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Mary C. Richards

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Mary C. Richards



Average rating: 4.19 · 3,735 ratings · 134 reviews · 18 distinct works â€� Similar authors
Centering in Pottery, Poetr...

4.29 avg rating — 204 ratings — published 1969 — 2 editions
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The Crossing Point: Selecte...

4.35 avg rating — 20 ratings — published 1973 — 10 editions
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Toward Wholeness: Rudolf St...

4.36 avg rating — 14 ratings — published 1980 — 4 editions
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Opening Our Moral Eye: Essa...

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4.44 avg rating — 9 ratings — published 1996 — 3 editions
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IMAGINE INVENTING YELLOW

4.20 avg rating — 5 ratings — published 1990 — 3 editions
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The Public School and the E...

0.00 avg rating — 0 ratings3 editions
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Antonin Artaud, Le Theatre ...

0.00 avg rating — 0 ratings — published 1994
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Sweet Voices of Lahaina : L...

0.00 avg rating — 0 ratings2 editions
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Favorite Characters Colorin...

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Princess Mandalas Coloring ...

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Quotes by Mary C. Richards  (?)
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“Let no one be deluded that a knowledge of the path can substitute for putting one foot in front of the other.”
Mary C. Richards, Centering in Pottery, Poetry, and the Person

“The material is not the sign of the creative feeling for life: of the warmth and sympathy and reverence which foster being; techniques are not the sign; “artâ€� is not the sign. The sign is the light that dwells within the act, whatever its nature or its medium.”
Mary C. Richards, Centering in Pottery, Poetry, and the Person

“In pottery it is perhaps because of the fire that the sense of collaboration is so strong. The potter does everything he can do. But he cannot burst into flame and reach a temperature of 2300 degrees Fahrenheit for a period varying from eight hours to a week and harden plastic clay into rigid stone, and transform particles of silica and spar into flowing glaze. He cannot transmute the dull red powder that lies upon the biscuited ware into a light-responsive celadon. He can only surrender his ware to the fire, listen to it, talk to it, so that he and the fire respond to each other’s power, and the fired pot is the child.”
Mary C. Richards, Centering in Pottery, Poetry, and the Person



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