their relationships. Much of the premise of the book lies in how different Thomas and Dawn act with Andrew compared to when their friendship at its peak. Unfortunately, their friendship is completely off page, so the whip-lash that Andrew feels has to be tediously explained to us. The reader is meant to understand that these characters have this deeply established connection, without any work being done to make us believe it. This is a huge issue, as this book revolves around Andrew and Thomas’s intensely obsessive and codependent relationship.
The problem with the relationships is also tied to Andrew’s weakness as a character. He is completely obtuse about the things going around him and he’s annoying to read about. Things that are obviously worth considering about the horrors haunting him and the people around him fly right over his head every time, making for an incredibly frustrating reading experience. The way he speaks is so melodramatic and overwrought that it’s laughable. This continues into the excerpts of his fairytales, which are all edgy and fake-deep.
I appreciate what C. G Drews tried to do with Andrew as a representation of anxiety, depression, and eating disorders, but the work put in didn’t work on-page. As an audience, the reader is out of the loop of his non-monster anxieties, so he sometimes makes leaps in logic that make no sense and we can’t even see how he got there. Ideally, the reader would be led onto the same traps that Andrew’s anxiety leads him, but instead it’s confusing and aggravating. I also think the way that mental health is sometimes shown plainly on-page and other times in symbolic imagery and allegory creates a confused depiction of mental illness.
I also found the exploration of Asexuality to be mixed. I was very excited as an Ace-spectrum person to see how this was done, and I’m still not sure. For a YA audience, I would expect the explanation of asexuality to be heavy handed, but that wasn’t what I got. An actual introduction of asexuality doesn’t exist at all, but Andrew’s fears and feelings about being “wrong� are who’ll to explained to the point of being repetitive. I’ll be honest, some of my opinions about the representation is clouded by how little I cared about Andrew as a character. I can’t really complain about it though, because this was one of the better elements.
The decent element is the horror. It’s not the best I’ve read even in YA, but it’s competent. The gore is gorey and gave me the creeps more than a couple times. My only issue with the horror is how poorly rooted it is within the story. This is the same issue I had with character relationships. The characters know all about these monsters and why they are important to them, but it’s only clunkily explained to the reader. The horror also suffers by the poorly defined setting and passage of time. Every time the time of day was mentioned, it was news to me. The characters just float around from scene to scene untethered. This is emphasized by the unrealistic dialogue and one-dimensional supporting characters.
No one in this book talks like real people. I understand the point of exaggerating for the purpose of creating drama and tension, but this book’s attempt was laughable. Andrew and Thomas say unhinged things about living inside each other and how they’d die without each other, but I could at least see the draw of that. The background characters spend most of the book bullying Thomas for being a murderer, even at times where if they truly believe this, they would be in immense danger. As the death toll increases, the lack of panic is covered up because the school is just ignoring people dying in the middle of day for some reason. The main bully repeatedly complains about people “slandering� him. I mean, this is just ridiculous, people. Some side characters I actually like, Lana Lang (unrelated to Superman’s friend) and Chloe Nguyen, are sidelined by the narrative in favor of the riveting relationship between Andrew and Thomas. Some characters aren’t even deigned to have names, even if they eventually get significant page time. Anyone who isn’t directly related to the romance/monster plot is severely undeveloped compared to Andrew and Thomas, and I already said how lacking they are as characters.
The final nail in the coffin is the horrible ending. I don’t want to spoil the twist(s) but I can stress how hard they fall on their face. There are fakeouts that are so dumb to be laughable. There is an actually good twist that is ruined because of execution. And there is a final twist that is SO OBVIOUS because it had been a blind spot in the boys� pisspoor problem solving the whole book. The thematic meaning behind the horror fails to meaningfully connect to the characters and their terrible romance. What makes things worse is that these twists rely on the established character relationships that never got fleshed out the entire book.
Overall, I can see how teens would get a little bit more out of this than I would, and it could be worth checking out at a library if it’s convenient. That being said, I’m not that far out of teenhood and I know that I would not have been charmed by this. Everything that this book does has been done better by other books. I can’t strongly recommend it to anyone.
July 25, 2024
“All my stories are about you. They will always be about you.�
WHAT. A. BOOK! Don't Let the Forest In is beautifully haunting and unhinged. It's got queer angst and toxic codependency, and it had me feeling unsettled with my head spinning throughout! The book is gorgeously written and it left a lasting impression that still has me feeling on edge!
