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211 pages, Kindle Edition
Published October 16, 2018
I read 'Reprobation' for my Murder Most Foul Halloween Bingo Square and had a great time with it. It's the first book of a trilogy and I'll be back for the rest.
I was initially drawn to 'Reprobation' by the spooky cover and the fact that it was set in Liverpool. It turned out the nun in the book is nothing like the scary image on the cover and the book is set mostly in Formby, a posh coastal town outside of Liverpool, home to the wide beach and strange sculptures that you see in the banner above. But I wasn't disappointed. The nun was much more interesting than the haven't-I-seen-this-movie? drawing suggested and Formby made the perfect setting for the plot.
There were lots of things to like about this book, starting with the opening sentence:
"Across grey waters, where the river Mersey meets the Irish Sea, wind turbines puncture the dawn horizon like spinning crucifixes."
I loved the way genetics and Calvinism were explained with enough rigour to be engaging without sliding into force-fed knowledge-nugget territory. The links between the two, which I had sometimes wondered about given the deterministic nature of both, were brilliantly made and took me to unexpected places.
I know the area the book is set in very well and the depiction of the places and the people feels spot in. It's full of the kind of observation you make about a place that's your home, not a place you've come to as an outsider or looked up on Google.
The characters are memorable and engaging. I did wonder whether they'd be a little over the top. I mean we have a Calvinist nun who is also a university lecturer in the theology of eschatology, a so-new-no-one's-taken-the-plastic-off police detective coming home to Liverpool after a bad time with the Met and running his first murder case with a crew where some of them knew him when he was wet behind the ears and the lead singer of a Norwegian Metal band who writes lyrics that quote scripture and music that nods to Bach behind the metal beat. Yet Catherine Fearns managed to make all of them human and credible so that they stopped seeing larger-than-life and became people I was invested in.
The plot was also full of surprises. I was fairly sure I knew where it was going and who the bad guy was and I was wrong on both counts, more than once, which is part of the fun. The pacing worked well, starting from flashes of gory slaughter and academic reflections on death, judgment, and the final destiny of the soul and of humankind through to a tense will-they-get-there-in-time-and-will-the-people-I-care-about-survive? ending.
The dialogue was well done. I could hear all the different accents in my head, not just because of the slang used but because of nuances of class, education and nationality embedded in the words and because the main characters had very clear voices.
The only thing that marred my enjoyment was a few places where the text made my Inner Pedant raised his head. For example:
"Even though everyone already knew, the image raised audible gasps."
At which my Inner Pedant said: 'If it's not audible, it's not a gasp.'
Or
"...turning to his incident board while Colette raised an imperceptible eyebrow at him."
Which prompted my Inner Pedant to growl out 'If it's imperceptible, how do we know it happened? Is this the sound of one hand clapping as a tree falls unobserved in a forest?'
My Inner Pedant is not a nice man and I hate it when books I'm enjoying wake him up.
I recommend 'Reprobation' if you're in the mood for something bold and different that's neither boring nor pretentious.
Catherine Fearns is an English writer journalist and musician from Liverpool.
Her three crime fiction novels Reprobation, Consuming Fire and Sound are all Amazon bestsellers Reprobation won a Readers� Favorite Silver Medal and a PageTurner eBook Award.