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It is late summer in East Sussex, 1914. Amidst the season's splendour, fiercely independent Beatrice Nash arrives in th..."
I was surprised to find that I enjoyed listening to this story.
The Liberation by Kate Furnivall
The Liberation is set in Italy in 1945 as British and American troops attempt to bring order to the devastated country and Italy’s population fights to survive. Caterina Lombardi is desperate � her father is dead, her mother has disappeared and her brother is being drawn towards danger. One morning, among the ruins of the bombed Naples streets, Caterina is forced to go to extreme lengths to protect her own life and in doing so forges a future in which she must clear her father's name. An Allied Army officer accuses him of treason and Caterina discovers a plot against her family. Who can she trust and who is the real enemy now? And will the secrets of the past be her downfall?
This epic novel is an unforgettably powerful story of love, loss and the long shadow of war.
The Liberation is set in Italy in 1945 as British and American troops attempt to bring order to the devastated country and Italy’s population fights to survive. Caterina Lombardi is desperate � her father is dead, her mother has disappeared and her brother is being drawn towards danger. One morning, among the ruins of the bombed Naples streets, Caterina is forced to go to extreme lengths to protect her own life and in doing so forges a future in which she must clear her father's name. An Allied Army officer accuses him of treason and Caterina discovers a plot against her family. Who can she trust and who is the real enemy now? And will the secrets of the past be her downfall?
This epic novel is an unforgettably powerful story of love, loss and the long shadow of war.
Before the Rains by Dinah Jefferies
A romantic, heart-wrenching tale of love against the odds from the Number One Sunday Times bestselling author
1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.
But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .
A romantic, heart-wrenching tale of love against the odds from the Number One Sunday Times bestselling author
1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.
But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .
Before the Rains by Dinah Jefferies
A romantic, heart-wrenching tale of love against the odds from the Number One Sunday Times bestselling author
1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.
But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .
A romantic, heart-wrenching tale of love against the odds from the Number One Sunday Times bestselling author
1930, Rajputana, India. Since her husband's death, 28-year-old photojournalist Eliza's only companion has been her camera. When the British Government send her to an Indian princely state to photograph the royal family, she's determined to make a name for herself.
But when Eliza arrives at the palace she meets Jay, the Prince's handsome, brooding brother. While Eliza awakens Jay to the poverty of his people, he awakens her to the injustices of British rule. Soon Jay and Eliza find they have more in common than they think. But their families - and society - think otherwise. Eventually they will have to make a choice between doing what's expected, or following their hearts. . .
At the Existentialist Café: Freedom, Being, and Apricot Cocktails by Sarah Bakewell
Paris, near the turn of 1933. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking. Pointing to his drink, he says, "You can make philosophy out of this cocktail!"
From this moment of inspiration, Sartre will create his own extraordinary philosophy of real, experienced life � of love and desire, of freedom and being, of cafés and waiters, of friendships and revolutionary fervour. It is a philosophy that will enthral Paris and sweep through the world, leaving its mark on post-war liberation movements, from the student uprisings of 1968 to civil rights pioneers.
At the Existentialist Café tells the story of modern existentialism as one of passionate encounters between people, minds and ideas. From the ‘king and queen of existentialism� � Sartre and de Beauvoir � to their wider circle of friends and adversaries including Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Iris Murdoch, this book is an enjoyable and original journey through a captivating intellectual movement. Weaving biography and thought, Sarah Bakewell takes us to the heart of a philosophy about life that also changed lives, and that tackled the biggest questions of all: what we are and how we are to live.
Paris, near the turn of 1933. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking. Pointing to his drink, he says, "You can make philosophy out of this cocktail!"
From this moment of inspiration, Sartre will create his own extraordinary philosophy of real, experienced life � of love and desire, of freedom and being, of cafés and waiters, of friendships and revolutionary fervour. It is a philosophy that will enthral Paris and sweep through the world, leaving its mark on post-war liberation movements, from the student uprisings of 1968 to civil rights pioneers.
At the Existentialist Café tells the story of modern existentialism as one of passionate encounters between people, minds and ideas. From the ‘king and queen of existentialism� � Sartre and de Beauvoir � to their wider circle of friends and adversaries including Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Iris Murdoch, this book is an enjoyable and original journey through a captivating intellectual movement. Weaving biography and thought, Sarah Bakewell takes us to the heart of a philosophy about life that also changed lives, and that tackled the biggest questions of all: what we are and how we are to live.