"For a vicious moment, Andrew thought about slipping his fingers into Thomas’s cut. Taking hold of his rib and breaking it. Pulling the soft crumbling bone from his chest and sewing it into his own. They’d be forever together, rib against rib, fused in gore and bone and adoration."
Don't Let the Forest In has a killer opening line, and I was immediately hooked! Reading it gave me a sense of unease, that something's not quite right, that eerie, angsty, "what's happening?" feeling that I love. Andrew and Thomas are two toxically codependent boys at boarding school where something is so clearly wrong but neither they nor you know exactly what that something is. It has you feeling unmoored, questioning reality, your own mind, and wondering if the monsters of your nightmares might be real.
"If the trees belonged to Thomas, midnight was in love with Andrew. It made him braver somehow, invisible, hiding his delicate edges and leaving behind a lean and hungry shadow. In the dark, no one could see his hollow and empty places. Instead he looked like he could have teeth."
The book reminded me of The Wicker King, Summer Sons, and These Violent Delights, and if you love those vibes, you'll love Don't Let The Forest In! The book also gets bonus points for excellent ace rep in the mc Andrew.
"They were beautiful together; they were magic and monstrous, and they had created a whole vengeful world between them."
Don't Let the Forest In by CG Drews // ⭐⭐⭐⭐�
Thanks to Macmillan for the ARC. Don't Let the Forest In is out October 29
March 12, 2025
spoiler-filled vlog will be up on my youtube channel on the 14th!
all I'll say is the writing is exquisite, and I appreciated the illustrations throughout the book.
this reminded me a lot of The Wicker King meets something else that I can't quite pinpoint at the moment.
all I'll say is the writing is exquisite, and I appreciated the illustrations throughout the book.
this reminded me a lot of The Wicker King meets something else that I can't quite pinpoint at the moment.
October 3, 2024
This novel is devastating. The writing is lush and evocative, the characters complicated and real and messy, and the story a ravaged mixture of frenetic energy and folk-horror fecund silence.
I couldn’t put this story down once I started. It wrapped its way around me, biting into my skin and holding my heart hostage, but never promising what it would give in return. There is a painful intimacy and desperation that pulls you into the story, and the writing and pacing really bring you to this place where you can feel moss crumbling under your feet as you constantly look over your shoulder for the unseen force that you know is haunting you but you can never look at directly.
It is hard to be critical of this story. There are things I would have liked to see. For instance, there are some secondary characters who we get little tastes of that I would love to spend more time with. But the way the story is structured, and is experienced, it is through the bleeding, terrified, isolated experiences of our main character, and to peel away from that to give us a broader picture of this world and its inhabitants would destroy the intimacy, the feeling of being an accomplice. It is possible to guess where it is going form the start, if you are someone who lives in the genre space and does such things, because the seeds are planted and it is clear that something isn’t right, or, rather, there is more that is wrong than what we are being told. But none of that takes away from the book, and in fact it almost makes it more tragic, in the same way that by the end of a Shakespearean opening monologue we already know what fate awaits our princes, our ship-wrecked kings, our star-crossed lovers. Of course, like many stories, if there was just better communication between central characters then, well, there would be no story. But here that miscommunicating feels natural, not forced. The heavy weights of society and identity and general teenage malaise and emotional turmoil make it natural that truths are hidden, bottled up, fermented, instead of being shared and communicated plainly. This story is a journey, one that asks what happens when our inner monsters are so terrifying we invite external monsters in to show us how to wage war upon ourselves. It is heartbreaking, and compelling, and familiar. It hurt to read this story, in places, because, while my teenage years weren’t as emotionally fraught as the characters, I could see myself and my friends and others I care about in these characters, in their struggles with living as they are, constantly feeling attacked from all sides. C. G. Drews managed to make a fantastical story filled with horrific monsters feel real and personal, and I am glad I had the chance to read it.
(Also, just as an addendum, throughout the novel there are a few short, one-paragraph long, dark fairy tales, written by our main character in the context of the novel. These are really great. On their own they would be nasty, dark littles bite-sized tales, but in context they add to the ambience or the feel of the novel. There aren’t so many of them that they are a distraction to the narrative, and in fact they complement it really well. It would be amazing to see a small, illustrated collection of these fairy tales, they were that much fun).
