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304 pages, Hardcover
First published October 28, 2008
“I call these my drifties,� he’s said. “One gives you a kind of fuzzbox effect. Two makes your eyelids feel like they’re made out of cement. Three is the magic number. Three’s when you start to drift away. After four, it depends on your tolerance. Start counting backward from one hundred and see how far you get.� He squared his shoulders. “Prescribed for pain relief. Street value � � [and then he’s cut off].While it’s a dark book in places, there’s a lot of humor rooted in realism. Because Riley sees Dylan as someone who cares as little about camp as she does, she seeks him out from time to time. Dylan won’t be a “cool guy� anymore, even though Craig, the other “cool guy,� tries to get him to be the same. Instead, Dylan watches:
“Craig’s got a tight walk,� he observed. “More like a strut. It’s like his dick is the center of his existence. You can tell a lot about a person by the way they walk.�Dylan’s observation made me laugh because he’s basically pointing out that although Craig is a good Christian camp guy, he’s also a hypocrite. In fact, Craig is more like a frat boy. He and Dylan used to be the alphas, and now Dylan sees Craig for what he really is (and Dylan used to be).
[After mom died] Dad started going to church again, and not just on Sundays. He got involved. It was months of church-activity craziness. He even auditioned for Moses: The Musical. Dad is a terrible singer. His breathing is all over the place. He sings like someone is chasing him � and it turns out someone was. Norma.Very small funny moments are sprinkled in, too. The Christian camp is a strange place. Most of the campers are twelve years old, but some, like Riley and Dylan, are around sixteen, so the counselors try to “cheer up� these moody teens with canoeing and nature lessons. Riley points out that so much exercise leaves two options: “heart attack or hurl.� She describes, “…[her] flesh sliding around and [her] face going blueberry.� As a fat reader, I understand exactly what she means and laughed in recognition.
“Also, I hate the way you never see fat people on screen unless they’re white trash or retarded or a criminal or all of the above. A fat girl on film is either there for laughs or to gross people out. Unless the film’s about the fat girl’s ‘journey� to social acceptance through weight loss. Where’s the happy fat girl? That’s what I want to know. Hmmph.�The language in the quote above is the kind of offensive stuff you will read occasionally. I won’t repeat what’s written, but Riley and the other teens aren’t sensitive with their choice of words. They sound like teens, though the language stands out as offensive to me as an adult. Yet, the poor word choices aren’t on every page.