Published in 1979 and set in New England in the 1950s, this book is the first in Philip Roth’s Nathan Zuckerman series. Protagonist and narrator Zuckerman is a Jewish writer who has published a story that his own father believes is anti-Semitic. Seeking validation from a father figure, Zuckerman pursues a meeting with one of his literary heroes, the successful reclusive Jewish writer, E.I. Lonoff. The novel takes place over an evening and the following morning at the home of Lonoff and his wife. Zuckerman has arrived at an inopportune time during which Lonoff’s marriage is unraveling. Zuckerman becomes intrigued by a young Holocaust refugee and aspiring writer, Amy Bellette, who is staying with the couple and may be involved with Lonoff.
This is an extremely clever novel. It blends humor and serious subject matter related to the Holocaust. The highlight is a metafictional chapter (told in third person) connected to Anne Frank’s Diary, (view spoiler)[which appears to be written by Zuckerman during the night, (hide spoiler)] and makes a point about life and art. It all works in concert to call attention to the limitations placed on authorial voice when it is seen by society to represent a group’s identity. I also enjoyed the many literary references. It packs many ideas into a fairly short novel (180 pages). It is an impressive work written with Roth’s signature flair and artistry.
Published in 1979 and set in New England in the 1950s, this book is the first in Philip Roth’s Nathan Zuckerman series. Protagonist and narrator Zuckerman is a Jewish writer who has published a story that his own father believes is anti-Semitic. Seeking validation from a father figure, Zuckerman pursues a meeting with one of his literary heroes, the successful reclusive Jewish writer, E.I. Lonoff. The novel takes place over an evening and the following morning at the home of Lonoff and his wife. Zuckerman has arrived at an inopportune time during which Lonoff’s marriage is unraveling. Zuckerman becomes intrigued by a young Holocaust refugee and aspiring writer, Amy Bellette, who is staying with the couple and may be involved with Lonoff.
This is an extremely clever novel. It blends humor and serious subject matter related to the Holocaust. The highlight is a metafictional chapter (told in third person) connected to Anne Frank’s Diary, (view spoiler)[which appears to be written by Zuckerman during the night, (hide spoiler)] and makes a point about life and art. It all works in concert to call attention to the limitations placed on authorial voice when it is seen by society to represent a group’s identity. I also enjoyed the many literary references. It packs many ideas into a fairly short novel (180 pages). It is an impressive work written with Roth’s signature flair and artistry.