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An Ella Shane Mystery #2
A Fatal First Night
Set in Gilded Age New York, Kathleen Marple Kalb's adventurous new historical mystery series returns for its second installment starring the swashbuckling opera singer Ella Shane, an Irish-Jewish Lower East Side orphan who finds fame and fortune singing male trouser roles. But while her opera company's latest premier manages to attract adoring crowds and rave reviews, it also attracts a killer who's a real showstopper...
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
304 pages, Hardcover
Published April 27, 2021
9 people are currently reading
126 people want to read
About the author
Kathleen Marple Kalb
17books373followersKathleen Marple Kalb grew up in front of a microphone and a keyboard. She started her radio career as a teenage DJ at a small station in her hometown of Brookville, Pennsylvania, and despite a brief flirtation with advanced study in history before taking her B.A. at the University of Pittsburgh (her mother will never forgive her for turning down an assistantship at William and Mary), worked her way up through newsrooms in Pittsburgh, Vermont and Connecticut, to New York. But she never wore her Phi Beta Kappa key again after her first day at KDKA, when she accidentally hung up on a U.S. Senator. Her broadcast career went significantly better after that, including a number of regional Edward R. Murrow awards in Vermont, and her current post as a weekend morning anchor at 1010 WINS, New York’s top all-news station.
At age sixteen, she wrote her first historical novel, which thankfully did not find a publisher, though a couple of editors did actually read it. While she writes reams of news copy at work, fiction was firmly in the past until her son started kindergarten, when she decided to take another try. She lives in Connecticut with her husband, a fellow journalist and professor, their young son, a neurotic cat, and many, many boxes of Legos.
At age sixteen, she wrote her first historical novel, which thankfully did not find a publisher, though a couple of editors did actually read it. While she writes reams of news copy at work, fiction was firmly in the past until her son started kindergarten, when she decided to take another try. She lives in Connecticut with her husband, a fellow journalist and professor, their young son, a neurotic cat, and many, many boxes of Legos.
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May 2, 2021
2.75 stars - Reviewed for
Opera singer Ella Shane is back in A Fatal First Night . Murder once again finds its way into the diva’s show, this time on opening night when her lead basso is found with a dead body in his dressing room.
I had mixed feelings about A Fatal First Night . It’s a story I want to love because the settings and characters are ripe with potential. However, Kathleen Marple Kalb never quite hits the mark for me. This is supposed to be a cozy mystery but � as with the first Ella Shane Mystery, A Fatal Finale � almost no time is devoted to the mystery itself. Instead, we’re treated to a sometimes roaming journey of Ella and co.’s daily lives, not to mention Ella’s very slow-burn romance with her handsome duke. If I hadn’t been expecting a mystery, this would be less of a problem, but I was left wanting on the entire mystery plot. The book itself isn’t bad and I like all the characters well enough. I do wish Kalb delved deeper beneath the surface, though. The good guys are all fairly perfect, Ella never missteps, and there’s a flatness to everything because of this.
There are things I quite like about A Fatal First Night . I enjoyed learning more about Ella’s past and seeing how she melds her Jewish and Catholic heritage. I also liked that � despite everyone pushing her to marry Gil � Ella stands her ground and is taking the time to consider what it could mean for her career. The supporting cast members are all likeable and I appreciate how accepting everyone was � I wouldn’t mind another outing with them. Hopefully in future books we can delve more into the mystery part of the Ella Shame Mysteries and more depth (and perhaps a few flaws) will come to light.
FTC Disclosure: I received this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Opera singer Ella Shane is back in A Fatal First Night . Murder once again finds its way into the diva’s show, this time on opening night when her lead basso is found with a dead body in his dressing room.
I had mixed feelings about A Fatal First Night . It’s a story I want to love because the settings and characters are ripe with potential. However, Kathleen Marple Kalb never quite hits the mark for me. This is supposed to be a cozy mystery but � as with the first Ella Shane Mystery, A Fatal Finale � almost no time is devoted to the mystery itself. Instead, we’re treated to a sometimes roaming journey of Ella and co.’s daily lives, not to mention Ella’s very slow-burn romance with her handsome duke. If I hadn’t been expecting a mystery, this would be less of a problem, but I was left wanting on the entire mystery plot. The book itself isn’t bad and I like all the characters well enough. I do wish Kalb delved deeper beneath the surface, though. The good guys are all fairly perfect, Ella never missteps, and there’s a flatness to everything because of this.
There are things I quite like about A Fatal First Night . I enjoyed learning more about Ella’s past and seeing how she melds her Jewish and Catholic heritage. I also liked that � despite everyone pushing her to marry Gil � Ella stands her ground and is taking the time to consider what it could mean for her career. The supporting cast members are all likeable and I appreciate how accepting everyone was � I wouldn’t mind another outing with them. Hopefully in future books we can delve more into the mystery part of the Ella Shame Mysteries and more depth (and perhaps a few flaws) will come to light.
FTC Disclosure: I received this book for free from the publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
April 27, 2021
🎶🔎A Fatal First Night 🔍🎶
An Ella Shane Mystery Series #2
✒️ Kathleen Marple Kalb
Release Date 04/27/2021
Publisher Kensington Books
�
𝗕𝗹𝘂𝗿𝗯
It’s easy to be overlooked in Gilded Age Manhattan, but the Ella Shane Opera Company’s latest premier manages to attract adoring crowds, rave reviews, and a killer who’s a real showstopper!
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes . . .
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars . . .
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
𝗠𝘆 𝗿𝗲𝘃𝗶𝗲𝘄
While a show must go on, will a murder shadow its success...
When I first read this book blurb, I was looking if there were some romantic elements in it, as I mainly read historical romance but I also like a dash of mystery so when I switch category, I love to find a bit of what I love in a new read.
And while it was not the read I expected through the summary, I much liked it.
It is as much a romance than a cozy mystery.
And there is in fact two affairs to solve.
It was fun to learn about the run of a show from opening night to its last, how it works for the different parts, crew and cast.
Ella is an opera singer who made a name thanks to a great talent and her peculiar male roles. She rose from the poorer part of the city to become an accomplished leading star. And with her success, she was able to surround herself with her dearest friends, those who shared her difficult childhood and have known hunger.
I quite liked her and understand her reservation about her none-understanding with her from-the-other-side-of-the- ocean beau, as a successful artist, she enjoys a freedom only afforded by wealth and celibacy, a treasure for women in her time. And while her would-be suitor is very progressive, he is also a lofty peer.
Gil is a gem, for a titled fellow, he is the cherry on top of the cake, openminded and respectful of anyone’s plight.
After despite the story opening with a murder backstage, a second affair holds most of the limelight. And the sleuthing aspect is not the main feature of this book, it is what reunite the characters, yet it shares the pages with the heroine’s professional and personal life.
So, while it was quite different from the blurb’s promise, it is a good and entertaining romantic mystery.
I can’t wait to see how the company will fare in London.
4.5 stars
𝗦𝘁𝗲𝗮𝗺 𝗹𝗲𝘃𝗲𝗹 a kiss
I have been granted an advance copy by Kensington Books, here is my true and unbiased opinion.
An Ella Shane Mystery Series #2
✒️ Kathleen Marple Kalb
Release Date 04/27/2021
Publisher Kensington Books
�
𝗕𝗹𝘂𝗿𝗯
It’s easy to be overlooked in Gilded Age Manhattan, but the Ella Shane Opera Company’s latest premier manages to attract adoring crowds, rave reviews, and a killer who’s a real showstopper!
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes . . .
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars . . .
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
𝗠𝘆 𝗿𝗲𝘃𝗶𝗲𝘄
While a show must go on, will a murder shadow its success...
When I first read this book blurb, I was looking if there were some romantic elements in it, as I mainly read historical romance but I also like a dash of mystery so when I switch category, I love to find a bit of what I love in a new read.
And while it was not the read I expected through the summary, I much liked it.
It is as much a romance than a cozy mystery.
And there is in fact two affairs to solve.
It was fun to learn about the run of a show from opening night to its last, how it works for the different parts, crew and cast.
Ella is an opera singer who made a name thanks to a great talent and her peculiar male roles. She rose from the poorer part of the city to become an accomplished leading star. And with her success, she was able to surround herself with her dearest friends, those who shared her difficult childhood and have known hunger.
I quite liked her and understand her reservation about her none-understanding with her from-the-other-side-of-the- ocean beau, as a successful artist, she enjoys a freedom only afforded by wealth and celibacy, a treasure for women in her time. And while her would-be suitor is very progressive, he is also a lofty peer.
Gil is a gem, for a titled fellow, he is the cherry on top of the cake, openminded and respectful of anyone’s plight.
After despite the story opening with a murder backstage, a second affair holds most of the limelight. And the sleuthing aspect is not the main feature of this book, it is what reunite the characters, yet it shares the pages with the heroine’s professional and personal life.
So, while it was quite different from the blurb’s promise, it is a good and entertaining romantic mystery.
I can’t wait to see how the company will fare in London.
4.5 stars
𝗦𝘁𝗲𝗮𝗺 𝗹𝗲𝘃𝗲𝗹 a kiss
I have been granted an advance copy by Kensington Books, here is my true and unbiased opinion.
