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Maya Angelou's Autobiography #2
Gather Together in My Name
In Gather Together in My Name Maya Angelou continues her stunning autobiography. By turns hilarious and heartbreaking, passionate and mellow, she fills the pages with both wisdom and wonder as she brings us along in her struggle and dance through life.
From the Paperback edition.
From the Paperback edition.
224 pages, Paperback
First published January 1, 1974
644 people are currently reading
16.8k people want to read
About the author
Maya Angelou
259books14.2kfollowersMaya Angelou was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for Black people and women, and her works have been considered a defense of Black culture. Her works are widely used in schools and universities worldwide, although attempts have been made to ban her books from some U.S. libraries. Angelou's most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing, and expanding the genre. Her books center on themes that include racism, identity, family, and travel.
She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for Black people and women, and her works have been considered a defense of Black culture. Her works are widely used in schools and universities worldwide, although attempts have been made to ban her books from some U.S. libraries. Angelou's most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing, and expanding the genre. Her books center on themes that include racism, identity, family, and travel.
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January 10, 2016
This is the second volume of Maya Angelou’s autobiography and covers four years from 1944 to 1948, ending when Angelou was 21. It covers a period pre civil rights and just after the war. Angelou was remarkably resourceful in relation to the things she turned her hand to and did well. She cooked and waitressed in a number of establishments, managed a restaurant, sold clothes, learned to dance to become a professional dancer, ran a brothel, worked in a brothel ( her “pimp� or “daddy� was an Episcopalian preacher!) and almost joined the army. All this whilst being a single mother. Angelou is remarkably open and honest; clear about her mistakes, as she said herself:
“I wrote about my experiences because I thought too many people tell young folks, “I never did anything wrong. Who, Moi? � never I. I have no skeletons in my closet. In fact, I have no closet.� They lie like that and then young people find themselves in situations and they think, “Damn I must be a pretty bad guy. My mom or dad never did anything wrong.� They can’t forgive themselves and go on with their lives. So I wrote the book Gather Together in My Name�
What is obvious throughout is Angelou’s strength of character and resilience and it is written with great clarity and passion. The importance of family is central, as in the first volume and we see vignettes of Angelou’s mother, brother and grandmother and what bound them together was stronger than what tried to pull them apart.
At the end of the volume is a brief look at the world of drug addiction and the degradation and horror of it made a deep impression on Angelou. A man she was working with at the time had given her a glimpse of the world he inhabited:
“The life of the underworld was truly a rat race, and most of its inhabitants scurried like rodents in the sewers and gutters of the world. I had walked the precipice and seen it all, and at the critical moment one man's generosity pushed me safely away from the edge.�
Angelou said that writing this book was very difficult and painful; it is more fragmentary than I Know why the Caged Bird Sings. Race and racism is still very much there as part of daily life and the book is very much about what it is to be a black woman in the 1940s. There is a note of hope at the end;
“I had no idea what I was going to make of my life, but I had given a promise and found my innocence. I swore I'd never lose it again.�
I know many readers and critics don’t rate this as highly as I Know why the Caged Bird Sings, but I do because of Angelou’s honesty and passion.
“I wrote about my experiences because I thought too many people tell young folks, “I never did anything wrong. Who, Moi? � never I. I have no skeletons in my closet. In fact, I have no closet.� They lie like that and then young people find themselves in situations and they think, “Damn I must be a pretty bad guy. My mom or dad never did anything wrong.� They can’t forgive themselves and go on with their lives. So I wrote the book Gather Together in My Name�
What is obvious throughout is Angelou’s strength of character and resilience and it is written with great clarity and passion. The importance of family is central, as in the first volume and we see vignettes of Angelou’s mother, brother and grandmother and what bound them together was stronger than what tried to pull them apart.
At the end of the volume is a brief look at the world of drug addiction and the degradation and horror of it made a deep impression on Angelou. A man she was working with at the time had given her a glimpse of the world he inhabited:
“The life of the underworld was truly a rat race, and most of its inhabitants scurried like rodents in the sewers and gutters of the world. I had walked the precipice and seen it all, and at the critical moment one man's generosity pushed me safely away from the edge.�
Angelou said that writing this book was very difficult and painful; it is more fragmentary than I Know why the Caged Bird Sings. Race and racism is still very much there as part of daily life and the book is very much about what it is to be a black woman in the 1940s. There is a note of hope at the end;
“I had no idea what I was going to make of my life, but I had given a promise and found my innocence. I swore I'd never lose it again.�
I know many readers and critics don’t rate this as highly as I Know why the Caged Bird Sings, but I do because of Angelou’s honesty and passion.
