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The Phantom's Apprentice
In this re-imagining of Phantom of the Opera, meet a Christine Daaé you’ve never seen before�
Christine faces an impossible choice: be a star at the Paris opera as Papa always wanted, or follow her dream—to become a master of illusions. First, she must steal the secrets of the enigmatic master who haunts her, survive a world of treachery and murder, and embrace the uncertain promise of love. To succeed, she will risk her life in the grandest illusion of all.
"Webb combines music and magic seamlessly in The Phantom's Apprentice, weaving glittering new threads into the fabric of a classic story. Romantic, suspenseful and inventive, this novel sweeps you along to its breathless conclusion." -- Greer Macallister, USA Today bestselling author of The Magician's Lie
"In her captivating novel, Heather Webb casts an intriguing new light on a much-loved tale...Full of magic and atmosphere, lush historical detail and page-turning suspense, The Phantom's Apprentice is sure to enthrall, enchant and delight... Brava!!"--Hazel Gaynor, NYT bestselling author of The Cottingley Secret
"A performance worthy of the Paris Opera...Christine’s evolution from 'damsel in distress� to self-reliant woman is masterfully done, hooking the reader from the first page. Webb's work is immersive, well-crafted, and beautifully paced. A must-read!"--Aimie K. Runyan, author of Daughters of the Night Sky
Christine faces an impossible choice: be a star at the Paris opera as Papa always wanted, or follow her dream—to become a master of illusions. First, she must steal the secrets of the enigmatic master who haunts her, survive a world of treachery and murder, and embrace the uncertain promise of love. To succeed, she will risk her life in the grandest illusion of all.
"Webb combines music and magic seamlessly in The Phantom's Apprentice, weaving glittering new threads into the fabric of a classic story. Romantic, suspenseful and inventive, this novel sweeps you along to its breathless conclusion." -- Greer Macallister, USA Today bestselling author of The Magician's Lie
"In her captivating novel, Heather Webb casts an intriguing new light on a much-loved tale...Full of magic and atmosphere, lush historical detail and page-turning suspense, The Phantom's Apprentice is sure to enthrall, enchant and delight... Brava!!"--Hazel Gaynor, NYT bestselling author of The Cottingley Secret
"A performance worthy of the Paris Opera...Christine’s evolution from 'damsel in distress� to self-reliant woman is masterfully done, hooking the reader from the first page. Webb's work is immersive, well-crafted, and beautifully paced. A must-read!"--Aimie K. Runyan, author of Daughters of the Night Sky
344 pages, Paperback
First published February 6, 2018
27 people are currently reading
2,302 people want to read
About the author
Heather Webb
14Ìýbooks1,260ÌýfollowersHeather Webb is the USA Today Bestselling and award-winning author of historical fiction, including Strangers in the Night, The Next Ship Home, Last Christmas in Paris, Meet Me in Monaco, Rodin's Lover, and more. In 2017, Last Christmas in Paris won the Women's Fiction Writers Association award, and in 2019, Meet Me in Monaco was shortlisted for both the RNA award in the UK and also the Digital Book World Fiction prize.
Heather's currently hard at work on a novel releasing in early 2024 called Queens of London about a true-to-life, all-female gang led by the most notorious criminal, Diamond Annie, set in grimy and glamorous 1925. Also, look for her fourth collaboration with her beloved writing partner, Hazel Gaynor, Christmas with the Queen releasing in the fall of 2024
When not writing, Heather flexes her foodie skills, geeks out on pop culture and history, or looks for excuses to head to the other side of the world.
***Heather's review policy on Å·±¦ÓéÀÖ is to only rate books that she enjoys. She believes there's enough negativity in the world and would rather share the positive with her reader friends. The negative she lets swirl down the drain of her bathtub.
Heather's currently hard at work on a novel releasing in early 2024 called Queens of London about a true-to-life, all-female gang led by the most notorious criminal, Diamond Annie, set in grimy and glamorous 1925. Also, look for her fourth collaboration with her beloved writing partner, Hazel Gaynor, Christmas with the Queen releasing in the fall of 2024
When not writing, Heather flexes her foodie skills, geeks out on pop culture and history, or looks for excuses to head to the other side of the world.
***Heather's review policy on Å·±¦ÓéÀÖ is to only rate books that she enjoys. She believes there's enough negativity in the world and would rather share the positive with her reader friends. The negative she lets swirl down the drain of her bathtub.
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Displaying 1 - 30 of 147 reviews
January 28, 2018
Ìý
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I love ALL things Phantom Of The Opera. I've read the original book. I've read various books based on the story. I've seen the play (numerous times). I've watched the plethora of movies and TV shows based on the book. I have worn the soundtrack out and I pretty much know every song by heart. So yea, when I saw this book up for review on NetGalley I broke a nail clicking the "request" button. And I am very glad I did because I pretty much LOVED Heather Webb's take on this classic.
Ìý~WRITING - PLOT - PACE~
The writing in this one was FANTASTIC. The pace was perfect, and I never felt the need to skim. The plot was engaging and had me hooked on the very first word. I loved the whole "illusionist" angle that the author added. As well as the whole spiritualist movement subplot. I loved the setting. It was romantic. It was suspenseful. It was just superb.
~HERO~
RAUL...I loved how the author portrayed Raul in this re-imaging. In the original, I have always found him to be a bit bland and I pretty much always wish that Christine would have stayed with the Phantom. He had a bit more personality in this book and because of that, I felt his and Christine connection more.
THE PHANTOM...yes I am putting him under the HERO section because that is usually how I view his character. In this version of the story, his character takes on a much more malevolent air. A departure from the usual tortured misunderstood soul of the original.
~HEROINE~
CHRISTINE...is the most fleshed out character in the book. In the original, she is a very naïve and easily manipulated character. That somewhat remains the same in the beginning of this one but the author does a good job of developing her character past that original naivety into a more self aware and decisive individual. I also quite liked the addition of having Christine be interested in illusion.
~SECONDARY CHARACTERS~
There were some good character additions to the original story in this one. I very much like Claudette and her friendship with Christine. Monsieur Delacroix and his hunt for the Opera ghost. Madame Valerius. These additions on top of the familiar faces we already know added some good depth to the plot and rounded out the story well.
Ìý~HEAT LEVEL~
None. It's not a romance book per se so there is no sex in it. That said, it still had a layer of romance running through it.
~ANGST LEVEL~
Low. It is somewhat angsty regarding the Phantom and his behavior. Christine and Raul's relationship got a little romance book like angsty near the end with a touch of OW drama.
~IN THE END~
I ADORED this book. It was a fabulous re-imaging of the classic. It was well written and paced. Had a well developed plot. Intriguing characters. If you are a huge Phantom Of The Opera fan like me, then I think this book would be something you would enjoy very much. Two HUGE thumbs up from yours truly.
Ìý
September 17, 2022
Interested in getting behind the scenes of THE PHANTOM'S APPRENTICE? Check out my interview with Heather Webb:
Find this review, my favorite quote, and companion read recommendations at:
I caught wind of Heather Webb's THE PHANTOM'S APPRENTICE at the 2017 Historical Novel Society Conference in Portland. A devout cover slut, I was immediately smitten with the jacket design, but I was equally intrigued by the premise of the narrative and couldn't wait to get my hands on a copy.
Did the novel live up to my expectations? That is an interesting question. THE PHANTOM'S APPRENTICE exists within Leroux's canonical universe, but it is independent of his voice. That fact threw me as I feel the magic of retellings rests in how the inspired work echoes the tones of the original. I thought Webb's interpretation intensely creative and appreciated the historical details she folded into the narrative, but I struggled with how completely her voice tonally overshadowed his.
