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Heather Babcock

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Heather Babcock

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Born
Toronto, Canada
Genre

Influences
Charles Bukowski; Truman Capote; Toni Morrison; Helen Potrebenko; Hube ...more

Member Since
June 2015


Heather Babcock’s debut novel Filthy Sugar was published by Inanna Publications in 2020. She has had short stories and non-fiction essays published in Descant, The Humber Literary Review, The Toronto Quarterly and Write magazine, among many others. Her short story collection, Of Being Underground and Moving Backwards, was published in 2015 by DevilHousePress.

She has performed at Hot Sauced Words, Lizzie Violet's Cabaret Noir, The Beautiful & The Damned, The Plasticine Poetry series, The Poetry Salon at Urban Gallery and has appeared as both a guest and a performer on the spoken word radio show "HOWL" on CIUT 89.5FM.

In 2022, Heather Babcock was the lunchtime seminar speaker at the 29th Vintage Film Festival held at the beautiful Capitol The
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Heather Babcock In January of 2015 for no reason at all, or at least no reason that I can remember, I decided that I was going to read as many books written and publi…mǰIn January of 2015 for no reason at all, or at least no reason that I can remember, I decided that I was going to read as many books written and published in the 1930s as I could. I began with Henry Roth’s 1934 novel Call It Sleep. My partner, noting my new interest in the decade, bought me a second hand copy of Pierre Berton’s 2001 historical book The Great Depression: 1929-1939. I began to submerge myself in 1930’s history and pop culture � the ambivalence of the decade fascinated me. Although it was a time of great suffering, the 1930s produced some of the most beautiful music, films, literature, fashion & décor and visual art, all of which had a great influence on future generations. It was also a time of important social upheaval and change: birth control, unions, workers� rights (including the minimum wage and 40 hour work week) all came into fruition during the decade.

In Filthy Sugar I explore this juxtaposition of glitter and grit using the characters of my protagonist Wanda and her sister Evelyn:

With a stolen cigarette dangling from her blood red lips, her voluptuous figure draped in fox fur, burlesque dancer Wanda is an homage to the glamourous yet feisty heroines of early 1930’s cinema. Evelyn, on the other hand, has her sensible shoes planted firmly in reality: dressed in a thin gingham dress, waving a copy of The New Masses magazine and ranting against the “fat cat capitalists�, Evelyn represents the social upheaval that was unfolding on the streets far outside of the movie studios. Evelyn was inspired in part by the works of Richard Wright, Henry Roth, Michael "Mike" Gold and other proletarian writers of the period. Wanda was born of the decade’s “escapist� films, music and dance: one of the most pleasurable aspects of writing and researching my novel was discovering pre-Code Hollywood films, including the Busby Berkeley musicals such as 42nd Street, Gold Diggers of 1933 and Dames, all of which I pay my respects to in the book.
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Average rating: 4.41 · 63 ratings · 35 reviews · 2 distinct worksSimilar authors
Filthy Sugar

4.38 avg rating — 53 ratings — published 2020 — 4 editions
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Of Being Underground and Mo...

4.60 avg rating — 10 ratings — published 2015
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Pre-Code Hollywood: No Damsels. No Knights in Shining Armor. Just Dames and Forgotten Men in Chains

I am currently working on a novel set during the Depression of the 1930′s. One of the joyful side effects of my research has been discovering the early “talkie� Hollywood films from 1930-1934, known as the “Pre-Code� period. For those not in the know, “Pre-Code� refers to films that were made and released before the amended Production Code “to govern the making of motion and talking pictures� (aka Read more of this blog post »
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Gold Diggers: Str...
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The Grass Harp, I...
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Heather’s Recent Updates

Heather Babcock rated a book it was amazing
Looking for Mr. Goodbar by Judith Rossner
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We Do What We Do in the Dark by Michelle  Hart
"|| WE DO WHAT WE DO IN THE DARK ||

Shame and pride often feel like the same thing. You begin to want to protect even the most embarrassing parts of yourself.

