What do you think?
Rate this book
Xenowealth #1
Crystal Rain
Long ago, so the stories say, the old-fathers came to Nanagada through a worm's hole in the sky. Looking for a new world to call their own, they brought with them a rich mélange of cultures, religions, and dialects from a far-off planet called Earth. Mighty were the old-fathers, with the power to shape the world to their liking—but that was many generations ago, and what was once known has long been lost. Steamboats and gas-filled blimps now traverse the planet, where people once looked up to see great silver cities in the sky.
Like his world, John deBrun has forgotten more than he remembers. Twenty-seven years ago, he washed up onto the shore of Nanagada with no memory of his past. Although he has made a new life for himself among the peaceful islanders, his soul remains haunted by unanswered questions about his own identity.
These mysteries take on new urgency when the fearsome Azteca storm over the Wicked High Mountains in search of fresh blood and hearts to feed their cruel, inhuman gods. Nanagada's only hope lies in a mythical artifact, the Ma Wi Jung, said to be hidden somewhere in the frozen north. And only John deBrun knows the device's secrets, even if he can't remember why or how!
Crystal Rain is the much-anticipated debut novel by one of science fiction's newest and most promising talents.
Like his world, John deBrun has forgotten more than he remembers. Twenty-seven years ago, he washed up onto the shore of Nanagada with no memory of his past. Although he has made a new life for himself among the peaceful islanders, his soul remains haunted by unanswered questions about his own identity.
These mysteries take on new urgency when the fearsome Azteca storm over the Wicked High Mountains in search of fresh blood and hearts to feed their cruel, inhuman gods. Nanagada's only hope lies in a mythical artifact, the Ma Wi Jung, said to be hidden somewhere in the frozen north. And only John deBrun knows the device's secrets, even if he can't remember why or how!
Crystal Rain is the much-anticipated debut novel by one of science fiction's newest and most promising talents.
352 pages, Hardcover
First published February 7, 2006
29 people are currently reading
2624 people want to read
About the author
Tobias S. Buckell
213Ìýbooks457ÌýfollowersBorn in the Caribbean, Tobias S. Buckell is a New York Times Bestselling author. His novels and over 50 short stories have been translated into 17 languages and he has been nominated for the Hugo, Nebula, Prometheus and John W. Campbell Award for Best New Science Fiction Author. He currently lives in Ohio.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 173 reviews
July 7, 2015
I've been hearing about Tobias S. Buckell's Xenowealth series for years and finally got around to it last month. My schedule made reading time difficult to find, so it probably suffered somewhat from that, but overall, I really enjoyed Crystal Rain, book 1 in the Xenowealth series.
John DeBrun has no memory of his past, but there are a few odd things he's realized about himself, such as the fact that he doesn't seem to age or get sick (unbreakable!). We find him established with a wife and son and living in a Caribbean-esque world that leans toward the steampunk.
In this Caribbean-style world, just about everyone talks in dialect. As far as a unique world, I haven't come across this yet and I thought it was interesting ... at first. Then, it got frustrating and difficult to read after a while. It really threw me off and I never got used to it even by the end. Kudos to putting it in there and diversifying the genre, nonetheless.
The Caribbeans are attacked by the neighboring culture who live across the Wicket High mountain range and who are intent on domination. Again, the actual reasons behind the attack (and the interesting surprises) are much more than one country ruling another and has more to do with who is pulling the strings as we learn as the story progresses.
I don't want to spoil too much, but the payoff in the end is really great after the mysteries finally start to unfold. I blazed through the last hundred pages and it helped I actually found that mysterious reading time I was looking for.
Again, I fear spoiling too much, but this is a brilliant mix of fantasy and science fiction that started off slowly, but really built to a great ending. I did have some problems, but overall I highly enjoyed Crystal Rain and I'm looking forward to the sequels. The reveals were worth the minor difficulties and I think going into the next book, those hiccups will be overcome.
3.5 out of 5 Stars (recommended)
John DeBrun has no memory of his past, but there are a few odd things he's realized about himself, such as the fact that he doesn't seem to age or get sick (unbreakable!). We find him established with a wife and son and living in a Caribbean-esque world that leans toward the steampunk.
In this Caribbean-style world, just about everyone talks in dialect. As far as a unique world, I haven't come across this yet and I thought it was interesting ... at first. Then, it got frustrating and difficult to read after a while. It really threw me off and I never got used to it even by the end. Kudos to putting it in there and diversifying the genre, nonetheless.
The Caribbeans are attacked by the neighboring culture who live across the Wicket High mountain range and who are intent on domination. Again, the actual reasons behind the attack (and the interesting surprises) are much more than one country ruling another and has more to do with who is pulling the strings as we learn as the story progresses.
I don't want to spoil too much, but the payoff in the end is really great after the mysteries finally start to unfold. I blazed through the last hundred pages and it helped I actually found that mysterious reading time I was looking for.
Again, I fear spoiling too much, but this is a brilliant mix of fantasy and science fiction that started off slowly, but really built to a great ending. I did have some problems, but overall I highly enjoyed Crystal Rain and I'm looking forward to the sequels. The reveals were worth the minor difficulties and I think going into the next book, those hiccups will be overcome.
3.5 out of 5 Stars (recommended)
March 16, 2011
The one about a land war on an isolated and technologically
retrograded colony world, with shadowy aliens working behind the
scenes.
. . . Yeah, no. This book is a study in how social justice
awareness isn’t transitive. Buckell’s name got tossed around a lot a
couple years ago in race fail because he’s an author of color who, my
goodness, writes nonfaily science fiction about people of color. What
no one told me was that he simultaneously fails at disability. He
fails at disability like a boss, you guys.
[I just wrote and deleted over 1000 words of spitting rant about how
many of the exact same people who were bringing out the racism
pitchforks a couple years ago suddenly in the disability context of
Vividconfail wanted to have “a compromise dialogue.� Let’s just leave that
as the soundbyte and move on under the assumption that my anger with
and alienation from my community hasn’t lessened a single iota in
seven months. Kay? Kay.]
Anyway. The point is, as you know, Bob, that awareness of one
axis of oppression has the potential to give a person some awareness
of others, but there’s no auto fill. It’s not like dragging the
function across multiple rows in Excel.
See Tobias Buckell, whose main character is missing an arm and much of
his memory. The presentation of his physical disability is clumsy and
shallow; it’s basically just repeated references to a half dozen
things he does one-handed. There’s no grasp whatsoever on what it’s
like to experience that sort of embodiment, or the psychological
consequences of losing a body part and some function in the traumatic
way he did.
Oh, and then he gets the arm back when he gets his memory back.
Because now he’s a whole person again, get it?
If I had a quarter for every � okay. One more time.
Disability is not your metaphor. Using a piece of someone’s identity like that is dismissive and demeaning. And disability is particularly not your metaphor for incompleteness, unwholeness, lessness, damage, etc. That is the little kernel of evilness at the very center of ablest thought, right there. This is where it all comes from. Because using disability as an outward-facing metaphor for inward-facing unwholeness depends on the ablest assumption that the disabled body and the disabled person are less, are incomplete, are unwhole. Ask someone who’s been disabled for a while how it feels to be only part of a person, see how well they take it.
And if anyone really needs a sharper point on this one, the most obvious analogy I can think of is that writing disability this way is very much like the way a character’s shadiness/evilness/thuggishness is visually coded in movies through darker skin.
. . . Also the book was clumsily written and it just didn’t interest me much.
retrograded colony world, with shadowy aliens working behind the
scenes.
. . . Yeah, no. This book is a study in how social justice
awareness isn’t transitive. Buckell’s name got tossed around a lot a
couple years ago in race fail because he’s an author of color who, my
goodness, writes nonfaily science fiction about people of color. What
no one told me was that he simultaneously fails at disability. He
fails at disability like a boss, you guys.
[I just wrote and deleted over 1000 words of spitting rant about how
many of the exact same people who were bringing out the racism
pitchforks a couple years ago suddenly in the disability context of
Vividconfail wanted to have “a compromise dialogue.� Let’s just leave that
as the soundbyte and move on under the assumption that my anger with
and alienation from my community hasn’t lessened a single iota in
seven months. Kay? Kay.]
Anyway. The point is, as you know, Bob, that awareness of one
axis of oppression has the potential to give a person some awareness
of others, but there’s no auto fill. It’s not like dragging the
function across multiple rows in Excel.
See Tobias Buckell, whose main character is missing an arm and much of
his memory. The presentation of his physical disability is clumsy and
shallow; it’s basically just repeated references to a half dozen
things he does one-handed. There’s no grasp whatsoever on what it’s
like to experience that sort of embodiment, or the psychological
consequences of losing a body part and some function in the traumatic
way he did.
Oh, and then he gets the arm back when he gets his memory back.
Because now he’s a whole person again, get it?
If I had a quarter for every � okay. One more time.