In terms of content, however, Webb hit the nail square on the head. Leroux capitalized on contemporary interest in the spiritualist movement with the original work. Webb expands on this idea by exploring the emotions of the movement's patrons and the means by which those emotions were exploited.
I also love the voice Webb gifted Christine. Mrs. Daaé is a passive and easily manipulated character under Leroux's pen, but she becomes a far more assertive and astute personality under Webb's. The character tried my patience at times, but I certainly appreciated the ideas that shaped her make-up and the contemporary relevance those afforded.
Webb's foray into the world of illusion is also worthy of note. The novel takes place during a fascinating period in the developmental timeline of stage magic. Though the techniques she illustrates are not refined by today's standards, I found the technical descriptions of Erik's illusionary innovations engaging and couldn't help falling in love with Webb's authentic portrait of the magician's craft.
Find this review, my favorite quote, and companion read recommendations at:
I caught wind of Heather Webb's THE PHANTOM'S APPRENTICE at the 2017 Historical Novel Society Conference in Portland. A devout cover slut, I was immediately smitten with the jacket design, but I was equally intrigued by the premise of the narrative and couldn't wait to get my hands on a copy.
Did the novel live up to my expectations? That is an interesting question. THE PHANTOM'S APPRENTICE exists within Leroux's canonical universe, but it is independent of his voice. That fact threw me as I feel the magic of retellings rests in how the inspired work echoes the tones of the original. I thought Webb's interpretation intensely creative and appreciated the historical details she folded into the narrative, but I struggled with how completely her voice tonally overshadowed his.
In terms of content, however, Webb hit the nail square on the head. Leroux capitalized on contemporary interest in the spiritualist movement with the original work. Webb expands on this idea by exploring the emotions of the movement's patrons and the means by which those emotions were exploited.
I also love the voice Webb gifted Christine. Mrs. Daaé is a passive and easily manipulated character under Leroux's pen, but she becomes a far more assertive and astute personality under Webb's. The character tried my patience at times, but I certainly appreciated the ideas that shaped her make-up and the contemporary relevance those afforded.
Webb's foray into the world of illusion is also worthy of note. The novel takes place during a fascinating period in the developmental timeline of stage magic. Though the techniques she illustrates are not refined by today's standards, I found the technical descriptions of Erik's illusionary innovations engaging and couldn't help falling in love with Webb's authentic portrait of the magician's craft.
January 18, 2018
In her latest captivating historical novel, Heather Webb casts an intriguing new light on the much-loved tale, The Phantom of the Opera and in her smart and compelling novel, Webb allows the heroine, Christine Daae, to take centre stage. This is a novel full of magic and atmosphere, lush historical detail and page-turning suspense, and is sure to enthrall, enchant and delight those who are already fans of the Phantom, as well as those who discover the classic tale through Webb's wonderful re-imagining. Absolutely love it. Brava!!
January 30, 2018
The Phantom of the Opera is one of my favorite musicals, I love historical and gothic fiction, so, of course, I absolutely had to read The Phantom's Apprentice. It was such a great reimaging of the beloved play, I enjoyed it immensely. The writing is exquisite, the descriptions of Paris and the Opera House are so vivid, I could easy picture the gorgeous setting and feel immersed in the story.
Christine was an interesting and complex heroine, the Angel of Music was a lot more disturbing than his original counterpart, and Raoul was a lot more swoonworthy. When I watched the musical I didn't find Raul's character very interesting and didn’t really care about their relationship. In The Phantom's Apprentice, Heather Webb finally does justice to Christine and Raul's love story. I was finally convinced that these two belong together. I also loved Christine's journey from a young impressionable girl to an independent woman who didn't want any men to decide her fate.
If you love historical fiction with an atmospheric setting, interesting characters, and beautiful writing, The Phantom's Apprentice is for you.
*ARC provided by the publisher via NetGalley in exchange for an honest review.
Christine was an interesting and complex heroine, the Angel of Music was a lot more disturbing than his original counterpart, and Raoul was a lot more swoonworthy. When I watched the musical I didn't find Raul's character very interesting and didn’t really care about their relationship. In The Phantom's Apprentice, Heather Webb finally does justice to Christine and Raul's love story. I was finally convinced that these two belong together. I also loved Christine's journey from a young impressionable girl to an independent woman who didn't want any men to decide her fate.
If you love historical fiction with an atmospheric setting, interesting characters, and beautiful writing, The Phantom's Apprentice is for you.
*ARC provided by the publisher via NetGalley in exchange for an honest review.
January 12, 2018
A couple years ago, my husband and I hiked the French Pyrenees for a month, staying in small inns and B&Bs. The best meal we had, hands down, was created by an Englishwoman. The French can be territorial about their cuisine, so I asked her how French guests responded to her meals. She explained that she never attempts classic dishes (coq a vin, beef bourguignon) but instead reinvents them so they cannot be directly compared. Clever!
I thought of this while savoring Webb's take on Phantom of the Opera. The story is shifted far enough from the original so direct comparisons are impossible. And yet, the bones of the classic are there--the cast, the atmosphere, the drama, the mystery--and Webb uses all of it to make her story, Christine's story, take center stage.
I was captivated by the richly drawn characters and held to the page by the swift pacing and twisty plot brimming with music, magic and romance. The settings are enchanting, the prose is smooth and ending is perfection. Brava!
I thought of this while savoring Webb's take on Phantom of the Opera. The story is shifted far enough from the original so direct comparisons are impossible. And yet, the bones of the classic are there--the cast, the atmosphere, the drama, the mystery--and Webb uses all of it to make her story, Christine's story, take center stage.
I was captivated by the richly drawn characters and held to the page by the swift pacing and twisty plot brimming with music, magic and romance. The settings are enchanting, the prose is smooth and ending is perfection. Brava!
December 11, 2018
I'm sorry to say that this is a book that failed to live up0 to my expectations. I was really looking forward to reading this book since Phantom of the Opera is a favorite book of mine. But, the changes, most noticeable to the characters didn't work for me. However, I did I find the book to be easy to read as the writing is good. I just didn't care for the story. I'm just not that thrilled to read books that change the characters so much from the original ones that you don't recognize them anymore.
I want to thank the publisher for providing me with a free copy through NetGalley for an honest review!
I want to thank the publisher for providing me with a free copy through NetGalley for an honest review!
February 13, 2018
“He was bound to love you when, he heard you sing.� These words are from the lyrics to the song All I Ask of You, written by Andrew Lloyd Webber for the Broadway musical Phantom of the Opera. And all I can think of as I write this review is that I was bound to love this book the minute I heard it was about Phantom of the Opera!
I have always been a fan of Phantom of the Opera. I read the original book, written by Gaston Leroux. I’ve seen the Broadway musical multiple times, memorized the music from the show, and even saw a few movie adaptations of the story over the years. Furthermore, my husband proposed to me on one of the nights that we saw Phantom together on Broadway, and we selected All I Ask of You as one of our wedding songs. So you could say that I am intimately familiar with, and a fan of, Phantom on all levels.
So I was both thrilled, and yet a bit weary, of reading this book. I was excited about the subject matter, but was hoping that it didn’t taint my view of Phantom in any way.
I absolutely loved this book! It stayed true to the original tone and essence of Phantom and the characters, while cleverly and creatively reimagining parts of the story. Is completely told from the perspective of Christine Daae, which already makes it unique. I loved imagining things from her perspective, and seeing her as not as a damsel in distress, but an independent, strong woman who is figuring out her way in the world.
If you love opera, Paris, historical fiction, Phantom, or fan fiction, you will absolutely love this novel. I happen to be a big fan of authors that grab onto fictional characters and then re-tell a story from their perspective. It is so unbelievably creative. And this particular retelling delivers in every way.