October 22, 2021
October 1899, New York City- Ella Shane's opera company is about to perform an original opera The Princes in the Tower based on The Wars of the Roses and featuring Richard III as the evil villain. Ella is proud of her friends Louis and Anna for their beautiful opera and happy to have some new members of the company after the surprising turn of events last season. After opening night concludes to shouts of "brava", the shouts change to a different sort when their Richard, Albert Reuter, was seen with blood all over his shirt, holding a bloody knife standing over a body. The Broadway precinct police consider it an open and shut case and are happy to have such an easy case on their hands. Ella and company are a little less sure. Albert swears he's innocent and his background check doesn't turn up anything but... once bitten twice shy. When Ella's beau, Gilbert Saint Aubyn, the Duke of Leith, arrives unexpectedly in New York, she asks the former barrister to take a look at the coroner's file and see whether he thinks Albert COULD be guilty. While it's lovely to see Gil again, Ella worries about what it means for their future- HER future and why is he really in New York? Perhaps it is connected to her best friend Hetty's latest news story. Amelie Van Vleet is on trial for murdering her wealthy stockbroker husband by stabbing him 14 times! Hetty does NOT like Mrs. Van Vleet and assumes the woman is guilty but no one is quite sure whether it was Amelie or her French lover. Back at the theater, mysterious things happen to cause alarm but the show must go on!
This is a very unusual sort of mystery. It's actually not a mystery. It's more romance than mystery. There's SO much going on and many little mysteries but nothing major after the murder and no investigating. Ella doesn't get involved in trying to free Albert until later in the story. The plot lacks dramatic tension even at the end. I was able to put the book down unfinished. It didn't grab me. I also didn't enjoy the romance. I prefer a slow burn romance and this one is full of chemistry and kisses and dancing around Ella's issues. I'm not a huge fan of the modern writing style. The small historical details poked into the story are good but the overall voice and Ella's backstory don't work for a woman over 30 in 1899. It works for the next generation, the present generation in 1899 just not Ella. While Opera Cake/Torte sounds yummy, it wasn't around yet in 1899.
I can't warm up to Ella. She's way too focused on her career and opera company and doesn't do any sleuthing. She's way too tolerant for a woman of her time because of her unusual and unrealistic backstory. In 1899 immigrants in the Lower East Side stuck to their own ethnic enclaves and supported their own this is true but were NOOOOTTT open-minded and tolerant of other cultures, religions and races. I've heard it first hand within my own family, as much as I dearly loved my grandmother, it took her awhile to accept someone of another race. Once she got to know them, she loved them, of course. Ella just automatically accepts people because she's a good judge of character. Thank goodness she has Tommy looking out for her and has someone doing background checks. Ella's feelings about marriage are very valid even today and her struggles to come to terms with her desire to be a mother vs. her passion for her career. These struggles are not new nor have they gone away. They're extra complicated because she is who she is and her love interest is a DUKE.
While Gilbert is a nice guy and an ordinary barrister and Scotsman at heart, he's still a nobleman.
There are WAY more issues at stake than just Ella's career and deciding where to live. He's a Duke! He can't just resign or hand over his position to his son. I'm waiting for Louis and Anna to explain to Ella that under Jewish law, because Ella's mother was Jewish, Ella is too and any children she may have would therefore be Jewish. THAT gets complicated when we're talking about potential sons of Dukes. Especially in the early 1900s. Although he has the requisite heir and spare, Gil knows how precarious life is. What if the sons get carried off by influenza or another epidemic disease? There's a war beginning in South Africa. Will one or both feel compelled to go join the fight? What happens if they get killed? They can deal with not being accepted by Society, her career and career vs. motherhood or both. Those are the easy things to work out. I'm too practical for that kind of romantic plot and wish he had been a plain Englishman and not a nobleman. If you like swoony, romantic heroes and don't give a fig for practicality, you'll fall in love with Gil too! If ONLY he were not a Duke!
There are numerous other gentlemen vying for Ella's attention. Grover Duquesne, whom Ella refers to as Captain of Industry, is nasty and slimy. Of an older generation, he does not have honorable intentions towards females in the performing arts, Ella included. He's such a slime ball and I so want him to be a murderer so he can go to jail. Teddy Bridgewater is barely a legal adult and doesn't act much older than a teenage boy. He brings along his horrid mother backstage. He'll never woo a lady if he has to bring that dragon along. He's so immature that he worships Ella but doesn't understand the first thing about her, or women for that matter. His cousin, Cabot, is a much better person. While he's not after Ella, he spends a lot of time at the theater anyway. He's a perfect paragon of virtue and I can see a lady having a happy marriage with him but Ella doesn't feel any sparks. I don't think Cabot does either and I have a feeling there's a reason for that. Ella is much too innocent to realize why.
Tommy, Ella's cousin, is her champion and her protector. A former prize fighter, he's now her manager and like Ella, wants to better himself. The two of them exchange a lot of charming banter and I especially like how much they read. They may not have any formal education but they're both wise in the ways of the world and all the reading they do makes them book smart. If only they could learn to speak like the writers they admire, Shakespeare not included. In this book Tommy has to deal with the loss of a friend and former colleague. It's tough on him and he feels survivor's guilt. Tommy, being Tommy, takes too many burdens on himself. He's very sensitive. I'm wondering if it's just survivor's guilt or if there was something more going on. Father Michael is like another brother figure to Ella. He and Tommy are too funny with her, acting like brothers with opposite personalities. Father Michael tries to be saintly but he's an Irish rogue at heart.
Preston Dare, the crusty old sports editor of The Beacon looks at Ella, Tommy and the company as his children. He lost his wife and children long ago, was a veteran of the Civil War and likes to make people think he's an old curmudgeon. He's actually a romantic at heart and seems to have an ulterior motive for hanging around the apartment, aside from providing information about the murders. Yardley, a reporter, is clueless what it comes to real women. It's a pity because he's fun and friendly and would fit right in with Ella's circle. Cousin Andrew the Detective is the one doing the investigating, along with Preston. Cousin Andrew may be a policeman but he's loving, sweet and totally over the moon about Miss Katie McTeer. They're cute together in a very Victorian way. I love her chaperone! Connor Caughlan, a gang leader of the Five Points neighborhood, is a genteel gang leader. He acts charming and courtly by day but cross him and pay with your life, literally. He respects Ella and Tommy because they all grew up together but make no mistake, if they chose to cross him, he wouldn't hesitate to retaliate. It's actually kind of funny how he sets himself up as Ella's champion and protector and how he roots for her romance to work out.
The women don't shine as bright as the men in this story. Marie is absolutely lovely. She's a devoted mother and an incredible singer. Her advice to Ella is wonderful and practical. It's sweet how devoted she and her husband are. Her story about her grandmother made me nearly laugh out loud! How embarrassing! I'm rather surprised Ella needs that talk. Growing up where she did, I would expect she knows a lot more than most virtuous maidens at the time. I bet Hetty knows more than Ella. Hetty McNaughten is Ella's closest friend outside of the opera company. Hetty is an ace reporter ... on the fashion beat. She longs for hard news stories and to be a real journalist. She's allowed to cover the murder trial of Mrs. Van Vleet because it involves a woman. Hetty is crusty and tough. She can't allow her feminine side to show or she would lose respect from her male colleagues and bosses. It's doing her a disservice in the romance department but I like her for being who she is. She's perceptive and a good judge of character even if she's quick to judge sometimes. Mrs. Van Vleet does seem like a piece of work. She's one who knows how to work her charm and won't stop until she gets what she wants. Ella suspects the woman is hiding something and is suspicious of what that might be. Who is she really and did she actually stab her husband 14 times? Is she a Black Widow? A Merry Widow, certainly but it seems too obvious to stab one's husband. That's the fastest way NOT to get one's hands on his money!
Rosa has now been promoted to dresser and she seems to have all the airs that come with the promotion. She's kind to those she cares about but sometimes a little meddling. Mrs G., Ella's cook, is a marvelous cook and must be worth every penny if Ella keeps paying her to waste egg whites. She doesn't have many lines but she's an integral part of of of the subplots.
The accused is Albert Reuter, a young singer debuting the role of Richard III. From his reaction to being caught with blood on his hands, I don't think he's a murderer. Clues come out that reveal he was connected to the victim but why kill the man now, at the theater where he's caught? That doesn't make sense. Ruben Avila is the understudy and must suddenly become leading man. He seems kind because he's close to his mother and is extremely talented. I think he's a nice man but how badly did he want and need that leading role? He's hiding something, which turns out to be the most plausible backstory in the whole book, as surprising as it is. Another new member of the company is Eamon Morrissey, a young singer playing the bit parts and understudying the role of Neville. He's untried and needs more time before he can be the leading man. He's impatient and thoughtless at times but I don't think he'd murder some random person. Why not go right for the leading man? But why stab someone and again in the theater where anyone can walk in and catch you? None of it makes sense. The victim, Florian Lutz, was once a celebrated baseball player and a devoted husband. It all came to an end when his wife was murdered and an injury forced him off the field. What was he doing backstage at the opera company? That was never explained. Who killed him and why? Drumm is a new stage hand. He seems surly and uncooperative. He's not a part of the family and doesn't even take part in Ella's sabbath candle lighting ritual. He's such a nasty person that I can see him stabbing someone, especially if there's a motive. This man is TROUBLE!