Disability is not your metaphor. Using a piece of someone’s identity like that is dismissive and demeaning. And disability is particularly not your metaphor for incompleteness, unwholeness, lessness, damage, etc. That is the little kernel of evilness at the very center of ablest thought, right there. This is where it all comes from. Because using disability as an outward-facing metaphor for inward-facing unwholeness depends on the ablest assumption that the disabled body and the disabled person are less, are incomplete, are unwhole. Ask someone who’s been disabled for a while how it feels to be only part of a person, see how well they take it.
And if anyone really needs a sharper point on this one, the most obvious analogy I can think of is that writing disability this way is very much like the way a character’s shadiness/evilness/thuggishness is visually coded in movies through darker skin.
. . . Also the book was clumsily written and it just didn’t interest me much.
June 11, 2008
This book was so much fun to read. Imagine another planet inhabited by Caribbean people and Aztecs. Imagine “gods� that require blood sacrifices. Imagine a world settled by humans who get cut off from the rest of humanity and have lost most of their technology and whose origins are the stuff of myth and legend. This is the setting of "Crystal Rain" by Tobias Buckell.
When you read as much genre fiction as I do, you start recognizing the formulas and get pretty good at determining where the story is going. In science fiction and fantasy, you get quite used to having everything explained to you in lengthy exposition. With "Crystal Rain", there were surprises at every turn. The planet’s history was revealed slowly, not all at once. Whatever the characters took for granted, I took for granted. It’s obvious that Buckell had a completely envisioned world and society. But, instead of hitting the reader over the head, he hands out details in bits and pieces. His characters are fully realized and come alive on the page.
I highly recommend "Crystal Rain" for any reader of science fiction (or fantasy) that wants something fresh and exciting, yet accessible. The one thing Crystal Rain is not is weird for weirdness sake. The characters are people we can recognize and their world is not too terribly different from our own, although it is wilder. This book won’t change your life or make you a better person, but it will entertain you without making you feel like you’ve read it before.
By the way, although there is some violence (and human sacrifice), I put this in my "Sharing with my middle-school son" shelf because it was a great adventure, not too weird and it had no graphic sex in it like so many science fiction novels do. The violence was a necessary part of the story and it was handled seriously, not as fun-and-games.
When you read as much genre fiction as I do, you start recognizing the formulas and get pretty good at determining where the story is going. In science fiction and fantasy, you get quite used to having everything explained to you in lengthy exposition. With "Crystal Rain", there were surprises at every turn. The planet’s history was revealed slowly, not all at once. Whatever the characters took for granted, I took for granted. It’s obvious that Buckell had a completely envisioned world and society. But, instead of hitting the reader over the head, he hands out details in bits and pieces. His characters are fully realized and come alive on the page.
I highly recommend "Crystal Rain" for any reader of science fiction (or fantasy) that wants something fresh and exciting, yet accessible. The one thing Crystal Rain is not is weird for weirdness sake. The characters are people we can recognize and their world is not too terribly different from our own, although it is wilder. This book won’t change your life or make you a better person, but it will entertain you without making you feel like you’ve read it before.
By the way, although there is some violence (and human sacrifice), I put this in my "Sharing with my middle-school son" shelf because it was a great adventure, not too weird and it had no graphic sex in it like so many science fiction novels do. The violence was a necessary part of the story and it was handled seriously, not as fun-and-games.
June 12, 2017
Crystal Rain has a few minor flaws, but it’s a fun novel with an interesting setting that can best be described as Caribbean steam-punk. The novel takes place on a distant, former colony world that was undergoing terraforming. About 300 years prior to the events in the novel, an interstellar war spilled over into the solar system where the world is located. In desperation, one side in the conflict set off a massive EMP burst that fried every computer and circuit board in the system. All ships and advanced tech were turned into junk and the only survivors (human and representatives of two different alien races)were those that were on the surface when the burst was set off. Now, 300 years later, the descendents of those survivors are living a low tech, quasi steam-punk existence. The one land mass on the planet is conveniently separated into two different cultures by the impassable Wicked High Mountain Range that splits the continent in half. On one side, in the country of Nanagada, are people of color, descendents of Caribbean colonists and refugees; on the other side are the Aztecas, people who have a culture based on the ancient Aztec civilization of Central America. Events are set into motion when an Azteca army finds a way through the Wicked High Mountains and invades Nanagada.
This back-story to the novel is a little convoluted and clunky and, in some spots, the plot demands some suspension of disbelief. There's also a few things that don't make sense or are poorly thought out by the author:
� The Aztecas are the biggest weakness in the novel. The author doesn’t explain how or why their culture ever came into existence. The Aztecas have a largely stone-age culture and practice human sacrifice to appease their Gods (the alien Teotl). The author briefly explains them as “religious fanatics�, but that doesn’t really explain how humans in an advanced star-faring culture would start wearing robes and feathers (and cut their sacrificial victim’s hearts out) or mimic an extinct culture and religion . It appears that Buckell, in trying to come up with his plot, had the thought: "Rastafarians versus Aztecs" pop into his head and just went with it.
� None of the flora and fauna on this alien world are truly “alien�. The jungle is full of terrestrial creatures like monkeys and parrots, but nothing that is “otherworldly�.
� Since they live on the same land mass, the total separation of the two cultures is a little too contrived. The Wicked High Mountain range spans the entire center of the continent from coast to coast and is supposedly impassable except for one heavily guarded spot. Landing by boat is out since the coastline is either full of dangerous reefs that make navigation difficult or it’s far too rocky and mountainous to land on. Both sides have dirigibles, yet it seems that building a fleet of dirigibles to invade by air didn’t dawn on the Aztecas.
� I don’t fully buy the idea that things would still be so low tech 300 years later. Consider the tech level of our world 300 years ago (in 1717) and how far we've advanced in those years. Even if all tech was trashed, the survivors would still have the knowledge behind it and their descendants could always reverse engineer things based on whatever artifacts have survived. More than anything else, it just seems like Buckell wanted to write a steam-punk novel and this was the only way he could think of making it semi-plausible.
This is a book where it’s best not to dwell upon things too much and just go with it. The story moves fast and the Caribbean influenced culture of Nanagada is a refreshing change of pace. Interestingly, the vast majority of the characters in the novel are people of color, but you wouldn't get that idea by the lily white people depicted on the book's cover. The man with the hook on the cover is one of the main characters and, in the book, he's black. I'm a little curious if that was a marketing decision or just an oversight.
This back-story to the novel is a little convoluted and clunky and, in some spots, the plot demands some suspension of disbelief. There's also a few things that don't make sense or are poorly thought out by the author:
� The Aztecas are the biggest weakness in the novel. The author doesn’t explain how or why their culture ever came into existence. The Aztecas have a largely stone-age culture and practice human sacrifice to appease their Gods (the alien Teotl). The author briefly explains them as “religious fanatics�, but that doesn’t really explain how humans in an advanced star-faring culture would start wearing robes and feathers (and cut their sacrificial victim’s hearts out) or mimic an extinct culture and religion . It appears that Buckell, in trying to come up with his plot, had the thought: "Rastafarians versus Aztecs" pop into his head and just went with it.
� None of the flora and fauna on this alien world are truly “alien�. The jungle is full of terrestrial creatures like monkeys and parrots, but nothing that is “otherworldly�.
� Since they live on the same land mass, the total separation of the two cultures is a little too contrived. The Wicked High Mountain range spans the entire center of the continent from coast to coast and is supposedly impassable except for one heavily guarded spot. Landing by boat is out since the coastline is either full of dangerous reefs that make navigation difficult or it’s far too rocky and mountainous to land on. Both sides have dirigibles, yet it seems that building a fleet of dirigibles to invade by air didn’t dawn on the Aztecas.
� I don’t fully buy the idea that things would still be so low tech 300 years later. Consider the tech level of our world 300 years ago (in 1717) and how far we've advanced in those years. Even if all tech was trashed, the survivors would still have the knowledge behind it and their descendants could always reverse engineer things based on whatever artifacts have survived. More than anything else, it just seems like Buckell wanted to write a steam-punk novel and this was the only way he could think of making it semi-plausible.
This is a book where it’s best not to dwell upon things too much and just go with it. The story moves fast and the Caribbean influenced culture of Nanagada is a refreshing change of pace. Interestingly, the vast majority of the characters in the novel are people of color, but you wouldn't get that idea by the lily white people depicted on the book's cover. The man with the hook on the cover is one of the main characters and, in the book, he's black. I'm a little curious if that was a marketing decision or just an oversight.
May 13, 2011
Uniqueness can be a difficult thing to find in fantasy literature, as most novels follow the general archetypes. The medieval English setting established in the Sir Thomas Malory’s classic “Le Morte d’Arthur� has been grossly overused in the genre. So it is immensely refreshing to discover a fantasy/sci-fi novel that revolves around a Caribbean/South American type of setting. Creativity is a wonderful thing.