I have always been a fan of Phantom of the Opera. I read the original book, written by Gaston Leroux. I’ve seen the Broadway musical multiple times, memorized the music from the show, and even saw a few movie adaptations of the story over the years. Furthermore, my husband proposed to me on one of the nights that we saw Phantom together on Broadway, and we selected All I Ask of You as one of our wedding songs. So you could say that I am intimately familiar with, and a fan of, Phantom on all levels.
So I was both thrilled, and yet a bit weary, of reading this book. I was excited about the subject matter, but was hoping that it didn’t taint my view of Phantom in any way.
I absolutely loved this book! It stayed true to the original tone and essence of Phantom and the characters, while cleverly and creatively reimagining parts of the story. Is completely told from the perspective of Christine Daae, which already makes it unique. I loved imagining things from her perspective, and seeing her as not as a damsel in distress, but an independent, strong woman who is figuring out her way in the world.
If you love opera, Paris, historical fiction, Phantom, or fan fiction, you will absolutely love this novel. I happen to be a big fan of authors that grab onto fictional characters and then re-tell a story from their perspective. It is so unbelievably creative. And this particular retelling delivers in every way.
April 7, 2018
Phantom fans rejoice! This reimagining will not only bring to life everything you love about the play, but will take it deeper into the darkness behind the music, the yearning, and the opera’s secrets.
It is a great joy to savor the passive heroine reimagined as a driven, complex woman. All of the characters have depth, and throughout the narrative Webb keeps the reader guessing about who can be trusted. The settings are rich and sensual, and the movement between salons, seasides, and stages keeps the action fresh and captivating, propelling the story to an unforgettable climax.
Fans of gothic historical fiction and, of course, THE PHANTOM OF THE OPERA, will adore THE PHANTOM’S APPRENTICE.
It is a great joy to savor the passive heroine reimagined as a driven, complex woman. All of the characters have depth, and throughout the narrative Webb keeps the reader guessing about who can be trusted. The settings are rich and sensual, and the movement between salons, seasides, and stages keeps the action fresh and captivating, propelling the story to an unforgettable climax.
Fans of gothic historical fiction and, of course, THE PHANTOM OF THE OPERA, will adore THE PHANTOM’S APPRENTICE.
November 18, 2018
Fans of Phantom of the Opera will adore this reimagining of the beloved tale. Christine Daae, mourning her father's death, secures a position singing at the renowned Nouvel Opera in Paris, only to found herself ensnared in a dangerous web between a jealous diva and The Angel of Music, a mysterious phantom obsessed with Christine and his muse. Can Christine find safety and salvation with the help of her childhood friend and newfound love Raoul by returning to her own true gift, illusion and magical arts? Whether you are new to the story or have loved it forever, you will find yourself on the edge of your seat with this breathless page turner.
April 1, 2018
NOTE: Received as an ARC from Netgalley.
As a fan of the original Phantom, Michael Crawford (or perhaps I should say the OG OG), and the movie Phantom, Gerard Butler, I enjoyed this retelling. It presents a more complex, resourceful Christine than in the Leroux book or Andrew Lloyd Webber musical and does a good job of depicting Christine's conflicted feelings for the Phantom—is he "angel or demon"? A great combination of music and magic that held my interest all the way through.
As a fan of the original Phantom, Michael Crawford (or perhaps I should say the OG OG), and the movie Phantom, Gerard Butler, I enjoyed this retelling. It presents a more complex, resourceful Christine than in the Leroux book or Andrew Lloyd Webber musical and does a good job of depicting Christine's conflicted feelings for the Phantom—is he "angel or demon"? A great combination of music and magic that held my interest all the way through.
January 10, 2018
As an early fan of all things Phantom (my first Broadway show when I was 13), I've read the book scores of time and seen the show eight times in five cities. (I've also visited Box 5 in the Paris Opera House.) So, I was eager to read this new retelling of the story from Christine's point of view, and I was not disappointed! As one needs to do with any reimagining, you must suspend an abundance of pre-conceived notions of HOW IT SHOULD BE and appreciate the author's own spin on it. For those who might complain, I would invite you to write your own version as you see it. Until then, I celebrate what each person brings to their love of a story.
Author Heather Webb did an excellent job of giving complexity and drive to Christine, giving dimension to the Phantom's magical abilities, motivation to Carlotta's antics, depth to beloved Raoul, and introducing us to new characters who fill out the story. I would put this among my favorite of classic retellings, a genre I thoroughly enjoy.
Thank you to Net Galley for an opportunity to read and review this in advance of publication.
Author Heather Webb did an excellent job of giving complexity and drive to Christine, giving dimension to the Phantom's magical abilities, motivation to Carlotta's antics, depth to beloved Raoul, and introducing us to new characters who fill out the story. I would put this among my favorite of classic retellings, a genre I thoroughly enjoy.
Thank you to Net Galley for an opportunity to read and review this in advance of publication.
February 21, 2018
In The Phantom's Apprentice, Heather Webb has woven an atmospheric tale of magic and mystery, shining the spotlight squarely on Christine Daae. I loved the added depth of spiritualism that was rampant in Paris during the story of Phantom of the Opera, how that mysticism became a guiding force in Christine's life and also explained some of the Phantom's elaborate trickery. While I love Andrew Lloyd Webber's musical, this is a novel for history lovers who want the suspense of Christine's story to unfold as it really could have happened.
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January 20, 2018
Lindas Book Obsession Review of “The Phantom’s Apprentice by Heather Webb
My Review of “The Phantom’s Apprentice� by Heather Webb
Bravo to Heather Webb, Author of “The Phantoms’s Apprentice� for weaving such a fantastic story combining, music, magic and mystery. The Genres for this Novel are Fiction, Mystery, Suspense, Thriller, with an essence of magicical realism thrown in.
This is sort of a re-telling of The Phantom of the Opera, with many of the similar characters, but there are differences. In this story, the reader gets to sit in the front row, and view the Paris Opera theater and its colorful cast of characters play the intense and intriguing drama concluding in a suspenseful climax.
Heather Webb describes the characters as complex and complicated. There are secrets, danger, betrayals, jealousy, threats and murder. Are any of the character really who they say they are?
Christine Daae, tries to meet her Papa’s expectations as he plays the violin that she will sing at the Great Opera. Christine’s Papa is bringing her up. Her mother had loved magic and illusion, and Christine is fond as of magic and illusion as well. When Christine’s Papa dies during a Conjurers� show, Christine stops practicing her magic.
A friend of the family, Professor Delacroix gets Christine an audition at the Opera de Paris. Christine get to work at the Opera. The lead singer acts in a threatening manner towards Christine.
While Christine is at the Opera, she meets “The Angel of Music� She is not sure if he is real or not. He coaches and encourages her in her singing. Christine practices and becomes his apprentice. She also becomes an understudy. “The Angel of Music� becomes more demanding and possessive of Christine.
There are rumors of darkness and a Ghost or Phantom at the Opera, making threats and demands. Then there are murders. A few times someone has saved Christine after she was attacked, and when she fell. Who is her savior?
Christine sees a childhood friend, Raoul, who gifts her with a book of Magic, and seeks her company. “The Angel of Music� demands that Christine not see Raoul.
Christine finds comfort in practicing her Magic Arts. One wonders what is real and what is illusion?
I appreciate that Heather Webb, shows how a determined woman can do what she wants to do, in a man’s world. One also can see the differences of classes in society at this time, the rich and poor, the have and the have nots.
I would highly recommend this novel to those readers who love a mystery, thriller, and romantic story. There are twists and turns, excitement and adventure. I received an Advanced Reading Copy for my honest review.
My Review of “The Phantom’s Apprentice� by Heather Webb
Bravo to Heather Webb, Author of “The Phantoms’s Apprentice� for weaving such a fantastic story combining, music, magic and mystery. The Genres for this Novel are Fiction, Mystery, Suspense, Thriller, with an essence of magicical realism thrown in.
