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(group member since Feb 24, 2014)
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from the Ask Fiona McIntosh - Friday, 28 March group.
Showing 1-17 of 17

Please...I think it's wonderful that readers stop by. Very kind, thank you.

Oh Carolyn wouldn't that be fun - a movie! I'd love it. There's always a chance but it's a lot to do with luck and timing. If the right person reads my books at the right time when they are looking for a new project of that nature then I'm in with a chance. the problem is with my books they are historical, so they have to be a costume drama, they need big sets, lots of production, lots of research - a big effort in other words. So you'd almost need a big name on board just to give it the cred it would need to attract funding. Either that or a luscious BBC serial would be amazing, right?

Fiona, do you talk and maybe even argue with your characters when you are writing. The reason I ask is I have a friend who write..."
No, I've never found myself in that position. I have no reason to argue with their decisions. I don't hold the reins too tightly.


No, THANK YOU. Lovely talking.

Spoilers.....spoilers......spoilers.........
I know. I wept a lot that day. Blame the characters!

I've even drafted the letter to Daniel Craig but I haven't had the courage to send it yet nor any notion of where to send it! To his wife perhaps???? Yes, Markus is utterly, indescribably delicious. And I really loved that he became a noble German that we could all respect. Meanwhile, von Schleigel...I think he has to be Anthony Hopkins or that fabulous guy from Django and/Inglorious Basterds!

Thank you for being so loyal and for moving from your home genre - what a lovely expression - to historical romantic adventures. I'm grateful and for all those gifts! Yes, indeed, fantasy will always be a love for me and in the next few weeks you'll see my new historical timeslip novel called Tapestry hitting bookstores. It's the most incredible tale based on a real piece of British history of the early 18th century and blows the mind that a noblewoman could pull of this most extraordinary event. And of course I took that real history and wrapped a whiff of fantasy about it - made it fun and a rip roaring read. Hope you'll enjoy it, Elizabeth.

Fantastic question, Sue. I hang my hat as a story..."
Thanks Elizabeth. That's when I'm having fun as a writer. I've got no idea what's about to happen and when it's traumatic I feel the pain just like the reader but I refuse to pull away from it. Which is why that bit in French Promise that shocks so much was very hard to write but I had no choice - it's where the characters wanted to go.

No, I forget more names than I remember, Teresa. But each character has the perfect name - I'm sure of it - and so I just wait. It comes as the character's personality begins to percolate through my mind, through the story. And I begin to discard names and hunt for new ones. I'm mostly writing historical fiction and so I have to get the era right. There would be no point in calling any of my characters a name like Shane....it's a 70s style name and I am for ever searching for names that work in and around both world wars. So that begins the narrow the field - especially in WW1 when most blokes were called William, James, and that ilk. There weren't that many going around. Even so, I know ultimately a name is going to fit my character. And for instance when Lisette fell into place she was perfect. Luc was Luc from the get go. But Markus - oh my...I had to search for him. But when he came into my mind, the character took on his full personality for me. And I saw Daniel Craig in my mind's eye!

Thanks Lesley, the most challenging part of the wartime stories was researching the Holocaust. It is such an enormous topic and apart from the harrowing research I did for it in London, Paris, Krakow and Auschwitz, there was a tense balancing trick required to get just the right amount of story dedicated to the traumatic Jewish story. I needed it there because the Holocaust couldn't be ignored in any wartime story but at the same time I didn't want to write a Holocaust tale that has been done so poignantly and brilliantly in previous novels. I think we got it just right with Rachel. I cried and cried and cried.
Where am I most looking forward to visiting this summer. I think it has to be taking the group to Saignon - where Luc lives and having them understand why I fell instantly in love with this village from the moment I arrived as the sun was setting, starlings were flocking to roost, church bells were chiming seven o'clock and the lights were just coming on. It was the archetypal Provencale village and I knew I'd stumbled into Luc's home.

Oh Teresa you must. I think everyone should go to Paris every year, don't you? It is a city that just inspires through its sheer beauty.

Hi Elizabeth....how lovely you are! I hope you had a great time at Bridestowe and saw it in the full blue roar of summer? Look, I will never say never because I know there is a lot of story left. However, I'm working on quite a few new stories right now - I've got Nightingale coming up in October (you'll love it!) and then another fab historical romantic adventure for Mother's Day in 2015....and then another two set in France and other far flung places. But Lavender and Promise do resonate. Keep pushing me! :)

Fantastic question, Sue. I hang my hat as a storyteller on character. I firmly believe that if I get my characters solid, credible, jumping strongly off the page and into the hearts of readers then the story will actually take care of itself. I don't plan any story ahead. I leave that to the characters to wend their merry way and all that happens is mostly a mystery journey for me. I tend to have the barest thread of a tale in mind and I never know where it begins or ends but there's a vague arc back of mind. I know my characters will do all the hard yards over that arc and bring the story to life. So for me, character does come first but I really only need to know a couple of them - and not intimately. For The Lavender Keeper I knew Luc and I had an abstract feeling for Lisette. Everyone else who walked in or out was a surprise. The biggest surprises for me in The French Promise were Max and Jane. Gosh, who knew they would appear. And then of course there's that bit that everyone had to put The French Promise down over for a few minutes or hours. Blame the characters, not me!