The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year that Changed Literature by Bill Goldstein
A revelatory narrative of the intersecting lives and works of Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism
The World Broke in Two tells the fascinating story of the intellectual journey four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four writers are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting beneath their feet, as Ulysses is published and Proust’s Remembrance of Things Past is translated into English. Yet, dismal as they felt in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has returned to the pages that would become Passage to India, Lawrence has begun Kangaroo, and Eliot has finished “The Waste Land.�
As Willa Cather put it, “The world broke in two in 1922 or thereabouts,� and what these writers were struggling with that year was in fact the invention of modernism. Based on original research in libraries and archives, The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness
Blood at the Root: A Racial Cleansing in America
Forsyth County, Georgia, at the turn of the twentieth century was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. Many black residents were poor sharecroppers, but others owned their own farms and the land on which they’d founded the county’s thriving black churches.
But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders� launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to “abandoned� land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten.
National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail. Recalling his own childhood in the 1970s and �80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white� well into the 1990s.
Forsyth County, Georgia, at the turn of the twentieth century was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. Many black residents were poor sharecroppers, but others owned their own farms and the land on which they’d founded the county’s thriving black churches.
But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders� launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to “abandoned� land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten.
National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail. Recalling his own childhood in the 1970s and �80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white� well into the 1990s.
M: Maxwell Knight, MI5's Greatest Spymaster by Henry Hemming
Maxwell Knight was a paradox. A jazz obsessive and nature enthusiast (he is the author of the definitive work on how to look after a gorilla), he is seen today as one of MI5's greatest spymasters, a man who did more than any other to break up British fascism during the Second World War � in spite of having once belonged to the British Fascisti himself. He was known to his agents and colleagues simply as M, and was rumoured to be part of the inspiration for the character M in the James Bond series.
Knight became a legendary spymaster despite an almost total lack of qualifications. What set him apart from his peers was a mercurial ability to transform almost anyone into a fearless secret agent. He was the first in MI5 to grasp the potential of training female agents.
M is about more than just one man however. In its pages, Hemming reveals for the first time in print the names and stories of seven men and women recruited by Knight, on behalf of MI5, and then asked to infiltrate the most dangerous political organizations in Britain at that time. Until now, their identities have been kept secret outside MI5. Drawn from every walk of life, they led double lives―often at great personal cost―in order to protect the country they loved. With the publication of this book, it will be possible at last to celebrate the lives of these courageous, selfless individuals.
Drawing on declassified documents, private family archives and interviews with retired MI5 officers as well as the families of MI5 agents, M reveals not just the shadowy world of espionage but a brilliant, enigmatic man at its centre.
Maxwell Knight was a paradox. A jazz obsessive and nature enthusiast (he is the author of the definitive work on how to look after a gorilla), he is seen today as one of MI5's greatest spymasters, a man who did more than any other to break up British fascism during the Second World War � in spite of having once belonged to the British Fascisti himself. He was known to his agents and colleagues simply as M, and was rumoured to be part of the inspiration for the character M in the James Bond series.
Knight became a legendary spymaster despite an almost total lack of qualifications. What set him apart from his peers was a mercurial ability to transform almost anyone into a fearless secret agent. He was the first in MI5 to grasp the potential of training female agents.
M is about more than just one man however. In its pages, Hemming reveals for the first time in print the names and stories of seven men and women recruited by Knight, on behalf of MI5, and then asked to infiltrate the most dangerous political organizations in Britain at that time. Until now, their identities have been kept secret outside MI5. Drawn from every walk of life, they led double lives―often at great personal cost―in order to protect the country they loved. With the publication of this book, it will be possible at last to celebrate the lives of these courageous, selfless individuals.
Drawing on declassified documents, private family archives and interviews with retired MI5 officers as well as the families of MI5 agents, M reveals not just the shadowy world of espionage but a brilliant, enigmatic man at its centre.