I want to thank the author, the publisher Feiwel & Friends, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.
I couldn’t put this story down once I started. It wrapped its way around me, biting into my skin and holding my heart hostage, but never promising what it would give in return. There is a painful intimacy and desperation that pulls you into the story, and the writing and pacing really bring you to this place where you can feel moss crumbling under your feet as you constantly look over your shoulder for the unseen force that you know is haunting you but you can never look at directly.
It is hard to be critical of this story. There are things I would have liked to see. For instance, there are some secondary characters who we get little tastes of that I would love to spend more time with. But the way the story is structured, and is experienced, it is through the bleeding, terrified, isolated experiences of our main character, and to peel away from that to give us a broader picture of this world and its inhabitants would destroy the intimacy, the feeling of being an accomplice. It is possible to guess where it is going form the start, if you are someone who lives in the genre space and does such things, because the seeds are planted and it is clear that something isn’t right, or, rather, there is more that is wrong than what we are being told. But none of that takes away from the book, and in fact it almost makes it more tragic, in the same way that by the end of a Shakespearean opening monologue we already know what fate awaits our princes, our ship-wrecked kings, our star-crossed lovers. Of course, like many stories, if there was just better communication between central characters then, well, there would be no story. But here that miscommunicating feels natural, not forced. The heavy weights of society and identity and general teenage malaise and emotional turmoil make it natural that truths are hidden, bottled up, fermented, instead of being shared and communicated plainly. This story is a journey, one that asks what happens when our inner monsters are so terrifying we invite external monsters in to show us how to wage war upon ourselves. It is heartbreaking, and compelling, and familiar. It hurt to read this story, in places, because, while my teenage years weren’t as emotionally fraught as the characters, I could see myself and my friends and others I care about in these characters, in their struggles with living as they are, constantly feeling attacked from all sides. C. G. Drews managed to make a fantastical story filled with horrific monsters feel real and personal, and I am glad I had the chance to read it.
(Also, just as an addendum, throughout the novel there are a few short, one-paragraph long, dark fairy tales, written by our main character in the context of the novel. These are really great. On their own they would be nasty, dark littles bite-sized tales, but in context they add to the ambience or the feel of the novel. There aren’t so many of them that they are a distraction to the narrative, and in fact they complement it really well. It would be amazing to see a small, illustrated collection of these fairy tales, they were that much fun).
I want to thank the author, the publisher Feiwel & Friends, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.
November 17, 2024
This book is atmospheric and nightmarish, with gruesome illustrations, gory body horror, and snippets from the haunting stories that Andrew writes which plays into the plot.
Andrew only feels at home with his best friend, his other half. Andrew wrote cruelly beautiful fairytales, and Thomas illustrates them with a few slashes from a pen with macabre beauty. However, back at Wickwood Academy, Thomas arrives covered in blood and his drawings appear to come to life, killing anyone close to him.
This had extremely purple prose. This was the highlight of the book for me. Drews reached into my rib cage, rummaged around, and squeezed my heart.
right now he was the glorious fairy-tale prince come to save them all, while Andrew was nothing more than a thing made of skeleton leaves needing to be cupped between safe hands before he blew away.
This also had great ace representation with conversations about the importance of the LGBTQ+ community, as well as portrayals of anxiety.
What brought the rating down were the many glaring plot holes. Why didn’t Thomas and Andrew tell anyone? They had photographic evidence and deleted it.
Also, the authorities blaming deaths and the forest invading the school building on collapsing infrastructure seemed too contrived and nonsensical.
I also did not like the way Andrew’s refusal to eat and loss of weight was handled. I know this was due to his anxiety, but it felt deathly romanticised and not enough care was taken to address this, despite others noticing this.
This book was dark and I am on the fence about it being marketed as Young Adult. It is definitely in the upper range.
I am very conflicted. The prose was five stars. The plot discrepancies; predictable, easy twists, and ambiguous open ending brought this down.
Andrew hated the way his brain did this. Destroyed beau tiful things. It was like he couldn't just hold a flower; he had to crush the petals in his fist until his hand was stained with mur dered color.
Thank you to Hatchette Children for sending me the gorgeous physical arc in exchange for a review!