This is sort of a re-telling of The Phantom of the Opera, with many of the similar characters, but there are differences. In this story, the reader gets to sit in the front row, and view the Paris Opera theater and its colorful cast of characters play the intense and intriguing drama concluding in a suspenseful climax.
Heather Webb describes the characters as complex and complicated. There are secrets, danger, betrayals, jealousy, threats and murder. Are any of the character really who they say they are?
Christine Daae, tries to meet her Papa’s expectations as he plays the violin that she will sing at the Great Opera. Christine’s Papa is bringing her up. Her mother had loved magic and illusion, and Christine is fond as of magic and illusion as well. When Christine’s Papa dies during a Conjurers� show, Christine stops practicing her magic.
A friend of the family, Professor Delacroix gets Christine an audition at the Opera de Paris. Christine get to work at the Opera. The lead singer acts in a threatening manner towards Christine.
While Christine is at the Opera, she meets “The Angel of Music� She is not sure if he is real or not. He coaches and encourages her in her singing. Christine practices and becomes his apprentice. She also becomes an understudy. “The Angel of Music� becomes more demanding and possessive of Christine.
There are rumors of darkness and a Ghost or Phantom at the Opera, making threats and demands. Then there are murders. A few times someone has saved Christine after she was attacked, and when she fell. Who is her savior?
Christine sees a childhood friend, Raoul, who gifts her with a book of Magic, and seeks her company. “The Angel of Music� demands that Christine not see Raoul.
Christine finds comfort in practicing her Magic Arts. One wonders what is real and what is illusion?
I appreciate that Heather Webb, shows how a determined woman can do what she wants to do, in a man’s world. One also can see the differences of classes in society at this time, the rich and poor, the have and the have nots.
I would highly recommend this novel to those readers who love a mystery, thriller, and romantic story. There are twists and turns, excitement and adventure. I received an Advanced Reading Copy for my honest review.
January 11, 2018
3.5/5 stars
''No man can possess you, Christine, or he will pay.''
The Phantom's Apprentice is a beautifully dramatic, engrossing, suspenseful and in some ways romantic story, with more plot twist then I expected.
Nobody was what they seemed. Everybody had secrets and everyone was a little creepy.
There are so many characters in this book that I don't know either I hate them or love them. The main character Christine, being one of them.
I really like the relationship Christine and her father had, even if it was very brief in the book. I adore the friendships and the romance.
The writing was done very beautifully, I felt like I was reading a classic, ( in some ways, I was ).
Overall this was a very surprising and intriguing read, and worth a re-read.
* I'd like to thank NetGalley and the publisher for providing me with an ARC of this book.
February 11, 2017
A beautiful spin on the Phantom's tale. Beautifully crafted and engrossing! Well done!
September 15, 2018
The Phantom of the opera is Gaston Leroux's best-known book, for which the author has done extensive research on the world of opera. In that book, the Paris Opera House is as important a character as Christine or Erik, because it enters inside the plot and changes the choices of the characters. What I liked the most in that book was the atmosphere: lights, curtains, dust, gold. The music that invades the rooms full of people and guests, singers and dancers. The theater has a unseen face, hidden in the underground of the city: in this submerged world the ghost moves, a person in flesh and blood who seeks revenge and fame.
Even the Gothic tones had pushed me to love Leroux's text. Instead, I was not interested in the love between Christine and Raoul.
In the book I have just read many of the items of the original book still exist, but are renewed by a new vision of nineteenth-century French world. Christine has acquired more temper, has greater will, has her own desires that go beyond the usual marriage. The girl wants to sing to make her dead father happy, but she also wants to become an illusionist. Among all the novelties, that of magic and prestidigitation is the one I preferred. I really enjoyed reading about tricks and German boxes, for example. I also liked the soul of the protagonist, even if it becomes stereotype in some parts.
I liked the description of the ghost, the examination of his mind and the explanation of his motives.
However, I did not feel the sentiment of melancholy and fear that such a book should have given me. I expected more scenes in Gothic style, more sections in which spiritualism was a main part. The relationship with the dead is very present in this book, but besides the fact that Christine is talking to her dead father, there is not much else. Towards the middle of the book, however, there are parts that would be better to read with the light on, because they can give anxiety.
I liked the book, even if I expected more. I recommend it to those who love the Phantom of The opera and the 2004 film. Some things are taken from the musical, and they are well done, others have made me feel annoyed. A good read, anyway.
*thanks to Netgalley for sending me a free digital copy of this book in exchange for an honest review - I appreciated it *
August 14, 2018
Fans of The Phantom of the Opera musical will be enthralled as they are drawn into The Phantom’s Apprentice by Heather Webb. Webb’s version takes a twist on the original story, and gives us insight into the background and hopes and desires of Christine Daae. Singing is not her passion. She desires to become a magician and enlists the help of her best friend in putting together a show. However, the Phantom has other ideas and blackmails her. Should she give up singing, it will cost her her family, friends, and love interest Raoul. At the theatre where she is forced to sing, other spectres lurk in the background as the body count increases. Many want to find the illusive Phantom whose lair is hidden within its walls. Some will use Christine in order to get to him. Webb intricately weaves the details of this story together, leading to an astonishing climax. This is a gripping novel that does justice to the original story and readers will not be disappointed!
February 27, 2018
Being a big fan of The Phantom of the Opera musical, when I first heard about this book, I knew I had to read it. With a gorgeous setting (and that cover!), the retelling of this story is done beautifully by Heather Webb. This was a book that I read slowly to savor every detail and moment of Christine Daaé's story. The Phantom's Apprentice was as satisfying and magical as the musical and movie. Very well done!
I received an advance review copy of this book from the publisher and NetGalley. All opinions are my own.
I received an advance review copy of this book from the publisher and NetGalley. All opinions are my own.
January 27, 2018
An enchanting, fresh retelling! Heather Webb’s writing is beautiful and her story telling transports the reader into a world that’s full of lush details and intrigue. Highly recommended!
February 4, 2019
This was fantastic, well-written and sensory experience that will appeal to fans of both the musical and Leroux's famous work.
Webb weaves a spell around those who love gothic romance, but creates her own world and steps firmly out the pastiche category by her distinctive voice and take on an oft-told tale.
Perhaps my favourite part of the novel is that by giving the voice (at least the narrative voice) to Christine, she is given agency and empathy. Whereas in the stage representation and the Leroux novel, she is very much a pawn to male whims, Webb succeeds in the difficult task of making her a well-rounded character.
Brilliantly rendered history and page-turning romance! I loved it.
Webb weaves a spell around those who love gothic romance, but creates her own world and steps firmly out the pastiche category by her distinctive voice and take on an oft-told tale.
Perhaps my favourite part of the novel is that by giving the voice (at least the narrative voice) to Christine, she is given agency and empathy. Whereas in the stage representation and the Leroux novel, she is very much a pawn to male whims, Webb succeeds in the difficult task of making her a well-rounded character.
Brilliantly rendered history and page-turning romance! I loved it.
February 19, 2018
In my younger years, I was such a fan of The Phantom of the Opera musical. I still remember seeing it on Broadway all those years ago, sitting up in the nosebleeds and being thoroughly entranced. My mom bought me the soundtrack on the way out, and I soon knew it by heart. I was surprised at how many of those lyrics came back to me as I was reading The Phantom's Apprentice. It's been a very long time since I saw the musical, and I've never read the book on which it's based, so I went into this without a solid attachment to the particulars of the story, my mind open to see how Ms. Webb would make this story her own.