Maxwell Knight was a paradox. A jazz obsessive and nature enthusiast (he is the author of the definitiv..."
And there is a US giveaway going on right now.
...ooh, linked to our current non-fiction group read (see: /topic/show/...) there is about to be a new book by the Biographer of Agatha Christie released in the UK on 18th May 2017 (...unfortunately the paperback is not due for release until June 2018!!!). It's said to be offering a new theory about her disappearance...exciting!
A Talent for Murder by Andrew Wilson
Discover the real-life mystery centered on the queen of crime herself: Agatha Christie. In this tantalizing new novel, Christie's mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.
"I wouldn't scream if I were you. Unless you want the whole world to learn about your husband and his mistress."
Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events--for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.
"You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear."
Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.
In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie's odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world's bestselling novelist.
A Talent for Murder by Andrew Wilson
Discover the real-life mystery centered on the queen of crime herself: Agatha Christie. In this tantalizing new novel, Christie's mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.
"I wouldn't scream if I were you. Unless you want the whole world to learn about your husband and his mistress."
Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events--for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.
"You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear."
Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.
In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie's odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world's bestselling novelist.
A Dangerous Crossing by Rachel Rhys
1939, Europe on the brink of war. Lily Shepherd leaves England on an ocean liner for Australia, escaping her life of drudgery for new horizons. She is instantly seduced by the world onboard: cocktails, black-tie balls and beautiful sunsets. Suddenly, Lily finds herself mingling with people who would otherwise never give her the time of day.
But soon she realizes her glamorous new friends are not what they seem. The rich and hedonistic Max and Eliza Campbell, mysterious and flirtatious Edward, and fascist George are all running away from tragedy and scandal even greater than her own.
By the time the ship docks, two passengers are dead, war has been declared, and life will never be the same again.
1939, Europe on the brink of war. Lily Shepherd leaves England on an ocean liner for Australia, escaping her life of drudgery for new horizons. She is instantly seduced by the world onboard: cocktails, black-tie balls and beautiful sunsets. Suddenly, Lily finds herself mingling with people who would otherwise never give her the time of day.
But soon she realizes her glamorous new friends are not what they seem. The rich and hedonistic Max and Eliza Campbell, mysterious and flirtatious Edward, and fascist George are all running away from tragedy and scandal even greater than her own.
By the time the ship docks, two passengers are dead, war has been declared, and life will never be the same again.
Vienna Spies by Alex Gerlis
With the end of the Second World War in sight, the Allies begin to divide up the spoils and it proves to be a dangerous game. The British have become aware that, contrary to what’s been agreed, the Soviet Union is intent on controlling Austria once the Second World War ends. And Major Edgar is given the job of establishing an espionage unit in Vienna. He sends in a married Swiss couple � Rolf Eder and Katharina Hoch � who, in fact, have only met each other a week before their journey. Their job is to track down Austria’s most respected politician � in hiding from the Nazis � and bring him over to the British cause. But the feared Soviet spy Viktor Krasotkin is already in the wartorn city, embarking on exactly the same mission. A taut, tense masterclass in espionage fiction from the author of The Best of Our Spies and The Swiss Spy, the new novel by Alex Gerlis takes place in a fiercely pro-Nazi city in the final months of the Second World War � a place where the Wehrmacht patrol the streets and the Gestapo rule unchecked. As the former Austrian capital faces the onslaught of the Allies from one side and the Red Army from the other, it provides an unforgettable backdrop to a chess-like game of oneupmanship and political ideology.
With the end of the Second World War in sight, the Allies begin to divide up the spoils and it proves to be a dangerous game. The British have become aware that, contrary to what’s been agreed, the Soviet Union is intent on controlling Austria once the Second World War ends. And Major Edgar is given the job of establishing an espionage unit in Vienna. He sends in a married Swiss couple � Rolf Eder and Katharina Hoch � who, in fact, have only met each other a week before their journey. Their job is to track down Austria’s most respected politician � in hiding from the Nazis � and bring him over to the British cause. But the feared Soviet spy Viktor Krasotkin is already in the wartorn city, embarking on exactly the same mission. A taut, tense masterclass in espionage fiction from the author of The Best of Our Spies and The Swiss Spy, the new novel by Alex Gerlis takes place in a fiercely pro-Nazi city in the final months of the Second World War � a place where the Wehrmacht patrol the streets and the Gestapo rule unchecked. As the former Austrian capital faces the onslaught of the Allies from one side and the Red Army from the other, it provides an unforgettable backdrop to a chess-like game of oneupmanship and political ideology.
East West Street: On the Origins of Genocide and Crimes Against Humanity by Philippe Sands
When human rights lawyer Philippe Sands received an invitation to deliver a lecture in the western Ukrainian city of Lviv, he began to uncover a series of extraordinary historical coincidences. It set him on a quest that would take him halfway around the world in an exploration of the origins of international law and the pursuit of his own secret family history, beginning and ending with the last day of the Nuremberg trial.
Part historical detective story, part family history, part legal thriller, Philippe Sands guides us between past and present as several interconnected stories unfold in parallel. The first is the hidden story of two Nuremberg prosecutors who discover, only at the end of the trial, that the man they are prosecuting may be responsible for the murder of their entire families in Nazi-occupied Poland, in and around Lviv. The two prosecutors, Hersch Lauterpacht and Rafael Lemkin, were remarkable men, whose efforts led to the inclusion of the terms 'crimes against humanity' and 'genocide' in the judgement at Nuremberg. The defendant, Hans Frank, Hitler's personal lawyer and Governor-General of Nazi-occupied Poland, turns out to be an equally compelling character.
The lives of these three men lead Sands to a more personal story, as he traces the events that overwhelmed his mother's family in Lviv and Vienna during the Second World War. At the heart of this book is an equally personal quest to understand the roots of international law and the concepts that have dominated Sands' work as a lawyer. Eventually, he finds unexpected answers to his questions about his family, in this powerful meditation on the way memory, crime and guilt leave scars across generations, and the haunting gaps left by the secrets of others.
When human rights lawyer Philippe Sands received an invitation to deliver a lecture in the western Ukrainian city of Lviv, he began to uncover a series of extraordinary historical coincidences. It set him on a quest that would take him halfway around the world in an exploration of the origins of international law and the pursuit of his own secret family history, beginning and ending with the last day of the Nuremberg trial.
Part historical detective story, part family history, part legal thriller, Philippe Sands guides us between past and present as several interconnected stories unfold in parallel. The first is the hidden story of two Nuremberg prosecutors who discover, only at the end of the trial, that the man they are prosecuting may be responsible for the murder of their entire families in Nazi-occupied Poland, in and around Lviv. The two prosecutors, Hersch Lauterpacht and Rafael Lemkin, were remarkable men, whose efforts led to the inclusion of the terms 'crimes against humanity' and 'genocide' in the judgement at Nuremberg. The defendant, Hans Frank, Hitler's personal lawyer and Governor-General of Nazi-occupied Poland, turns out to be an equally compelling character.
The lives of these three men lead Sands to a more personal story, as he traces the events that overwhelmed his mother's family in Lviv and Vienna during the Second World War. At the heart of this book is an equally personal quest to understand the roots of international law and the concepts that have dominated Sands' work as a lawyer. Eventually, he finds unexpected answers to his questions about his family, in this powerful meditation on the way memory, crime and guilt leave scars across generations, and the haunting gaps left by the secrets of others.

It doesn't come out in US until July.

Just saw this for pre-order:
Churchill and Orwell: The Fight for Freedom
Both George Orwell and Winston Churchill came close to death in the mid-1930's--Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and in deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then they acted on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West's compass set toward freedom as its due north.
It's not easy to recall now how lonely a position both men once occupied. By the late 1930's, democracy was discredited in many circles, and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini -men we could do business with, - if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign, but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom--that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted.
Churchill and Orwell: The Fight for Freedom
Both George Orwell and Winston Churchill came close to death in the mid-1930's--Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and in deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then they acted on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West's compass set toward freedom as its due north.
It's not easy to recall now how lonely a position both men once occupied. By the late 1930's, democracy was discredited in many circles, and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini -men we could do business with, - if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign, but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom--that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted.

