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Harlan Ellison
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R.I.P. Harlan Ellison
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Still, he seemed to be a really angry man. His lawsuits are legendary & his narration ranges from whispers to shouts which overwhelm the equalizers. I have to keep my finger on the volume button for him.
The City on the Edge of Forever: The Original Teleplay was interesting because it traces the various versions of the script from Ellison's original through all the rewrites.
Ellison hated it, yet I agreed with most of the changes. He continually put it down, yet sued for an outrageous percentage of the merchandising profits. I listened to the recent Skyboat Media publication which had a lot of the people reading their own words including Ellison. His 2 hour rant was the only part I couldn't get through. I gave it a 3 star review here:
/review/show...

Jim wrote: "I think temperamental is putting it mildly. ..."
The went with "pugnacious" and "bellicose".
Jim wrote: "Still, he seemed to be a really angry man...."
"I go to bed angry and I get up angrier every morning," - H.E.
I thought it interesting that the mainstream obits lead with A Boy and His Dog (I suppose because it was also a movie, and nobody reads :), while the fannish sites go with the Star Trek episode (Because, fannish.). Personally, I'd go with Dangerous Visions.
The went with "pugnacious" and "bellicose".
Jim wrote: "Still, he seemed to be a really angry man...."
"I go to bed angry and I get up angrier every morning," - H.E.
I thought it interesting that the mainstream obits lead with A Boy and His Dog (I suppose because it was also a movie, and nobody reads :), while the fannish sites go with the Star Trek episode (Because, fannish.). Personally, I'd go with Dangerous Visions.

:)

The only things I've read by him are I Must Scream and Repent, Harlequin.

Sometimes geniuses are more temperamental, like Picasso. Seems to come out more so in men, perhaps because pugnacious women don't get accepted by society.
I read several shorts, saw some of the filmed scripts. I didn't like the boy and his dog, because of the end. Actually the whole film was depressing. Quite a lot of Ellison is depressing when you think of it. Maybe this is because unlike Asimov or Clarke, who wanted to share a great new piece of engineering or chemistry and have fun with it, Ellison wrote an eighties zeitgeist set in the future. He had some great ideas, highly original.
Books mentioned in this topic
I Have No Mouth & I Must Scream (other topics)I Have No Mouth & I Must Scream (other topics)
A Boy and His Dog (other topics)
Dangerous Visions (other topics)
The City on the Edge of Forever: The Original Teleplay (other topics)
More...
Harlan Ellison, an icon the the "new wave" scifi writers of the 60s & 70s, has passed away. He edited (and contributed to) the Dangerous Visions collections that were a touchtone of the movement. His own collections included "Paingod", "I Have No Mouth & I Must Scream", "'Repent, Harlequin!' Said the Ticktockman" and the Deathbird Stories. He wrote the novel and later screenplay for A Boy and His Dog, had a contentious relationship with the TV series StarLost which he created, and penned the screenplay for Star Trek episode The City on the Edge of Forever (in addition to scripts, both SciFi and not, for TV shows including The Outer limits.) He also frequently used the name Cordwainer Bird when he didn't like what a studio had done to his script. I think it's fair to describe him as "temperamental" as well as prolific.