My favorite character is Montezuma, the Amazon parrot. He's naughty and too funny! I love a good animal sidekick. Nemo, the Mastiff, is sweet and adorable but not in the story much.
There's just way too much opera company and not enough mystery here to please mystery fans. There's not enough historical accuracy to please me but if you're somewhere in between, you may enjoy this series. The hardcover is unavailable in my area so that doesn't sound like the first was a big hit.
This is a very unusual sort of mystery. It's actually not a mystery. It's more romance than mystery. There's SO much going on and many little mysteries but nothing major after the murder and no investigating. Ella doesn't get involved in trying to free Albert until later in the story. The plot lacks dramatic tension even at the end. I was able to put the book down unfinished. It didn't grab me. I also didn't enjoy the romance. I prefer a slow burn romance and this one is full of chemistry and kisses and dancing around Ella's issues. I'm not a huge fan of the modern writing style. The small historical details poked into the story are good but the overall voice and Ella's backstory don't work for a woman over 30 in 1899. It works for the next generation, the present generation in 1899 just not Ella. While Opera Cake/Torte sounds yummy, it wasn't around yet in 1899.
I can't warm up to Ella. She's way too focused on her career and opera company and doesn't do any sleuthing. She's way too tolerant for a woman of her time because of her unusual and unrealistic backstory. In 1899 immigrants in the Lower East Side stuck to their own ethnic enclaves and supported their own this is true but were NOOOOTTT open-minded and tolerant of other cultures, religions and races. I've heard it first hand within my own family, as much as I dearly loved my grandmother, it took her awhile to accept someone of another race. Once she got to know them, she loved them, of course. Ella just automatically accepts people because she's a good judge of character. Thank goodness she has Tommy looking out for her and has someone doing background checks. Ella's feelings about marriage are very valid even today and her struggles to come to terms with her desire to be a mother vs. her passion for her career. These struggles are not new nor have they gone away. They're extra complicated because she is who she is and her love interest is a DUKE.
While Gilbert is a nice guy and an ordinary barrister and Scotsman at heart, he's still a nobleman.
There are WAY more issues at stake than just Ella's career and deciding where to live. He's a Duke! He can't just resign or hand over his position to his son. I'm waiting for Louis and Anna to explain to Ella that under Jewish law, because Ella's mother was Jewish, Ella is too and any children she may have would therefore be Jewish. THAT gets complicated when we're talking about potential sons of Dukes. Especially in the early 1900s. Although he has the requisite heir and spare, Gil knows how precarious life is. What if the sons get carried off by influenza or another epidemic disease? There's a war beginning in South Africa. Will one or both feel compelled to go join the fight? What happens if they get killed? They can deal with not being accepted by Society, her career and career vs. motherhood or both. Those are the easy things to work out. I'm too practical for that kind of romantic plot and wish he had been a plain Englishman and not a nobleman. If you like swoony, romantic heroes and don't give a fig for practicality, you'll fall in love with Gil too! If ONLY he were not a Duke!
There are numerous other gentlemen vying for Ella's attention. Grover Duquesne, whom Ella refers to as Captain of Industry, is nasty and slimy. Of an older generation, he does not have honorable intentions towards females in the performing arts, Ella included. He's such a slime ball and I so want him to be a murderer so he can go to jail. Teddy Bridgewater is barely a legal adult and doesn't act much older than a teenage boy. He brings along his horrid mother backstage. He'll never woo a lady if he has to bring that dragon along. He's so immature that he worships Ella but doesn't understand the first thing about her, or women for that matter. His cousin, Cabot, is a much better person. While he's not after Ella, he spends a lot of time at the theater anyway. He's a perfect paragon of virtue and I can see a lady having a happy marriage with him but Ella doesn't feel any sparks. I don't think Cabot does either and I have a feeling there's a reason for that. Ella is much too innocent to realize why.
Tommy, Ella's cousin, is her champion and her protector. A former prize fighter, he's now her manager and like Ella, wants to better himself. The two of them exchange a lot of charming banter and I especially like how much they read. They may not have any formal education but they're both wise in the ways of the world and all the reading they do makes them book smart. If only they could learn to speak like the writers they admire, Shakespeare not included. In this book Tommy has to deal with the loss of a friend and former colleague. It's tough on him and he feels survivor's guilt. Tommy, being Tommy, takes too many burdens on himself. He's very sensitive. I'm wondering if it's just survivor's guilt or if there was something more going on. Father Michael is like another brother figure to Ella. He and Tommy are too funny with her, acting like brothers with opposite personalities. Father Michael tries to be saintly but he's an Irish rogue at heart.
Preston Dare, the crusty old sports editor of The Beacon looks at Ella, Tommy and the company as his children. He lost his wife and children long ago, was a veteran of the Civil War and likes to make people think he's an old curmudgeon. He's actually a romantic at heart and seems to have an ulterior motive for hanging around the apartment, aside from providing information about the murders. Yardley, a reporter, is clueless what it comes to real women. It's a pity because he's fun and friendly and would fit right in with Ella's circle. Cousin Andrew the Detective is the one doing the investigating, along with Preston. Cousin Andrew may be a policeman but he's loving, sweet and totally over the moon about Miss Katie McTeer. They're cute together in a very Victorian way. I love her chaperone! Connor Caughlan, a gang leader of the Five Points neighborhood, is a genteel gang leader. He acts charming and courtly by day but cross him and pay with your life, literally. He respects Ella and Tommy because they all grew up together but make no mistake, if they chose to cross him, he wouldn't hesitate to retaliate. It's actually kind of funny how he sets himself up as Ella's champion and protector and how he roots for her romance to work out.
The women don't shine as bright as the men in this story. Marie is absolutely lovely. She's a devoted mother and an incredible singer. Her advice to Ella is wonderful and practical. It's sweet how devoted she and her husband are. Her story about her grandmother made me nearly laugh out loud! How embarrassing! I'm rather surprised Ella needs that talk. Growing up where she did, I would expect she knows a lot more than most virtuous maidens at the time. I bet Hetty knows more than Ella. Hetty McNaughten is Ella's closest friend outside of the opera company. Hetty is an ace reporter ... on the fashion beat. She longs for hard news stories and to be a real journalist. She's allowed to cover the murder trial of Mrs. Van Vleet because it involves a woman. Hetty is crusty and tough. She can't allow her feminine side to show or she would lose respect from her male colleagues and bosses. It's doing her a disservice in the romance department but I like her for being who she is. She's perceptive and a good judge of character even if she's quick to judge sometimes. Mrs. Van Vleet does seem like a piece of work. She's one who knows how to work her charm and won't stop until she gets what she wants. Ella suspects the woman is hiding something and is suspicious of what that might be. Who is she really and did she actually stab her husband 14 times? Is she a Black Widow? A Merry Widow, certainly but it seems too obvious to stab one's husband. That's the fastest way NOT to get one's hands on his money!
Rosa has now been promoted to dresser and she seems to have all the airs that come with the promotion. She's kind to those she cares about but sometimes a little meddling. Mrs G., Ella's cook, is a marvelous cook and must be worth every penny if Ella keeps paying her to waste egg whites. She doesn't have many lines but she's an integral part of of of the subplots.
The accused is Albert Reuter, a young singer debuting the role of Richard III. From his reaction to being caught with blood on his hands, I don't think he's a murderer. Clues come out that reveal he was connected to the victim but why kill the man now, at the theater where he's caught? That doesn't make sense. Ruben Avila is the understudy and must suddenly become leading man. He seems kind because he's close to his mother and is extremely talented. I think he's a nice man but how badly did he want and need that leading role? He's hiding something, which turns out to be the most plausible backstory in the whole book, as surprising as it is. Another new member of the company is Eamon Morrissey, a young singer playing the bit parts and understudying the role of Neville. He's untried and needs more time before he can be the leading man. He's impatient and thoughtless at times but I don't think he'd murder some random person. Why not go right for the leading man? But why stab someone and again in the theater where anyone can walk in and catch you? None of it makes sense. The victim, Florian Lutz, was once a celebrated baseball player and a devoted husband. It all came to an end when his wife was murdered and an injury forced him off the field. What was he doing backstage at the opera company? That was never explained. Who killed him and why? Drumm is a new stage hand. He seems surly and uncooperative. He's not a part of the family and doesn't even take part in Ella's sabbath candle lighting ritual. He's such a nasty person that I can see him stabbing someone, especially if there's a motive. This man is TROUBLE!
My favorite character is Montezuma, the Amazon parrot. He's naughty and too funny! I love a good animal sidekick. Nemo, the Mastiff, is sweet and adorable but not in the story much.
There's just way too much opera company and not enough mystery here to please mystery fans. There's not enough historical accuracy to please me but if you're somewhere in between, you may enjoy this series. The hardcover is unavailable in my area so that doesn't sound like the first was a big hit.
