Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.

Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant.

"Cultural and Historical Contexts" presents four different perspectives on the place of the American South in history. Taken together, these works—by C. Vann Woodward, Richard H. King, Carolyn Porter, and Robert Penn Warren—provide the reader with valuable contexts for understanding the novel.

"Criticism" includes seventeen essays on The Sound and the Fury that collectively trace changes in the way we have viewed this novel over the last four decades.

The critics are Jean-Paul Sartre, Irving Howe, Ralph Ellison, Olga W. Vickery, Cleanth Brooks, Michael Millgate, John T. Irwin, Myra Jehlen, Donald M. Kartiganer, David Minter, Warwick Wadlington, John T. Matthews, Thadious M. Davis, Wesley Morris and Barbara Alverson Morris, Minrose C. Gwin, Andre Bleikasten, and Philip M. Weinstein.

A revised Selected Bibliography is also included.

"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them."

His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.