“Crystal Rain�, the strong debut novel by Tobias S. Buckell, is a unique hybrid that attempts to be something special. And in making such an ambitious attempt, the novel distinguishes itself. You likely will not forget a novel that is a hybrid of fantasy and science fiction elements, where the characters talk like Caribbean islanders, alien gods patrol the land, and the Azteca are the invading force. (And if you do forget it, I want your reading list.) Buckell is to be commended for not playing it safe, and rehashing the same tired fantasy genre clichés.
The novel is set in the Caribbean-styled Nanagada, a peninsula protected by a mountain range, the Wicked Highs, on the landed side. Almost immediately, the brutal Azteca have invaded Nanagada, seeking blood and human sacrifice to satiate their gods. John deBrun lives with his wife Shanta and son Jerome outside of the town of Brungstun in the shadow of the Wicked Highs. Soon they find themselves caught in the battle with the Azteca, becoming separated from each other in the confusion. John, who has no memory of his life prior to arriving in Nanagada twenty-seven years earlier, is saved from being a sacrifical lamb by the Aztecan mongoose man, Oaxyctl. Together they travel to Capitol City, the governmental and major population center of Nanagada, meager steps ahead of the advancing Azteca army. Meanwhile, John’s son Jerome is saved by the mysterious Pepper, a dreadlocked badass who is searching for John, claiming to be an old friend. Pepper oozes more violence and menace than the evening news. On reaching Capitol City, John discovers he is an instrumental part in the plan to stop the Azteca invasion. Somewhere within John’s forgotten memories, he has knowledge of the Ma Wi Jung, an artifact that may save the Nanagadans. Can John regain his lost memories and save the Nanagadans? And who is Pepper and what is his interest in John? What is Oaxyctl’s real agenda?
The pacing of “Crystal Rain� is swift with the majority of the chapters only being a few pages long. The story mainly evolves through action, drawing the reader quickly through novel. The biggest negative to this lightning-fast pace is a lack of more extensive cultural information about the world; the world-building is unfortunately minimal other than a moderate amount of physical description of Nanagada. There are so many interesting cultural and religious aspects about the Nanagadans and the Azteca that could have been further explored by Buckell. But he misses the opportunity. This is a fantasy setting that screams for a more extensive examination. Sacrificing the pace for a more complete Nanagada would have been worth it. Considering the novel’s pacing, the characters are well-drawn. Pepper really jumps off the page; the mystery surround him being one of the most intriguing aspects of “Crystal Rain�. He was the one character I most wanted to read about, not only in this book but in future books.
The uniqueness of “Crystal Rain� makes it a strong debut for Buckell, but it could have been special if the pacing had been sacrificed for more world-building. When you create a setting this amazing, it is natural for the to want to explore it more thoroughly. And it is in wanting more from this novel that makes “Crystal Rain� an overall success.
Last Word:
“Crystal Rain� is a worthy read, filled with a unique setting and fresh creativity. Fast paced action and short chapters will have the reader ripping through the story, but a lack of in-depth world-building keeps the book from achieving more. Ultimately, “Crystal Rain� is oozing with potential. And my sincere hope of Buckell eventually fulfilling that potential has me eagerly anticipating his next novel even more.
“Crystal Rain�, the strong debut novel by Tobias S. Buckell, is a unique hybrid that attempts to be something special. And in making such an ambitious attempt, the novel distinguishes itself. You likely will not forget a novel that is a hybrid of fantasy and science fiction elements, where the characters talk like Caribbean islanders, alien gods patrol the land, and the Azteca are the invading force. (And if you do forget it, I want your reading list.) Buckell is to be commended for not playing it safe, and rehashing the same tired fantasy genre clichés.
The novel is set in the Caribbean-styled Nanagada, a peninsula protected by a mountain range, the Wicked Highs, on the landed side. Almost immediately, the brutal Azteca have invaded Nanagada, seeking blood and human sacrifice to satiate their gods. John deBrun lives with his wife Shanta and son Jerome outside of the town of Brungstun in the shadow of the Wicked Highs. Soon they find themselves caught in the battle with the Azteca, becoming separated from each other in the confusion. John, who has no memory of his life prior to arriving in Nanagada twenty-seven years earlier, is saved from being a sacrifical lamb by the Aztecan mongoose man, Oaxyctl. Together they travel to Capitol City, the governmental and major population center of Nanagada, meager steps ahead of the advancing Azteca army. Meanwhile, John’s son Jerome is saved by the mysterious Pepper, a dreadlocked badass who is searching for John, claiming to be an old friend. Pepper oozes more violence and menace than the evening news. On reaching Capitol City, John discovers he is an instrumental part in the plan to stop the Azteca invasion. Somewhere within John’s forgotten memories, he has knowledge of the Ma Wi Jung, an artifact that may save the Nanagadans. Can John regain his lost memories and save the Nanagadans? And who is Pepper and what is his interest in John? What is Oaxyctl’s real agenda?
The pacing of “Crystal Rain� is swift with the majority of the chapters only being a few pages long. The story mainly evolves through action, drawing the reader quickly through novel. The biggest negative to this lightning-fast pace is a lack of more extensive cultural information about the world; the world-building is unfortunately minimal other than a moderate amount of physical description of Nanagada. There are so many interesting cultural and religious aspects about the Nanagadans and the Azteca that could have been further explored by Buckell. But he misses the opportunity. This is a fantasy setting that screams for a more extensive examination. Sacrificing the pace for a more complete Nanagada would have been worth it. Considering the novel’s pacing, the characters are well-drawn. Pepper really jumps off the page; the mystery surround him being one of the most intriguing aspects of “Crystal Rain�. He was the one character I most wanted to read about, not only in this book but in future books.
The uniqueness of “Crystal Rain� makes it a strong debut for Buckell, but it could have been special if the pacing had been sacrificed for more world-building. When you create a setting this amazing, it is natural for the to want to explore it more thoroughly. And it is in wanting more from this novel that makes “Crystal Rain� an overall success.
Last Word:
“Crystal Rain� is a worthy read, filled with a unique setting and fresh creativity. Fast paced action and short chapters will have the reader ripping through the story, but a lack of in-depth world-building keeps the book from achieving more. Ultimately, “Crystal Rain� is oozing with potential. And my sincere hope of Buckell eventually fulfilling that potential has me eagerly anticipating his next novel even more.
July 28, 2009
4.0 to 4.5 stars. Excellent debut novel. Fantastic world-building (much of which is only hinted at or briefly disclosed in this novel), great characters (with "Pepper" going on the list of one of the best characters of recent years) and a good story. Recommended.
did-not-finish
January 3, 2017I think I'm setting this aside after including it in a speed-dating project. I feel bad because I've met the author and he signed it... .... care to tell me to try again?
February 21, 2010
With Crystal Rain, Buckell creates a crazy mish-mash of fantasy, myth, and sci-fi. All of which is wrapped up in the enigma: Who the heck is John deBrun?
He's a man with a hook. A fisherman. A family man. But he must be so much more since gods, spies, and a strange guy in a top hat are all hunting for him. The different factions think John can provide important information, but all he has is a case of amnesia.
The mystery of his true identity ties all the story threads together, but it's not the only engaging aspect. Buckell flips focus between John's journey and the events in Capitol City. The people there are readying themselves for invasion by the Azteca--a fierce breed of warriors whose gods demand blood sacrifices. It's General Haidan's task to beat the enemy back, while Prime Minister Dihana tries to prevent chaos from erupting within the walled Capitol City.
Coming from a person whose eyes glaze over at in-depth discussion of military tactics, I thought Buckell offered just the right amount of insight into the war preparations. I could well imagine the advancing forces, the defensive line, and the high tension of the people. The story is never bogged down by details. Instead, I could feel the pressure these two authority figures endured as they raced against time.
Buckell also includes a harrowing voyage at sea, another aspect that proved surprisingly engaging. Again, he provides just the right balance. He focuses on the pitch of the waves, the crew's uncertainty, the tedium, and the daunting elements. He captures the hardships without making me feel like I enrolled in Sailing 101.
The efficient storytelling shows itself in additional tidbits that make the landscape whole and the story rich. The setting, Nanagada, is a land with strong Caribbean and South American influences. Its people speak in an island cadence (which took a little getting used to). The gods are the Tetol and the Loa, names implying Aztec and Hatian ancestry. History is learned through bedtime stories of the old-fathers and a distant place called Earth. John's wife begins all her stories with: "I see, I bring, but I ain't responsible." The people know their tales are warped by embellishments or lost information, but even so a picture of space travel is clear. Match this with a landscape littered with long-forgotten tech and a greater mystery than John's identity develops: What brought these people to this planet? If they were capable of space travel, what drove them back to more primitive ways of life?
Buckell's world-building is refreshing. In a genre dominated by conquering white guys, his dreadlocked heroes stand apart. Moreover, it's fascinating to see tradition reassert itself once the trappings of tech are gone. These people lead simple lives, and few seem disturbed at the knowledge they've lost. They are content with farming and fishing, saving up money for Carnival, and telling stories of good and evil.
By the end of the story, Buckell has answered the most pressing questions of who and why. I didn't think he could pack all of that into this one volume, but he does so with the same efficiency displayed throughout. The only question left is: What next? I'm eager to find out.