Andrew only feels at home with his best friend, his other half. Andrew wrote cruelly beautiful fairytales, and Thomas illustrates them with a few slashes from a pen with macabre beauty. However, back at Wickwood Academy, Thomas arrives covered in blood and his drawings appear to come to life, killing anyone close to him.
This had extremely purple prose. This was the highlight of the book for me. Drews reached into my rib cage, rummaged around, and squeezed my heart.
right now he was the glorious fairy-tale prince come to save them all, while Andrew was nothing more than a thing made of skeleton leaves needing to be cupped between safe hands before he blew away.
This also had great ace representation with conversations about the importance of the LGBTQ+ community, as well as portrayals of anxiety.
What brought the rating down were the many glaring plot holes. Why didn’t Thomas and Andrew tell anyone? They had photographic evidence and deleted it.
Also, the authorities blaming deaths and the forest invading the school building on collapsing infrastructure seemed too contrived and nonsensical.
I also did not like the way Andrew’s refusal to eat and loss of weight was handled. I know this was due to his anxiety, but it felt deathly romanticised and not enough care was taken to address this, despite others noticing this.
This book was dark and I am on the fence about it being marketed as Young Adult. It is definitely in the upper range.
I am very conflicted. The prose was five stars. The plot discrepancies; predictable, easy twists, and ambiguous open ending brought this down.
Andrew hated the way his brain did this. Destroyed beau tiful things. It was like he couldn't just hold a flower; he had to crush the petals in his fist until his hand was stained with mur dered color.
Thank you to Hatchette Children for sending me the gorgeous physical arc in exchange for a review!
May 17, 2025
Creepy. Weird. Eerie. Hauntingly beautiful. Don’t Let The Forest In had me gripped right from the start with its wonderfully-written prose. The cover art is absolutely a visual representation of what’s to expect inside. It leaves you feeling grief-stricken and bereft, rare is it for a horror novel to tap into the reader’s emotions this deeply, and in this way.
It’s filled with teenage angst, and queer-longing by the main character, who is trying to repress his sexuality because he wants to maintain being a wallflower.
My only (very slight) critique is that it does take some time to get into the main, horror, plot; but once it does, it’s filled with gorgeously creepy illustrations and dark poetry.
Wow. There is such a heartbreaking twist near the end, and then that emotive ending. I feel like re-reading this knowing what I know now would push me to rating it the full 5 stars, potentially.
Also, I can’t be the only person who fan-cast Troye Sivan as Andrew, right? As soon as it said that the character was Australian. 😅
Things haven’t been the same for twins, Andrew and Dove, with their friend, Thomas, since an argument at the end of the previous year. This is about Andrew’s determination to make things right between them all, yet he is trying to conceal his romantic feelings towards Thomas. Andrew has a love for dark fairy tales, he writes them, and Thomas draws dark artwork to accompany them. They help each other through the darkness inside their own minds.
”To write something nice, he’d need something nice to say. But his ribs were a cage for monsters, and they cut their teeth on his bones.�
4.5 Stars 🖤
It’s filled with teenage angst, and queer-longing by the main character, who is trying to repress his sexuality because he wants to maintain being a wallflower.
My only (very slight) critique is that it does take some time to get into the main, horror, plot; but once it does, it’s filled with gorgeously creepy illustrations and dark poetry.
Wow. There is such a heartbreaking twist near the end, and then that emotive ending. I feel like re-reading this knowing what I know now would push me to rating it the full 5 stars, potentially.
Also, I can’t be the only person who fan-cast Troye Sivan as Andrew, right? As soon as it said that the character was Australian. 😅
Things haven’t been the same for twins, Andrew and Dove, with their friend, Thomas, since an argument at the end of the previous year. This is about Andrew’s determination to make things right between them all, yet he is trying to conceal his romantic feelings towards Thomas. Andrew has a love for dark fairy tales, he writes them, and Thomas draws dark artwork to accompany them. They help each other through the darkness inside their own minds.
”To write something nice, he’d need something nice to say. But his ribs were a cage for monsters, and they cut their teeth on his bones.�
4.5 Stars 🖤
March 10, 2025
2.5 ⭐️
There’s a trend of YA book in the last 3-4 years or so that have the same characteristics: a shy, anxious main character; a tougher, cooler male love interest; a quasi-gothic/semi-dark academia setting with no engagement with the themes of those subgenres; a propensity for “lyrical� writing; a shared iconography of forests, rot, hands, deer, bones, birds, and paper. All of these books are biting off a little of The Raven Boys and a little of House of Hollow, and few are successful. Don’t Let The Forest In unfortunately did not stand out for me.
