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It's good to make the most of the medium in which you write.

Sometimes this means doing things which only your medium can do.

The unfilmable book.

The unbookable film.
I've always loved how prose fiction is a collaborative medium, between writer and reader.  An intimate kind of contract.  The writer divulges a handful of details � or a whole cartload, if they’ve had too much coffee and can’t stop themselves – then the reader almost becomes the production designer and creates t...