He's a man with a hook. A fisherman. A family man. But he must be so much more since gods, spies, and a strange guy in a top hat are all hunting for him. The different factions think John can provide important information, but all he has is a case of amnesia.
The mystery of his true identity ties all the story threads together, but it's not the only engaging aspect. Buckell flips focus between John's journey and the events in Capitol City. The people there are readying themselves for invasion by the Azteca--a fierce breed of warriors whose gods demand blood sacrifices. It's General Haidan's task to beat the enemy back, while Prime Minister Dihana tries to prevent chaos from erupting within the walled Capitol City.
Coming from a person whose eyes glaze over at in-depth discussion of military tactics, I thought Buckell offered just the right amount of insight into the war preparations. I could well imagine the advancing forces, the defensive line, and the high tension of the people. The story is never bogged down by details. Instead, I could feel the pressure these two authority figures endured as they raced against time.
Buckell also includes a harrowing voyage at sea, another aspect that proved surprisingly engaging. Again, he provides just the right balance. He focuses on the pitch of the waves, the crew's uncertainty, the tedium, and the daunting elements. He captures the hardships without making me feel like I enrolled in Sailing 101.
The efficient storytelling shows itself in additional tidbits that make the landscape whole and the story rich. The setting, Nanagada, is a land with strong Caribbean and South American influences. Its people speak in an island cadence (which took a little getting used to). The gods are the Tetol and the Loa, names implying Aztec and Hatian ancestry. History is learned through bedtime stories of the old-fathers and a distant place called Earth. John's wife begins all her stories with: "I see, I bring, but I ain't responsible." The people know their tales are warped by embellishments or lost information, but even so a picture of space travel is clear. Match this with a landscape littered with long-forgotten tech and a greater mystery than John's identity develops: What brought these people to this planet? If they were capable of space travel, what drove them back to more primitive ways of life?
Buckell's world-building is refreshing. In a genre dominated by conquering white guys, his dreadlocked heroes stand apart. Moreover, it's fascinating to see tradition reassert itself once the trappings of tech are gone. These people lead simple lives, and few seem disturbed at the knowledge they've lost. They are content with farming and fishing, saving up money for Carnival, and telling stories of good and evil.
By the end of the story, Buckell has answered the most pressing questions of who and why. I didn't think he could pack all of that into this one volume, but he does so with the same efficiency displayed throughout. The only question left is: What next? I'm eager to find out.
February 24, 2012
Well, for various reasons I’ve not been reading as much as usual, and my ‘to read� pile has been stacking up. First on my list upon returning to it was Crystal Rain by Tobias Buckell. It’s always a little worrying reading a book by an author you’ve had contact with since you always feel the urge to say something nice even if you don’t mean it. I’ve tried to hammer down on that over the last few years. Now I will only comment on a book if it is one that grabs me and keeps me focused on it throughout; one I’ll read in preference to doing just about anything else. I’m happy to say that Crystal Rain is such a book. It’s got all the stuff I like: a bastard superhuman immortal, cruel rip-your-guts-out aliens, action, characters I cared about and a good story. If you like my stuff, I rather think you’ll like this too.
December 12, 2014
An entertaining, quick-moving sci-fi adventure.
John deBrun suffers from amnesia. He has no idea where he's from or who he used to be. He was found by the inhabitants of Nanagada, descendants of Caribbean emigrants, and taken into their community. After time, he has made a rewarding life for himself, married a woman that he loves and had a son.
Do you think this peace and happiness is going to last? (All together now: "NO!")
Soon enough, it's discovered that the brutal and warlike Azteca have tunneled under the mountain range separating their territory from those of the Caribbean-style people. Invasion is imminent.
And suddenly, everyone seems to be interested in John deBrun. An Aztec double-agent wants to kidnap and torture him. Alien 'gods' known as Loa and Teotl, also imply that he's important. And then, the cyber-soldier Pepper shows up, claiming that he knows deBrun from a time back in his forgotten past.
Chaos is about to erupt...
OK, I can suspend disbelief to accept that Caribbean emigrants might preserve elements of their culture, as described here, for hundreds of years. However, there's absolutely no explanation provided here as to where the Aztecs (neo-Aztecs?) came from. That made me go "Hmm." (I felt the same way when reading the sequel to this book, Ragamuffin, which I accidentally read first).
The amnesia plot element is a bit played out.
Still, it's a fun and enjoyable story.
John deBrun suffers from amnesia. He has no idea where he's from or who he used to be. He was found by the inhabitants of Nanagada, descendants of Caribbean emigrants, and taken into their community. After time, he has made a rewarding life for himself, married a woman that he loves and had a son.
Do you think this peace and happiness is going to last? (All together now: "NO!")
Soon enough, it's discovered that the brutal and warlike Azteca have tunneled under the mountain range separating their territory from those of the Caribbean-style people. Invasion is imminent.
And suddenly, everyone seems to be interested in John deBrun. An Aztec double-agent wants to kidnap and torture him. Alien 'gods' known as Loa and Teotl, also imply that he's important. And then, the cyber-soldier Pepper shows up, claiming that he knows deBrun from a time back in his forgotten past.
Chaos is about to erupt...
OK, I can suspend disbelief to accept that Caribbean emigrants might preserve elements of their culture, as described here, for hundreds of years. However, there's absolutely no explanation provided here as to where the Aztecs (neo-Aztecs?) came from. That made me go "Hmm." (I felt the same way when reading the sequel to this book, Ragamuffin, which I accidentally read first).
The amnesia plot element is a bit played out.
Still, it's a fun and enjoyable story.
May 19, 2011
I love adventure stories, and this is an all-out adventure with airships, steam-augmented sailing ships, spacecraft, war, a range of settings that includes city, ocean, jungle, arctic, and alpine, and great characters, some with their own mysteries that are gradually untangled. I thoroughly enjoyed it.
September 21, 2008
I did not realize that was the sequel to this one, but it quickly became obvious to me. It wasn't too much of a problem; they're both capable of standing on their own. It was a bit odd to know the eventual fate of the characters, though.
In contrast with , the characters in this one felt slightly more introspective. Part of that is because John deBrun has amnesia, and consequently spends a fair amount of time wondering about himself. Pepper seems more roguish and dangerous (at one point he's taken for Baron Samedi) than psychopathic and genocidal, with the result that he's slightly more likable in this one. I notice that the Amazon review describes this book as "at times overly violent", but it seemed to me a kinder and gentler book than , and I would not describe either as 'overly' violent, although both are certainly very violent.
Crystal Rain spends more time with the societies that have developed in isolation, and Buckell has obviously imagined them in greater detail than the book gave him room to show. Good if you like clashes of civilizations, extrapolated societies, and moderately amoral protagonists. The only that that would have made me happier would have been a few more female characters; as it is, it squeaks through the Bechdel test.
In contrast with , the characters in this one felt slightly more introspective. Part of that is because John deBrun has amnesia, and consequently spends a fair amount of time wondering about himself. Pepper seems more roguish and dangerous (at one point he's taken for Baron Samedi) than psychopathic and genocidal, with the result that he's slightly more likable in this one. I notice that the Amazon review describes this book as "at times overly violent", but it seemed to me a kinder and gentler book than , and I would not describe either as 'overly' violent, although both are certainly very violent.
Crystal Rain spends more time with the societies that have developed in isolation, and Buckell has obviously imagined them in greater detail than the book gave him room to show. Good if you like clashes of civilizations, extrapolated societies, and moderately amoral protagonists. The only that that would have made me happier would have been a few more female characters; as it is, it squeaks through the Bechdel test.
August 16, 2009
This is first rate SF, blending exciting action with interesting ideas in a plot that is paced beautifully. Buckell fits a lot into these 350 pages.
It's difficult to reveal much plot, because the author does such a nice job of slowly unveiling the history of his characters and world throughout the book. A man named John DeBrun who lives with his wife and son in a small jungle village on an island world called Nanagada has a rough past. He led a seafaring voyage north on behalf of his government in search of old technologies and returned from those lands as the only survivor of the expedition with a hook in place of a lost hand and some ugly memories. A few years prior to that, he can't remember his life at all. As the novel opens, his years of rest in the jungle come to an end as the Azteca people, led by priests and even a few of their gods, break through the Nanagadan mountain defenses and invade.
Nanagada is an unusual SF setting, based on the Caribbean. One gripe with the publisher: why the white guys in the picture on the cover? Give readers more credit. We'll still buy the book if the protagonists have brown or yellow skin and frankly, the genre needs the diversity. I've stumbled across a few of the author's blogs online, I'm sure he'd agree, probably make the argument even more strongly than I will.
Buckell unveils John's past, that of another powerful man named Pepper, and the history of Nanagada carefully, letting another piece of the puzzle drop every few chapters. I'm not going to give away anymore, but it's worth the wait.