While the bones of the story are pretty much the same--Christine Daae, a beautiful young woman with a beautiful voice, auditions for a role in the chorus of a Paris opera house. The opera house is haunted, and Christine catches the attention of the "phantom," who decides to help her hone her skills, coming to her in the guise of the "angel of music," and sets some dastardly events in motion in order to have Christine become the star of the show. But his plans to keep Christine to himself are spoiled by the reappearance of her childhood love, Raoul, who determines not to let her go again now that he's found her, and though Christine knows it angers the phantom, having fallen in love with Raoul all over again, she can't stay away from him. And so the stage is set for a showdown between the murderous phantom and the young lovers.
What sets this story apart from the version I knew is the addition of illusions and magic. In this story, singing is Christine's second love, coming behind her love for the art of illusions, a love fostered by her mother before her untimely death. Christine figures out early on that the phantom is nothing more than a master illusionist, and while she continues to go along with his ploy in order to further her career, secretly she is bent on discovering the science behind his "haunting." This leads her into all sorts of danger as she explores the shadowy labyrinth beneath the opera house. She also has a very real benefactor in the form of Monsieur Delacroix, a man determined to unmask the phantom and make a name for himself in the scientific community. But as the phantom spirals out of control, Monsieur Delacroix's motives become more and more suspect, and eventually Christine is unsure who she can trust. Even Raoul seems to have secrets.
I have mixed feelings about The Phantom's Apprentice. On the one hand, Christine is a compelling heroine, one I was easily rooting for, and I admired the way she single-handedly orchestrated the climax of the novel; the descriptions of Paris, the opera house, and the society that surrounds it are vivid; and Raoul is a swoon-worthy hero. But on the other hand, I never truly bought into Christine's desire to be an illusionist, and I was often shaking my head at some of her decisions concerning the phantom. She rationalizes some pretty appalling behavior and has a habit for needlessly placing herself in danger. I also found it hard to sympathize with the phantom. While he certainly has not had it easy, and I did feel twinges of sympathy for him, his horrid behavior vastly outweighs the good. And, having read all of Ms. Webb's novels to date, I found the writing to lack the eloquence I know she's capable of. But the story was certainly entertaining, and I could not put it down as it raced to the exciting conclusion. I think it's worth a read for anyone who loves opera, particularly Phantom, but die-hard Phantom fans should proceed with an open mind and be prepared for a different journey.
While the bones of the story are pretty much the same--Christine Daae, a beautiful young woman with a beautiful voice, auditions for a role in the chorus of a Paris opera house. The opera house is haunted, and Christine catches the attention of the "phantom," who decides to help her hone her skills, coming to her in the guise of the "angel of music," and sets some dastardly events in motion in order to have Christine become the star of the show. But his plans to keep Christine to himself are spoiled by the reappearance of her childhood love, Raoul, who determines not to let her go again now that he's found her, and though Christine knows it angers the phantom, having fallen in love with Raoul all over again, she can't stay away from him. And so the stage is set for a showdown between the murderous phantom and the young lovers.
What sets this story apart from the version I knew is the addition of illusions and magic. In this story, singing is Christine's second love, coming behind her love for the art of illusions, a love fostered by her mother before her untimely death. Christine figures out early on that the phantom is nothing more than a master illusionist, and while she continues to go along with his ploy in order to further her career, secretly she is bent on discovering the science behind his "haunting." This leads her into all sorts of danger as she explores the shadowy labyrinth beneath the opera house. She also has a very real benefactor in the form of Monsieur Delacroix, a man determined to unmask the phantom and make a name for himself in the scientific community. But as the phantom spirals out of control, Monsieur Delacroix's motives become more and more suspect, and eventually Christine is unsure who she can trust. Even Raoul seems to have secrets.
I have mixed feelings about The Phantom's Apprentice. On the one hand, Christine is a compelling heroine, one I was easily rooting for, and I admired the way she single-handedly orchestrated the climax of the novel; the descriptions of Paris, the opera house, and the society that surrounds it are vivid; and Raoul is a swoon-worthy hero. But on the other hand, I never truly bought into Christine's desire to be an illusionist, and I was often shaking my head at some of her decisions concerning the phantom. She rationalizes some pretty appalling behavior and has a habit for needlessly placing herself in danger. I also found it hard to sympathize with the phantom. While he certainly has not had it easy, and I did feel twinges of sympathy for him, his horrid behavior vastly outweighs the good. And, having read all of Ms. Webb's novels to date, I found the writing to lack the eloquence I know she's capable of. But the story was certainly entertaining, and I could not put it down as it raced to the exciting conclusion. I think it's worth a read for anyone who loves opera, particularly Phantom, but die-hard Phantom fans should proceed with an open mind and be prepared for a different journey.
May 31, 2018
I was fortunate enough to receive this through NetGalley and I've always been a huge fan of the Phantom story, so when I ran across this book I was eager to see what a retelling might hold. In hindsight, though it didn't 'thrill,' I don't regret reading it either.
What I loved about this book, is that aside from her own muse's direction, it still feels like the original Phantom story. I mean, in the vernacular sense. I instantly felt a familiarity with her writing, not just because I knew the original story so well, but because she did an excellent job of recapturing the feeling of the original story's styling. The way her characters spoke, viewed the world around them, even the way they interacted with each other, aligned beautifully.
The only minor disappointment I had was, I just didn't feel like it had enough to say. Sure, it was a peek behind the curtain, so to speak, but I didn't feel as if much was unveiled by that peek. There were good elements there, I just don't think they were fleshed out as well as they could be. The secrets between them felt relatively thin, and I never had that moment of surprise, which a story like this could have so easily offered.
Still.. worth a read.
What I loved about this book, is that aside from her own muse's direction, it still feels like the original Phantom story. I mean, in the vernacular sense. I instantly felt a familiarity with her writing, not just because I knew the original story so well, but because she did an excellent job of recapturing the feeling of the original story's styling. The way her characters spoke, viewed the world around them, even the way they interacted with each other, aligned beautifully.
The only minor disappointment I had was, I just didn't feel like it had enough to say. Sure, it was a peek behind the curtain, so to speak, but I didn't feel as if much was unveiled by that peek. There were good elements there, I just don't think they were fleshed out as well as they could be. The secrets between them felt relatively thin, and I never had that moment of surprise, which a story like this could have so easily offered.
Still.. worth a read.
January 22, 2018
Thank you to netgalley and the publisher/author for providing a copy of THE PHANTOM'S APPRENTICE in exchange for an honest review.
I have always had an insane interest in the Phantom of the Opera. It was my grandmother's favorite musical and she passed that love down to me. I was so excited to read this book, and it far surpassed my expectations. The story follows the life of Christine Daae, as she explores the life of the opera in her early twenties, and struggles to find out what she wants out of life. She runs into a few hurdles as she begins to be haunted by a supposed ghost and her romantic interest may be interested in another, but is everything always as it seems?
Christine was just as alluring and likable as I always imagined her. She was strong, determined, beautiful and stole my heart. Webb's characterization of her was spot on in my eyes. This book had mystery, intrigue, magic, romance and secrets. What a mystical and beautiful story.
If you are not a Phantom fan, I strongly believe you will still enjoy this book. There were so many elements that will draw a variety of readers in. If you enjoyed The Night Circus I think you discover this to be a great read as well. Give it a whirl and I am sure you will find yourself falling for Christine as much as I did.
I have always had an insane interest in the Phantom of the Opera. It was my grandmother's favorite musical and she passed that love down to me. I was so excited to read this book, and it far surpassed my expectations. The story follows the life of Christine Daae, as she explores the life of the opera in her early twenties, and struggles to find out what she wants out of life. She runs into a few hurdles as she begins to be haunted by a supposed ghost and her romantic interest may be interested in another, but is everything always as it seems?
Christine was just as alluring and likable as I always imagined her. She was strong, determined, beautiful and stole my heart. Webb's characterization of her was spot on in my eyes. This book had mystery, intrigue, magic, romance and secrets. What a mystical and beautiful story.
