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This was first published in 1983. It was Hijuelos' debut novel.


Our House in the Last World � Oscar Hijuelos
3.5***

Hijuelos� debut novel spans five decades, telling the story of the Santinio family from 1929 in Cuba to 1975 in New York. Alejo and Mercedes emigrate to New York City from Cuba in 1943, where he finds work as a cook in a fancy hotel and she tries to make a life in an apartment so far from her childhood estate. They have two sons, Horacio and Hector, who struggle with their own identities; are they Americans or Cubans? It is a love story, a family saga, a coming-of-age story, and a novel of the immigrant experience.

Alejo is a man who has never met a stranger. He is exuberant and generous, always the life of the party, a loyal friend and a ladies� man. But he is consumed by want. His life is not what he envisioned and he cannot understand how things went so wrong. He drinks to drown his sorrows and descends into melancholy. He doesn’t recognize how his actions push his children away, when all he wants is to be recognized as THE MAN and a FATHER to be respected.

Mercedes is a woman who lives in the past. She cannot let go of past glories of life with her father when she was a young girl. She loves Alejo, but the man he has become is a stranger to her. She is alone because of her lack of English and her reliance on saints and signs and dreams and mysticism. Fiercely protective of her children she doesn’t recognize that her smothering is harming them rather than helping them.

Horacio grows as a nearly feral child. Clearly his parents� violent arguments affect him and he turns to his friends and to the streets, finally escaping into the U.S. Air Force.

And baby Hector is trapped in his own skin and desperately seeking an escape. He is neither Cuban nor American. Neither a man nor a son. His father dotes on him, but he cannot return the affection of this man who is so unreliable and prone to drunken violence.

Hijuelos’s writing is vivid and passionate, with scenes that are ethereal and full of mysticism contrasted with scenes of brutal reality. People yell in anger, whoop in celebration, cry in despair and wallow in silence.

The Cider House Rules � John Irving
Digital audiobook performed by Grover Gardner
4****

From the book jacket: Irving’s sixth novel is set in rural Maine, in the first half of the 20th century. It tells the story of Dr Wilbur Larch � saint and obstetrician, founder and director of the orphanage in the town of St Cloud’s, ether addict and abortionist. It is also the story of Dr Larch’s favorite orphan, Homer Wells, who is never adopted.

My reactions
I love Irving’s writing, and don’t know why this one languished on my TBR for so long. I saw the movie back when it first came out (1999), but never read the book. The movie left out a lot and compressed the timeline.

The span of the novel is about 70 years, taking Dr Larch from a young man to his death in his 90s. Much changes in the world, and yet his little corner of the world sees little difference. Pregnant women come to give birth, their children coming into the care of the orphanage, with every effort made to place them in loving families. Other women come seeking an end to their pregnancies, and Dr Larch accommodates them with compassion and skill.

What I really like about the novel is how the characters are portrayed. The reader gets a clear idea of how Dr Larch came to his decision to perform abortions, the social and moral responsibility he felt he owed the women (and girls) who came to him for help. The reader also clearly understands why Homer makes a different decision, how he struggles to love this man who is like a father to him, once he makes that decision. And the reader watches the painful separation that all parents face when they send their offspring out into the world to make their own way. How a parent’s hopes and dreams may not always be embraced by that child.

Grover Gardner does a fine job narrating the audiobook. He sets a good pace and manages to differentiate the many characters.


LINK to my review