It's difficult to reveal much plot, because the author does such a nice job of slowly unveiling the history of his characters and world throughout the book. A man named John DeBrun who lives with his wife and son in a small jungle village on an island world called Nanagada has a rough past. He led a seafaring voyage north on behalf of his government in search of old technologies and returned from those lands as the only survivor of the expedition with a hook in place of a lost hand and some ugly memories. A few years prior to that, he can't remember his life at all. As the novel opens, his years of rest in the jungle come to an end as the Azteca people, led by priests and even a few of their gods, break through the Nanagadan mountain defenses and invade.
Nanagada is an unusual SF setting, based on the Caribbean. One gripe with the publisher: why the white guys in the picture on the cover? Give readers more credit. We'll still buy the book if the protagonists have brown or yellow skin and frankly, the genre needs the diversity. I've stumbled across a few of the author's blogs online, I'm sure he'd agree, probably make the argument even more strongly than I will.
Buckell unveils John's past, that of another powerful man named Pepper, and the history of Nanagada carefully, letting another piece of the puzzle drop every few chapters. I'm not going to give away anymore, but it's worth the wait.
January 23, 2014
The Azteca have finally found a way across the Wicked High Mountains and are descending upon Capital City, slaughtering all the Nanagadans that get in their way. The young mayor of Capital City has plans, but all they will do is delay the Azteca. The Nanagandans' only hope is that the explorer John deBrun can find a mythical artifact from long ago, the Ma Wi Jung. Helping John is the bioengineered (to be AWESOME) Pepper, while an Azteca spy skulks undetected in hopes of hindering their quest.
The writing is simple and clunky, and I had a hard time with the Caribbean style dialog. (ex: "Only one airship now. But just you wait. Soon it go be another. And when they see where we is, they go build a boat to come for we.") That said, I adore Pepper, who is fearsome and gruesome and unstoppable, and this book delivers some great moments from him as well as a hint at who he was before. Best of all is the world-building. A colony that loses its tech over time and comes to revere its technologically advanced forefathers as gods is nothing new, but the alien spins Buckell adds to the story are scary and fascinating.
The writing is simple and clunky, and I had a hard time with the Caribbean style dialog. (ex: "Only one airship now. But just you wait. Soon it go be another. And when they see where we is, they go build a boat to come for we.") That said, I adore Pepper, who is fearsome and gruesome and unstoppable, and this book delivers some great moments from him as well as a hint at who he was before. Best of all is the world-building. A colony that loses its tech over time and comes to revere its technologically advanced forefathers as gods is nothing new, but the alien spins Buckell adds to the story are scary and fascinating.
April 28, 2008
I picked up Crystal Rain because I happened upon the sequel, and wanted to read this one first. Now that I understand how little connection there is between the two, I'm not certain that it helped. I still don't understand why the police of this world are called "Ragamuffins"...
The basic premise is that a very odd combination of human ethnic groups ended up settling a colony planet, then got cut off from Earth. Aliens, who were at the heart of the reason for them being cut off, molded the different ethnic groups, shaping them for their own ends. Neither set of aliens were actually good guys, just some much worse than the others.
What I had the most difficulty with was the group of humans who were guided into being bloodthirsty Aztec warriors, literally becoming holy warriors on behalf of powerful alien beings posing as gods. The story of why the aliens would do it that way just didn't make a lick of sense to me.
On the other hand, it was an exciting adventure story, with a convoluted-but-convincing resolution that left readers with a long-term cliffhanger ending.
The basic premise is that a very odd combination of human ethnic groups ended up settling a colony planet, then got cut off from Earth. Aliens, who were at the heart of the reason for them being cut off, molded the different ethnic groups, shaping them for their own ends. Neither set of aliens were actually good guys, just some much worse than the others.
What I had the most difficulty with was the group of humans who were guided into being bloodthirsty Aztec warriors, literally becoming holy warriors on behalf of powerful alien beings posing as gods. The story of why the aliens would do it that way just didn't make a lick of sense to me.
On the other hand, it was an exciting adventure story, with a convoluted-but-convincing resolution that left readers with a long-term cliffhanger ending.
October 1, 2017
Rating
Review
*** This review originally appeared on . ***
Crystal Rain by Tobias Buckell is the first novel of Buckell's set in his Caribbean-style sci-fi world. Buckell himself is a native of that region of the world, though he now resides in landlocked Ohio. You can follow the author on his blog. Buckell contributed a Pepper story to the Seeds of Change anthology, of which I received an advanced reader copy and reviewed. I also previously reviewed Sly Mongoosewhich is the third novel (and I believe last as the publisher decided to not move forward with anymore novels set in this world) in Buckell's Caribbean sci-fi series.
Events in Crystal Rain are such that Caribbean natives come to a far-off world to colonize and are then trapped there when the wormhole that they arrived through is closed. It's either that or face annihilation from an alien enemy. The mechanism which closes the wormhole also renders inert most technology, so the world is set back into a traditional Caribbean way of life, though there are elements of steampunk in the form of steam-powered watercraft and airships.
Much of the story told in Crystal Rain revolves around John deBrun, a man who arrived on the planet under mysterious circumstances and who doesn't remember anything prior to his arrival. That was some twenty years ago. As the novel opens, another stranger to this world arrives, a cyborg named Pepper. Genetically modified to fight the ancient alien enemy which forced them to close the wormhole those hundreds of years ago, Pepper has come looking for John. John soon learns that Pepper holds the key to his past, and that their destinies are woven together whether John deBrun likes it or not.
Crystal Rain is an enjoyable read, but I couldn't help but feel it was missing something. The character of John deBrun is hard to pin down; he's interesting, but ultimately feels flat. The same goes for many of the other characters with the exception of Pepper who was the most interesting of all. Sadly, the novel is really about John, though Pepper gets his fair share of narration.
The title of the novel seemed a bit misplaced to me. It refers to snow, which the people of the novel experience only when an expedition ventures far north. Perhaps there is some deeper meaning here which I missed.
Overall, Crystal Rain is a good read, but I'm not overly compelled to go read Ragamuffin, the next in the series. I did, however, enjoy reading Sly Mongoose, which is a story that centers around Pepper.
Review
*** This review originally appeared on . ***
Crystal Rain by Tobias Buckell is the first novel of Buckell's set in his Caribbean-style sci-fi world. Buckell himself is a native of that region of the world, though he now resides in landlocked Ohio. You can follow the author on his blog. Buckell contributed a Pepper story to the Seeds of Change anthology, of which I received an advanced reader copy and reviewed. I also previously reviewed Sly Mongoosewhich is the third novel (and I believe last as the publisher decided to not move forward with anymore novels set in this world) in Buckell's Caribbean sci-fi series.
Events in Crystal Rain are such that Caribbean natives come to a far-off world to colonize and are then trapped there when the wormhole that they arrived through is closed. It's either that or face annihilation from an alien enemy. The mechanism which closes the wormhole also renders inert most technology, so the world is set back into a traditional Caribbean way of life, though there are elements of steampunk in the form of steam-powered watercraft and airships.
Much of the story told in Crystal Rain revolves around John deBrun, a man who arrived on the planet under mysterious circumstances and who doesn't remember anything prior to his arrival. That was some twenty years ago. As the novel opens, another stranger to this world arrives, a cyborg named Pepper. Genetically modified to fight the ancient alien enemy which forced them to close the wormhole those hundreds of years ago, Pepper has come looking for John. John soon learns that Pepper holds the key to his past, and that their destinies are woven together whether John deBrun likes it or not.
Crystal Rain is an enjoyable read, but I couldn't help but feel it was missing something. The character of John deBrun is hard to pin down; he's interesting, but ultimately feels flat. The same goes for many of the other characters with the exception of Pepper who was the most interesting of all. Sadly, the novel is really about John, though Pepper gets his fair share of narration.
The title of the novel seemed a bit misplaced to me. It refers to snow, which the people of the novel experience only when an expedition ventures far north. Perhaps there is some deeper meaning here which I missed.
Overall, Crystal Rain is a good read, but I'm not overly compelled to go read Ragamuffin, the next in the series. I did, however, enjoy reading Sly Mongoose, which is a story that centers around Pepper.
May 12, 2019
A fantastic debut novel by Tobias Buckell!
The story takes place on a distant planet called Nanagada and is about the descendants of the Aztecs, appropriately called the Azteca, launching an attack on the descendants of Caribbean settlers on the planet. In a desperate move to stop the Azteca, an expedition, led by the mysterious John deBraun, heads north to find a fabled weapon that could be their only chance to halt the attack. All the while, mysterious alien beings lurk in the background, manipulating and plotting.
The author grew up in the Caribbean and boy does it show. The detail given to the fishing towns, sailing, the character's accents and more are incredible. Personally, I always enjoy reading SF that breaks the traditional boundaries of Anglo centered SF and gives us a fresh perspective, which is here in spades. Not only do we get to delve into a world modeled on Caribbean culture, but as I mentioned, the Aztecs, one of history's most intriguing cultures, are here as well. I was thrilled!
