Å·±¦ÓéÀÖ

“I have watched people come to revival meetings burdened, broken, and hopeless, and then leave completely transformed. The difference is undeniable—their eyes are brighter, their posture changes, and their spirit is lighter because Jesus set them free.”
― Kathryn Krick, Unlock Your Deliverance: Keys to Freedom From Demonic Oppression

“The face that was engulfed in sadness just a few moments ago was now having a diabolical glow.”
― Rebecca Harlem, The Pink Cadillac

“I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Ìý
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?�
He, of course, replied, “No.�
“Well, we’re going to a better place.�
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.�
“Are you afraid of ghosts?� I asked.
“My father’s a ghost,� he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,â€� as I knew he would.Ìý He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Ìý
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?â€� Malison prompted, as if to echo my prayer.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master

“It doesn’t matter how smart you are or what you know; if you learn to put those two things together, to let your pain drive your talent, you can become the best at anything you do in life.”
― Vernon Davis, Playing Ball: Life Lessons from My Journey to the Super Bowl and Beyond

“Mycelium?â€� Joey asked. “What is that?â€�
Ìý
Water explained, “It is a huge organism made up of very, very small fibres or filaments of fungus. The fungus grows underground, and it connects all the roots of the trees together. Its flower is a mushroom. Do you like to eat mushrooms?”
― Ellen J. Lewinberg, Joey and His Friend Water

“(there is no pepper on the table; evidently pepper perks the libido),”
― Tom Hillman, Digging for God

“A man who dares to waste one hour of time has not discovered the value of life.”
― Charles Darwin, The Life & Letters of Charles Darwin

“Rereading old books is the highest form of literary pleasure and instructs you in what is deepest in your own yearnings.

Reading well is one of the great pleasures that solitude can afford you, because it is, at least in my experience, the most healing of pleasures. It returns you to otherness, whether in yourself or in friends. Imaginative literature is otherness and as such, alleviates loneliness.”
― Harold Bloom

“Amy adored both the new look and the new person it allowed her to be. Following the photo shoot, she wore her bruises to the dry cleaner and the grocery store. Most people nervously looked away, but on the rare occasions someone would ask what happened, my sister would smile as brightly as possible, saying, 'I'm in love. Can you believe it? I'm finally, totally in love, and I feel great.”
― David Sedaris, Me Talk Pretty One Day

“Tú, todo tú, eres amor incandescente. Amor que no muere. Amor que permanece. Amor que no duele, aunque en este instante me encuentre llorando.”
― Laura Esquivel, Mi negro pasado

“To all apparent beauties blind, each blemish strikes an envious mind.”
― Benjamin Franklin, Poor Richard's Almanack

“Season late, day late, sun just down, and the sky
Cold gunmetal but with a wash of live rose, and she,
From water the color of sky except where
Her motion has fractured it to shivering splinters of silver,
Rises. Stands on the raw grass. Against
The new-curdling night of spruces, nakedness
Glimmers and, at bosom and flank, drips
With fluent silver. The man,

Some ten strokes out, but now hanging
Motionless in the gunmetal water, feet
Cold with the coldness of depth, all
History dissolving from him, is
Nothing but an eye. Is an eye only. Sees

The body that is marked by his use, and Time's,
Rise, and in the abrupt and unsustaining element of air,
Sway, lean, grapple the pond-bank. Sees
How, with that posture of female awkwardness that is,
And is the stab of, suddenly perceived grace, breasts bulge down in
The pure curve of their weight and buttocks
Moon up and, in swelling unity,
Are silver and glimmer. Then

The body is erect, she is herself, whatever
Self she may be, and with an end of the towel grasped in each hand,
Slowly draws it back and forth across back and buttocks, but
With face lifted toward the high sky, where
The over-wash of rose color now fails. Fails, though no star
Yet throbs there. The towel, forgotten,
Does not move now. The gaze
Remains fixed on the sky. The body,

Profiled against the darkness of spruces, seems
To draw to itself, and condense in its whiteness, what light
In the sky yet lingers or, from
The metallic and abstract severity of water, lifts. The body,
With the towel now trailing loose from one hand, is
A white stalk from which the face flowers gravely toward the high sky.
This moment is non-sequential and absolute, and admits
Of no definition, for it
Subsumes all other, and sequential, moments, by which
Definition might be possible. The woman,

Face yet raised, wraps,
With a motion as though standing in sleep,
The towel about her body, under her breasts, and,
Holding it there hieratic as lost Egypt and erect,
Moves up the path that, stair-steep, winds
Into the clamber and tangle of growth. Beyond
The lattice of dusk-dripping leaves, whiteness
Dimly glimmers, goes. Glimmers and is gone, and the man,

Suspended in his darkling medium, stares
Upward where, though not visible, he knows
She moves, and in his heart he cries out that, if only
He had such strength, he would put his hand forth
And maintain it over her to guard, in all
Her out-goings and in-comings, from whatever
Inclemency of sky or slur of the world's weather
Might ever be. In his heart he cries out. Above

Height of the spruce-night and heave of the far mountain, he sees
The first star pulse into being. It gleams there.

I do not know what promise it makes him. ”
― Robert Penn Warren