Jenna Burns is horrified and distraught when she returns home to find her stepdaughter murdered and her beloved fiancé, Robert, missing. When the police discover Robert's blood, she is charged, and imprisoned until trial.

When Jenna learns she is pregnant, she must fight to protect herself and her unborn baby in the notorious Fallenbrook prison, surrounded by inmates who believe she is guilty. With only fifty-four Mother and Baby Unit prison spaces in the country, Jenna must convince the prison board to let her keep her baby, or it will be taken away at birth.

But as her due date nears, and she tries to work out who the real killer is, she begins to fear that her child will be given to her worst enemy: whoever put her behind bars.

Twisty, pacy, and superbly plotted, Last Seen is the perfect psychological page-turner for fans of Clare Mackintosh and Sabine Durrant.

Seven years ago, two boys went missing at sea � and only one was brought to shore. The Sandbank, a remote stretch of coast dotted with beach huts, was scarred forever.

Sarah’s son survived, but on the anniversary of the accident, he disappears without trace. As new secrets begin to surface, The Sandbank hums with tension and unanswered questions. Sarah’s search grows more desperate and she starts to mistrust everyone she knows � and she’s right to.

Someone saw everything on that fateful day seven years ago. And they’ll do anything to keep the truth buried.

When a stranger asks Jo Blackmore for a lift she says yes, then swiftly wishes she hadn't.

The stranger knows Jo's name, she knows her husband Max and she's got a glove belonging to Jo's two year old daughter Elise.

What begins with a subtle threat swiftly turns into a nightmare as the police, social services and even Jo's own husband turn against her.

No one believes that Elise is in danger. But Jo knows there's only one way to keep her child safe � RUN.

Lily Gullick lives with her husband Aiden in a new-build flat opposite an estate which has been marked for demolition. A keen birdwatcher, she can’t help spying on her neighbours.

Until one day Lily sees something suspicious through her binoculars and soon her elderly neighbour Jean is found dead. Lily, intrigued by the social divide in her local area as it becomes increasingly gentrified, knows that she has to act. But her interference is not going unnoticed, and as she starts to get close to the truth, her own life comes under threat.

But can Lily really trust everything she sees?

Frances is a thirty-something lowly sub-editor, but her routine, colourless existence is disrupted one winter evening when she happens upon the aftermath of a car crash and hears the last words of the driver, Alys Kyte.

When Alys's family makes contact in an attempt to find closure, Frances is given a tantalising glimpse of a very different world: one of privilege and possibility. The relationships she builds with the Kytes will have an impact on her own life, both professionally and personally, as Frances dares to wonder whether she might now become a player in her own right ...

Which turns out to be less than perfect. But by the time you're trapped and sweating in the relentless Greek sun, burning to escape the tension all around you - by the time you start to realise that, however painful the truth might be, it's the lies that cause the real damage...

... well, by then, it could just be too late.

Longlisted for the Theakstons Old Peculier Crime Novel of the Year
Shortlisted for the British Book Awards Crime Novel of the Year

Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.