Dangerous Hero Addict Support Group discussion
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When is a book hard to read? When is it easy?
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The books that I enjoy the most are fast paced, have interesting character development, and witty dialogue.

It drives me insane. Especially in books where the H/h can't seem to pull it together because of communication issues. They'll have 10 page internal dialogues, that if said aloud, would completely fix their jacked-up relationship!
I think it stems towards not being able to relate. I, basically, have no filter. I'm notorious for blurting out whatever pops into my head. No schitzo internal dialogue for me. LOL
Oh, and I gotta agree with Jessica, with overly abundant descriptions. It's why I never could get into Stephen King. That man sure knows how to drone on and on about the most unimportant details.

Limited vocabulary, e.g approximately ten adjectives that are being used throughout the whole text
Stilted dialogues
Too much internal dialogue, when nothing or just little happens outside of the character´s heads
Over descriptive writing, but also the opposite: when I have to fill in the blanks
A Mary Sue character
Distracting formatting of an e-book that make your eyes cross
I actually like inner dialogue. But I'm a very shy and quiet person who doesn't like to speak her mind. Probably why I can connect to those types of characters so well. I know where they're coming from. There does need to be a balance of actual dialogue and action though.
My favorite element in a romance is humor. I love humor. And the drier the better.
My least favorite thing is abuse and/or torture from the hero. I can't stand an abusive hero. Period. I even stopped reading a series I was loving up to that point when the hero almost raped the heroine. That's a Big No for me.
Although, Mary Sue's, and Gary Stu's, are a close second.
My favorite element in a romance is humor. I love humor. And the drier the better.
My least favorite thing is abuse and/or torture from the hero. I can't stand an abusive hero. Period. I even stopped reading a series I was loving up to that point when the hero almost raped the heroine. That's a Big No for me.
Although, Mary Sue's, and Gary Stu's, are a close second.

It isn't as easy for me to put my finger on what makes a book easy to read. It's a combination of so many things. I can usually tell in the first few pages if I am going to be able to lose myself in the book or not. The most recent example is KMM's Fever Series. I simply could not stop reading them once I started.
For me, it's hard to read when I'm bored of it and just can't get invested in the plot or characters. Overly descriptive is hard too.
Easy would be when the plot is interesting to me and moves at a good pace. The characters are likable and the suspense is tense and edge of your seat. Or is a humorous story then if its actually funny.
Easy would be when the plot is interesting to me and moves at a good pace. The characters are likable and the suspense is tense and edge of your seat. Or is a humorous story then if its actually funny.

unable to connect to the characters;
bad editing/language skills (passed vs past)
repetition (do you really think I can't remember what I read on page 2 so you tell me multiple times, but you think I can retain enough from page 1 to finish a 400page book?)
easy for me is:
well developed characters;
good direction/plot;
even pacing.
Hard for me:
* When descriptions go on and on. That makes me want to either do some skipping or just give the book away. Drag out descriptions can bore me. I like dialogue, especially tension dialogues. As a writer, I'll describe things, but in my stories, you will find more dialogue than descriptions.
* When the characters are annoying or even if the heroine acts childish. That books is history.
* A book that drags. I don't want to read 10 chapters, before the book picks up speed. I have to admit, I will not get to chapter 10. I would give up on a dragging story, if I don't do some skipping and get to the fast parts.
Easy for me:
* A story that I can not only read, but see as well. I just don't want to read where the hero and heroine have fallen in love, I want to see it. If I can't see it, then it's forced and not real to me.
* Story has to have good tension. It has to be a catcher to me.
* When descriptions go on and on. That makes me want to either do some skipping or just give the book away. Drag out descriptions can bore me. I like dialogue, especially tension dialogues. As a writer, I'll describe things, but in my stories, you will find more dialogue than descriptions.
* When the characters are annoying or even if the heroine acts childish. That books is history.
* A book that drags. I don't want to read 10 chapters, before the book picks up speed. I have to admit, I will not get to chapter 10. I would give up on a dragging story, if I don't do some skipping and get to the fast parts.
Easy for me:
* A story that I can not only read, but see as well. I just don't want to read where the hero and heroine have fallen in love, I want to see it. If I can't see it, then it's forced and not real to me.
* Story has to have good tension. It has to be a catcher to me.