If you are not a Phantom fan, I strongly believe you will still enjoy this book. There were so many elements that will draw a variety of readers in. If you enjoyed The Night Circus I think you discover this to be a great read as well. Give it a whirl and I am sure you will find yourself falling for Christine as much as I did.
August 10, 2018
This book has been on my radar since I finished Webb’s cowritten novel, THE LAST CHRISTMAS IN PARIS. I loved that book and was eager to read more by her. Plus throw in that Phantom of the Opera is indeed one of my favorite films/operas and you have a reader who was EXTRA eager to read this book.
This book is told from Christine’s perspective which intrigued me. I have never read the original Phantom of the Opera novel by Gaston Leroux, but I’m curious about how much of the original influenced this retelling.
It is almost impossible to review this book without comparing it to the Andrew Lloyd Webber version. For me in the Andrew Lloyd Webber version of Phantom, I was never really a fan of Christine. She is so innocent and impressionable that it bordered on ridiculous. I mean come on�..creepy mysterious masked man visits young girl in her bedroom and basically stalks her and she’s more or less ok with that?! Strange. But as a fan I am willing to go on a little bit of faith and see that Christine was young and desperate for companionship.
What did it for me was Raoul and the Phantom himself. Raoul is everything a well structured hero should be. Dashing, handsome, free thinking, brave, protective, and titled. He can give Christine everything she wants and needs. But the Phantom understands her in a way that no one else can. The love he feels for Christine isn’t something beautiful and idealistic, but dark, twisted and messy—romantic. Horribly romantic.
So with that in mind this book was very interesting to me and yet left me conflicted. I think Webb did a great job at showing the side of the characters that we don’t really see in the ALW version of this story. Again I haven’t read the original novel, so keep that in mind as you read this review. The Christine we meet in this book is clearly very trusting and idealistic, much like how she is portrayed in the ALW version. But in this novel she comes into her own as the novel builds. I personally had a hard time with her character in this book.
I am not sure what exactly didn’t work other than at times she seemed a little wishy washy. I had a hard time believing that she was so conflicted about Raoul and the Phantom AKA Erik. She seemed to flip flop between innocent/scared and confident/brave. I wanted to see more of a steady change in her and I actually would have liked her better had she been a little more brazen. Not totally like Carlotta but channeled a little more of her spirit throughout the novel rather than just at the end.
The magician perspective was interesting. I liked how it worked into the Phantom’s plot and back story. I am not sure that I liked it for Christine though. For me it seemed off, perhaps because when I think of Christine, I think of the ALW version where singing was her life and she lived to perform. This was an interesting take on her character that I wasn’t entirely sure worked.
What I did like was how Raoul was portrayed. In the ALW version, he’s this clean cut, quintessential hero. In this book, Webb makes him a little more edgy and I like how that plays out. I wish she had milked that a little longer though. I would have liked to see a little more torment over that between him and Christine. For me this added a lot to the story and characters.
I also liked how the Phantom’s story took on a life of its own. The story of Erik is tragic, dark, and intriguing and here Webb really utilizes that and makes it even more sensational that it already is. I liked how she used magic, conjuring, and illusion to help add depth to his narrative. For me this is what really worked well in the novel. He is the most sympathetic character throughout the story in my opinion.
What I would have liked to have seen more of was romance. Toward the end we get a little romance but for a story well known for it’s tormented romance and sensualism, I didn’t get that in this book. I don’t think it needed to be all bodice ripper-ish, but something more than what we got toward the end would have been nice.
Over all I think this was a good book, I liked it but I didn’t love it in the way that I hoped. It’s still a 4 star review for me because I really do love the concept of an alternative chain of events than traditional Phantom cannon, but I think more could have been done for Christine. For me the Phantom stole the show which perhaps isn’t a surprise.
This book is told from Christine’s perspective which intrigued me. I have never read the original Phantom of the Opera novel by Gaston Leroux, but I’m curious about how much of the original influenced this retelling.
It is almost impossible to review this book without comparing it to the Andrew Lloyd Webber version. For me in the Andrew Lloyd Webber version of Phantom, I was never really a fan of Christine. She is so innocent and impressionable that it bordered on ridiculous. I mean come on�..creepy mysterious masked man visits young girl in her bedroom and basically stalks her and she’s more or less ok with that?! Strange. But as a fan I am willing to go on a little bit of faith and see that Christine was young and desperate for companionship.
What did it for me was Raoul and the Phantom himself. Raoul is everything a well structured hero should be. Dashing, handsome, free thinking, brave, protective, and titled. He can give Christine everything she wants and needs. But the Phantom understands her in a way that no one else can. The love he feels for Christine isn’t something beautiful and idealistic, but dark, twisted and messy—romantic. Horribly romantic.
So with that in mind this book was very interesting to me and yet left me conflicted. I think Webb did a great job at showing the side of the characters that we don’t really see in the ALW version of this story. Again I haven’t read the original novel, so keep that in mind as you read this review. The Christine we meet in this book is clearly very trusting and idealistic, much like how she is portrayed in the ALW version. But in this novel she comes into her own as the novel builds. I personally had a hard time with her character in this book.
I am not sure what exactly didn’t work other than at times she seemed a little wishy washy. I had a hard time believing that she was so conflicted about Raoul and the Phantom AKA Erik. She seemed to flip flop between innocent/scared and confident/brave. I wanted to see more of a steady change in her and I actually would have liked her better had she been a little more brazen. Not totally like Carlotta but channeled a little more of her spirit throughout the novel rather than just at the end.
The magician perspective was interesting. I liked how it worked into the Phantom’s plot and back story. I am not sure that I liked it for Christine though. For me it seemed off, perhaps because when I think of Christine, I think of the ALW version where singing was her life and she lived to perform. This was an interesting take on her character that I wasn’t entirely sure worked.
What I did like was how Raoul was portrayed. In the ALW version, he’s this clean cut, quintessential hero. In this book, Webb makes him a little more edgy and I like how that plays out. I wish she had milked that a little longer though. I would have liked to see a little more torment over that between him and Christine. For me this added a lot to the story and characters.
I also liked how the Phantom’s story took on a life of its own. The story of Erik is tragic, dark, and intriguing and here Webb really utilizes that and makes it even more sensational that it already is. I liked how she used magic, conjuring, and illusion to help add depth to his narrative. For me this is what really worked well in the novel. He is the most sympathetic character throughout the story in my opinion.
What I would have liked to have seen more of was romance. Toward the end we get a little romance but for a story well known for it’s tormented romance and sensualism, I didn’t get that in this book. I don’t think it needed to be all bodice ripper-ish, but something more than what we got toward the end would have been nice.
Over all I think this was a good book, I liked it but I didn’t love it in the way that I hoped. It’s still a 4 star review for me because I really do love the concept of an alternative chain of events than traditional Phantom cannon, but I think more could have been done for Christine. For me the Phantom stole the show which perhaps isn’t a surprise.
January 19, 2018
I can't stop thinking about this book...which also kept me up super late, wondering what was going to happen next. I loved Heather Webb's take on this famous story, told from Christine Daaé's point of view. It's a magical, action-packed tale, impeccably researched and thoughtfully revamped to bring new life into the story. I loved the angle of bringing in the world of the illusionist into the novel, giving Christine the chance to turn the tables on her Angel of Music. The characters are vivid and the story races through the corridors of the Opera, taking the reader on a wonderful, wild ride. What a fantastic way to start out this year's reading!
March 12, 2018
4.5*
My Thoughts
Let me start by saying ... I love ALL things Phantom Of The Opera - books, musicals, score, movie - you name it! I feel it in my bones and know every word of every song. So of course I immediately had to read this book and can glady state that Heather Webb has presented a fabulous take on this much loved classic.