I think the prose is fine: Drews creates a rich, tense atmosphere, and Andrew and Thomas are vibrant protagonists. As many have noted, the discussion of asexuality here is refreshing and tender, and it was really the moments where DLTFI lingers here that felt the most emotional and compelling.
That being said, did not enjoy the combination of repetitive imagery + text formatted as crytyping + numerous plotholes (1. The twist that Andrew is actually the creator of the monsters is then apparently forgotten by the characters and, incredibly, revealed as a twist AGAIN, for a SECOND TIME 2. Dove’s death is not a plot hole exactly, but the book drops like .5 hints that it’s happening and several moments in the book are vaguely contradictory, you will never be Noah Czerny) + near-affectionate lingering over Andrew’s eating disorder
This was not a book for me but I am glad that it has found a passionate audience and I think it would have resonated quite strongly with me had I read it at the right time. I am really curious to see where Drews goes in the future. This HAS the juice but I’m hoping to see it channeled towards more interesting directions
Please note that I work for Macmillan but opinions are my own. I am not involved in book production
There’s a trend of YA book in the last 3-4 years or so that have the same characteristics: a shy, anxious main character; a tougher, cooler male love interest; a quasi-gothic/semi-dark academia setting with no engagement with the themes of those subgenres; a propensity for “lyrical� writing; a shared iconography of forests, rot, hands, deer, bones, birds, and paper. All of these books are biting off a little of The Raven Boys and a little of House of Hollow, and few are successful. Don’t Let The Forest In unfortunately did not stand out for me.
I think the prose is fine: Drews creates a rich, tense atmosphere, and Andrew and Thomas are vibrant protagonists. As many have noted, the discussion of asexuality here is refreshing and tender, and it was really the moments where DLTFI lingers here that felt the most emotional and compelling.
That being said, did not enjoy the combination of repetitive imagery + text formatted as crytyping + numerous plotholes (1. The twist that Andrew is actually the creator of the monsters is then apparently forgotten by the characters and, incredibly, revealed as a twist AGAIN, for a SECOND TIME 2. Dove’s death is not a plot hole exactly, but the book drops like .5 hints that it’s happening and several moments in the book are vaguely contradictory, you will never be Noah Czerny) + near-affectionate lingering over Andrew’s eating disorder
This was not a book for me but I am glad that it has found a passionate audience and I think it would have resonated quite strongly with me had I read it at the right time. I am really curious to see where Drews goes in the future. This HAS the juice but I’m hoping to see it channeled towards more interesting directions
Please note that I work for Macmillan but opinions are my own. I am not involved in book production
This entire review has been hidden because of spoilers.
November 5, 2024
4.5 stars rounded up
I feel like my emo, melodramatic teenage self would have eaten this up. This is a story for all the weird, awkward, dark teens dealing with getting bullied and finding a first love that feels like the world is ending. And it has asexual rep, which is cool! I know there are people trying to find more of that.
Don't Let the Forest In is a macabre story where the lines between reality and fantasy blur. They follow two boys at a boarding school with lots of trauma and family baggage, and a fraught relationship. One of them writes dark fairytales and the other draws monsters. But what happens when the monsters become real? This is dealing with depression, anxiety, self-harm, and familial abuse, but through a somewhat fantastical lens. And it doesn't offer any easy solutions or wrap things up with a neat little bow. I kind of loved it, and I especially love it for the teens going through it who need something like this to feel seen. I received a copy of this book for review, all opinions are my own.
I feel like my emo, melodramatic teenage self would have eaten this up. This is a story for all the weird, awkward, dark teens dealing with getting bullied and finding a first love that feels like the world is ending. And it has asexual rep, which is cool! I know there are people trying to find more of that.
Don't Let the Forest In is a macabre story where the lines between reality and fantasy blur. They follow two boys at a boarding school with lots of trauma and family baggage, and a fraught relationship. One of them writes dark fairytales and the other draws monsters. But what happens when the monsters become real? This is dealing with depression, anxiety, self-harm, and familial abuse, but through a somewhat fantastical lens. And it doesn't offer any easy solutions or wrap things up with a neat little bow. I kind of loved it, and I especially love it for the teens going through it who need something like this to feel seen. I received a copy of this book for review, all opinions are my own.