What gets me is characters who are so different to me, but I can just sink into them.
If they're whiny, I can't deal.
* Bad love triangles. Honestly when a love triangle is done right I love them! The anguish and conflict. The hot men. When done wrong it feels like a good book is dying a painful death with each word.
* Poor research. Nothing pulls me out of a book like bad information.
* Bad world building. If I have to keep guessing at the time period, world, or whether or not something is a flashback or currently happening. I once read a series where I had no idea whether humans realized that the supernatural beings walked amongst them. It was painful.
* A story that I can not only read, but see as well. I just don't want to read where the hero and heroine have fallen in love, I want to see it. If I can't see it, then it's forced and not real to me
This. I also don't like books where the couple are or have already been together.
This. I also don't like books where the couple are or have already been together.
message 12:
by
Danielle The Book Huntress , Loves 'Em Lethal
(last edited Sep 01, 2013 05:06PM)
(new)
Thanks for sharing your thoughts so far. Please keep them coming. I love talking about what works and doesn't work for readers.
What makes a book hard to read:
*Tiny font (the older I get, the harder it is to read very small and cramped print in a book, be it ebook or paper)
*Overly descriptive writing (I like beautiful description, but this can be accomplished by good word choice. You can use few words and paint a vivid picture). I like fashion to some degree, but I don't want to read pages about the designer clothes or interior design of the character's house. (I am fine with some descriptions of food, as a foodie, but it should be active and vivid--stimulating the five senses).
*Excessive, repetitive conversations that reveal nothing more about the story and don't advance the story. Stilted, boring dialogue.
*Pages and pages where nothing happens. I don't mind internal dialogue that is integral to the plot and reveals the characters in a deeper way. But when there is no advance in the story for pages, it's so boring to me.
*Too much telling and not enough showing.
What makes a book easy to read:
*Active, dynamic writing (even if it has internal dialogue)
*Good chemistry, off the pages sizzle between the characters and between me and the characters. Distinctive characters, no carbon copies or over-used stock characters.
*Snappy, vibrant, moving, funny when appropriate dialogue
*Intriguing and forward-moving plotting (no stagnation or extraneous moments that don't belong in the story)
*Thoughtful plotting and execution
*I like books that have really well-choreographed action sequences
What makes a book hard to read:
*Tiny font (the older I get, the harder it is to read very small and cramped print in a book, be it ebook or paper)
*Overly descriptive writing (I like beautiful description, but this can be accomplished by good word choice. You can use few words and paint a vivid picture). I like fashion to some degree, but I don't want to read pages about the designer clothes or interior design of the character's house. (I am fine with some descriptions of food, as a foodie, but it should be active and vivid--stimulating the five senses).
*Excessive, repetitive conversations that reveal nothing more about the story and don't advance the story. Stilted, boring dialogue.
*Pages and pages where nothing happens. I don't mind internal dialogue that is integral to the plot and reveals the characters in a deeper way. But when there is no advance in the story for pages, it's so boring to me.
*Too much telling and not enough showing.
What makes a book easy to read:
*Active, dynamic writing (even if it has internal dialogue)
*Good chemistry, off the pages sizzle between the characters and between me and the characters. Distinctive characters, no carbon copies or over-used stock characters.
*Snappy, vibrant, moving, funny when appropriate dialogue
*Intriguing and forward-moving plotting (no stagnation or extraneous moments that don't belong in the story)
*Thoughtful plotting and execution
*I like books that have really well-choreographed action sequences

