Steven's Updates en-US Thu, 01 May 2025 11:34:00 -0700 60 Steven's Updates 144 41 /images/layout/goodreads_logo_144.jpg ReadStatus9374897967 Thu, 01 May 2025 11:34:00 -0700 <![CDATA[Steven is currently reading 'Open, Heaven']]> /review/show/7534487856 Open, Heaven by Seán Hewitt Steven is currently reading Open, Heaven by Seán Hewitt
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UserStatus1055388623 Thu, 01 May 2025 07:56:28 -0700 <![CDATA[ Steven is 70% done with The Master and Margarita ]]> The Master and Margarita by Mikhail Bulgakov Steven is 70% done with <a href="/book/show/25716554-the-master-and-margarita">The Master and Margarita</a>. ]]> Rating853041189 Thu, 01 May 2025 07:20:43 -0700 <![CDATA[Steven liked a review]]> /
Scientific Babel by Michael D. Gordin
"Eminently readable, really, really good. Somewhat constrained in scope: mostly focusing on chemistry, mostly constrained to major language which are have been significant vehicular languages (doubtless at least a little bit because these are those that Gordin has knowledge of) � which constrains how deep the histories of making science whilst speaking a marginalized native tongue can go.
   Which is to say, I will happily read several thousand more pages in the field.

English has attained its current position owing to a series of historical transformations that it also in turn shaped, exploiting a perception of neutrality that it gained through being distinctly non-neutral in either its British or American guise. There is a circularity to studying language and history together, scrambling our notions of time even in the buttoned-down domain of science. The history of scientific languages ends here, until it no longer does.



  a conversation i actually had, paraphrased:

"cicero invented the latin word for quantity, apparently"
"that is such a cicero thing to do"
"
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ReadStatus9372643645 Wed, 30 Apr 2025 21:08:01 -0700 <![CDATA[Steven wants to read 'The History of Sound']]> /review/show/7532825409 The History of Sound by Ben Shattuck Steven wants to read The History of Sound by Ben Shattuck
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Rating852443897 Tue, 29 Apr 2025 13:01:02 -0700 <![CDATA[Steven liked a review]]> /
Go Luck Yourself by Sara Raasch
"This book was so relatable it had me sobbing in my work bathroom. "
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Rating850897188 Thu, 24 Apr 2025 22:29:30 -0700 <![CDATA[Steven liked a review]]> /
The Serviceberry by Robin Wall Kimmerer
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Review7504141539 Wed, 23 Apr 2025 18:00:33 -0700 <![CDATA[Steven added 'Mothers and Sons']]> /review/show/7504141539 Mothers and Sons by Adam Haslett Steven gave 3 stars to Mothers and Sons (Hardcover) by Adam Haslett
tl;dr haslett’s Mothers and Sons swings big and misses occasionally, but the humanity at its heart is more than worth its shortcomings

“What a waste a closed heart is.(p. 301)�

Haslett’s ambitious Mothers and Sons paints in broad strokes in many colors and across many genres. It’s a coming-of-age/queer/family/legal drama, and the weight of all those parts isn’t an easy thing to juggle. While a lot of Mothers and Sons does shine, the writing and structure feels labored and a bit taxing, especially towards the end.

Mothers and Sons opens with a striking fragment of memory, then the doldrums of Peter's everyday as an asylum lawyer. The stories of his clients are major, but the proceedings are largely mundane, as the often harrowing stories are reduced to mere objectivities. This is a fantastic setup for Peter’s character, and a multi-layered backdrop to his own struggles. These auxiliary stories, while not necessarily crucial to the plot (save for one), to me were the most fascinating part of Mothers and Sons. Beyond just providing a glimpse into the complex world of asylum-lawyering, Peter’s reaction to these cases, as well as his colleagues�, help to add dimension to his character and his environs. He’s a guy who aims to fix.

In the legal scenes, past and present intertwine dancelike in Haslett's hands, but the dual POVs of the story proper feel clunky. The first person Peter-centered chapters are utterly absorbing, making big moments out of his life and his job. However, the third-person Ann-centered chapters feel a bit emotionally detached. I get that this is the intention (especially due to the third-person POV), but the asymmetry of the focus makes the “Ann� chapters feel like they’re getting in the way rather than adding to the story as a whole. For a book called Mothers and Sons, it definitely feels like one is taking priority over the other.

I think my other complaint is that the plot veers into melodrama, especially the backstory. The events that make Peter who he is at the beginning of Mothers and Sons are just fine on paper, but the way that they’re presented both structurally and stylistically came off to me as cloying and overly dramatic. I think it’s a personal taste thing, but also I think if you write a character as opaque (and frankly, frustrating) as Jared, it’s hard for me to feel like things “pay off� the way they end up in Mothers and Sons.

Mothers and Sons has a lot to say, and its emotional frankness is, in this climate, a boon I’d say. Despite Haslett’s ambition sometimes getting the best of him, I still came away from Mothers and Sons with an appreciation for its reverence for all the ways humans do wrong and right.
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ReadStatus9331376809 Sun, 20 Apr 2025 12:38:51 -0700 <![CDATA[Steven is currently reading 'Mothers and Sons']]> /review/show/7504141539 Mothers and Sons by Adam Haslett Steven is currently reading Mothers and Sons by Adam Haslett
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Review7503975699 Sun, 20 Apr 2025 11:26:07 -0700 <![CDATA[Steven added 'Hunchback']]> /review/show/7503975699 Hunchback by Saou Ichikawa Steven gave 4 stars to Hunchback (Hardcover) by Saou Ichikawa
a novella of power dynamics, sexuality, and disability. Shaka, our narrator, dissects privilege in cheeky ways, yearning at times to make the same mistakes that ablebodied folks can make at their own leisure, going as far at one point to tweet:

“I can’t imagine a fetus growing properly inside this crooked body of mine. I guess I couldn’t withstand labor either. And of course, taking care of a baby would be out of the question for me. [...] So I’d like to experience what that’s like. My ultimate dream is to get pregnant and have an abortion, just like a normal woman. (p. 19)

Ichikawa skewers the Japanese cultural attitudes towards its disabled citizens, drawing comparisons to the West and raising questions posed by philosophers of the body. Hunchback propels its plainspoken desires and ideas with an in-your-face yet matter-of-fact honesty.

Hunchback is provocative to be sure, but what’s most striking about it is its sincerity. What’s shocking on the surface � to be made pregnant in order to have an abortion � is a manifestation of something much simpler: a desire for agency, and the resentment of its refusal by her own body, as well as her country.
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ReadStatus9288380694 Tue, 08 Apr 2025 22:28:07 -0700 <![CDATA[Steven started reading 'The Satanic Verses']]> /review/show/4977686101 The Satanic Verses by Salman Rushdie Steven started reading The Satanic Verses by Salman Rushdie
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