May 13, 2021
There is very little mystery here so not what I expected. The opera theme is interesting to this classically trained singer, but the details sometimes become repetitive. The characters are likable and diverse.
February 25, 2021
2 1/2 stars. An entertaining novel set in the Gilded Age New York of a woman opera star and the rest of her company. There were a diverse group of character that reflected the melting pot of the city: an Irish gangster, a woman reporter, an up-and-coming opera star hiding his background, and even an English lord. Most were developed and fun to hang out with for a few hours.
Although this was a mystery--a man was killed in the building on the opening night and one of the cast was arrested for the crime—not much was done about it until the last part of the book. In fact, the trial of a woman accused of killing her husband go a lot more attention from the characters than the one that was done in their midst. The plot felt off-kilter.
I enjoyed the book but if you are looking for a story with a mystery at the center of it instead of a cozy focused on the characters with the mystery just a side bar, this may not be for you. I received an ARC from Netgalley and the publisher in return for an honest review.
Although this was a mystery--a man was killed in the building on the opening night and one of the cast was arrested for the crime—not much was done about it until the last part of the book. In fact, the trial of a woman accused of killing her husband go a lot more attention from the characters than the one that was done in their midst. The plot felt off-kilter.
I enjoyed the book but if you are looking for a story with a mystery at the center of it instead of a cozy focused on the characters with the mystery just a side bar, this may not be for you. I received an ARC from Netgalley and the publisher in return for an honest review.
April 19, 2021
This one is a tough one because, while I enjoyed the story's details about theatre life, I didn't really feel like this was a mystery. The characters are wonderful but I found the mystery portion was lacking and I found myself a little bored at times waiting for more investigations. Still, I liked the setting and the characters enough to continue with the series.
I received a copy from #NetGalley in exchange for an honest review.
#AFatalFirstNight #NetGalley
I received a copy from #NetGalley in exchange for an honest review.
#AFatalFirstNight #NetGalley
April 3, 2022
It's opening night at the New York City Opera in 1899 and breathless anticipation overflows into the aisles among the chattering audience waiting for the curtain to go up. Backstage all are taking their positions, readying themselves for a memorable performance. When the final curtain falls, so does one of their own as the actors find a murder victim in his dressing room. It looks like the killer has been caught in the act, but opera star Ella Shane is not so certain. She will search for the real killer, determined to solve this mystery despite the danger. Will she go too far and take her final bow?
Ella Shane is herself an intriguing character with a rocky and difficult past. No opera diva, Ella is in the business for the music, the stories, the work, and the theater. Loving a challenge, she plays all parts of interest regardless of society's expectations. Fencing is one of her many talents, and skills. She's also en garde as she romantically parries with a certain English aristocratic man. Their interests grow, but there is a concerning question of trust that has them alternating their lunges, and putting them occasionally en garde. Can they work out their differences? In the meatime Ella pursues her own investigation of the stage mystery. More lives are at stake, possibly her own.
The clues revealed are an exciting trail to an ominous group of suspects. As Ella delves into the mystery, she has a delightful array of friends who support and aid her. In her final acts, she must stop the guilty killer. Despite her drive to solve the murder, and work out her romantic entanglements, still the show must go on for this dynamic protagonist.
Historic New York of 1899 teems with life, the sights and scenes and society of a rollicking city on the verge of a new century. The author's talented writing puts you at this time and place, in the midst of an exciting plot. Her skill at creating characters that are engaging, who you'd like to know and be friends with, creates a captivating story, and series.
Author Katherine Marple Kalb has created a fun, historical mystery series. This book is the first, and the newest in the series is A Fatal Overture. Find out more on the website katherinemarplekalb.com, and hear more from the author herself on YouTube's A Novel Talk with Katherine Marple Kalb.
Ella Shane is herself an intriguing character with a rocky and difficult past. No opera diva, Ella is in the business for the music, the stories, the work, and the theater. Loving a challenge, she plays all parts of interest regardless of society's expectations. Fencing is one of her many talents, and skills. She's also en garde as she romantically parries with a certain English aristocratic man. Their interests grow, but there is a concerning question of trust that has them alternating their lunges, and putting them occasionally en garde. Can they work out their differences? In the meatime Ella pursues her own investigation of the stage mystery. More lives are at stake, possibly her own.
The clues revealed are an exciting trail to an ominous group of suspects. As Ella delves into the mystery, she has a delightful array of friends who support and aid her. In her final acts, she must stop the guilty killer. Despite her drive to solve the murder, and work out her romantic entanglements, still the show must go on for this dynamic protagonist.
Historic New York of 1899 teems with life, the sights and scenes and society of a rollicking city on the verge of a new century. The author's talented writing puts you at this time and place, in the midst of an exciting plot. Her skill at creating characters that are engaging, who you'd like to know and be friends with, creates a captivating story, and series.
Author Katherine Marple Kalb has created a fun, historical mystery series. This book is the first, and the newest in the series is A Fatal Overture. Find out more on the website katherinemarplekalb.com, and hear more from the author herself on YouTube's A Novel Talk with Katherine Marple Kalb.
April 24, 2021
This is the second in Kathleen Kalb’s delightful series about opera star Ella Shane, who is working in New York City in 1899. She and her cousin Tom run an opera company and live agreeably together in a large brownstone with Ella’s parrot, Montezuma. These books have a really vivacious quality, matching Miss Ella’s own. Not only is Ella a working woman in 1899, she sings men’s parts � she’s what was known as a “trouser diva�.
Her first nights tend to be problematic, however. In the first book, as she sang Romeo to her Juliet, Juliet was really dead. In this book, though the stage portion of her new show goes perfectly, when she comes off stage she discovers one of her co-stars in his dressing room, covered in blood, a dead man at his feet. The gentle singer is hauled off to the Tombs and Ella tries to wrap her head around his guilt.
This story has many interlocking pieces, all juggled (seemingly effortlessly) by the skillful Kalb. Ella’s buddy Hetty, a reporter usually banished to writing about hats, is actually covering the murder trial of a wealthy New York matron accused of stabbing her husband to death. Ella’s swain, the dashing Lord Leith, has returned from England for some mysterious purpose, but a large part of it seems to be to courting Ella. Ella, who adores her friends� children and has - feelings � for Gil (aka Lord Leith) is still torn about him, as she wants to maintain her career, not a common option for married women in 1899, on either side of the pond.
And then there’s her poor co-star, Albert, languishing in jail and insisting on his innocence. Along with Albert’s arrest, there are also several disparate incidents that occur backstage or “theater adjacent� that lead Ella, her cousin Tom, Gil, and their neighborhood buddy, now a mob boss in Five Points, to wonder who the real culprit is for the crime Albert is accused of, and how he or she can be caught. The incidents, which include a fencing duel on stage that goes horribly wrong, seem to put Ella in danger and the men in her life are surrounding her with protection, much to her annoyance.
As in the last novel, it’s Ella who gets both the last word and the last lick and vanquishes her foe. She’s planning to head to England after the conclusion of their New York run, as her show is booked in London, but what’s left hanging is what to do about Gil, though the feelings they have for one another are never in doubt.
Kalb writes with vivid assurance. Her stories are well paced and well layered. Ella’s matrix � the characters who surround her � are as interesting and flawed yet human as she is herself., as is the theatrical setting. While in this novel the mystery part was about of equal importance to all the other things happening in Ella’s life � mainly her romance with Gil � I didn’t care a bit. This book is by a woman who knows how to tell a story.
Her first nights tend to be problematic, however. In the first book, as she sang Romeo to her Juliet, Juliet was really dead. In this book, though the stage portion of her new show goes perfectly, when she comes off stage she discovers one of her co-stars in his dressing room, covered in blood, a dead man at his feet. The gentle singer is hauled off to the Tombs and Ella tries to wrap her head around his guilt.
This story has many interlocking pieces, all juggled (seemingly effortlessly) by the skillful Kalb. Ella’s buddy Hetty, a reporter usually banished to writing about hats, is actually covering the murder trial of a wealthy New York matron accused of stabbing her husband to death. Ella’s swain, the dashing Lord Leith, has returned from England for some mysterious purpose, but a large part of it seems to be to courting Ella. Ella, who adores her friends� children and has - feelings � for Gil (aka Lord Leith) is still torn about him, as she wants to maintain her career, not a common option for married women in 1899, on either side of the pond.
And then there’s her poor co-star, Albert, languishing in jail and insisting on his innocence. Along with Albert’s arrest, there are also several disparate incidents that occur backstage or “theater adjacent� that lead Ella, her cousin Tom, Gil, and their neighborhood buddy, now a mob boss in Five Points, to wonder who the real culprit is for the crime Albert is accused of, and how he or she can be caught. The incidents, which include a fencing duel on stage that goes horribly wrong, seem to put Ella in danger and the men in her life are surrounding her with protection, much to her annoyance.
As in the last novel, it’s Ella who gets both the last word and the last lick and vanquishes her foe. She’s planning to head to England after the conclusion of their New York run, as her show is booked in London, but what’s left hanging is what to do about Gil, though the feelings they have for one another are never in doubt.
