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Dracula
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Dracula, part 1; ch 1-4
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Mar 03, 2013 03:53PM

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And its structure (letters, journal entries, newspapers cuts) is more interesting than I thought. It gives the reader different viewpoints for the same facts, so it's up to you putting all together.


Imagine the experience of those who read it just after publication...

Imagine the experience of those who read it just..."
I agree with both of you. Although, I read the book some time ago, I must say that I shared the same pleasant feelings when I began the work. Obviously, we are more acquainted with WHAT Dracula is, rather than the details of the story, which leaves some mystery hanging in the air. I loved this book, even though I am not at all a fan of vampire books or movies. I, too, wished that I had never heard of Dracula before reading this book, and wondered how my feelings about it would have differed had I have not known his secret.


Reading it now, we see carriages and top hats and peasants and we see it all as being set in the distant past and the ancient evils that Dracula embodies and the Victorian stuffiness that Jonathan Harker comes from telescope together and we lose the radical twist that for the original readers this was a vampire popping up in *their* time, in their streets, in their cities, in their social groupings.
It only struck me when Harker mentioned that he'd brought Kodak photos of the estate Dracula's buying.
Just thought I'd mention this, in case it had passed anyone else by just as it did me on first reading.


I don't say I do remember it by details, but i really liked it :)



See, I'm having the opposite reaction. I find the prose somewhat clunky, the one drawback in my mind. But I think this has a lot to do with just what we prefer as readers. I like long, winding sentences and Stoker is much more of a terse, useful writer.


The scenes in which Harker is trapped inside Dracula's castle had my anxiety rising almost out of control, because that is one of my worst fears. I just love the way Stoker builds the situation and Harker's silent fear of being imprisoned by a monster.
Taughnee wrote: "I have never read this book and only really know the modern movie adaptation (Gary Oldman if I recall?) but I am really surprised by the ease of the prose, it's delightful! My only complaint is tha..."
I am actually not reading this now as I just read it recently at a more appropriate time in October right before Halloween!
I am actually not reading this now as I just read it recently at a more appropriate time in October right before Halloween!
Raphael wrote: "Indeed Danielle! I thought the same thing: reading this book without any previous knowledge of the theme would be an even more powerful experience.
Imagine the experience of those who read it just..."
I also agree with both of you. It would have been much more suspenseful to read this without knowing who Dracula is and what the name means as we now know it.
Imagine the experience of those who read it just..."
I also agree with both of you. It would have been much more suspenseful to read this without knowing who Dracula is and what the name means as we now know it.

I'm afraid I must disagree with you. The book is set up to be suspenseful and therefore the relapse in days may make the text seem clunky but while reading the text it actually flows together quite smoothly.

I'm afraid I must disagree with you. The book is set up to be suspenseful and therefore the relapse in days may make the text seem clunky but while reading the text it actually flows toge..."
I'm not concerned about plot flow, but the actual sentences. The sentences are very...useful, but not beautiful. The prose doesn't sing.

I appreciate Dracula for what it is... a fascinating epistolary novel in the horror genre. This is not a genre I usually read, but I'm loving this book anyway.

I don't believe the prose is meant to sing. The author clearly wants the prose to meet the plot style. A flowing prose would seem out of place here.

I know Phil noted the sexiness of the three vampiresses seducing Harker and even a modern day reader like myself had to take a step back and say WHOA. Stoker is excellent at building tension and resolving it. Amanda also noted the tie between Dracula and wolves, and I agree that is something we don't hear of or put together.
I for one enjoy the prose.

To me, the book flows nicely and the descriptions of the castle and Harker watching Dracula climb down the castle walls makes it very creepy.

The style of writing and building suspense reminds me very much of Wilkie Collins' The Woman in White which I also found fantastic. It's got the mystery and suspense of that novel, but with supernatural elements.
I, like most of you have mentioned, am familiar with the basic idea of Dracula and vampires, but not with any specifics of the story. I am very curious to see how this all turns out, or at least to learn about the origins of this genre.
Books mentioned in this topic
The Picture of Dorian Gray (other topics)The Woman in White (other topics)