Buckell also does a great job of weaving a strong mythology into the story, a key component for good world building. We're given the history of Nanagada through hints and dialogue that tell us that the colonization and early history of the planet has become a hazy memory in the eyes of the inhabitants, giving it a very mythical, almost surreal feel. In the background, alien creatures called the Loa and Teotl try to manipulate events in their respective interests. We know very little about them, which also lends itself to an air of mystery and myth. The mysteries and mythology added an extra layer to this story that kept me wanting to learn more about what was going on, the sign of a great book!
As much as I enjoyed the focus on Caribbean and Aztec cultures I this story, I couldn't help but wonder at their apparent lack of cultural evolution after migrating to a different planet and meeting alien species, who intermingle with them on a daily basis. The Aztecs here seem to be taken directly from Bernal Diaz' The Conquest of New Spain, as if none of the background events of the story had ever taken place. I find this hard to believe. Keep in mind though, this is a minor point from a finicky reader and it did not undermine my overall enjoyment at the inclusion of the Aztecs or this terrific book.
All in all, this was a fantastic debut and I would heartily recommend it. I can't wait to read more from this author!
4/5 Stars
The story takes place on a distant planet called Nanagada and is about the descendants of the Aztecs, appropriately called the Azteca, launching an attack on the descendants of Caribbean settlers on the planet. In a desperate move to stop the Azteca, an expedition, led by the mysterious John deBraun, heads north to find a fabled weapon that could be their only chance to halt the attack. All the while, mysterious alien beings lurk in the background, manipulating and plotting.
The author grew up in the Caribbean and boy does it show. The detail given to the fishing towns, sailing, the character's accents and more are incredible. Personally, I always enjoy reading SF that breaks the traditional boundaries of Anglo centered SF and gives us a fresh perspective, which is here in spades. Not only do we get to delve into a world modeled on Caribbean culture, but as I mentioned, the Aztecs, one of history's most intriguing cultures, are here as well. I was thrilled!
Buckell also does a great job of weaving a strong mythology into the story, a key component for good world building. We're given the history of Nanagada through hints and dialogue that tell us that the colonization and early history of the planet has become a hazy memory in the eyes of the inhabitants, giving it a very mythical, almost surreal feel. In the background, alien creatures called the Loa and Teotl try to manipulate events in their respective interests. We know very little about them, which also lends itself to an air of mystery and myth. The mysteries and mythology added an extra layer to this story that kept me wanting to learn more about what was going on, the sign of a great book!
As much as I enjoyed the focus on Caribbean and Aztec cultures I this story, I couldn't help but wonder at their apparent lack of cultural evolution after migrating to a different planet and meeting alien species, who intermingle with them on a daily basis. The Aztecs here seem to be taken directly from Bernal Diaz' The Conquest of New Spain, as if none of the background events of the story had ever taken place. I find this hard to believe. Keep in mind though, this is a minor point from a finicky reader and it did not undermine my overall enjoyment at the inclusion of the Aztecs or this terrific book.
All in all, this was a fantastic debut and I would heartily recommend it. I can't wait to read more from this author!
4/5 Stars
May 11, 2008
Buckell himself has described the book as: "A far-future Caribbean steampunk adventure . . . with Aztecs." And that sums it up pretty nicely.
Nanagada is a peaceful country/continent inhabited mainly by fishermen and farmers. John DeBrun washed up the tropical shores of the continent twenty-seven years ago and with no memory of his past life. Since then, he's settled with his wife Shanta and their thirteen year old son, Jerome. But a threat from across the Wicked Highs, the Azteca ruled by bloodthirsty gods/aliens, might put an end to all of this. John DeBrun's past is closely linked to Nanagada's past and to the tales of the old-fathers who initially came to the planet through a worm hole. And so, along with John, the reader gradually discovers what's become of the original settlers, their link to Earth, their technology and the last mythical artifact they might have left behind, the Ma Wi Jung, which just might save Nanagada from the Azteca invasion.
I loved this book. It was original, refreshing, fast paced with a strong plot. I simply could not put it down.
Of course, reading a science fiction book in which they talk about plantain, tamarind and carnival brought me years back when I was still in Sint Marteen. So obviously this book touched me on a very personal level. But I strongly believe that even if you have no ties with the Caribbean, the story will grab your attention and hold it until the very last page.
What I was initially afraid of was a machiavelic portrayal of the Azteca as just being pure evil and that we would never get to discover their motivations and the reasons behind their way of life. But not only is one of the main characters some sort of double agent spying for the Azteca in Nanagada, but Buckell also describes a community of Azteca who have immigrated to Capitol City where they lead more or less peaceful lives.
This novel is perfect illustration of diversity. Much like in the Caribbean, the inhabitants of Nanagada have different skin colors, any shade from white to black. But more than just physical appearance, Buckell's done a wonderful work on language, including accents, dialects and also, mentioning the fact that one person may have different accents and adopt one or the other according to the situation or the person they are addressing. This is something which often happens in the Caribbean and it was nice to see it highlighted here. I suppose it is the case of most places in which identities are blurred or multifaceted.
Buckell's ability to portray different shades of gray on all levels (skin color, language, character, etc.) is definitely what I consider the true strength of the novel.
My only complaint would be the lack of female character development. There is Dihana, Nanagada's Prime Minister. But the reader is given the impression that throughout the book she is overwhelmed by the situation and in a constant search for support (who wouldn't be if your country was invaded by blood thirsty killing machines?). There wasn't much that she could really do except buy some time, hoping for others to succeed.
At any rates, highly recommended.
Nanagada is a peaceful country/continent inhabited mainly by fishermen and farmers. John DeBrun washed up the tropical shores of the continent twenty-seven years ago and with no memory of his past life. Since then, he's settled with his wife Shanta and their thirteen year old son, Jerome. But a threat from across the Wicked Highs, the Azteca ruled by bloodthirsty gods/aliens, might put an end to all of this. John DeBrun's past is closely linked to Nanagada's past and to the tales of the old-fathers who initially came to the planet through a worm hole. And so, along with John, the reader gradually discovers what's become of the original settlers, their link to Earth, their technology and the last mythical artifact they might have left behind, the Ma Wi Jung, which just might save Nanagada from the Azteca invasion.
I loved this book. It was original, refreshing, fast paced with a strong plot. I simply could not put it down.
Of course, reading a science fiction book in which they talk about plantain, tamarind and carnival brought me years back when I was still in Sint Marteen. So obviously this book touched me on a very personal level. But I strongly believe that even if you have no ties with the Caribbean, the story will grab your attention and hold it until the very last page.
What I was initially afraid of was a machiavelic portrayal of the Azteca as just being pure evil and that we would never get to discover their motivations and the reasons behind their way of life. But not only is one of the main characters some sort of double agent spying for the Azteca in Nanagada, but Buckell also describes a community of Azteca who have immigrated to Capitol City where they lead more or less peaceful lives.
This novel is perfect illustration of diversity. Much like in the Caribbean, the inhabitants of Nanagada have different skin colors, any shade from white to black. But more than just physical appearance, Buckell's done a wonderful work on language, including accents, dialects and also, mentioning the fact that one person may have different accents and adopt one or the other according to the situation or the person they are addressing. This is something which often happens in the Caribbean and it was nice to see it highlighted here. I suppose it is the case of most places in which identities are blurred or multifaceted.
Buckell's ability to portray different shades of gray on all levels (skin color, language, character, etc.) is definitely what I consider the true strength of the novel.
My only complaint would be the lack of female character development. There is Dihana, Nanagada's Prime Minister. But the reader is given the impression that throughout the book she is overwhelmed by the situation and in a constant search for support (who wouldn't be if your country was invaded by blood thirsty killing machines?). There wasn't much that she could really do except buy some time, hoping for others to succeed.
At any rates, highly recommended.
March 26, 2008
Crystal Rain is Carribean SF with airships and bloodshed and steamboats and nanotech and plenty of action. Our hero, John deBrun, is a man who lost his memory 27 years ago. He's now married and raising a son, living a relatively content life, when the Azteca cross through the mountains and invade. The resulting war is bloody and desperate, and the only hope is for John to lead an expedition to find a long lost artifact called the Ma Wi Jung ... but the search for the Ma Wi Jung also brings John face to face with his forgotten past.
The book has a lot going for it. I know some readers have complained about the Carribean dialect, but I enjoyed it. Seriously, why do we expect everyone in the future to talk like midwesterners? Buckell's dialogue took a few pages to get used to, but there's an almost musical quality to the words which brings the book alive in a way many stories never achieve.
The latter part of the book was more engaging than the beginning for me. That's not to say that the first part is in any way bad. John's struggle to escape the Azteca and his drive to fight back against them are very powerful. But later on, Buckell's worldbuilding skills become more apparent, and the book sucks you in even deeper. We learn about the powers behind the Azteca. We discover the history of Nanagada, and learn about this world's role in a much larger conflict. Most importantly, we learn what John deBrun really is, and why he lost his memory. These were the things that had me sacrificing sleep in order to keep reading. The whole world -- the whole universe -- is well-planned, and it's a blast to explore. I would have liked to see a bit more of the alien races, though I can understand why they stayed off-page for most of the book. Hopefully we'll see more of them in the sequel.