Kalb writes with vivid assurance. Her stories are well paced and well layered. Ella’s matrix � the characters who surround her � are as interesting and flawed yet human as she is herself., as is the theatrical setting. While in this novel the mystery part was about of equal importance to all the other things happening in Ella’s life � mainly her romance with Gil � I didn’t care a bit. This book is by a woman who knows how to tell a story.
May 1, 2021
A FATAL FIRST NIGHT by Kathleen Marple Kalb
The Second Ella Shane Mystery
Ella Shane and her cousin Tommy are riding high as opening night of their opera company's new production goes off without a hitch. With thunderous applause still resonating Ella welcomes the usual stage door Lotharios, as well as her family and friends. The highs of a successful opening quickly die, however, when shouts lead everyone to the dressing room of the basso playing Richard III. Bloody knife in hand and a dead body at his feet his guilt seems obvious. But is it too obvious?
Although a historical novel, the second Ella Shane Mystery tackles current issues as it confronts racism as well as murder. In fact, A FATAL FIRST NIGHT is all about acceptance. How do you create a circle of friends and family? Do you take people as they are or do you want to change them? What will you do to fit in? What will you do to stop others from joining in?
Ella Shane is nobody's fool. She may be an opera diva, but she was raised on the harsh streets of New York City and is not afraid to speak her mind and stand up for her friends. She's also willing and physically able to muck in and can handle herself in a fight. She's loyal and loving and has made a family of friends and opera company employees. I adore Gil and hope that he and Ella are able to overcome their situational differences and arrive at a mutually satisfying arrangement. In the meantime I enjoy their unusual chaperones as they maintain propriety while their romance blossoms.
A FATAL FIRST NIGHT is not a fast paced rush to find a killer. This historical mystery takes a meandering route in solving the murder. Ella Shane's first priority is her work and continuing the run of her company's new opera. With details of another sensational murder and the surprising visit of Gil, the murder and subsequent arrest of the show's basso take a backseat. This is a more realistic approach. Ella's quiet investigatory techniques are more believable than charging in where no amateur sleuths belong. Readers are able to become more immersed in historical details and develop better connections with the characters.
With murder and intrigue both onstage and off, A FATAL FIRST NIGHT proves a delightfully rich character driven historical mystery. Engaging characters, simmering romance, and an exhilarating climax make for a satisfying and enjoyable read.
FTC Disclosure � The publisher sent me a copy of this book in the hopes I would review it.
The Second Ella Shane Mystery
Ella Shane and her cousin Tommy are riding high as opening night of their opera company's new production goes off without a hitch. With thunderous applause still resonating Ella welcomes the usual stage door Lotharios, as well as her family and friends. The highs of a successful opening quickly die, however, when shouts lead everyone to the dressing room of the basso playing Richard III. Bloody knife in hand and a dead body at his feet his guilt seems obvious. But is it too obvious?
Although a historical novel, the second Ella Shane Mystery tackles current issues as it confronts racism as well as murder. In fact, A FATAL FIRST NIGHT is all about acceptance. How do you create a circle of friends and family? Do you take people as they are or do you want to change them? What will you do to fit in? What will you do to stop others from joining in?
Ella Shane is nobody's fool. She may be an opera diva, but she was raised on the harsh streets of New York City and is not afraid to speak her mind and stand up for her friends. She's also willing and physically able to muck in and can handle herself in a fight. She's loyal and loving and has made a family of friends and opera company employees. I adore Gil and hope that he and Ella are able to overcome their situational differences and arrive at a mutually satisfying arrangement. In the meantime I enjoy their unusual chaperones as they maintain propriety while their romance blossoms.
A FATAL FIRST NIGHT is not a fast paced rush to find a killer. This historical mystery takes a meandering route in solving the murder. Ella Shane's first priority is her work and continuing the run of her company's new opera. With details of another sensational murder and the surprising visit of Gil, the murder and subsequent arrest of the show's basso take a backseat. This is a more realistic approach. Ella's quiet investigatory techniques are more believable than charging in where no amateur sleuths belong. Readers are able to become more immersed in historical details and develop better connections with the characters.
With murder and intrigue both onstage and off, A FATAL FIRST NIGHT proves a delightfully rich character driven historical mystery. Engaging characters, simmering romance, and an exhilarating climax make for a satisfying and enjoyable read.
FTC Disclosure � The publisher sent me a copy of this book in the hopes I would review it.
June 7, 2021
A Fatal First Night
Ella Shane Mystery #2
By Kathleen Marple Kalb
ISBN#9781496727244
Author’s website: kathleenmarplekalb.com
Brought to you by Reviewer Daniele
Synopsis:
Set in Gilded Age New York, Kathleen Marple Kalb’s adventurous new historical mystery series returns for its second installment starring the swashbuckling opera singer Ella Shane, an Irish-Jewish Lower East Side orphan who finds fame and fortune singing male trouser roles. But while her opera company’s latest premier manages to attract adoring crowds and rave reviews, it also attracts a killer who’s a real showstopper�
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes�
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars�
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee? (ŷ)
Review:
A Fatal First Night, the second Ella Shane Mystery, caught my attention because it promised so many things I love…opera, the Gilded Age, and murder.
Protagonist Ella might be a diva onstage but is definitely not offstage. In this sophomore offering, she finds her opera company embroiled in another murder, this time the basso star of the show is found in his dressing room holding the murder weapon over a dead body. Unable to believe Albert would commit the crime, she does what she can to clear his name. Meanwhile, the show must go on, and she has more than just music on her mind when her Duke unexpectedly comes to town.
I’ll get this out right away � I do not consider this much of a cozy mystery. There is barely any investigating and few clues and suspects. In fact, there is much more time spent with a secondary plot concerning the trial of a woman accused of killing her husband. It all feels like an afterthought and is quite disappointing, bringing my overall rating of the book down a notch. The book’s emphasis is much more on Ella’s daily life and group of friends/coworkers/family. This probably makes it more resemble real life, but it is not what I thought it would be. Since there is no real investigation to propel the story forward, the book is easy to put aside. The pace wanders a bit, and the minutiae of Ella’s days sometimes become repetitive.
Within these pages, readers find a story of making a family out of diverse friends, a slow-burning romance, and a young woman in a unique situation for her era. A Fatal First Night touches on homosexuality, racism, religion, and challenging the traditional rolls of women and women’s rights…not so different from the issues we face today. It is all handled with a light hand to maintain a cozy feel but taken seriously, and, thank goodness, never fully crosses over into being too preachy.
The characters are all likable and diverse if a bit broadly drawn. Everyone seems a bit too perfect. Perhaps by not having read the first book in the series I have missed a great deal of character development. I appreciate Ella’s unique freedom as a successful, single woman in a time when women were essentially property and her struggle to find balance in her life. I do particularly like the Duke and Ella’s cousin Tommy.
I liked A Fatal First Night just fine. It is just not the murder mystery I had hoped it would be. Recommended to fans of Gilded Age historical fiction and opera lovers.
April 18, 2021
Ella Shane duels again in A Fatal First Night, the second installment in the Ella Shane mysteries. This time the murder occurs on the opening night of the opera The Princes in the Tower, written by Ella’s friends Louis and Anna Abramovitz. After the curtain falls, a dead body is discovered in the dressing room of Albert Reuter, the lead actor portraying Richard III. Naturally, Albert is accused of the murder. Owing to the fact that the company has lost not only their Richard but also a valued company member, Ella investigates.
I truly enjoyed this second installment of the series. All of the marvelous supporting characters are here - Ella’s cousin and manager Tommy, best friend Hetty, and newspaperman and surrogate uncle Preston Dare, to name a few. Readers and fans of the first story will be delighted to lean that Ella’s British beau Gilbert Saint Aubyn is also present, due to a favor he has been asked to do for a friend that requires him to travel to the States.
Author Kathleen Kalb has done another superb job at re creating Ella’s world. Though Ella is a “modern woman,� her story is set in 1899, just at the turn of the twentieth century. So many of the freedoms we take for granted are not available to Ella. Despite this, she has a wonderfully dry sense of humor and a huge dollop of common sense, which makes her very relatable as a character. I enjoy spending time with her. We also learn more about Ella’s past and I particularly appreciated the scenes describing her lighting of the Menorah candles on the Sabbath. Societal issues such as acceptance of immigrants are also woven throughout the story.
Through all this, the mystery still has a good amount of page time devoted to it. Due to the societal constraints of the day, Ella cannot do much actual sleuthing, but Gilbert Saint Aubyn can and does fill that role. His respect for Ella’s intellect and talent grows in this story. I am very much looking forward to the next installment of the story, which I hope will see Ella in London, where the company is planing to tour The Princes in the Tower. It should be quite an absorbing tale.
I truly enjoyed this second installment of the series. All of the marvelous supporting characters are here - Ella’s cousin and manager Tommy, best friend Hetty, and newspaperman and surrogate uncle Preston Dare, to name a few. Readers and fans of the first story will be delighted to lean that Ella’s British beau Gilbert Saint Aubyn is also present, due to a favor he has been asked to do for a friend that requires him to travel to the States.