The definitive portrait of a literary master from one of our generation's foremost biographers
Acclaimed literary biographer Hilary Spurling turns her attention to Anthony Powell, an iconic figure of English letters. Equally notorious for his literary achievements and his lacerating wit, Powell famously authored the twelve-volume, twenty-five year magnum opus, A Dance to the Music of Time. This enduringly fascinating portrait of mid-20th-century Britain has never been out of print, inspiring TV and radio adaptations and elevating the author to The Times' list of fifty greatest British writers since 1945.
Master novelist, well-connected socialite and keen-eyed social observer, Powell comes into focus as never before in this authoritative biography from one of our generation's greatest biographers.

Yes, hopefully announcing a publishing date will hold their feet to the fire!
The other day I heard a part of an interview with this author on the radio about the book,
Imbeciles: The Supreme Court, American Eugenics, and the Sterilization of Carrie Buck
New York Times bestselling author Adam Cohen tells the story in Imbeciles of one of the darkest moments in the American legal tradition: the Supreme Court’s decision to champion eugenic sterilization for the greater good of the country. In 1927, when the nation was caught up in eugenic fervor, the justices allowed Virginia to sterilize Carrie Buck, a perfectly normal young woman, for being an “imbecile.�
It is a story with many villains, from the superintendent of the Dickensian Virginia Colony for Epileptics and Feebleminded who chose Carrie for sterilization to the former Missouri agriculture professor and Nazi sympathizer who was the nation’s leading advocate for eugenic sterilization. But the most troubling actors of all were the eight Supreme Court justices who were in the majority � including William Howard Taft, the former president; Louis Brandeis, the legendary progressive; and Oliver Wendell Holmes, Jr., America’s most esteemed justice, who wrote the decision urging the nation to embark on a program of mass eugenic sterilization.
Imbeciles: The Supreme Court, American Eugenics, and the Sterilization of Carrie Buck
New York Times bestselling author Adam Cohen tells the story in Imbeciles of one of the darkest moments in the American legal tradition: the Supreme Court’s decision to champion eugenic sterilization for the greater good of the country. In 1927, when the nation was caught up in eugenic fervor, the justices allowed Virginia to sterilize Carrie Buck, a perfectly normal young woman, for being an “imbecile.�
It is a story with many villains, from the superintendent of the Dickensian Virginia Colony for Epileptics and Feebleminded who chose Carrie for sterilization to the former Missouri agriculture professor and Nazi sympathizer who was the nation’s leading advocate for eugenic sterilization. But the most troubling actors of all were the eight Supreme Court justices who were in the majority � including William Howard Taft, the former president; Louis Brandeis, the legendary progressive; and Oliver Wendell Holmes, Jr., America’s most esteemed justice, who wrote the decision urging the nation to embark on a program of mass eugenic sterilization.
Ally wrote: "The Liberation by Kate Furnivall
The Liberation is set in Italy in 1945 as British and American troops attempt to bring order to the devastated country and Italy’s ..."
I think most of her books take place in our time period. I keep meaning to read her, but haven't gotten to it yet!
The Liberation is set in Italy in 1945 as British and American troops attempt to bring order to the devastated country and Italy’s ..."
I think most of her books take place in our time period. I keep meaning to read her, but haven't gotten to it yet!
Just saw this novel advertised on goodreads.
Isadora
In 1913, the restless world sat on the brink of unimaginable suffering. But for one woman, the darkness of a new era had already made itself at home. Isadora Duncan would come to be known as the mother of modern dance, but in the spring of 1913 she was a grieving mother, after a freak accident in Paris resulted in the drowning death of her two young children.
The accident cracked Isadora’s life in two: on one side, the brilliant young talent who captivated audiences the world over; on the other, a heartbroken mother spinning dangerously on the edge of sanity
Isadora
In 1913, the restless world sat on the brink of unimaginable suffering. But for one woman, the darkness of a new era had already made itself at home. Isadora Duncan would come to be known as the mother of modern dance, but in the spring of 1913 she was a grieving mother, after a freak accident in Paris resulted in the drowning death of her two young children.
The accident cracked Isadora’s life in two: on one side, the brilliant young talent who captivated audiences the world over; on the other, a heartbroken mother spinning dangerously on the edge of sanity
We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywoods Most Beloved Movie
Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.� The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.� �
Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).
Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.� The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.� �
Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).
The Revolution of Marina M.
St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn.
As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times.
St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn.
As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times.
The Widow Nash: A Novel
It is New York, 1904, and Dulcy Remfrey, despite an idiosyncratic, traveling childhood, faces the predictable life of a woman of the time. All that changes when her eccentric father returns from his expedition to Africa without any of the proceeds from the sale of a gold mine. It seems he’s lost his mind along with the money, and Dulcy’s obsessive ex-fiancé (and her father’s business partner) insists she come to Seattle to decipher her father’s cryptic notebooks, which may hold clues to the missing funds. When her father dies unexpectedly, taking the truth with him, Dulcy looks at her future, finds it unbearable, and somewhere in the northern Rockies disappears from the train bringing her father’s body home.
Is it possible to disappear from your old life and create another? Dulcy travels the West reading stories about her own death and finds a small Montana town where she’s reborn as Mrs. Nash, a wealthy young widow, free from the burden of family. But her old life won’t let go so easily, and soon her ex-fiancé is on her trail, threatening the new life she is so eager to create.
It is New York, 1904, and Dulcy Remfrey, despite an idiosyncratic, traveling childhood, faces the predictable life of a woman of the time. All that changes when her eccentric father returns from his expedition to Africa without any of the proceeds from the sale of a gold mine. It seems he’s lost his mind along with the money, and Dulcy’s obsessive ex-fiancé (and her father’s business partner) insists she come to Seattle to decipher her father’s cryptic notebooks, which may hold clues to the missing funds. When her father dies unexpectedly, taking the truth with him, Dulcy looks at her future, finds it unbearable, and somewhere in the northern Rockies disappears from the train bringing her father’s body home.
Is it possible to disappear from your old life and create another? Dulcy travels the West reading stories about her own death and finds a small Montana town where she’s reborn as Mrs. Nash, a wealthy young widow, free from the burden of family. But her old life won’t let go so easily, and soon her ex-fiancé is on her trail, threatening the new life she is so eager to create.

