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“The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamifyâ€� our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing moreâ€� than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engineâ€� can â€� and will â€� be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality â€� most of these genres are glum or dystopian a lot of the time anyway â€� but because, in reflecting the “as ifâ€� character of the world, they are actually realer than they appear.”
― Erik Davis, TechGnosis: Myth, Magic & Mysticism in the Age of Information

“It would be nice to begin the journey with who we are. But "who we are" is a house of mirrors, a tangled knot, a great and terrible Oz that in the final analysis may consist of nothing more than, well, nothing. The self, I am afraid, may be more of an onion than a fruit, and "who we are" is the skin we shed.”
― Erik Davis