‘What had happened to the poor man to make him hate everyone—and himself—so much?�
In this version Christine is an illusionist as well as an opera singer and the Phantom is someone with whom she may have crossed paths in the past (not to give away any spoilers). So be warned - this is not the romantic love story we all know and love - this is a completely new and satisfying approach.
The tale may start out a little slowly but once Christine joins the Paris Opera Company, the pace certainly increases. I also very much appreciated the authentic detail Webb went to in presenting the magic and illusions - it was new and fitted in very well with the theme - I mean the Phantom was the Master of illusions! Learning more about this Phantom’s back story is also new and well presented. I liked it.
I really enjoyed this book! Heather Webb does a fine job of paying respect to the original whilst simultaneously delivering new and creative reimaginings on certain plots within the overall tale. It was refreshing to learn of things solely from Christine’s viewpoint and have her character demonstrating so much more strength and independence.
‘This ghost would show himself—now—and explain his motives! If he didn’t, I would expose him to the directors. The charade was over, like it or not.�
Full of magic and atmosphere, rich in historical detail, with a fresh but still reassuringly comforting enough retelling for avid fans, you will quickly turn the pages of this suspense filled tale. Enchanting, delightful and thoroughly engaging for both original devotee’s and newcomers alike.
This review is based on a complimentary copy from the publisher and provided through NetGalley in exchange for an honest review. The quoted material may have changed in the final release
My Thoughts
Let me start by saying ... I love ALL things Phantom Of The Opera - books, musicals, score, movie - you name it! I feel it in my bones and know every word of every song. So of course I immediately had to read this book and can glady state that Heather Webb has presented a fabulous take on this much loved classic.
‘What had happened to the poor man to make him hate everyone—and himself—so much?�
In this version Christine is an illusionist as well as an opera singer and the Phantom is someone with whom she may have crossed paths in the past (not to give away any spoilers). So be warned - this is not the romantic love story we all know and love - this is a completely new and satisfying approach.
The tale may start out a little slowly but once Christine joins the Paris Opera Company, the pace certainly increases. I also very much appreciated the authentic detail Webb went to in presenting the magic and illusions - it was new and fitted in very well with the theme - I mean the Phantom was the Master of illusions! Learning more about this Phantom’s back story is also new and well presented. I liked it.
I really enjoyed this book! Heather Webb does a fine job of paying respect to the original whilst simultaneously delivering new and creative reimaginings on certain plots within the overall tale. It was refreshing to learn of things solely from Christine’s viewpoint and have her character demonstrating so much more strength and independence.
‘This ghost would show himself—now—and explain his motives! If he didn’t, I would expose him to the directors. The charade was over, like it or not.�
Full of magic and atmosphere, rich in historical detail, with a fresh but still reassuringly comforting enough retelling for avid fans, you will quickly turn the pages of this suspense filled tale. Enchanting, delightful and thoroughly engaging for both original devotee’s and newcomers alike.
This review is based on a complimentary copy from the publisher and provided through NetGalley in exchange for an honest review. The quoted material may have changed in the final release
February 21, 2018
Experience the magic of music--and the music of magic!--in Heather Webb's latest novel, THE PHANTOM'S APPRENTICE (Sonnet Press). With the finesse and skill of a master conjuror, Webb transmutes the familiar substance of the Phantom of the Opera tradition into a haunting tale of love, loss, and rebirth. Combining newly-imagined elements of magic and hidden family secrets with a substrate that draws from both Gaston Leroux's original 1910 novel and Andrew Lloyd Webber's famed 1986 Broadway musical, Webb reinvigorates familiar Phantom tradition with an edgy novelty that will appeal to devoted Phantom fans and unschooled initiates alike.
Webb's version focuses on the transformational journey of protagonist Christine Daaé, victim of circumstance and obedient pawn in the hands of powerful men, to full agency in determining her own fate. The orphaned daughter of an itinerant musician, Christine wins a coveted spot in the chorus of the Nouvel Opéra in Paris through the kindness of a benefactor's friend. At the Opéra, the beautiful, gifted singer snares the attention of the mysterious "Opera Ghost," who trains her voice and, through means that range from coercion to murder, positions her to displace the reigning diva. As Christine's emotions waver between gratefulness and fear towards this demanding ghost so devoted to her advancement, she becomes reacquainted with her childhood sweetheart, the Vicomte de Chagny. Raoul revives not only Christine's dormant heart but her interest in illusions, which she had set aside following her father's death. As Christine rededicates herself to mastering illusion in the hope of performing magic onstage, she uncovers secrets that involve her deceased parents in the ghost's shady past. Determined to slip the Phantom's obsessive grasp once and for all, she sets into motion an elaborate plan to flee the opera house. Only by outwitting and outperforming her accomplished adversary--a Master Conjuror himself--can Christine hope to fulfill her dreams and embrace a new life with Raoul.
Webb's deft weaving of innovative material within the framework of a familiar, revered narrative speaks to her skills as a storyteller. The tale moves at a brisk pace, with Christine's confidence and courage growing in equal measure. Interconnected backstories, slowly revealed, enrich the plot and deepen character development. Webb's firm grip on the culture of Belle Époque Paris, developed during the writing of her earlier novel RODIN'S LOVER (2015), displays itself in her luscious descriptions of the opulent Palais Garnier and its glamorous visitors, as well as in her portrayals of the daily grind of its performer's rehearsals and aspirations. Of particular strength is the novel's immersion in the spiritualist movement of the time. Eager to believe the spirits of her dead parents ever with her, even as she learns the tricks conjurors use to dupe the bereaved, Christine becomes the unwilling link between the conjuror and the scientist bent on exposing him. Her individual story of loss and enlightenment enacts on a personal level the struggles of a society caught in the death throes of superstition.
A thoroughly entertaining foray into a glamorous world of magic and music, where dreams bloom with thrill and transience of illusion, THE PHANTOM'S APPRENTICE proves there is more to the story of Christine and the Phantom than meets the eye.
Webb's version focuses on the transformational journey of protagonist Christine Daaé, victim of circumstance and obedient pawn in the hands of powerful men, to full agency in determining her own fate. The orphaned daughter of an itinerant musician, Christine wins a coveted spot in the chorus of the Nouvel Opéra in Paris through the kindness of a benefactor's friend. At the Opéra, the beautiful, gifted singer snares the attention of the mysterious "Opera Ghost," who trains her voice and, through means that range from coercion to murder, positions her to displace the reigning diva. As Christine's emotions waver between gratefulness and fear towards this demanding ghost so devoted to her advancement, she becomes reacquainted with her childhood sweetheart, the Vicomte de Chagny. Raoul revives not only Christine's dormant heart but her interest in illusions, which she had set aside following her father's death. As Christine rededicates herself to mastering illusion in the hope of performing magic onstage, she uncovers secrets that involve her deceased parents in the ghost's shady past. Determined to slip the Phantom's obsessive grasp once and for all, she sets into motion an elaborate plan to flee the opera house. Only by outwitting and outperforming her accomplished adversary--a Master Conjuror himself--can Christine hope to fulfill her dreams and embrace a new life with Raoul.
Webb's deft weaving of innovative material within the framework of a familiar, revered narrative speaks to her skills as a storyteller. The tale moves at a brisk pace, with Christine's confidence and courage growing in equal measure. Interconnected backstories, slowly revealed, enrich the plot and deepen character development. Webb's firm grip on the culture of Belle Époque Paris, developed during the writing of her earlier novel RODIN'S LOVER (2015), displays itself in her luscious descriptions of the opulent Palais Garnier and its glamorous visitors, as well as in her portrayals of the daily grind of its performer's rehearsals and aspirations. Of particular strength is the novel's immersion in the spiritualist movement of the time. Eager to believe the spirits of her dead parents ever with her, even as she learns the tricks conjurors use to dupe the bereaved, Christine becomes the unwilling link between the conjuror and the scientist bent on exposing him. Her individual story of loss and enlightenment enacts on a personal level the struggles of a society caught in the death throes of superstition.