This isn't necessarily a pleasant book. Buckell's Azteca are bloody, and even the heroes are often vicious. (Pepper is a bad-ass, but not someone I'd want anywhere near me ... unless he was between me and something scarier.)
While John is a good protagonist, I actually found the Azteca double-agent Oaxyctl to be the most interesting character. The Azteca generally come across as cruel, bloodthirsty savages. While Oaxyctl gives them a human face, I wish Buckell had been able to show us a bit more from the Azteca point of view. In the end, Oaxyctl becomes a much more admirable character even than some of our heroes. He's in a more difficult situation, and has to make harder choices. I never wanted him to win, but I definitely came to sympathize with him, and admired the strength he showed at the end of the book.
If memory serves, Crystal Rain was a Nebula finalist when it came out. The sequel, Ragamuffin, is on this year's final Nebula ballot. Buckell is clearly doing something right.
The book has a lot going for it. I know some readers have complained about the Carribean dialect, but I enjoyed it. Seriously, why do we expect everyone in the future to talk like midwesterners? Buckell's dialogue took a few pages to get used to, but there's an almost musical quality to the words which brings the book alive in a way many stories never achieve.
The latter part of the book was more engaging than the beginning for me. That's not to say that the first part is in any way bad. John's struggle to escape the Azteca and his drive to fight back against them are very powerful. But later on, Buckell's worldbuilding skills become more apparent, and the book sucks you in even deeper. We learn about the powers behind the Azteca. We discover the history of Nanagada, and learn about this world's role in a much larger conflict. Most importantly, we learn what John deBrun really is, and why he lost his memory. These were the things that had me sacrificing sleep in order to keep reading. The whole world -- the whole universe -- is well-planned, and it's a blast to explore. I would have liked to see a bit more of the alien races, though I can understand why they stayed off-page for most of the book. Hopefully we'll see more of them in the sequel.
This isn't necessarily a pleasant book. Buckell's Azteca are bloody, and even the heroes are often vicious. (Pepper is a bad-ass, but not someone I'd want anywhere near me ... unless he was between me and something scarier.)
While John is a good protagonist, I actually found the Azteca double-agent Oaxyctl to be the most interesting character. The Azteca generally come across as cruel, bloodthirsty savages. While Oaxyctl gives them a human face, I wish Buckell had been able to show us a bit more from the Azteca point of view. In the end, Oaxyctl becomes a much more admirable character even than some of our heroes. He's in a more difficult situation, and has to make harder choices. I never wanted him to win, but I definitely came to sympathize with him, and admired the strength he showed at the end of the book.
If memory serves, Crystal Rain was a Nebula finalist when it came out. The sequel, Ragamuffin, is on this year's final Nebula ballot. Buckell is clearly doing something right.
May 23, 2008
It took me a long time to get to writing this review after finishing the book because I am feeling a bit conflicted about it. In the words of Enigo Montoya, "Let me 'spain."
Overall, I found the idea intriguing and the science of it all fascinating. On the other hand, the supposed Jamaican dialect and the lack of pacing made me want to abandon the book many times.
So, let's look at each of the parts of this in turn.
Setting: Truly, a unique and interesting setting with lots of potential for conflict and description. Tobias revealed the setting rather slowly throughout the book, opting to have the reader discover how this civilization came to be and evolve rather than give any narrative exposition. This method can definitely work, but, for me, it did not in this case because I was often left wondering what was being talked about and why. In other words, even the setting was confusing to me until about half-way through the book when it all started coming together. This is just too long for most readers to stay connected to a story that confuses them (yes, I'm a masochist reader).
Character: The idea of two peoples sharing a planet and in constant conflict is certainly interesting, especially with the Azteca sacrificing and seeming savagery. And there were some interesting characters as well. Especially the Azteca double-spy who had to face his "god's" mortality. And John deBrun's son was also quite interesting, having to come to terms with his own youth and inability to do anything about it and the idea of who his father really is. Other than these two, I didn't find many other characters that I found very interesting. The whole memory loss routine for John got boring after the first ten pages, and although he learns who he is, I didn't feel like he actually learned or changes in any way. Nor does he have to struggle with that. In fact, I liked him better before he got his memory back. I will also acknowledge that I found Pepper, at least, to be a delightfully complex character.
Plot: Again, very interesting idea here. The details of it stood out well in the story. I felt that pacing through the first half of the book was off, but the second half kept me much more riveted. Of course, this may have been more a factor of my lack of interest in the characters and my confusing on what was happening and why than because of the plot itself.
Conflict: Again, lots of good conflict, particularly through the last half of the book. The first half could have used a bit more.
Text: I am not a fan of using idiom in dialogue to mark speech patterns, particularly when the listener does not notice that there is anything abnormal about it. So, I was constantly thrown out of the story as I read. Perhaps the reason that the second half went so smoothly was that we had more of Pepper and John talking and so it was not as noticeable.
Overall, I found the idea intriguing and the science of it all fascinating. On the other hand, the supposed Jamaican dialect and the lack of pacing made me want to abandon the book many times.
So, let's look at each of the parts of this in turn.
Setting: Truly, a unique and interesting setting with lots of potential for conflict and description. Tobias revealed the setting rather slowly throughout the book, opting to have the reader discover how this civilization came to be and evolve rather than give any narrative exposition. This method can definitely work, but, for me, it did not in this case because I was often left wondering what was being talked about and why. In other words, even the setting was confusing to me until about half-way through the book when it all started coming together. This is just too long for most readers to stay connected to a story that confuses them (yes, I'm a masochist reader).
Character: The idea of two peoples sharing a planet and in constant conflict is certainly interesting, especially with the Azteca sacrificing and seeming savagery. And there were some interesting characters as well. Especially the Azteca double-spy who had to face his "god's" mortality. And John deBrun's son was also quite interesting, having to come to terms with his own youth and inability to do anything about it and the idea of who his father really is. Other than these two, I didn't find many other characters that I found very interesting. The whole memory loss routine for John got boring after the first ten pages, and although he learns who he is, I didn't feel like he actually learned or changes in any way. Nor does he have to struggle with that. In fact, I liked him better before he got his memory back. I will also acknowledge that I found Pepper, at least, to be a delightfully complex character.
Plot: Again, very interesting idea here. The details of it stood out well in the story. I felt that pacing through the first half of the book was off, but the second half kept me much more riveted. Of course, this may have been more a factor of my lack of interest in the characters and my confusing on what was happening and why than because of the plot itself.
Conflict: Again, lots of good conflict, particularly through the last half of the book. The first half could have used a bit more.
Text: I am not a fan of using idiom in dialogue to mark speech patterns, particularly when the listener does not notice that there is anything abnormal about it. So, I was constantly thrown out of the story as I read. Perhaps the reason that the second half went so smoothly was that we had more of Pepper and John talking and so it was not as noticeable.
June 9, 2011
3.5 stars, really. There are plenty of good ideas here, and some interesting characters. As a first novel, it's very good.
But something about it wasn't quite right. Perhaps it's that despite the unique ideas, large parts of what followed from each idea seemed predictable.
"John, you have to go north." "Don't wanna." Ha. As if there was ever any chance that he wouldn't.
Perhaps - and this is not Buckell's fault - I have had enough of "We're surrounded by a vastly superior force! We're doomed! Well, there is just one small chance ...". The only worse SF plot clunker is "young X is unappreciated and misunderstood, but he will soon learn that only he can save the universe from the evil Zzzzz - if only he can overcome his own doubts" (or she, of course)
Perhaps I'm a tad disappointed that two characters are pushed to the point of certain death, only to be saved by high-tech. SF authors, can we all agree to stop using the autodoc as a plot device? It's too close to what happens after Daffy Duck gets blasted by a cannon from a foot away, then shakes off the powder burns and is unhurt.
I've also read far too many books lately in which some characters are hundreds of years old, yet don't seem any different.
The aliens were a little too unrevealed. They seem immensely capable in some areas, but very limited in others. I fear that they are going to be unveiled later in the series as having some power that, once again, is going to be way too close to magic.
Of course, I am still disappointed by the Superman movie in which he spins the earth backward to make something unhappen.
Nevertheless, he's built an interesting world and I will probably read Ragamuffin to see where he takes it. And if he writes different books, I'll read them too.
But something about it wasn't quite right. Perhaps it's that despite the unique ideas, large parts of what followed from each idea seemed predictable.
"John, you have to go north." "Don't wanna." Ha. As if there was ever any chance that he wouldn't.
Perhaps - and this is not Buckell's fault - I have had enough of "We're surrounded by a vastly superior force! We're doomed! Well, there is just one small chance ...". The only worse SF plot clunker is "young X is unappreciated and misunderstood, but he will soon learn that only he can save the universe from the evil Zzzzz - if only he can overcome his own doubts" (or she, of course)
Perhaps I'm a tad disappointed that two characters are pushed to the point of certain death, only to be saved by high-tech. SF authors, can we all agree to stop using the autodoc as a plot device? It's too close to what happens after Daffy Duck gets blasted by a cannon from a foot away, then shakes off the powder burns and is unhurt.
