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Dr. Jekyll and Mr. Hyde
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August Book - The Strange Case of Dr. Jekyll and Mr. Hyde
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People who enjoy graphic novels might be interested in the interpretation of Jekyll and Hyde in Alan Moore's THE LEAGUE OF EXTRAORDINARY GENTLEMEN. (Be aware that these works are definitely R rated.)



i wonder, was hyde an excuse for jekyll's bad behavior? was he trying to alleviate his guilt by blaming an imaginary being? even if jekyll started out believeing hyde to be real perhaps in the end he realized he was all one person and the guilt consumed him.
i also like how this months short story (yellow wallpaper) carries the theme of questionable sanity.








From reading this book, I get the lesson that everyone has a bad side. Maybe sometimes we want to eliminate the bad side of us and show the good side, but with so we don't honest to ourselves. Instead of separating between the good and bad, but accept what we are and strive to provide the best for all around us.
Is there any other movies tells about this story? Except The League of Extraordinary Gentlemen?




At first I thought the book was about the struggle to between good and evil and how everyone has a dark side but now I am wondering something. Maybe Jekyll was envious of Hyde because Hyde was so free. Souldn't all of us like to indulge in evil with no benafit? Jekyll at first said he did enjoy being Hyde but later was so appalled by what Hyde did he could no longer be him. So maybe it is about the fight to overcome our evil side and not indulge in whatever comes our way.
Anyways I really enjoyed it. I did notice however the Hyde was smaller and unglier than Jekyll where as in the move "League of Extrodanary Gentlmen" Hyde was way bigger. I think it is interesting that the movie decided to take that view.






* Interesting glimpse into the Victorian mindset - these notions of one's reputation warring with one's impulses
* Utterson was actually a more interesting character than I was expecting - it's quite tragic that he lost his two closest friends - another chapter of his thoughts on the events after he'd read Lanyon's and Jekyll's explanations would have been welcome


1. I consider this story "quaint." I use that term because the description of Hyde as small, agile, aggressive, and somehow deformed (the term replaced later in the book with "ape-like") summons to my mind Charles Darwin's "The Origin of Species." That is because Darwin made a strong scientific case for the evolution of humans from an ancestor shared with one of the great apes. So this was well known to the minds of the late Victorian era, and it was even "old news" or "quaint" to them. Religious scholars disputed it, of course, but biologists and most anthropologists accepted it easily. Of course, it would take the advances in genetic and DNA research (in the 1930's) to make the connection to an ancestor common to us and the chimpanzees. Nevertheless, the ape-like evil of Hyde was a perfect corollary to the moral human that was Jekyll, as a way to embrace the animal nature of our genes and yet somehow surpass it.
2. Jekyll intends to break free from the shackles of his "imperfect humanity," (meaning that genetic mess described by Darwin, above) and to improve himself morally, by creating a kind of body double that would bear the blame for the worst "ape-like" aspects he had. I think this was Stevenson's way to summon the discontent of many people with the materialism and other scientific limitations of late Victorian life. Dickens had already exposed some of those terrible social consequences in his own writings. What interests me is that Jekyll used an undefined "transcendental medicine" by chemistry to create this body double split. The severe, conventional scientist Lanyon disparages this so-called science as "unscientific balderdash" despite seeing the transformation from Hyde to Jekyll occur before his eyes. The story never makes the case for or against this "transcendental medicine" so we only see Lanyon's incredulous rejection of it at the end. I would only add that even in our own times we like to rely upon similar fantasies, such as out of body projection, which are just one more form of pseudo-science that no age is immune from.
3. Repression accounts for much of Jekyll's angst. Victorian England did not encourage sexual expression, violence or even expression of emotion. So the more Jekyll's forbidden appetites are repressed, the more he desires the life of Mr. Hyde. He ultimately wants a purely virtuous life, and that is clearly his motive in finding a way to completely escape from the "evil" part of his life. His motive is clear at the end, in his letter: "....it was Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse; he woke again to his good qualities seemingly unimpaired; he would even make haste, where it was possible, to undo the evil done by Hyde. And thus his conscience slumbered....."
4. All the men in the novel are confirmed bachelors, being lawyers, doctors, men about town, and even a butler. All of them are confirmed purveyors of Victorian morality. But the women are few, and none are prominent. Even the girl in the beginning of Enfield's recount is a loud angry thing shouting for justice. And the maid who witnesses the death of Carew is passive and never given prominence. It seems that Stevenson is intent upon casting the few women as merely passive spectators. I cannot determine what this says, if anything, about the milieu of the story. Of course, other more famous stories with exactly the same milieu. I am thinking specifically of many stories in the Sherlock Holmes stories.
5. Is this story a parable for not trusting the chemistry of our lives? Jekyll says specifically that he loses control of the transformation process because "...I am now persuaded that my first supply was impure, and that it was that unknown impurity which lent efficacy to the draught." Since Stevenson was addicted in some measure to laudanum and other chemicals, he had a personal story to tell in this particular rendition.
6. With some resistance, I will call this story a kind of tragedy a bit in the Aristotelian sense, with a man plagued by flaws trying to surpass them and to do the right thing, and failing to do so while harming himself and many around him. This summary is a trifle trite to me, because there is as much melodrama, or just Gothic thriller, as anything else in this story. So I will just close this review as I started it, with the summary of "quaint."
Have Fun!