* Amazing characters. I love it when I can read about a character I know I would not like in person, but love how the author has brought life to them.
Basically real characters.
* Well blended books. Even if they're dark, the humor, action, romance, mystery, and everything blends perfectly. So I guess genre blending. (Is that even a thing.)
* World building. I love reading about well thought out worlds were the author as thought of everything before I can even ask.
* Unique worlds. Or concepts. (Guess that kind of goes with the one above.)
* Chemistry. I love good chemistry whether it's romantic, family, or friendship. What's even better is if there's some kind of piz-zaz with the hero and evil villain.
* Solid writing. Whether is really descriptive or blunt.
* Humor. No matter what I'm reading I want some type of humor. Heck if the book is dark the better the laughs.
* Good plots. If I can out guess the author I usually feel like the read is pointless. I want to be surprised. If the author pulls one over me, all the better!
* Great sex! If it's going to be there, make it hot and make it good. Please no awkward descriptions or calling the women sluts. Yuck.
Forgot a negative.
* Sexist views. Whether it's male or females I hate it when the writer is throwing overtures of sexist view points into the book. (Now I'm talking about really heavy over tones. I know sometimes characters have mild sexist outlooks becuase of past events.)
I hate lack of communication between the hero & heroine. Totally agree with Carol Dee on the inner monologue. I cringe when no one is talking to each other and chapters are wasted on not getting issues resolved.
I also struggle through emotional books, especially regarding abuse. I know that these stories do exist in real life, but reading is my escape. I have to take breaks on books with this issue.
I also struggle through emotional books, especially regarding abuse. I know that these stories do exist in real life, but reading is my escape. I have to take breaks on books with this issue.
Forgot to add, I have a problem with continuous sex! Sorry if I am in the minority, but going at it like rabbits? Really? Who has the energy?
On the bed, on the floor, kitchen table...sleep a couple of hours, go back at..in the shower, back on the kitchen table for breakfast.
Lol, it wears me out reading it!!
On the bed, on the floor, kitchen table...sleep a couple of hours, go back at..in the shower, back on the kitchen table for breakfast.
Lol, it wears me out reading it!!

On the bed, on the floor, kitchen table...sleep a coupl..."
Or those 30 to 60 page sex scenes! Those are so painful.
I'm not really a fan of couples getting together in the first few chapters of their meeting. I like sexual tension. And the sexiest scenes I have ever read didn't even involve a sexual act at all. But they were very, very sensual. There's a difference.
Traci L. wrote: "I'm not really a fan of couples getting together in the first few chapters of their meeting. I like sexual tension. And the sexiest scenes I have ever read didn't even involve a sexual act at all. ..."
I agree.
I think that sex should belong in a story as well as anything else. If it's extraneous to the story, it should be cut. If the chemistry and bond between the characters is really good and it adds to the story, I don't mind a lot of sex (so long as it's not too kinky for my tastes--I don't much go for that). Some authors write books with a lot more sex well, like Kresley Cole. Although she has a lot of foreplay scenes before they do the deed, so the tension really does build up.
@ Shera, I really love good world-building. I hate when I can't get an image of the world or the characters.
I agree.
I think that sex should belong in a story as well as anything else. If it's extraneous to the story, it should be cut. If the chemistry and bond between the characters is really good and it adds to the story, I don't mind a lot of sex (so long as it's not too kinky for my tastes--I don't much go for that). Some authors write books with a lot more sex well, like Kresley Cole. Although she has a lot of foreplay scenes before they do the deed, so the tension really does build up.
@ Shera, I really love good world-building. I hate when I can't get an image of the world or the characters.
Traci L. wrote: "I'm not really a fan of couples getting together in the first few chapters of their meeting. I like sexual tension. And the sexiest scenes I have ever read didn't even involve a sexual act at all. ..."
Agree!
Agree!

Ahmen!!

Strictly talking pleasure reading right now, what makes a book like pulling teeth to read? Conversely, what elements make reading a book a smooth, completely pleasurable experience?
It is subject matter, content, writing style, page font, brevity, word choice that determines this for you?
Name some books on either side of the spectrum.