I've also read far too many books lately in which some characters are hundreds of years old, yet don't seem any different.
The aliens were a little too unrevealed. They seem immensely capable in some areas, but very limited in others. I fear that they are going to be unveiled later in the series as having some power that, once again, is going to be way too close to magic.
Of course, I am still disappointed by the Superman movie in which he spins the earth backward to make something unhappen.
Nevertheless, he's built an interesting world and I will probably read Ragamuffin to see where he takes it. And if he writes different books, I'll read them too.
This entire review has been hidden because of spoilers.
March 26, 2008
This book has many good ideas, and is well researched at a cultural level (its Rastas Vs. Aztecs as they have colonized a planet in the future but lapsed into circa 1900s tech because of some apocolyptic event).
The main character is John DeBrun and he's multidimensional, and interesting. He's somewhat unique in that he is a father and not a teen doing self-discovery.
Also, the Aztec gods are creepy aliens, and the only way to fight them is when you have bionic implants.
But the pacing lags because so much in the story is dependent on one event in the end, which we know is coming. I could have stood some time compression, because we end up with a lot of time skipping and being told more people have died! to the point we don't care.
Also, the cultural stuff is so good, when the bionics/scifi stuff drops in the scifi feels unsupported, not detailed enough, and a little rubberstamped. Also the evil aliens need a little more detail so they don't come off as simply being kidnapped from an Aliens flick with Sigourney Weaver.
Despite this, it is a pretty good first novel from this author. It was funny, scary, and interesting in turns. Also makes me want to settle on a planet colonized by Rastas, because they have such a good time.
The main character is John DeBrun and he's multidimensional, and interesting. He's somewhat unique in that he is a father and not a teen doing self-discovery.
Also, the Aztec gods are creepy aliens, and the only way to fight them is when you have bionic implants.
But the pacing lags because so much in the story is dependent on one event in the end, which we know is coming. I could have stood some time compression, because we end up with a lot of time skipping and being told more people have died! to the point we don't care.
Also, the cultural stuff is so good, when the bionics/scifi stuff drops in the scifi feels unsupported, not detailed enough, and a little rubberstamped. Also the evil aliens need a little more detail so they don't come off as simply being kidnapped from an Aliens flick with Sigourney Weaver.
Despite this, it is a pretty good first novel from this author. It was funny, scary, and interesting in turns. Also makes me want to settle on a planet colonized by Rastas, because they have such a good time.
July 10, 2008
Very entertaining science fiction adventure, distinguished by inventive and original worldbuilding; some of its plot elements are horribly cliched (amnesia, anyone?) but Buckell makes them work anyway. The story: twenty-seven years ago John deBrun washed up on the shore of Nanagada with no memory of his past; now that past might hold the key to saving Nanagada from the invading Azteca. In this future, not everyone is white; the people of Nanagada are descended from Caribbean cultures (I assume you can guess the background of the Azteca...), and over the course of several generations people have forgotten the technology that once brought them to this world. All of the point-of-view characters--who include deBrun, his son, the prime minister of Nanagada, her general, a double agent, and a mysterious man known only as Pepper--are interesting, and I never found myself rushing through one chapter to get back to another character's story. My main quibble is that I wish there had been more women characters. Dihana is great, but aside from her, this fictional world is very male. (I think it passes the Bechdel test, but only barely.) I look forward to reading more of Buckell's work.
February 25, 2010
This starts out slow, but picks up and runs at the end. Most of the dialog "dialect" is awkward to read, and slowed my reading speed to a crawl, until I finally got used to it, half way through the book. It is also a bit bloodier than it could have been.
The concept is the people knew that they had lost technology, and lost history. They knew there were some living among them that were not aging. They were not sure if the aliens, that they shared the planet with, were trustworthy. When the known enemy finally attacks, who to trust is a big question.
What I liked about the book is the main character, John. He can't remember his past, he's happily married and has a son, but his accent, in particular, tells him he is not from anywhere on the planet. He isn't sure he even wants to know who he was, yet he does. Although I became involved with all the main characters, John's story is the most interesting, and his priorities are good.
The concept is the people knew that they had lost technology, and lost history. They knew there were some living among them that were not aging. They were not sure if the aliens, that they shared the planet with, were trustworthy. When the known enemy finally attacks, who to trust is a big question.
What I liked about the book is the main character, John. He can't remember his past, he's happily married and has a son, but his accent, in particular, tells him he is not from anywhere on the planet. He isn't sure he even wants to know who he was, yet he does. Although I became involved with all the main characters, John's story is the most interesting, and his priorities are good.
October 7, 2015
Crystal Rain [Snow] has a unique premise, interesting characters, and plenty of blood and fighting. For a first novel, bravo! I was REALLY put off by the crude English, and much relieved by Pepper and John's English, tho there wasn't enough of it. With 90% of the planet wiped out at the end, and only 1% explored anyway, and the leader a women who was ineffective and pretty much stupid (tho brighter than the others around her), now I sorta wish they'd all been wiped out. Well, I guess not.
So John gets to the North Pole at last, learns of the duplicity of Oaxyctl, recovers, gets the computer out of the ice and comes back south to save the planet. Well, some of the planet. How many of the rotten people did the space ship pick up, why did the women "negotiate" with them and then dissolve in tears, and LET THEM GO??!! Not the sort of thing a leader male or female (or Pepper!) would do! Poor ending.
So John gets to the North Pole at last, learns of the duplicity of Oaxyctl, recovers, gets the computer out of the ice and comes back south to save the planet. Well, some of the planet. How many of the rotten people did the space ship pick up, why did the women "negotiate" with them and then dissolve in tears, and LET THEM GO??!! Not the sort of thing a leader male or female (or Pepper!) would do! Poor ending.
May 5, 2012
Science fiction; this is the story of a world that used to have nanotechnology, with all the awesomeness that brings, but then somehow they lost it through shortsightedness and incompetence. As the book progresses,
Also, this is a bit of a nitpick, but I felt like something was wrong with the Oaxyctl storyarc. Like, he spends the entire book plotting over whether and how to betray John to the Azteca who he doesn't even like, and then
So I guess I wanted to read about people who were less shortsighted and incompetent?
Also, this is a bit of a nitpick, but I felt like something was wrong with the Oaxyctl storyarc. Like, he spends the entire book plotting over whether and how to betray John to the Azteca who he doesn't even like, and then
So I guess I wanted to read about people who were less shortsighted and incompetent?
July 31, 2017
Interesting read. Basically Aztec Gods as aliens on a distant colony world stuck behind a destroyed wormhole. I apparently read book in this series some time ago and I guess I didn't realize it was part of a series, even a loose one. It had interesting pacing, readable but slow. And the interesting technology was almost always just barely off screen. There was also some pretty definite use of a Caribbean dialect. Nothing about this really blew me away. But it hints of possibilities in an author that I continue to follow.
September 4, 2011
Bra bok. Först förleddes jag att tro att det var en fantasy-historia, men efter ett tag visade det sig att "gudarna" var aliens och den primitiva civilisationen är resterna efter mänskliga rymdfarare/kolonisatörer som förlorat all avancerad teknik.
Boken är lite seg att komma in i, delvis för att den historiska bakgrunden inte kommer fram förrän ganska sent, och delvis pga korta kapitel vilket gör det lätt att lägga ned boken efter att ha bara läst ett par sidor.
Boken är lite seg att komma in i, delvis för att den historiska bakgrunden inte kommer fram förrän ganska sent, och delvis pga korta kapitel vilket gör det lätt att lägga ned boken efter att ha bara läst ett par sidor.
May 28, 2024
This book brought me to a fascinating world that was so different from our own, but with enough similarities to be relatable. It's mostly about a war being fought with medieval technology peppered with some modern advances. Some of the characters needed more development but that may have been partly attributable for a need to keep their backgrounds murky in an effort to further the mysteries that are revealed later in the story. I'm looking forward to moving on to the sequels.
![Profile Image for [ J o ].](/_next/image?url=https%3A%2F%2Fi.gr-assets.com%2Fimages%2FS%2Fcompressed.photo.goodreads.com%2Fusers%2F1673171874i%2F4639825._UY200_CR4%2C0%2C200%2C200_.jpg&w=128&q=75)
April 8, 2015
Confusingly either an alternate Caribbean/Aztec set sci-fi or a steampunk militia fantasy without much world building. It tends to drift. Not written well and whilst I appreciate the dialogue was supposed to make you feel like they couldn't speak "English" well, it was just jarring and unnecessary. Didn't get that far, but apparently John's hand grows back once he regains his memory? Like a man with one hand can ever have a full memory? Or a full life?
Displaying 1 - 30 of 173 reviews
Can't find what you're looking for?
Get help and learn more about the design.