It is New York, 1904, and Dulcy Remfrey, despite an idiosyncratic, traveling childhood, faces the predictable life of a woman of the time. All that changes ..."
You didn't mention that the US has a giveaway for this book which expires on 6/13.
Citizen Clem: A Biography of Attlee by John Bew
The story of Clement Attlee is not only that of an extraordinary Labour leader and Britain's greatest peacetime prime minister; it can give us the true picture of Britain in the 20th century.
Here was a man born in the governing class who devoted his life to the service of the poor; who was carried off the battlefield three times in the First World War; who stood shoulder to shoulder with Churchill at Britain's darkest moment, and then triumphed over him at the general election of 1945. His government of 1945-51 included Ernest Bevin, Herbert Morrison and Nye Bevan and was the most radical in history, giving us the NHS, National Insurance, NATO and the atomic bomb. In many ways we still live in a world of Attlee's creation. John Bew's outstanding biography pierces his famous reticence to reveal a patriot and socialist whose politics are admirable to this day.
The story of Clement Attlee is not only that of an extraordinary Labour leader and Britain's greatest peacetime prime minister; it can give us the true picture of Britain in the 20th century.
Here was a man born in the governing class who devoted his life to the service of the poor; who was carried off the battlefield three times in the First World War; who stood shoulder to shoulder with Churchill at Britain's darkest moment, and then triumphed over him at the general election of 1945. His government of 1945-51 included Ernest Bevin, Herbert Morrison and Nye Bevan and was the most radical in history, giving us the NHS, National Insurance, NATO and the atomic bomb. In many ways we still live in a world of Attlee's creation. John Bew's outstanding biography pierces his famous reticence to reveal a patriot and socialist whose politics are admirable to this day.
The Unfinished Palazzo: Life, love and art in Venice by Judith Mackrell
Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned and the project was abandoned with only one storey complete. Empty, unfinished, and in a gradual state of decay, the building was considered an eyesore. Yet in the early 20th century the Unfinished Palazzo’s quality of fairytale abandonment, and its potential for transformation, were to attract and inspire three fascinating women at key moments in their lives: Luisa Casati, Doris Castlerosse and Peggy Guggenheim. Each chose the Palazzo Venier as the stage on which to build her own world of art and imagination, surrounded by an amazing supporting cast, from d’Annunzio and Nijinsky, via Noel Coward and Cecil Beaton, to Yoko Ono. Luisa turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas � spending small fortunes on her own costumes in her quest to become a ‘living work of art� and muse to the artists of the late belle époque and early modernist eras. Doris strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art-lovers from around the world. Mackrell tells each life story vividly in turn, weaving an intricate history of these legendary characters and the Unfinished Palazzo that they all at different times called home.
Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned and the project was abandoned with only one storey complete. Empty, unfinished, and in a gradual state of decay, the building was considered an eyesore. Yet in the early 20th century the Unfinished Palazzo’s quality of fairytale abandonment, and its potential for transformation, were to attract and inspire three fascinating women at key moments in their lives: Luisa Casati, Doris Castlerosse and Peggy Guggenheim. Each chose the Palazzo Venier as the stage on which to build her own world of art and imagination, surrounded by an amazing supporting cast, from d’Annunzio and Nijinsky, via Noel Coward and Cecil Beaton, to Yoko Ono. Luisa turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas � spending small fortunes on her own costumes in her quest to become a ‘living work of art� and muse to the artists of the late belle époque and early modernist eras. Doris strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art-lovers from around the world. Mackrell tells each life story vividly in turn, weaving an intricate history of these legendary characters and the Unfinished Palazzo that they all at different times called home.
Rasputin: The Biography by Douglas Smith
Nearly a century after his murder, Rasputin remains as divisive a figure as ever.
Was he really a horse thief and a hard-drinking ruffian in his youth? Was he a a devout Orthodox Christian, or was he in fact a just a fake holy man? Are the stories of his enormous sexual drive, debauchery, and drunken orgies true or simply a myth? How did he come to know the emperor and empress and to wield so much influence over them? What was the source of his healing power? Was Rasputin running the government in the final years of his life? And if so, was he acting on his own or on the orders of more powerful, hidden forces? Did Prince Yusupov and his fellow conspirators act alone or were they other parties involved in Rasputin’s murder―British secret agents or even an underground cell of Freemasons, as has been claimed? And to what extent did Rasputin’s murder doom the Romanov dynasty? Drawing on major new sources hitherto unexamined by western historians, Douglas Smith’s book is be the definitive biography of this extraordinary figure for a generation.
Nearly a century after his murder, Rasputin remains as divisive a figure as ever.
Was he really a horse thief and a hard-drinking ruffian in his youth? Was he a a devout Orthodox Christian, or was he in fact a just a fake holy man? Are the stories of his enormous sexual drive, debauchery, and drunken orgies true or simply a myth? How did he come to know the emperor and empress and to wield so much influence over them? What was the source of his healing power? Was Rasputin running the government in the final years of his life? And if so, was he acting on his own or on the orders of more powerful, hidden forces? Did Prince Yusupov and his fellow conspirators act alone or were they other parties involved in Rasputin’s murder―British secret agents or even an underground cell of Freemasons, as has been claimed? And to what extent did Rasputin’s murder doom the Romanov dynasty? Drawing on major new sources hitherto unexamined by western historians, Douglas Smith’s book is be the definitive biography of this extraordinary figure for a generation.
The Women in the Castle
Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resistor murdered in the failed July, 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.
As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.
Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resistor murdered in the failed July, 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.
As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.
Susan wrote: "I just read The Women in the Castle, Jennifer, and liked it a lot."
Nice! It sounds interesting.
Nice! It sounds interesting.
The Plots Against Hitler
In 1933, Adolf Hitler became Chancellor of Germany. A year later, all parties but the Nazis had been outlawed, freedom of the press was but a memory, and Hitler’s dominance seemed complete. Yet over the next few years, an unlikely clutch of conspirators emerged � soldiers, schoolteachers, politicians, diplomats, theologians, even a carpenter � who would try repeatedly to end the Fuhrer’s genocidal reign. This dramatic and deeply researched book tells the full story of those noble, ingenious, and doomed efforts. This is history at its most suspenseful, as we witness secret midnight meetings, crises of conscience, fierce debates among old friends about whether and how to dismantle Nazism, and the various plots themselves being devised and executed. Though we know how this story ends, we’ve had no idea until now how close it came � several times � to ending very differently.
In 1933, Adolf Hitler became Chancellor of Germany. A year later, all parties but the Nazis had been outlawed, freedom of the press was but a memory, and Hitler’s dominance seemed complete. Yet over the next few years, an unlikely clutch of conspirators emerged � soldiers, schoolteachers, politicians, diplomats, theologians, even a carpenter � who would try repeatedly to end the Fuhrer’s genocidal reign. This dramatic and deeply researched book tells the full story of those noble, ingenious, and doomed efforts. This is history at its most suspenseful, as we witness secret midnight meetings, crises of conscience, fierce debates among old friends about whether and how to dismantle Nazism, and the various plots themselves being devised and executed. Though we know how this story ends, we’ve had no idea until now how close it came � several times � to ending very differently.
Caught in the Revolution: Petrograd, Russia, 1917 � A World on the Edge
Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil � felt nowhere more keenly than on the fashionable Nevsky Prospekt where the foreign visitors and diplomats who filled hotels, clubs, bars and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows.
Among this disparate group were journalists, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home. Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action � to see, feel and hear the Revolution as it happened to a diverse group of individuals who suddenly felt themselves trapped in a ‘red madhouse.�
Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil � felt nowhere more keenly than on the fashionable Nevsky Prospekt where the foreign visitors and diplomats who filled hotels, clubs, bars and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows.
Among this disparate group were journalists, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home. Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action � to see, feel and hear the Revolution as it happened to a diverse group of individuals who suddenly felt themselves trapped in a ‘red madhouse.�

Coming in September:
The Mitford Murders by Jessica Fellowes
Lose yourself in the gripping first novel in a new series of Golden Age murder mysteries set amid the lives of the glamorous Mitford sisters.
It's 1920, and Louisa Cannon dreams of escaping her life of poverty in London, and most of all her oppressive and dangerous uncle.
Louisa's salvation is a position within the Mitford household at Asthall Manor, in the Oxfordshire countryside. There she will become nurserymaid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.
But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .
Based on a real unsolved crime and written by Jessica Fellowes, author of the number one-bestselling Downton Abbey books, The Mitford Murders is the perfect new obsession for fans of Daisy Goodwin, Jessie Burton and Agatha Christie.
The View From the Corner Shop: The Diary of a Yorkshire Shop Assistant in Wartime by Kathleen Hey
Kathleen Hey spent the war years helping her sister and brother-in-law run a grocery shop in the Yorkshire town of Dewsbury. From July 1941 to July 1946 she kept a diary for the Mass-Observation project, recording the thoughts and concerns of the people who used the shop. What makes Kathleen's account such a vivid and compelling read is the immediacy of her writing. People were pulling together on the surface ('Bert has painted the V-sign on the shop door�', she writes) but there are plenty of tensions underneath. The shortage of food and the extreme difficulty of obtaining it is a constant thread, which dominates conversation in the town, more so even than the danger of bombardment and the war itself.
Sometimes events take a comic turn. A lack of onions provokes outrage among her customers, and Kathleen writes, 'I believe they think we have secret onion orgies at night and use them all up.' The Brooke Bond tea rep complains that tea need not be rationed at all if supply ships were not filled with 'useless goods' such as Corn Flakes, and there is a long-running saga about the non-arrival of Smedley's peas.
Among the chorus of voices she brings us, Kathleen herself shines through as a strong and engaging woman who refuses to give in to doubts or misery and who maintains her keen sense of humour even under the most trying conditions.A vibrant addition to our records of the Second World War, the power of her diary lies in its juxtaposition of the everyday and the extraordinary, the homely and the universal, small town life and the wartime upheavals of a nation.
Kathleen Hey spent the war years helping her sister and brother-in-law run a grocery shop in the Yorkshire town of Dewsbury. From July 1941 to July 1946 she kept a diary for the Mass-Observation project, recording the thoughts and concerns of the people who used the shop. What makes Kathleen's account such a vivid and compelling read is the immediacy of her writing. People were pulling together on the surface ('Bert has painted the V-sign on the shop door�', she writes) but there are plenty of tensions underneath. The shortage of food and the extreme difficulty of obtaining it is a constant thread, which dominates conversation in the town, more so even than the danger of bombardment and the war itself.
Sometimes events take a comic turn. A lack of onions provokes outrage among her customers, and Kathleen writes, 'I believe they think we have secret onion orgies at night and use them all up.' The Brooke Bond tea rep complains that tea need not be rationed at all if supply ships were not filled with 'useless goods' such as Corn Flakes, and there is a long-running saga about the non-arrival of Smedley's peas.
Among the chorus of voices she brings us, Kathleen herself shines through as a strong and engaging woman who refuses to give in to doubts or misery and who maintains her keen sense of humour even under the most trying conditions.A vibrant addition to our records of the Second World War, the power of her diary lies in its juxtaposition of the everyday and the extraordinary, the homely and the universal, small town life and the wartime upheavals of a nation.