December 17, 2020
This was an absolutely wonderful book. Maya Angelou is on my Top Three author list (and climbing). I met Maya's work on New Years Eve of 1978. My wife had to work (a nursing thing). I was being crabby and a dear friend gave me a copy of "A Caged Bird.." and I was up all night.
It is breathtaking how she shares from the depths of her being. This book shares so much pain that I see her as a brave as any author. There's a thesaurus full of descriptios and feelings. (Don't tell the tough guys but she made me cry).
Please drop what you are doing and read her work. I love her like she is a friend--i never met her though. Give her to yourself for Christmas or whatever Holiday you celebrate.
I highly recommend.
November 26, 2019
”For where two or three are gathered together in my name, there am I in the midst of them.�
--Matthew 18:20
This is a continuation of Maya Angelou’s autobiography, the first volume of which is I Know Why the Caged Bird Sings. I read that last year, and was once again cast under the spell of her writing reading this second volume.
As this begins, it is shortly after the end of WW II, and Maya has her infant son, she is only sixteen years old, and must find a way to create a life for the two of them. At that point in time, illegitimacy would have been a difficult thing for the majority of people to accept, especially in “polite society.�
The atmosphere in the country had changed drastically when the men went off to war, but changed even more when the men came home.
”Black men from the South who had held no tools more complicated than plows had learned to use lathes and borers and welding guns, and had brought in their quotas of war-making machines. Women who had only known maid’s uniforms and mammy-made dresses donned the awkward men’s pants and steel helmets, and made the ship-fitting sheds hum some buddy. Even the children had collected paper, and at the advice of elders who remembered World War I, balled the tin foil from cigarettes and chewing gum into balls as big as your head. Oh, it was a time.�
The mood everywhere seemed to take a positive swing, and they all waited for the good times they expected to follow. Celebrations, parades, and music reflected the celebratory atmosphere, at least for a while.
”Their expanded understanding could never again be accordioned into these narrow confines. They were free or at least nearer to freedom than ever before and they would not go back.�
There’s so much territory that is covered here that it’s hard to believe that this only covers about three years of her life, but it’s an important three years, if not always pretty. It doesn’t have to be, because in reading this you are even more aware of how she, herself, was filled with beauty.
--Matthew 18:20
This is a continuation of Maya Angelou’s autobiography, the first volume of which is I Know Why the Caged Bird Sings. I read that last year, and was once again cast under the spell of her writing reading this second volume.
As this begins, it is shortly after the end of WW II, and Maya has her infant son, she is only sixteen years old, and must find a way to create a life for the two of them. At that point in time, illegitimacy would have been a difficult thing for the majority of people to accept, especially in “polite society.�
The atmosphere in the country had changed drastically when the men went off to war, but changed even more when the men came home.
”Black men from the South who had held no tools more complicated than plows had learned to use lathes and borers and welding guns, and had brought in their quotas of war-making machines. Women who had only known maid’s uniforms and mammy-made dresses donned the awkward men’s pants and steel helmets, and made the ship-fitting sheds hum some buddy. Even the children had collected paper, and at the advice of elders who remembered World War I, balled the tin foil from cigarettes and chewing gum into balls as big as your head. Oh, it was a time.�
The mood everywhere seemed to take a positive swing, and they all waited for the good times they expected to follow. Celebrations, parades, and music reflected the celebratory atmosphere, at least for a while.
”Their expanded understanding could never again be accordioned into these narrow confines. They were free or at least nearer to freedom than ever before and they would not go back.�
There’s so much territory that is covered here that it’s hard to believe that this only covers about three years of her life, but it’s an important three years, if not always pretty. It doesn’t have to be, because in reading this you are even more aware of how she, herself, was filled with beauty.
October 22, 2013
This is the darkest in Maya Angelou's anthology and one I hadn't read before so I was shocked when she came to the brink of prostitution and actually jumped. So many times in the book, particularly when she's nearly enlisted in the Army, I thought "I didn't know she was a soldier," and then found out what happened. So when it came to her sleazy older boyfriend, saying he needed some "help" crawling out of a financial mess, I thought she would somehow wake up from the nightmare. Even when she was naked and facing her first customer, I waited for that moment when she'd run downstairs and outside.
She did not.