March 26, 2025
i have mixed feelings. this was beautifully written and i love the codependency relationship between the mcs... but i predicted the plot twist from the v. beginning + the ending went over my head. I'm still confused lmao and i just didn't love it the way i expected to.
⋆⭒˚.�pre~read�.˚⭒⋆
i'm so excited to start this + the physical copy is so pretty!!!
➳ya dark academia horror
➳asexual + bisexual rep
� reading from my physical tbr �
� audiobook from the library�
⋆⭒˚.�pre~read�.˚⭒⋆
i'm so excited to start this + the physical copy is so pretty!!!
➳ya dark academia horror
➳asexual + bisexual rep
� reading from my physical tbr �
� audiobook from the library�
June 23, 2024
"All my stories are about you. They will always be about you."
The absolute mindfuck that was this book. I have no words. 10/10 would recommend you pick this up but be warned - you'll be haunted by it.
(Sidenote the asexual rep was absolutely stunning I've never felt so seen in my LIFE)
The absolute mindfuck that was this book. I have no words. 10/10 would recommend you pick this up but be warned - you'll be haunted by it.
(Sidenote the asexual rep was absolutely stunning I've never felt so seen in my LIFE)
December 6, 2024
This book is marketed as "Wilder Girls meets A Deadly Education in this queer dark academia YA thriller" and I cannot agree with any of that, really. I guess Wilder Girls is coming from the plant-based body horror (although House of Hollow would have been the better comparison for that), but nothing here was even close to A Deadly Education. I don't understand where the dark academia prompt is coming from at all. Yes, the book takes place in a school, but none of the characters are academically motivated in any way, they are not learning anything and we only ever see them attending classes to show how awful that one teacher is.
Anyway, I did actually enjoy this book! The forest horror and strange fairytale creatures were very much to my liking, the intense relationship between Andrew and Thomas was portrayed very well and the ending was surprisingly twisty. If you're looking for a book that is actually similar to this, I would recommend The Wicker King by K. Ancrum.
Anyway, I did actually enjoy this book! The forest horror and strange fairytale creatures were very much to my liking, the intense relationship between Andrew and Thomas was portrayed very well and the ending was surprisingly twisty. If you're looking for a book that is actually similar to this, I would recommend The Wicker King by K. Ancrum.
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March 18, 2025
LGBTQIA+
YA Horror
4.5 Stars ⭐️
🎵Narrated by Michael Crouch🎵 I had never listened to this narrator before and have been missing out. Holy crap he was so good and really brought this story to life. I’ll be searching for more by him and can only hope he narrates this author’s next book, Hazelthorn.
So, the author’s note at the end says if you finish this book and are frowning at the wall, everything is as it should be. I definitely was staring listlessly at the wall upon finishing this and I’m still haunted by the atmospheric creepiness. Deciding to get the audiobook of this might not have been my greatest decision despite it being phenomenal because I found myself squeamish when I’m anything but.
The less I say the better but I’m rounding up to 5 stars for the fantastic narration, the haunting illustrations in the actual book, and the angst factor that punched me in the gut when I least expected it. I didn’t just cry, this book made me burst into tears. 😭
I’m so thankful I buddy read this 🫶🏻😘 because I had no idea what I was in for and having someone to share my feelings of absolute mindfuckery with made this book so much better. And it’s horror so it made me feel better too. 💗
YA Horror
4.5 Stars ⭐️
🎵Narrated by Michael Crouch🎵 I had never listened to this narrator before and have been missing out. Holy crap he was so good and really brought this story to life. I’ll be searching for more by him and can only hope he narrates this author’s next book, Hazelthorn.
So, the author’s note at the end says if you finish this book and are frowning at the wall, everything is as it should be. I definitely was staring listlessly at the wall upon finishing this and I’m still haunted by the atmospheric creepiness. Deciding to get the audiobook of this might not have been my greatest decision despite it being phenomenal because I found myself squeamish when I’m anything but.