Father and Son by Edmund Gosse
....which I must say sounds absolutely flipping essential
I will confess to a fascination with extreme religious sects, and the Plymouth Brethren seem to come up quite a bit when I read books set in the early 20th century
Edmund Gosse was the son of Philip Henry Gosse and Emily Bowes. His father was a naturalist and his mother an illustrator who published a number of books of poetry. Both were deeply committed to a small Protestant sect, the Plymouth Brethren. His childhood was initially happy as they spent their summers in Devon where his father was developing the ideas which gave rise to the craze for the marine aquarium. After his mother died of breast cancer when he was eight and they moved to Devon, his life with his father became increasingly strained by his father's expectations that he should follow in his religious tradition. Gosse was sent to a boarding school where he began to develop his own interests in literature. His father married in 1860 the deeply religious Quaker spinster Eliza Brightwen (1813�1900), whose brother Thomas tried to encourage Edmund to become a banker.
He later gave an account of his childhood in the book Father and Son which has been described as the first psychological biography. At the age of 18 and working in the British Museum in London, he broke away from his father's influence in a dramatic coming of age.

Here's Ann Thwaite, author of Edmund Gosse: A Literary Landscape, 1849 1928, & Glimpses of the Wonderful: The Life of Philip Henry Gosse...
Father and Son is a classic account of a childhood, a much-praised autobiography published by Edmund Gosse in 1907, nearly 20 years after the death of his father, the naturalist Philip Henry Gosse. Over and over again, it was a reference to that marvellous book that followed my answer to the question, "What are you working on these days?", the standard question to a writer whose work is only vaguely familiar. For nine years or so, until 1984, I replied "Edmund Gosse," and for another six years (from 1996 until a few months ago) "Philip Henry Gosse." Again and again, my questioner's response was "Ah, Father and Son."
It is the only book by either of the Gosses that is in print today, though in the years between 1840 and 1928 they published between them more than 90 books, as well as masses of contributions to periodicals, on natural history in the father's case, on literature in the son's.
I first read Father and Son in the little green Heinemann edition I found on my parents' shelves when I was 16 or so. In the introduction to my biography of Edmund Gosse, I described it as "one of the formative books of my youth". But I think this might have been a case of being wise after the event, of rewriting the story, as Edmund himself did all the time. I looked at my own diaries recently, trying to find some enthusiastic reactions to that first reading, but it is simply one book among many in a list.
Most adolescents long to get away from the constraints and expectations of the parental home, and that over-anxious love so many of us experience. My parents were not fanatics of any sort. That Philip Henry Gosse was one is undeniable. But he was not (and Edmund knew he was not) the "monster" that some readers saw in Edmund's portrayal of his father. One of the strengths of Father and Son is that the father's humanity confronts us as much as his religious obsessions. Indeed, the book takes much of its power from what Edmund rejected. Over and over again Edmund's attempts to be fair to his father are negated by his theme. Looking back to the years long before, he rewrites history and paints an enthralling portrait of a desolate childhood and a difficult youth.
Father and Son was first published anonymously. This seems to have been a clever marketing ploy to arouse curiosity, and Edmund's name was soon attached to subsequent impressions. Edmund was also eager to test the water, to discover just how much he would be attacked for his lack of filial piety. The reviewer in the Times Literary Supplement wrote: "The author of this book has no doubt settled it with his conscience how far in the interests of popular edification or amusement it is legitimate to expose the weaknesses and inconsistencies of a good man who is also one's father." One reader saw the son as "beneath contempt, causing his father to be an object of ridicule", but most admired, and Heinemann declared the book to be the "Literary Sensation of the Season." The criticism died away; the praise remained.
When my biography of Edmund Gosse appeared, Geoffrey Grigson wrote of Father and Son and its writer: "That classic book was in its way its own author. Circumstances could be said to have written it for him." This was far from the case. The story comes as much from art as from life. Edmund himself realised that in writing a powerful and moving book, he had overestimated the dark side, suggesting the comedy was superficial, the tragedy essential. Vivid images stayed in readers' minds of the lonely boy reading aloud theology to his dying mother, of him pressing his pale cheek against the window-pane for interminable hours, of "the hush" around father and son "in which you could hear a sea anemone sigh".
Edmund himself had stressed that at a time when fiction takes forms "so ingenious and so specious", it was necessary to state that his narrative was "scrupulously true". The introduction by Peter Abbs to the current Penguin Twentieth Century Classics edition continues to say that "as a documentary record we know, from other sources, that most of the facts are accurate".
I knew already before 1984 that this was not so, and more recently I have come across substantial further evidence in the father's parish notes, that shows how little Edmund cared for accuracy. (His friend Henry James once said he had "a genius for inaccuracy".) Edmund must have read his source materials years before, when writing his Life of Philip Henry Gosse (1890), then forgotten the facts and used a version of them to enrich Father and Son. There is a great deal of fiction in the book. I was amused, when searching out a copy of the current edition, to find it on the fiction shelves at Foyles. TH Huxley once wrote: "Autobiographies are essentially works of fiction, whatever biographies may be." It is the biographer's task to try to get at the truth.