Author Kathleen Kalb has done another superb job at re creating Ella’s world. Though Ella is a “modern woman,� her story is set in 1899, just at the turn of the twentieth century. So many of the freedoms we take for granted are not available to Ella. Despite this, she has a wonderfully dry sense of humor and a huge dollop of common sense, which makes her very relatable as a character. I enjoy spending time with her. We also learn more about Ella’s past and I particularly appreciated the scenes describing her lighting of the Menorah candles on the Sabbath. Societal issues such as acceptance of immigrants are also woven throughout the story.
Through all this, the mystery still has a good amount of page time devoted to it. Due to the societal constraints of the day, Ella cannot do much actual sleuthing, but Gilbert Saint Aubyn can and does fill that role. His respect for Ella’s intellect and talent grows in this story. I am very much looking forward to the next installment of the story, which I hope will see Ella in London, where the company is planing to tour The Princes in the Tower. It should be quite an absorbing tale.
April 15, 2021
3.75 stars
Enjoyable historical series featuring opera singer and theater company owner Ella Shane. She is a rare financially independent woman in the late 1800's who is a strong, warm, and competent businesswoman. Her opera company is like a family and her partner is her cousin and retired boxer Tommy.
An opening night is spoiled when a body is found in a dressing room and the suspect is one of the company singers. Ella can't believe he is guilty and starts conducting her own investigation. She is involved in a long distance relationship with a British aristocrat, and before long he turns up in New York. He obviously has business of his own which he can't/won't discuss but also wanted to see Ella.
The mystery is interesting, but the relationship between Ella and the Duke is also well-handled. They love each other, but Ella has no intention of giving up her career or moving to England. They are a bit older and experienced and they both know they have a lot of brainstorming to figure out how to be together without either of them giving up too much.
The theatrical setting and turn of the century New York City is great fun and the ensemble is nicely drawn. Ella is a terrifically appealing character and I am a fan of this series. Thanks to the publisher and to Net Galley for providing me with an ARC in exchange for my honest review.
Enjoyable historical series featuring opera singer and theater company owner Ella Shane. She is a rare financially independent woman in the late 1800's who is a strong, warm, and competent businesswoman. Her opera company is like a family and her partner is her cousin and retired boxer Tommy.
An opening night is spoiled when a body is found in a dressing room and the suspect is one of the company singers. Ella can't believe he is guilty and starts conducting her own investigation. She is involved in a long distance relationship with a British aristocrat, and before long he turns up in New York. He obviously has business of his own which he can't/won't discuss but also wanted to see Ella.
The mystery is interesting, but the relationship between Ella and the Duke is also well-handled. They love each other, but Ella has no intention of giving up her career or moving to England. They are a bit older and experienced and they both know they have a lot of brainstorming to figure out how to be together without either of them giving up too much.
The theatrical setting and turn of the century New York City is great fun and the ensemble is nicely drawn. Ella is a terrifically appealing character and I am a fan of this series. Thanks to the publisher and to Net Galley for providing me with an ARC in exchange for my honest review.
June 10, 2021
Kathleen Marple Kalb is a consummate storyteller. She continues with her adventurous Opera Diva Ella Shane, known as Heller to her cousin Tommy the pugilistic champ, and Shane to her dark and handsome Duke with whom she has an "understanding". Both men are bound and determined to not only protect their Diva but prevent her from following her worst impulses as she once more becomes involved in not one but two murder investigation.
With the backdrop of 1899 New York City, Tommy and Shane's past and the people from it keep popping up, adding to the complexity of their lives and investigations.
Great story with a colourful cast of characters artfully depicted that Kalb breathes life into so much so you can smell the stage makeup and hear the arias long after the curtain drops on this story.
Kalb teases that this is not all, and there is more to come from across the pond...I cannot wait.
With the backdrop of 1899 New York City, Tommy and Shane's past and the people from it keep popping up, adding to the complexity of their lives and investigations.
Great story with a colourful cast of characters artfully depicted that Kalb breathes life into so much so you can smell the stage makeup and hear the arias long after the curtain drops on this story.
Kalb teases that this is not all, and there is more to come from across the pond...I cannot wait.
June 18, 2021
Beautiful opera diva Ella Shane runs her own company with the help of her cousin Tommy. When a man is found dead in the dressing room of her leading basso after a triumphant first night, Ella is concerned, but a visit from the man she's falling in love with, a duke from England, distracts her, as does her best friend's opportunity to cover a society murder case. So there's crime galore, some romance, but not really too much detection. This is one of those historicals (set in 1899) with the characters acting more enlightened--i.e., like us--than seems at all likely. Not only is the cast ecumenical--Ella's mother was Jewish, though she was raised by her Catholic aunt--but racial issues are raised as well. It would be nice to think that things were that way, and maybe it doesn't hurt to pretend for a few hundred pages that they were--as long as you don't confuse it with reality.
May 28, 2023
Re-reading after having read the third book in the series. This introduces us to Connor Coughlin and Cabot Bridgewater, as well as making a statement that it's the quality of the person that matters. This book is also filled with the kindness our characters are known for, and does a beautiful job of moving the Ella/Gil relationship forward. Just love spending time in this world.
June 15, 2024
"A Fatal First Night" is book #2 in "An Ella Shane Mystery" series by Kathleen Marple Kalb.
"New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?"
My thoughts:
Though I have never been an opera fan, I do enjoy this series. The core characters are diverse and open minded which is refreshing, given the proprieties of the time period. It certainly isn't easy being a woman in 1899 New York, but Ella has her own way of taking a stand and supporting causes she believes in.
The murder on opening night was a shock to Ella and the company. The case against Albert didn't seem to have much motive and I had a strong suspicion as to who was responsible - and why. It took a while and several turns before the truth came out.
Courtship rules of the era was beyond strict! Chaperones must be present and physical distance between the couple was a must. Finding a bit of reason for even a brief touch was sometimes difficult.
The dialogue between the characters felt realistic. Bits of sarcasm and humor added to the story. Ella and her Duke make quite a couple as they try to sort out how to move forward with their relationship and still allow her to perform. They aren't the only pair finding their way through the courting process. It's interesting to observe the various relationships and their challenges/choices.
All in all an interesting and well written read.
"New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?"
My thoughts:
Though I have never been an opera fan, I do enjoy this series. The core characters are diverse and open minded which is refreshing, given the proprieties of the time period. It certainly isn't easy being a woman in 1899 New York, but Ella has her own way of taking a stand and supporting causes she believes in.
The murder on opening night was a shock to Ella and the company. The case against Albert didn't seem to have much motive and I had a strong suspicion as to who was responsible - and why. It took a while and several turns before the truth came out.
Courtship rules of the era was beyond strict! Chaperones must be present and physical distance between the couple was a must. Finding a bit of reason for even a brief touch was sometimes difficult.
The dialogue between the characters felt realistic. Bits of sarcasm and humor added to the story. Ella and her Duke make quite a couple as they try to sort out how to move forward with their relationship and still allow her to perform. They aren't the only pair finding their way through the courting process. It's interesting to observe the various relationships and their challenges/choices.
All in all an interesting and well written read.
April 22, 2021
Wow! This book is so good! It is witty, clever, cozy-mysterious, full of twists, romantic, and so much more! Whenever I picked up "A Fatal First Night", I was whisked back in time to the Gilded Age, and went on quite the journey with this mystery!
This is the second book in Kathleen Marple Kalb's "Ella Shane Mysteries" series, and I hope there will be many more! While I have read "A Fatal Finale", I do think this one can work as a stand-alone novel as well. However, being familiar with many of the characters from the first book in the series, it was so fun to dive back into their world and see many of them again! I love the mix of mystery, opera, history, and romance, and I can only imagine the amount of research Ms. Kalb must have done. Each and every aspect feels so authentic to the era, and I truly felt immersed in another time and place.
Ella is so intelligent, smart, clever, and wants to do what is right. She does not stand for anyone treating those she cares about cruelly, and is unafraid to speak her mind. After opening night of the new opera she is starring in, "The Princes in the Tower", a man is found murdered in the dressing room of the actor playing Richard III. Ella must once again put on her sleuthing hat to solve what has really happened, as she does not believe everything to be as it seems. Will Ella be able to figure out what really happened? You will just have to read to find out!
I also really enjoyed how this book delved into the relationships more between the characters, as well as Ella's backstory. The developing romance between Ella and Gil is explored, and Ella stands her ground in what she sees as the right path for her.
If you enjoy historical cozy mysteries, I highly recommend this book! It had me turning the pages to see how and what would happen next, and I can't wait for the next book in this series!
Thank you so much to Kensington Books for the ARC of this book, I so enjoyed it! All opinions expressed in this review are my own.
This is the second book in Kathleen Marple Kalb's "Ella Shane Mysteries" series, and I hope there will be many more! While I have read "A Fatal Finale", I do think this one can work as a stand-alone novel as well. However, being familiar with many of the characters from the first book in the series, it was so fun to dive back into their world and see many of them again! I love the mix of mystery, opera, history, and romance, and I can only imagine the amount of research Ms. Kalb must have done. Each and every aspect feels so authentic to the era, and I truly felt immersed in another time and place.
