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“The kind of self-righteous intolerance once associated with the more puritanical forms of religion and the more extreme forms of Socialism now reappeared to promote the 'rights' of women, homosexuals, racial minorities, the disabled and any group of people who could be portrayed as being 'below the line' and therefore discriminated against...Unconsciously they were using the belief that they were acting in the name of selfless moral principle simply as a cloak for asserting their ego, and as a means to enjoy feelings of moral superiority. In the cause of 'toleration' and promoting collective 'rights,' they had become possessed by a fanatical and humorless intolerance.”
― Christopher Booker, The Seven Basic Plots: Why We Tell Stories

“At the beginning of a full five-stage Tragedy, the central figure is always part of a community, a network of relationships, linked to other people by ties of loyalty, friendship, family or marriage. And one of the most important things which happens to such heroes and heroines as they embark on their tragic course is that they begin to break those bonds of loyalty, friendship and love (even if, initially, they may form other alliances). It is the very essence of Tragedy that the hero or heroine should become, step by step, separated from other people. Often they separate themselves in the most obvious, violent and final way possible, by causing other people's deaths.”
― Christopher Booker, The Seven Basic Plots: Why We Tell Stories