She describes both running a "whorehouse" and working as a "whore" with unflinching directness. Although when you think of the Maya Angelou we all know now, it's hard to picture her being duped by the sleazeball characters, it only makes me admire what this woman has built of her life. She is so incredibly independent that each of her adventures reads like a racy novel. Her life is melodrama. Luckily for us she doesn't write it that way.
This is the school of hard knocks and Ms. Angelou describes it all. Her meandering through jobs and men is sometimes so painful that I had to think, "She's Maya Angelou. She's going to be okay." There are passages that leave you thinking, "Our poet laureate went through this? And wrote about it?" Her life and writing is a bravura performance. I can't think of anyone else in her category.
I only gave this one less star because to me, this book felt like part of the greater work that perhaps needed a book in front or behind to make it feel like a complete work. Take that with a grain of salt. I know all her work and could refer back and forth so perhaps it just felt that way to me because I have the whole picture. Like everything she writes, this book is not just a great piece of literature and a wonderful read, it's part of American history that you shouldn't miss, rough patches and all.
As usual, through her ups and downs, she is one class act.
She did not.
She describes both running a "whorehouse" and working as a "whore" with unflinching directness. Although when you think of the Maya Angelou we all know now, it's hard to picture her being duped by the sleazeball characters, it only makes me admire what this woman has built of her life. She is so incredibly independent that each of her adventures reads like a racy novel. Her life is melodrama. Luckily for us she doesn't write it that way.
This is the school of hard knocks and Ms. Angelou describes it all. Her meandering through jobs and men is sometimes so painful that I had to think, "She's Maya Angelou. She's going to be okay." There are passages that leave you thinking, "Our poet laureate went through this? And wrote about it?" Her life and writing is a bravura performance. I can't think of anyone else in her category.
I only gave this one less star because to me, this book felt like part of the greater work that perhaps needed a book in front or behind to make it feel like a complete work. Take that with a grain of salt. I know all her work and could refer back and forth so perhaps it just felt that way to me because I have the whole picture. Like everything she writes, this book is not just a great piece of literature and a wonderful read, it's part of American history that you shouldn't miss, rough patches and all.
As usual, through her ups and downs, she is one class act.
December 11, 2022
Znacznie bardziej osobista niż „Wiem, dlaczego w klatce śpiewa ptak�, choć równie pięknie napisane. Maya Angelou pisze o swoich doświadczeniach życia jako czarna kobieta, nastoletnia matka, osoba poszukująca swojej drogi w Stanach Zjednoczonych po zakończeniu drugiej wojny światowej- i robi to doskonale. Brawa również za wspaniałe tłumaczenie!
June 3, 2020
Cadere e rialzarsi.
Secondo (e ultimo pubblicato in Italia!) dei sette libri autobiografici scritti da Maya Angelou.
Pubblicato nel 1974, "", prosegue il racconto inziato in "" ("Io so perchè canta l'uccello in gabbia").
Siamo nel secondo dopoguerra.
Dopo un momento di generale euforia per la recente vittoria si fa palese la realtà:
"... si iniziarono a vedere gli eroi di guerra (...) ciondolare agli angoli del ghetto simili a panni dimenticati sullo steccato di un cortile. (...) Eravamo sopravvissuti ad una grande guerra. La domanda nei ghetti era: riusciremo a cavarcela durante una piccola pace?".
Anche per Maya sono cambiate molte cose ed è il momento di prendere delle decisioni:
"Avevo diciassette anni. Ero vecchissima e insieme tanto giovane da sentirmi imbarazzata, avevo un figlio di due mesi e vivevo ancora con mia madre e il mio patrigno."
Sopravvivere con dignità è un arduo compito soprattutto in quella condizione di doppio svantaggio dell'essere donna e nera alla fine degli anni '40.
Lavori sbagliati, uomini sbagliati tra San Francisco, Los Angeles e le cittadine di provincia.
Luoghi dove ogni volta si tenta di ricominciare.
Un ritorno a Stamps (Arkansas), il luogo dell'infanzia, segnerà il momento dell'odio:
"Il paese era diviso a metà dai binari del treno, dalle rapide acque del Red River e dai pregiudizi razziali(...) e soprattutto l'atmosfera era gravata dall'odore di antiche paure, dall'odore degli odi e della colpa".
Maya commetterà lo sbaglio di sentirsi protetta dall'accento del nord e dagli abiti alla moda ma una parola sbagliata che esce dalla bocca di un nero, in quel sud dove il tempo si è fermato, equivale ad una condanna a morte.