Ella is so intelligent, smart, clever, and wants to do what is right. She does not stand for anyone treating those she cares about cruelly, and is unafraid to speak her mind. After opening night of the new opera she is starring in, "The Princes in the Tower", a man is found murdered in the dressing room of the actor playing Richard III. Ella must once again put on her sleuthing hat to solve what has really happened, as she does not believe everything to be as it seems. Will Ella be able to figure out what really happened? You will just have to read to find out!
I also really enjoyed how this book delved into the relationships more between the characters, as well as Ella's backstory. The developing romance between Ella and Gil is explored, and Ella stands her ground in what she sees as the right path for her.
If you enjoy historical cozy mysteries, I highly recommend this book! It had me turning the pages to see how and what would happen next, and I can't wait for the next book in this series!
Thank you so much to Kensington Books for the ARC of this book, I so enjoyed it! All opinions expressed in this review are my own.
May 3, 2021
This is the 2nd installment in the Ella Shane Mystery series. Ella and cousin Tommy Hurley (former boxing champion) have an opera company and the book opens with opening night of their new opera the Princes in the Tower. Ella is a singer known for her trouser roles (she plays a man) and she has two parts in this opera and this production is filled with friends as she shares the role of one of the princes with her friend Marie and the music was composed by her friends Louis and Anna. Opening night starts out fine until the lead male Albert (Richard III) is found standing over a dead body and covered in blood in his dressing room. He is immediately arrested and although Ella has her doubts she does no investigating. Her friend Hetty is a female reporter and in New York City 1899 the stories she is given are all fashion etc related. She has landed a sensational trial of a socialite accused of stabbing her husband as she can provide the “female� perspective�. Ella is continuing to have correspondence with her Duke Gil St. Aubyn and is surprised when he shows up in New York City. He is in town for something beyond visiting her (as she will be in London in a few months for the show) and she has to trust him and learn what it is about. I really like the characters and adore how Ella and Tommy have put together a family of friends and family. Tommy is devastated when a former boxer is killed in an accident and they both support the family with a benefit. They know their humble beginnings but look out for the little guy and even friends from the tough neighborhood (i.e. Irish Gangster). I agree with other reviews in that this is not a typical cozy, however, I think that is what makes this so realistic as it holds to limitations of women during this time. I really enjoyed this book and like how the murder was solved. I can’t wait for the next in this series and what happens with Gil and Ella in London (I hope that is where the next one is set). Highly Recommend.
February 17, 2021
Opera diva-detective Ella Shane is back in Kathleen Marple Kalb's "A Fatal First Night." When one of her cast is murdered, and another is imprisoned, Ella must "determine to prove a villain" and save her company, all while staging an opera based on the princes in the tower. Her prospective beau, Gil, has come over from Britain on a quest he can't tell Ella about, but which involves a beautiful widow.
Ella's voice is much clearer in this second book. She also doesn't mention every other chapter how hard the world is and how she does what she can to make it better. It's nice to see a progressive cast of characters in a Gilded Age cozy mystery, and Ella handles racism against one of her cast as she handled homophobia against her cousin, straightforward and not tolerating the perpetrators for a moment. She shelters her loved ones and casts her net wide to help those in need.
It's understandable that she does not want to give up the freedom that her career offers to enter into a formal relationship with Gil, and even nicer that Gil, and Ella's friends, do not push her to do so. She does waffle a great deal, though, and she and Gil talk about their future children and marriage as though things were settled, when they have only an "understanding," and not a formal engagement.
One small fact check - there are no polar bears in Antarctica, as mentioned by Ella's housekeeper after she attended an "improving lecture."
Recommended, and I'm looking forward to seeing what happens when Ella and her company cross the pond in the next book.
3.5ish stars out of 5.
I received an advance copy from Kensington Books and NetGalley in exchange for my honest review.
Ella's voice is much clearer in this second book. She also doesn't mention every other chapter how hard the world is and how she does what she can to make it better. It's nice to see a progressive cast of characters in a Gilded Age cozy mystery, and Ella handles racism against one of her cast as she handled homophobia against her cousin, straightforward and not tolerating the perpetrators for a moment. She shelters her loved ones and casts her net wide to help those in need.
It's understandable that she does not want to give up the freedom that her career offers to enter into a formal relationship with Gil, and even nicer that Gil, and Ella's friends, do not push her to do so. She does waffle a great deal, though, and she and Gil talk about their future children and marriage as though things were settled, when they have only an "understanding," and not a formal engagement.
One small fact check - there are no polar bears in Antarctica, as mentioned by Ella's housekeeper after she attended an "improving lecture."
Recommended, and I'm looking forward to seeing what happens when Ella and her company cross the pond in the next book.
3.5ish stars out of 5.
I received an advance copy from Kensington Books and NetGalley in exchange for my honest review.
March 25, 2021
Set in New York in 1899, this is the second in the series and has fun written all over it! Delightfully sharp wit and banter abound in spades but not over the top, not at all.
Ella Shane is an opera singer/performer who often plays men and though she is now accustomed to relative luxury, her past as an orphan is barely beneath the surface in ways. She does not hesitate to scrap or speak directly and she does not take wealth for granted. She has a philanthropic side as well. Her beau, Gil, is besotted with her but gives her space to be her own person. Their banter is great but she is in no rush to commit. Her admirers are many but she knows who has captured her heart.
When a dead body is found on her turf, Ella and Gil are determined to discover the murderer's identity. There are twists but in my view the murder is secondary to the characters. Montezuma is a marvelous addition! We see personal glimpses into Ella's childhood which explains a few things. Mrs. G. is hilarious in how she shows her love through baking for different guests. I just love details like that, not to mention delectable food descriptions. The opera snippets are interesting as well...such a joy to learn more about the Gilded Age. And then there's murder...
Do read this delicious series. I am hungering for the next installment.
My sincere thank you to Kensington Books and NetGalley for providing me with an early e-ARC of this witty and well-crafted book!
Ella Shane is an opera singer/performer who often plays men and though she is now accustomed to relative luxury, her past as an orphan is barely beneath the surface in ways. She does not hesitate to scrap or speak directly and she does not take wealth for granted. She has a philanthropic side as well. Her beau, Gil, is besotted with her but gives her space to be her own person. Their banter is great but she is in no rush to commit. Her admirers are many but she knows who has captured her heart.
When a dead body is found on her turf, Ella and Gil are determined to discover the murderer's identity. There are twists but in my view the murder is secondary to the characters. Montezuma is a marvelous addition! We see personal glimpses into Ella's childhood which explains a few things. Mrs. G. is hilarious in how she shows her love through baking for different guests. I just love details like that, not to mention delectable food descriptions. The opera snippets are interesting as well...such a joy to learn more about the Gilded Age. And then there's murder...
Do read this delicious series. I am hungering for the next installment.
My sincere thank you to Kensington Books and NetGalley for providing me with an early e-ARC of this witty and well-crafted book!
July 31, 2023
I enjoy this series. The books offer fun, fast, easy reads with good characters, interesting murder mysteries and plenty of cheeky humour.
I love the character of Ella. She is the juxtaposition of a variety of interesting contradictions as a half Irish, half Jewish female opera singer who sings male roles in turn-of-the-century New York city. Ella lives in a society that is trying to give women more rights and autonomy but hasn't quite gotten there yet, so Ella's fussiness about "propriety" is understandable if a bit annoying at times. Especially given her intelligence and independent spirit and determination to live the live she wants, rather than one of the options society would prefer she fill.
All the supporting characters are simply delightful and I've already become very fond of each and every one of them even just at book 2 of the series. Ella's friends and family are wonderful foils and assistance for her in ferreting out murderers and each have their own unique personality.
My favourite thing about this series, though, is the humour. There are some very funny lines and moments that have made me laugh out loud and make note of them because they're so clever in addition to being very funny.
I definitely plan to continue reading this series and recommend it to anyone who enjoys strong (but conflicted) female characters, early 1900s NYC or just a light fun murder mystery series that's easy reading.
I love the character of Ella. She is the juxtaposition of a variety of interesting contradictions as a half Irish, half Jewish female opera singer who sings male roles in turn-of-the-century New York city. Ella lives in a society that is trying to give women more rights and autonomy but hasn't quite gotten there yet, so Ella's fussiness about "propriety" is understandable if a bit annoying at times. Especially given her intelligence and independent spirit and determination to live the live she wants, rather than one of the options society would prefer she fill.
All the supporting characters are simply delightful and I've already become very fond of each and every one of them even just at book 2 of the series. Ella's friends and family are wonderful foils and assistance for her in ferreting out murderers and each have their own unique personality.
My favourite thing about this series, though, is the humour. There are some very funny lines and moments that have made me laugh out loud and make note of them because they're so clever in addition to being very funny.
I definitely plan to continue reading this series and recommend it to anyone who enjoys strong (but conflicted) female characters, early 1900s NYC or just a light fun murder mystery series that's easy reading.