A thoroughly entertaining foray into a glamorous world of magic and music, where dreams bloom with thrill and transience of illusion, THE PHANTOM'S APPRENTICE proves there is more to the story of Christine and the Phantom than meets the eye.
January 26, 2021
In theory, I love the idea both of a Phantom retelling in general, and of a version of an older story where the usually helpless, objectified woman is now in charge of her own destiny.
In reality, the whole thing felt... a bit off. Phantom is already a complex story, where no character is exactly what they seem. The addition of so many other characters, so many new interests, so many new subplots... it felt like it was taking away from what made Phantom itself in the first place. While I liked Christine being interested in magic, as I felt it would explain her fascination with Erik even more, and Raoul was wonderfully likeable and finally a proper character instead of just the good counterpart to the Phantom's darkness, Erik disappointed me. He seemed reduced to a sad madman in a basement, stripped of his brilliance and trauma that made him even more dangerous as a villain. His creepiness seemed more akin to the sleazy neighbour that follows you to the bus stop and keeps asking when you get off work, rather than a man-ghost who has inspired countless works of art during the past century. We only get to see his awful side, with only brief mentions of his other half, the one which inspires and mesmerises. Other than some vague pity, there's no reason anybody would feel anything for this man, especially Christine, and without Christine's fascination for the Opera Ghost, without the Angel of Music balancing the Phantom of the Opera, well, there's no story.
But the only thing that infuriated me was the book's treatment of the Persian. The author opted to include him, and I hoped to see him offer his intelligence and morality throughout the story, and yet he It not only saddened me immensely, as the Persian has always been my favourite in the original story, it also made me feel my Persian ancestors' bones rattle in their graves.
On the bright side, I liked this Christine. I liked her having friends and interests and learning how to stand up for herself. I liked her having multiple purposes, multiple stories to tell, and not being dependent on the men in her life to do with her as they please. I liked her standing up to her bullies and figuring out her own path. I also liked how you could see direct references to the musical without the awkwardness of including full quotes or song lyrics, and I appreciated the mixing of the book and the musical; it made the whole thing fresh and somehow it included most good things from both worlds. Which was a big plus and kept me interested until the end.
In reality, the whole thing felt... a bit off. Phantom is already a complex story, where no character is exactly what they seem. The addition of so many other characters, so many new interests, so many new subplots... it felt like it was taking away from what made Phantom itself in the first place. While I liked Christine being interested in magic, as I felt it would explain her fascination with Erik even more, and Raoul was wonderfully likeable and finally a proper character instead of just the good counterpart to the Phantom's darkness, Erik disappointed me. He seemed reduced to a sad madman in a basement, stripped of his brilliance and trauma that made him even more dangerous as a villain. His creepiness seemed more akin to the sleazy neighbour that follows you to the bus stop and keeps asking when you get off work, rather than a man-ghost who has inspired countless works of art during the past century. We only get to see his awful side, with only brief mentions of his other half, the one which inspires and mesmerises. Other than some vague pity, there's no reason anybody would feel anything for this man, especially Christine, and without Christine's fascination for the Opera Ghost, without the Angel of Music balancing the Phantom of the Opera, well, there's no story.
But the only thing that infuriated me was the book's treatment of the Persian. The author opted to include him, and I hoped to see him offer his intelligence and morality throughout the story, and yet he It not only saddened me immensely, as the Persian has always been my favourite in the original story, it also made me feel my Persian ancestors' bones rattle in their graves.
On the bright side, I liked this Christine. I liked her having friends and interests and learning how to stand up for herself. I liked her having multiple purposes, multiple stories to tell, and not being dependent on the men in her life to do with her as they please. I liked her standing up to her bullies and figuring out her own path. I also liked how you could see direct references to the musical without the awkwardness of including full quotes or song lyrics, and I appreciated the mixing of the book and the musical; it made the whole thing fresh and somehow it included most good things from both worlds. Which was a big plus and kept me interested until the end.
February 17, 2018
I approach The Phantom’s Apprentice possibly from a different angle than many readers do � I have no point of reference from The Phantom of the Opera to compare to: not movie, stage performance, nor book! So Webb’s treatment here is a completely fresh slate for me.
One thing that drew me to this novel was the exploration of the spiritualist movement sweeping the globe at this time. We still find magic and mysticism fascinating today, but it would be even more so at a point in time where technologies were blossoming and it was easier to pull magic on people, but also it was something that people were afraid of as well. So for me, I wasn’t drawn to Webb’s take on Christine or reimagining of the classic, but more so for the world that the story inhabited. Right from the start, we get thrown into the spiritualist movement and the clashes between those who believe in it and those who are either afraid or find it foolish; this dichotomy is even shown in the perspectives of Christine and her father. The other aspect that fascinated me was the world of the opera. I have only read one other novel that explored this profession, and that one was set States-side, so it was a very interesting perspective with all the intrigue that surrounds it.
From reading the Author’s Note I understand that Webb’s goal was to flesh out a more well-rounded and self-possessed Christine than that provided in the original context. It is always maddening to see a woman pushed to the sidelines of a novel and be wilting or one-dimensional. However, at the same time, I do like to see the characters represented in a way that would be true to societal norms of the time. I felt that Christine walked the line fairly well here and felt that I was able to dig into who she was and what made her tick.
I found the plot to be fun and fascinating. There were moments toward the beginning where it did feel a little bit slow, where Christine is sort of moping for quite some time about her life and not having a direction; however, it does pick up substantially with the introduction of the Phantom. From that point forward the plot barreled ahead and I literally read half of the book in one sitting as I just didn’t want to put it down and find out how it would all resolve itself. I was rather satisfied with the ending too.
While I can’t gauge the enjoyment of someone who is a huge Phantom fan, as someone with no preconceived notions, I did enjoy much about this novel.
This review was previously posted at The Maiden's Court blog and a copy was received for a blog tour.
One thing that drew me to this novel was the exploration of the spiritualist movement sweeping the globe at this time. We still find magic and mysticism fascinating today, but it would be even more so at a point in time where technologies were blossoming and it was easier to pull magic on people, but also it was something that people were afraid of as well. So for me, I wasn’t drawn to Webb’s take on Christine or reimagining of the classic, but more so for the world that the story inhabited. Right from the start, we get thrown into the spiritualist movement and the clashes between those who believe in it and those who are either afraid or find it foolish; this dichotomy is even shown in the perspectives of Christine and her father. The other aspect that fascinated me was the world of the opera. I have only read one other novel that explored this profession, and that one was set States-side, so it was a very interesting perspective with all the intrigue that surrounds it.
From reading the Author’s Note I understand that Webb’s goal was to flesh out a more well-rounded and self-possessed Christine than that provided in the original context. It is always maddening to see a woman pushed to the sidelines of a novel and be wilting or one-dimensional. However, at the same time, I do like to see the characters represented in a way that would be true to societal norms of the time. I felt that Christine walked the line fairly well here and felt that I was able to dig into who she was and what made her tick.
I found the plot to be fun and fascinating. There were moments toward the beginning where it did feel a little bit slow, where Christine is sort of moping for quite some time about her life and not having a direction; however, it does pick up substantially with the introduction of the Phantom. From that point forward the plot barreled ahead and I literally read half of the book in one sitting as I just didn’t want to put it down and find out how it would all resolve itself. I was rather satisfied with the ending too.
While I can’t gauge the enjoyment of someone who is a huge Phantom fan, as someone with no preconceived notions, I did enjoy much about this novel.
This review was previously posted at The Maiden's Court blog and a copy was received for a blog tour.
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