The less I say the better but I’m rounding up to 5 stars for the fantastic narration, the haunting illustrations in the actual book, and the angst factor that punched me in the gut when I least expected it. I didn’t just cry, this book made me burst into tears. 😭
I’m so thankful I buddy read this 🫶🏻😘 because I had no idea what I was in for and having someone to share my feelings of absolute mindfuckery with made this book so much better. And it’s horror so it made me feel better too. 💗
January 28, 2025
4 stars. Gory, homoerotic, and containing an ending that will leave readers haunted long beyond the last page, Don’t Let the Forest In is a YA dark academia tale wrapped in briars and botanical horror.
December 2, 2024
unfortunately i was bored most of the time but damn the plot twist in a plot twist in a plot twist
April 25, 2024
2024 reads: 99/250
i received an advanced review copy from the publisher via netgalley in exchange for an honest review. this did not affect my rating.
andrew, a senior at wickwood academy, enjoys writing twisted fairytales to share with thomas, who brings these stories to life through drawing them. but as their friendship gets rocky, and secrets come to light, something is happening in the woods surrounding the school that could disrupt everything.
this is the kind of 5-star read that makes me want to go change the ratings of all my other 5-star reads. i so easily lost myself in this book, with the appalachian setting perfectly fitting the eerie writing style and plot. i really can’t put to words just how much i loved andrew and thomas, and how much i missed them as soon as i put this book down. i highly recommend this to fans of YA horror.
i received an advanced review copy from the publisher via netgalley in exchange for an honest review. this did not affect my rating.
andrew, a senior at wickwood academy, enjoys writing twisted fairytales to share with thomas, who brings these stories to life through drawing them. but as their friendship gets rocky, and secrets come to light, something is happening in the woods surrounding the school that could disrupt everything.
this is the kind of 5-star read that makes me want to go change the ratings of all my other 5-star reads. i so easily lost myself in this book, with the appalachian setting perfectly fitting the eerie writing style and plot. i really can’t put to words just how much i loved andrew and thomas, and how much i missed them as soon as i put this book down. i highly recommend this to fans of YA horror.
June 24, 2024
I have found myself a new favourite author.
December 29, 2024
Wow, I have so much to say about this book.
Thank you to the author, publisher, and NetGalley for providing me with an eARC in exchange for an honest review.
The main thing I'd like to mention before getting into the actual aspects of the book, I need to emphasize the fact that this main character is not completely written as just asexual. What really bothered me was the author mixing in qualities of aromanticism with asexuality. There were a lot of points where Andrew was describing how he never had crushes or he doesn't get crushes- this is exactly what being aromantic is. Followed by him explaining that he wouldn't want to have sex; asexuality. This is something that either needs clarification or editing, and it is VITALLY important that this error is fixed. Talking about asexuality as if it is combined with aromanticism is extremely damaging to an already underrepresented and misunderstood community. I haven't even seen anyone bring this up, which is proving my point that people do not understand the difference. As an aroace person, the author desperately needs to make this change before the book is released or else more misunderstandings will only be born from it.
Plot wise, this book has an interesting storyline. This was the first time in a while that I couldn't put down reading a book. I did enjoy the actual asexual representation in it, as Andrew feared not being "gay enough" to be in the GSA, as well as him fearing that he would not be able to be enough for Thomas himself. Furthermore, the author did a good job representing the anxiety, guilt, and fear that Andrew felt throughout this book; however, at many points it felt like the author was inserting themselves into the narrative, not just with anxiety but with the discussions of sexuality as well. It's like the author was trying to make you feel bad for this character very early on, and yet how can I care about a character that has barely displayed any of his own qualities thus far.
One thing that stuck out to me whilst reading was that this book REALLY nails home the same qualities and attributes of Thomas specifically, as well as a lot of other aspects. There is a constant description of how Thomas "breathes art" and is reckless and how so much of him is ingrained in that. Now, this is not inherently a bad thing, however it is repeated so often that it starts to become redundant. I do enjoy the creativity and poetic nature of the writing style, but it just becomes way too much if it is repeated so often. A lot of this language is used over and over to describe the forest as well, and it just starts to become recycled adjectives that no longer hold description or meaning.
There were some parts which I found to be a bit cliche, or corny to say the least. (Possible spoiler warning here? Not sure if it counts.) An example of this would be when Andrew and Thomas had that fight in chapter seven. Andrew saying "go be with Dove then" and Thomas saying "I'm walking away from you now. And I'm not coming back" to me seems almost Disney-like. It reads as using cheap dialogue just to get from one place to another. The build up to this scene was really good and I liked the dialogue that came before it, but the lines towards the end just caught me off guard. The ending line of this chapter shows a part of Andrew that we hadn't seen before, and I like that. Although I do believe this fight happened so early on that it is both uninteresting and a useless conflict. As a reader, it is hard to be interested in a fight between characters we've just met, and it should be saved for a later point.