I do find it strange today the female pilots are still a bit of a rarity, just think these ladies were routinely flying B-17 bombers wow!

Re-issued in August by Bello, the new edition isn't on GR yet
From Amazon:
A disarming, lyrical hybrid of fiction and autobiography, this forgotten masterpiece of post-war English fiction follows a small boy through his First World War childhood and teenage years on the Kentish coast, then into the army and frontline service in the Second World War.
Obsessed by his strange twin passions for orchids and for fireworks, the author-narrator paints a haunting portrait of a childhood and adulthood interleaved with one another in a near-mystical rural idyll. Defined by his unspoken homosexuality, the books capture the unfolding of a melancholy, often painfully sensitive male consciousness.
First published in the late 1940s as three separate but interlinked volumes � “The Military Orchid�; “A Mine of Serpents� and “The Goose Cathedral� � The Orchid Trilogy conjures up a rapturous, fantastical portrait of England at war and peace in the 20th century. Witty, subtle and deceptively simple, this unjustly neglected classic that has yet to be surpassed in its exploration of the magical world of childhood.

Thanks Miss M - you're amazing.
You've well and truly piqued my interest with your post....
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The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust's In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished - and published to acclaim - "The Waste Land.' As Willa Catherput it, "The world broke in two in 1922 or thereabouts," and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.
Looks great, but expensive and not on kindle. To buy or not to buy...


On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction
The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment. Written in the tradition of Tolstoy's War and Peace, Grossman’s Life and Fate, and Solzhenitsyn’s The Gulag Archipelago, Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children’s loss of faith and the fall of the Soviet Union.
Looks great, but expensive - even on kindle. Was approved on NetGalley, but PDF and didn't want to read such a huge book on my PC. Again - to order now, or wait and hope price goes down...

this sounds so scrumptious, I can't afford to buy but thought you'd like to know about:
Amazon USA: Kindle $15 & HC ~$20 will be out in August, both avail for pre-order.
and found one used HC avail ABEbooks.com for ~$20 total, shipped within USA.
Now am off to ask my library to purchase, hey, sometimes I get lucky!

Books mentioned in this topic
The Real Wallis Simpson: A New History of the American Divorcée Who Became the Duchess of Windsor (other topics)Curse of the Narrows: The Halifax Explosion 1917 (other topics)
Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History (other topics)
Joan: The Remarkable Life of Joan Leigh Fermor (other topics)
The Secret Twenties: British Intelligence, the Russians and the Jazz Age (other topics)
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Authors mentioned in this topic
Hédi Kaddour (other topics)Charlotte Hobson (other topics)
Sarah Byrn Rickman (other topics)
Edmund Gosse (other topics)
Ann Thwaite (other topics)
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A dazzling debut novel set in New York City's Jewish immigrant community in 1935... How was it that out of all the girls in the office, I was the one to find myself in this situation? This didn't happen to nice Jewish girls. In 1935, Dottie Krasinsky is the epitome of the modern girl. A bookkeeper in Midtown Manhattan, Dottie steals kisses from her steady beau, meets her girlfriends for drinks, and eyes the latest fashions. Yet at heart, she is a dutiful daughter, living with her Yiddish-speaking parents on the Lower East Side. So when, after a single careless night, she finds herself in a family way by a charismatic but unsuitable man, she is desperate: unwed, unsure, and running out of options. After the birth of five children--and twenty years as a housewife--Dottie's immigrant mother, Rose, is itching to return to the social activism she embraced as a young woman. With strikes and breadlines at home and National Socialism rising in Europe, there is much more important work to do than cooking and cleaning. So when she realizes that she, too, is pregnant, she struggles to reconcile her longings with her faith. As mother and daughter wrestle with unthinkable choices, they are forced to confront their beliefs, the changing world, and the fact that their lives will never again be the same....