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What Else Are You Reading?

This is quite a long book at 600+ pages (I'm about halfway through) but it is enthralling and amazingly twisty and well-structured. Told entirely in first-person documents (memoirs, letters, diaries, confessions, etc.) by a multitude of narrators, this is complex and jumps around in time, yet it's never confusing or needlessly labyrinthine; Cardoso is telling a real old-fashioned gothic story about a doomed family and a creepy estate and he clearly wants you to feel the thrills and chills as well as admire his literary skill.
I like this novel so much that I sometimes find myself putting off reading the next chapter because I know that's going to take me just a bit closer to the end and I'm not sure I ever want to get there (I'm having too much fun!). Despite the fact that I'm only 55% through, I very highly recommend this for fans of old-style Gothic fiction, Rebecca, or One Hundred Years of Solitude.


I just bought Cardoso's book -- looking forward to it.

The Hejinian was actually from the SF Public Library; they have a surprisingly impressive collection! She's been mentioned by many of my favorite authors, so it's good that I'm finally reading this. Long multipage paragraphs (though on small pages, thankfully) are hard for me, but the dense chewy sentences keep me going.

I have a lot of Burnside that I need to read! 'The Glister' is among them. Thanks for the reminder.

I do so hope you like it, Nancy! It's very rich and intense; almost an immersive experience.

I loved many of Joe Hill's short stories, but really hated Heart Shaped Box. which is NOS4A2 more like?

I loved many of Joe Hill's short stories, but really hated Heart Shaped Box. which is NOS4A2 more like?"
It is about a serial killer, I didn't buy heart shaped box, thought it sounded kinda silly but Nos4a2 is so far really good, more like his father's work,lo, only other thing I read was the first 2 lock n key and the story was lacking, art was great tho


I'm very disappointed Jeffrey Ford won in single-author collections; I remember not liking much of it. Both the Livia Llewellyn and Clare Beams are much stronger collections. Looking forward to the Wehunt collection with the group next month.
I haven't read any of the novels, but none of the descriptions seemed terribly enticing. I might get the Stephen Graham Jones though.

Same here, although I had forgotten I'd bought Caligari. That seems to happen to me a lot -- buy, shelve, forget, become ecstatic when I find it.
Stendahl is quite good, by the way.



Earlier, was less excited about The Late Breakfasters and Other Strange Stories. Will probably move on to the new collection by Emily Cataneo soon.




Sounds interesting and the Kindle edition is certainly cheap enough. Might have to pick that up soon.

I'm also working on The New Black, an anthology of dark noirish fiction, much of which has a fantastic bent. So far (37%), all the stories have been good to great. I think this anthology would interest quite a few readers in this group (I know that Bill's already read it and liked it).



And Rosalie Parker's The Old Knowledge and Other Strange Tales, a buddy read for the group this month.



Going by the chapters that he's recorded so far, 'twill be a majestic professional-grade reading.

Going ..."
I've been reading my old Dover edition which I've been carting around with me for years, but I also have the Dedalus version and switch back and forth every so often between the two.

It started off exceptionally well, with a really strong sense of place and a fresh, if rather baroque, voice, but it started to drag around 30% as the plot twist I dreaded came inevitably and obviously into play. Worse, the language and imagery started to seem forced and increasingly clumsy, sometimes almost laughably so.
This is a debut novel and I wonder how much editorial advice the author, Fiona Mozley, had. Not enough, I fear.
On a brighter note, I finished the Rosalie Parker collection, The Old Knowledge, that's the current buddy read here. Hugely enjoyed it even though I felt that perhaps the basic structure of all the stories was too much alike. This would have been a problem in a longer collection, but in one so brief and so generally well-written, it hardly seemed to matter.
I'm also reading The Ginza Ghost. This is a really nice collection of "honkaku", Japanese locked-room mystery tales, from an early master of the form. Most of the stories I've read so far have an eerie quality reminiscent of classic Japanese ghost stories, although all of them ultimately have logical, purely natural conclusions, as the form demands. They're a bit like really well-plotted Scooby Doo episodes without the cheesiness and bad puns ;-)


So far, I've liked the opening story and the novella The Madman of Tosterglope, both are solid aickmanesques. Two stories between them are far more conventional and not as enjoyable, not bad but not too memorable attempts at M. R. James style...




Just started And Her Smile Will Untether the Universe; pretty promising so far.



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My Life
Writers Who Love Too Much: New Narrative Writing 1977-1997
But recently, both excellent:
The Exquisite
We Show What We Have Learned: And Other Stories
And coming up soon:
Greener Pastures
The Dark Domain
We'll see how (ahem) overwrought they are.