There are obviously tons spelling/sentence errors that are to be looked over by an editor, however there is a slight pattern of confusing intros/descriptions of characters where I couldn't tell who was being talked about. I often had to reread pages and paragraphs trying to make sense of what was going on due to how strangely things were worded.
Overall, I felt that this author has the potential to write something great, however their execution of a "twisted story" felt disorganized, redundant, and poorly thought out at many points in the story. Much of this writing technique felt amateur, and I believe the author needs more training on how to write clear dialogue and narrative. I'd like to see the author take more risks with their writing and stop inserting themselves into the story. I can only hope that this book gets thoroughly overlooked by a talented editor.
Thank you to the author, publisher, and NetGalley for providing me with an eARC in exchange for an honest review.
The main thing I'd like to mention before getting into the actual aspects of the book, I need to emphasize the fact that this main character is not completely written as just asexual. What really bothered me was the author mixing in qualities of aromanticism with asexuality. There were a lot of points where Andrew was describing how he never had crushes or he doesn't get crushes- this is exactly what being aromantic is. Followed by him explaining that he wouldn't want to have sex; asexuality. This is something that either needs clarification or editing, and it is VITALLY important that this error is fixed. Talking about asexuality as if it is combined with aromanticism is extremely damaging to an already underrepresented and misunderstood community. I haven't even seen anyone bring this up, which is proving my point that people do not understand the difference. As an aroace person, the author desperately needs to make this change before the book is released or else more misunderstandings will only be born from it.
Plot wise, this book has an interesting storyline. This was the first time in a while that I couldn't put down reading a book. I did enjoy the actual asexual representation in it, as Andrew feared not being "gay enough" to be in the GSA, as well as him fearing that he would not be able to be enough for Thomas himself. Furthermore, the author did a good job representing the anxiety, guilt, and fear that Andrew felt throughout this book; however, at many points it felt like the author was inserting themselves into the narrative, not just with anxiety but with the discussions of sexuality as well. It's like the author was trying to make you feel bad for this character very early on, and yet how can I care about a character that has barely displayed any of his own qualities thus far.
One thing that stuck out to me whilst reading was that this book REALLY nails home the same qualities and attributes of Thomas specifically, as well as a lot of other aspects. There is a constant description of how Thomas "breathes art" and is reckless and how so much of him is ingrained in that. Now, this is not inherently a bad thing, however it is repeated so often that it starts to become redundant. I do enjoy the creativity and poetic nature of the writing style, but it just becomes way too much if it is repeated so often. A lot of this language is used over and over to describe the forest as well, and it just starts to become recycled adjectives that no longer hold description or meaning.
There were some parts which I found to be a bit cliche, or corny to say the least. (Possible spoiler warning here? Not sure if it counts.) An example of this would be when Andrew and Thomas had that fight in chapter seven. Andrew saying "go be with Dove then" and Thomas saying "I'm walking away from you now. And I'm not coming back" to me seems almost Disney-like. It reads as using cheap dialogue just to get from one place to another. The build up to this scene was really good and I liked the dialogue that came before it, but the lines towards the end just caught me off guard. The ending line of this chapter shows a part of Andrew that we hadn't seen before, and I like that. Although I do believe this fight happened so early on that it is both uninteresting and a useless conflict. As a reader, it is hard to be interested in a fight between characters we've just met, and it should be saved for a later point.
There are obviously tons spelling/sentence errors that are to be looked over by an editor, however there is a slight pattern of confusing intros/descriptions of characters where I couldn't tell who was being talked about. I often had to reread pages and paragraphs trying to make sense of what was going on due to how strangely things were worded.
Overall, I felt that this author has the potential to write something great, however their execution of a "twisted story" felt disorganized, redundant, and poorly thought out at many points in the story. Much of this writing technique felt amateur, and I believe the author needs more training on how to write clear dialogue and narrative. I'd like to see the author take more risks with their writing and stop inserting themselves into the story. I can only hope that this book gets thoroughly overlooked by a talented editor.
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