April 18, 2021
this series is a lot of fun. I enjoy Ella and Gil's romance but have to chuckle at the difference between the 1890's and today's romances. The mystery is well done but a little obvious but overall, the love between the characters is the thing that I love the most.
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV's two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It's not until players take their bows that the worst kind of disaster strikes...
Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can't be so certain Albert is the one who belongs behind bars...
Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
September 7, 2021
Diva Ella Shane has made her operatic career famous by her ‘trouser role� performances by playing the male leads. After the first night of their production of ‘The Princes in the Tower�, Ella finds basso Albert Rueter leaning over a dead body in his dressing room.
It was wonderful to dive into this second book. Once again Ella’s voice is refreshing, feisty and poignant as our ahead of time heroine re-joins the centre stage. Kalb treats the author to the world of opera, the streets of 1900s New York and an important focus on women’s issues and women’s rights. It was wonderful to have the relationship develop between Ella and the Duke too.
My only slight criticism is that the ‘mystery� case of the book seemed a bit more on the periphery and little harder to follow at times than the first book. However, the characters and setting are so wonderfully written it kept me reading until the last page, where the the pace ramps up to a satisfying, exciting conclusion.
I really enjoyed this book and it is an impressive second instalment in the world of Ella Shane. I’d definitely recommend this historical mystery, not just for the chance for the reader to wear their detective hats. Kalb writes a refreshing and sassy voice, unafraid to talk about the issues of the day and a slow-burning romance based on genuine, heartfelt friendship.
It was wonderful to dive into this second book. Once again Ella’s voice is refreshing, feisty and poignant as our ahead of time heroine re-joins the centre stage. Kalb treats the author to the world of opera, the streets of 1900s New York and an important focus on women’s issues and women’s rights. It was wonderful to have the relationship develop between Ella and the Duke too.
My only slight criticism is that the ‘mystery� case of the book seemed a bit more on the periphery and little harder to follow at times than the first book. However, the characters and setting are so wonderfully written it kept me reading until the last page, where the the pace ramps up to a satisfying, exciting conclusion.
I really enjoyed this book and it is an impressive second instalment in the world of Ella Shane. I’d definitely recommend this historical mystery, not just for the chance for the reader to wear their detective hats. Kalb writes a refreshing and sassy voice, unafraid to talk about the issues of the day and a slow-burning romance based on genuine, heartfelt friendship.
April 7, 2022
A thoroughly enjoyable read, this is book 2 of a series best described Historical "Cozy" or Mystery, with an original setting among the opera scene of the late 19th century in New York. A meatier read than the run of the mill "hobby/clean" cozy but with the classic elements of a closed set of suspects, amateur sleuth and no overt sex or gore, it would appeal across a wide readership.
The main character Ella Shane specializes in playing trousered roles i.e. male characters in the Opera and the writer conjures up the life of a respectable artist effortlessly. I particularly enjoyed the way historical details and facts including societal attitudes are woven into the story, but in a very natural way. As an Irish person, I usually wince at American writers trying to create Irish characters, or Irish heritage but this is a joy; you can see the research and care that has gone into it, down to calling The Famine "The Hunger" (in Irish the correct name for the decade of famine in the 1840s is "An Gorta Mor" or The Great Hunger.)
There's plenty of action, fun, side characters, a healthy dollop of romance and having read book 1 (A fatal Finale) and this one, Book 2 I'm lining up Book 3 (A Fatal Overture) on m TBR pile. Enjoyable, well written, well researched and lots of fun.
The main character Ella Shane specializes in playing trousered roles i.e. male characters in the Opera and the writer conjures up the life of a respectable artist effortlessly. I particularly enjoyed the way historical details and facts including societal attitudes are woven into the story, but in a very natural way. As an Irish person, I usually wince at American writers trying to create Irish characters, or Irish heritage but this is a joy; you can see the research and care that has gone into it, down to calling The Famine "The Hunger" (in Irish the correct name for the decade of famine in the 1840s is "An Gorta Mor" or The Great Hunger.)
There's plenty of action, fun, side characters, a healthy dollop of romance and having read book 1 (A fatal Finale) and this one, Book 2 I'm lining up Book 3 (A Fatal Overture) on m TBR pile. Enjoyable, well written, well researched and lots of fun.
April 10, 2021
As book two in this series, it felt like the focus was more on the relationships amongst the characters, and the developing romance between the lead, Ella, and her Duke with a backdrop of her professional career, his duties and commitments and all the personal insecurities and complicatiions that these would entail at that time. (around the turn of the twentieth century). Just how will they be able to juggle it all?
Once again, there is an unfortunate and untimely death of Ella Shane’s employee, but that doesnt take up much of the story. And I cant claim it held my attention. Hmmm, perhaps I'll find a better balance in the nest one. Will it be set in London?
With thanks to #NetGalley, Kensington Books and the author for my free advanced reader copy to review in exchange for an honest opinion.
Once again, there is an unfortunate and untimely death of Ella Shane’s employee, but that doesnt take up much of the story. And I cant claim it held my attention. Hmmm, perhaps I'll find a better balance in the nest one. Will it be set in London?
With thanks to #NetGalley, Kensington Books and the author for my free advanced reader copy to review in exchange for an honest opinion.
April 21, 2021
The second book in the Ella Shane series, it’s not completely necessary to read the first but it does help with context and background. More historical cozy mystery than romance, this story gives a delightful look behind the scenes of a Gilded Age opera company. The heroine is an opera diva (little d, not Diva) who is charming and virtuous and everything lovely, and is surrounded by the dearest family and close friends one could ask for. The mystery is not particularly action-packed, but it held my attention until the big reveal.
I certainly hope there’s a third book where the company takes the show to London. I can’t imagine what it’s been like for the author to launch her first two books during a global pandemic.
I received a copy of this book from the publisher through NetGalley. All opinions are my own.
I certainly hope there’s a third book where the company takes the show to London. I can’t imagine what it’s been like for the author to launch her first two books during a global pandemic.
I received a copy of this book from the publisher through NetGalley. All opinions are my own.
April 26, 2021
The Second Ella Shane Mystery by Kathleen Marple Kalb A Fatal First Night, is set in New York in the late 1800's.in the opera house owned and run by coloratura mezzo Ella Shane and her cousin Tommy Hurley. On the opening night of their most recent production basso Albert Reuter is found standing over the body of Florian Lutz another singer. It seems like an open and shut case but Ella is not sure that Albert is the killer. What ensues is a good look at 1899 Manhattan lifestyles with all its pros and cons. While the historical aspects move the story along, they do push the murder solving to a more minor role than in most cozies. Eventually, aided by her loving Duke and other friends, Ella unmasks the murderer. Some romance, some mystery and history makes this an easy, enjoyable read. Provided for review by NetGalley and Kensington 🌟🌟🌟🌟
May 20, 2021
This is quite a charming series. At least, this second book is. I now have to read the first book and fill in some pieces, but that's OK. The book is fine as a stand-alone mystery, it's just the character development that I am curious to meet out some more. The story is set in NYC, in the opera world, where Ella Shane is one of the stars of an opera company that she co-owns with her cousin. They do quite well, in spite of coming from poor circumstances. Yes, there is a murder, but it's the people in the story that draw you in. There is the British peer, who is Ella's love interest, the Irish mob boss, who seems to hang around, the other diva in the company who is married with a family, Ella's housekeeper, who is doing some courting of her own. With a cast of characters this rich, you hardly need a murder to keep reading!
February 22, 2021
I thoroughly enjoyed A Fatal First Night, the second book in the Ella Shane Mystery Series. Ella is an amazing character - funny, talented, smart, strong and yet vulnerable as well. The theatre during the Gilded Age is New York is such an interesting setting for the story. After a murder is committed backstage during her new production, Ella must discover who committed the crime as danger seems to follow the cast and crew. Her beau makes a return trip to New York on a mysterious assignment that causes additional stress for Ella. I think the writing and characters are even better in this second book. I look forward to their next adventure! Thank you to #NetGalley for the opportunity to read an advance copy of #AFatalFirstNight .
November 3, 2021
Historical cozy with great characters
Ella Shane’s opera company’s opening night is marred by murder. The police arrest her basso. And so the story starts.
In this book, we learn more about Ella’s meager beginnings, combination of faiths, and strong moral code. The Duke is back and things heat up in a very Victorian way.
Ella and gal-pal Hetty work to unravel several mysteries that seem to be connected as Hetty again tries to write about something more meaningful than hats. Toms, the Duke and various others try to protect them as they get closer to uncovering what’s going on.
You’ll love the characters, the period detail, and the fascinating look at the social mores of the time. Highly recommend.
Ella Shane’s opera company’s opening night is marred by murder. The police arrest her basso. And so the story starts.
In this book, we learn more about Ella’s meager beginnings, combination of faiths, and strong moral code. The Duke is back and things heat up in a very Victorian way.
Ella and gal-pal Hetty work to unravel several mysteries that seem to be connected as Hetty again tries to write about something more meaningful than hats. Toms, the Duke and various others try to protect them as they get closer to uncovering what’s going on.
You’ll love the characters, the period detail, and the fascinating look at the social mores of the time. Highly recommend.
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