"I don't think I am a very lovable person either." She wanted the woman to tell her she was, " Read more of this review »
Closing Time by Lacey Fosburgh
"Trying to hard to be Capote

For the reporter assigned to the original case, she fictionalized a lot. I understand from her author's note that she didn't talk to "Katherine Cleary's" family but she romanticized "Joe Willie" way too much. She also left" Read more of this review »
Heather Babcock rated a book it was ok
Closing Time by Lacey Fosburgh
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I've always had a fascination with New York in the 1970s. When I was in my 20s, I was obsessed with the novel Looking for Mr. Goodbar by Judith Rossner, so when I discovered this book, which claims to be the "true story" behind the novel, I was intri ...more
Heather Babcock wants to read
Paper Shadows by Wayson Choy
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Paper Shadows by Wayson Choy
"Paper Shadows: A Chinatown Childhood � A haunting memoir from the bestselling author of The Jade Peony.

This was a delightful memoir about family history in Vancouver and Victoria, B.C.; and how people left their Chinese cities and villages, arriving " Read more of this review »
Heather Babcock rated a book it was amazing
Black Water by Joyce Carol Oates
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A slim book that packs a punch. A very powerful, memorable read.
Heather Babcock rated a book it was amazing
The Suspension Bridge by Anna Dowdall
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Review forthcoming with The Seaboard Review.
Heather Babcock rated a book really liked it
The Confessions of Joseph Blanchard (5) by Ian Colford
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A well-written psychological mystery; a slow burn that is as compelling as it is disturbing.
Heather Babcock rated a book it was amazing
Inside Every Dream, a Raging Sea by Liz Worth
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Inside Every Dream, a Raging Sea, poems by Liz Worth, boldly confronts aging, memory, the passage of time: these things that we - women in particular - are taught to fight against, to deny; but as Worth writes, "I didn't come all this way to write bo ...more
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Quotes by Heather Babcock  (?)
Quotes are added by the ŷ community and are not verified by ŷ.

“Dandelions are just friendly little weeds who only want to be loved like flowers.”
Heather Babcock

“Time doesn’t really ‘march on�. It tends to tip-toe. There’s no parade. No stomping of boots to alert you to its passing. One day, you turn around and it is gone.”
Heather Babcock

“Nothing beats a little red lipstick for banishing the blues.”
Heather Babcock, Filthy Sugar

“Dandelions are just friendly little weeds who only want to be loved like flowers.”
Heather Babcock

“Betty realized that when it came to relationships with other human beings, she would always feel alone. And yet there was this place � this small special place inside of her � a place where quiet beauty was embraced, a place where memories became fantasies and where fantasies became memories. Like a pebble, Betty could lose herself within this place, this opulent ocean, and yet even if the water were to one day reject her too, even if it were to cast her back up onto its shores, she knew that she would catch the light of the sun again.”
Heather Babcock, Of Being Underground and Moving Backwards

“Time doesn’t really ‘march on�. It tends to tip-toe. There’s no parade. No stomping of boots to alert you to its passing. One day, you turn around and it is gone.”
Heather Babcock

“You don’t choose these people and in the not choosing you learn tolerance. You learn to forgive.”
Heather Babcock, Of Being Underground and Moving Backwards

“My mother took one of the sunflowers from me and placed it over Pumpkin’s grave. She folded her hands over her stomach and leaned forward, staring at the headstone as though she expected it to suddenly topple backwards and for Pumpkin, all strawberry-blond hair and big eyes, to emerge with arms outstretched. A low moan escaped from my mother’s lips, the kind of sound that a wild animal makes when it’s dying and alone. I wanted to comfort her, but in my own selfish, possessive grief I was immobilized. I wanted her to leave so that I could be alone with my sister.

The last time I had been alone with Pumpkin was just before the burial. She had been laid out in a frilly butter-yellow granny dress that she had worn once to our cousin’s wedding the year before. Her peach-painted mouth was pursed in a pensive expression, the kind of look she would have quickly replaced with a smile had she caught someone looking. As I leaned over the casket and pressed my lips to her cheek, I was less shocked by the coldness of her skin than I was by the realization that I had never kissed my sister before. I had hugged her many times, I had wrestled with her in front of the TV set, I had slept beside her and had felt her heart beating against my back, but I had never before kissed her face.”
Heather Babcock, Of Being Underground and Moving Backwards




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