Momma- la nonna materna- la metterà di corsa sull'autobus per salvarle la vita e Maya porterà come souvenir un profondo odio ogni qualvolta incrocerà uno sguardo bianco.
Questo e tanto altro nel racconto di Maya Angelou.
Una storia fatta di cadute, scelte sbagliate, ferite e la perdita di fiducia in se stessa.
Una storia che ci insegna che c'è sempre un'altra possibilità:
quella di rialzarsi e continuare a resistere...
"la vita nei bassifondi era davvero una gara all'ultimo sangue e quasi tutti loro abitanti non facevano che correre come topi nelle fogne e nei canali di scolo del mondo. Io ero arrivata fin sull'orlo del precipizio e avevo visto tutto; la momento critico la generosità di un uomo mi aveva spinto al sicuro lontano dal ciglio."
Secondo (e ultimo pubblicato in Italia!) dei sette libri autobiografici scritti da Maya Angelou.
Pubblicato nel 1974, "", prosegue il racconto inziato in "" ("Io so perchè canta l'uccello in gabbia").
Siamo nel secondo dopoguerra.
Dopo un momento di generale euforia per la recente vittoria si fa palese la realtà:
"... si iniziarono a vedere gli eroi di guerra (...) ciondolare agli angoli del ghetto simili a panni dimenticati sullo steccato di un cortile. (...) Eravamo sopravvissuti ad una grande guerra. La domanda nei ghetti era: riusciremo a cavarcela durante una piccola pace?".
Anche per Maya sono cambiate molte cose ed è il momento di prendere delle decisioni:
"Avevo diciassette anni. Ero vecchissima e insieme tanto giovane da sentirmi imbarazzata, avevo un figlio di due mesi e vivevo ancora con mia madre e il mio patrigno."
Sopravvivere con dignità è un arduo compito soprattutto in quella condizione di doppio svantaggio dell'essere donna e nera alla fine degli anni '40.
Lavori sbagliati, uomini sbagliati tra San Francisco, Los Angeles e le cittadine di provincia.
Luoghi dove ogni volta si tenta di ricominciare.
Un ritorno a Stamps (Arkansas), il luogo dell'infanzia, segnerà il momento dell'odio:
"Il paese era diviso a metà dai binari del treno, dalle rapide acque del Red River e dai pregiudizi razziali(...) e soprattutto l'atmosfera era gravata dall'odore di antiche paure, dall'odore degli odi e della colpa".
Maya commetterà lo sbaglio di sentirsi protetta dall'accento del nord e dagli abiti alla moda ma una parola sbagliata che esce dalla bocca di un nero, in quel sud dove il tempo si è fermato, equivale ad una condanna a morte.
Momma- la nonna materna- la metterà di corsa sull'autobus per salvarle la vita e Maya porterà come souvenir un profondo odio ogni qualvolta incrocerà uno sguardo bianco.
Questo e tanto altro nel racconto di Maya Angelou.
Una storia fatta di cadute, scelte sbagliate, ferite e la perdita di fiducia in se stessa.
Una storia che ci insegna che c'è sempre un'altra possibilità:
quella di rialzarsi e continuare a resistere...
"la vita nei bassifondi era davvero una gara all'ultimo sangue e quasi tutti loro abitanti non facevano che correre come topi nelle fogne e nei canali di scolo del mondo. Io ero arrivata fin sull'orlo del precipizio e avevo visto tutto; la momento critico la generosità di un uomo mi aveva spinto al sicuro lontano dal ciglio."
August 21, 2017
My goodness, I adore this phenomenal woman! These autobiographies by are the best definition of a page-turner in my book. is volume no. 2 of the series and I enjoyed every bit of it. Maya Angelou's prose game is ah-mazing and I believe it's the poet in her that forces such a beautiful choice of words. Aside from the beautiful language, she has this easy charming approach which keeps you hooked and hungry for more. This attractive formula always works for me and guarantees my love for a book.
The story of her life? Never a dull moment! It's a roller coaster with all the melodrama she's been through in such a little age. It goes on and gets darker. Rita (that's short for Marguerite) is now 17 years old with her baby boy post WWII. I'll admit that her history with prostitution shocked me. She puts herself out there naked sans sugarcoating to the public eye without being afraid of judgment and without losing her hilarious touch, but that's her style; extremely truthful with a pinch of humor. She's real, blunt, unapologetic, and that's why I adore her.
