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King Rat: Part Three - Lessons in Rhythm and History: Chapters Nine to Thirteen
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I picked it back up a few days later and read it more analytically this time. It is still strong but I can now see (and be bothered by) some bits that didn't ring true, like for Kay to twist in the some of the ways he does, tied in the way he is, he would have to be double jointed or something.
And I agree, Derek, the last paragraph doesn't work for me either.


This entire scene - with the train rushing out of the tunnel, Kay's scream, the whites of the eyes of the train driver and the 'SPLAT!' that followed - I couldn't help but imagine it in a series of a comic book panels. To me it worked visually but not as a written scene.

SPLAT!!!!!!!!!!!!!!!!!!!!!!
Remind me - does Mieville write for comic books at all? I seem to remember he may have dabbled in comics, but I may be confusing him with Gaiman here...

It absolutely was! XD

..and CM's obvious sense of humor coming to the fore:
“The poet called me a Caesar, who lived to swim across. But that wasn’t my Rubicon. That was my Styx. I should’ve gone. I should be a drowned rat. Ha ha ha! I had to LOL at that... all the punning.... XD
EDIT: Oh, oops, I've not read the Kay killing yet... :( Only up to where KR survives the rat holocaust. And now i see that is only Capter 12. Ooopsie. :P

That was so... GRRM-like. Like I was watching an episode of Game of Thrones... (Okay, perhaps not quite as bad...)


Just wait until you see the very latest episode... :S (If you thought scenes of *a character* disemboweling people was bad, wait for the episode that aired this Sunday...and I am not talking of the scene showing people skinned alive. (The latter being something quite tame for GOT, anyway). )

Tee-hee, Ruth, the whole series is full of that, believe you me... I could be talking about chapter 4 or chapter 40 there... okay, I'll excise the name, how's that?



I liked the Pied Piper tie-in too, and finally getting to know our villainous ratcatcher. But I confess I never thought it would be Pete. In fact, I kind of liked him and thought he would be a good guy, and off he and Kay and Natasha would go to help Saul. Maybe I've got a soft spot for hippies, hipsters, whatever the London term for them. Anyway, why is Pete so evil? Yes, checking one's emotions would be an occupational trait of ridding the world of rats, spiders, birds - think exterminator - but such a liar with Kay? To treat him like quarry too. Whatever it takes? If Pete let him go, he may have tried to warn Saul, but heck you're the Pied Piper with a flute that would make anyone do anything so I imagine you could control someone like Kay. Why kill? He let the bird and spider kings go ... I think Pete's weaker than he seems. Or, CM's going to be making a case for some deeper world-violence issues. Or both.


I also thought initially that I'd take sides against the rats--rats being rats, but, making the piper evil is not so far-fetched. If you read the very first original Pied Piper stories, he is evil in those as well. (view spoiler)
Books mentioned in this topic
Dial H #0 (other topics)The Arabian Nights (other topics)
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The introduction of the story of the Pied Piper. I don't remember if it was obvious where this was going, when Pete first showed up at Natasha's, the first time I read it, but it's surely no spoiler to mention it now.
After King Rat tells the tale of the Pied Piper, Loplop and Anansi tell their own stories. There are numerous stories of rains of dead birds, but I wonder if there's a mythological tale of the spiders and scorpions being cleared from the palace in Baghdad. Perhaps in the Thousand and One Nights?
It's also here that we hear of Tibault, King of the Cats; Kataris the Queen Bitch; and Bub, Lord of the Flies.
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Chapter Thirteen is the particular brutal killing of Kay. Despite the effect it had on me, I think this is actually CM's weakest writing. People die in front of subway trains frequently, and even if they're tied in place, I just don't see it "bursting" the front of the train