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Tony Cohan

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Tony Cohan


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Tony Cohan grew up in Manhattan and Los Angeles, where at the age of fourteen he made his debut as a jazz musician. After attending Stanford and the University of California he spent two years in Europe and North Africa, performing with jazz artists Dexter Gordon, Bud Powell and blind Catalan pianist Tete Monteliu. Returning to San Francisco, he worked briefly at the University of California Press before moving to Kyoto, Japan for two years to teach and write. Back in California, he wrote an unpublished first novel (and a published erotic novel) and worked as a studio musician with Lowell George, Ry Cooder, and others. During the 1970s he designed media campaigns for musical artists including Van Morrison, Pink Floyd, and Prince. In 1975 he ...more

Average rating: 3.71 · 2,644 ratings · 287 reviews · 15 distinct works â€� Similar authors
On Mexican Time: A New Life...

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Mexican Days: Journeys into...

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Mexicolor: The Spirit of Me...

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Native State: A Memoir

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Mexican Tiles: Color, Style...

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Opium: A Novel

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Mexicolor: The Spirit of Me...

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3.50 avg rating — 6 ratings — published 1998
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Canary

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Outlaw Visions

0.00 avg rating — 0 ratings2 editions
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Flame

0.00 avg rating — 0 ratings — published 1983 — 2 editions
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Quotes by Tony Cohan  (?)
Quotes are added by the Å·±¦ÓéÀÖ community and are not verified by Å·±¦ÓéÀÖ.

“Maybe there´s no home, just road´s end.”
Tony Cohan, On Mexican Time: A New Life in San Miguel

“The day set out from the east and started walking. The day is on a journey. We're woven into the design of that day, though we're not inventing it”
Tony Cohan, On Mexican Time: A New Life in San Miguel

“You labor to untangle the pre-Hispanic from the Catholic Spanish from the contemporary. This occupies you for a long time in Mexico. Finally you realize it's like trying to separate the different parts of a plant (a “burning flower,â€� the desert Huichol people call life's origins). Apostate from the cult of tomorrow, you begin to see that the future has already passed, many times, and around you lie the ruins of old futures dreamed. You arrive, with a bump, back in the layered, resonant Mexican present, your eyes open, your reality wider.”
Tony Cohan, On Mexican Time: A New Life in San Miguel

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