__________
Maya Angelou's Autobiographies:
1) I Know Why the Caged Bird Sings.
2) Gather Together in My Name.
3) Singin' and Swingin' and Gettin' Merry Like Christmas.
4) The Heart of a Woman.
5) All God's Children Need Traveling Shoes.
6) A Song Flung Up to Heaven.
December 31, 2022
Moja ostatnia książka wspaniałego i czytelniczo niebywale udanego 2022 roku � Zgromadźcie się w imię moje� Mayi Angelou.
To moje pierwsze literackie spotkanie z Angelou. Nie doczytałam, nie poszperałam, po prostu złapałam tę książkę przed wyjściem na pociąg, a w pociągu przepadłam. Angelou wciągnęła mnie po uszy, a ja nie zdążyłam się dowiedzieć, że „Zgromadźcie się…� to w istocie drugi tom biograficznej serii, którą otwiera „Wiem, dlaczego w klatce śpiewa ptak� (którą zresztą mam na półce, ale to inna historia). Ta informacja trochę mnie zmartwiła (bo mam jakiś trudny do obłaskawienia pociąg do ordnungu), a trochę ucieszyła, bo szalenie mocno chcę dowiedzieć się o Angelou więcej, a najlepiej wszystko.
Maya Angelou składa na ręce czytelników wyjątkowo szczerą kronikę życia w Stanach Zjednoczonych po II wojnie światowej, która pozornie zrównała wszystkich i usunęła podziały rasowe, a w praktyce tylko czasowo je uśpiła, dając fałszywą nadzieję na wolność i równość społeczną. W tych okolicznościach Maya, siedemnastoletnia i z maleńkim synem na rękach, stara się zdobyć samodzielność i zapewnić sobie i dziecku lepsze, dostatnie życie. Nie brakuje jej odwagi, ale brak doświadczenia i desperacja pchają ją w mroczne zaułki San Francisco, gdzie łatwo stracić niewinność.
Dwie kwestie, które kompletnie i niepodważalnie podbiły moje serce, czyniąc mnie wielką fanką i zapaloną czytelniczką prozy Angelou: absolutna i bezkompromisowa szczerość jej opowieści oraz bogata, wręcz barokowa fraza, która mimo swojej gęstości i zdobności nie wpada w kicz ani pretensjonalność. Angelou pisze naprawdę diabelnie oryginalnie i trudno mi znaleźć innego autora czy autorkę władających podobnym stylem.
To moje pierwsze literackie spotkanie z Angelou. Nie doczytałam, nie poszperałam, po prostu złapałam tę książkę przed wyjściem na pociąg, a w pociągu przepadłam. Angelou wciągnęła mnie po uszy, a ja nie zdążyłam się dowiedzieć, że „Zgromadźcie się…� to w istocie drugi tom biograficznej serii, którą otwiera „Wiem, dlaczego w klatce śpiewa ptak� (którą zresztą mam na półce, ale to inna historia). Ta informacja trochę mnie zmartwiła (bo mam jakiś trudny do obłaskawienia pociąg do ordnungu), a trochę ucieszyła, bo szalenie mocno chcę dowiedzieć się o Angelou więcej, a najlepiej wszystko.
Maya Angelou składa na ręce czytelników wyjątkowo szczerą kronikę życia w Stanach Zjednoczonych po II wojnie światowej, która pozornie zrównała wszystkich i usunęła podziały rasowe, a w praktyce tylko czasowo je uśpiła, dając fałszywą nadzieję na wolność i równość społeczną. W tych okolicznościach Maya, siedemnastoletnia i z maleńkim synem na rękach, stara się zdobyć samodzielność i zapewnić sobie i dziecku lepsze, dostatnie życie. Nie brakuje jej odwagi, ale brak doświadczenia i desperacja pchają ją w mroczne zaułki San Francisco, gdzie łatwo stracić niewinność.
Dwie kwestie, które kompletnie i niepodważalnie podbiły moje serce, czyniąc mnie wielką fanką i zapaloną czytelniczką prozy Angelou: absolutna i bezkompromisowa szczerość jej opowieści oraz bogata, wręcz barokowa fraza, która mimo swojej gęstości i zdobności nie wpada w kicz ani pretensjonalność. Angelou pisze naprawdę diabelnie oryginalnie i trudno mi znaleźć innego autora czy autorkę władających podobnym stylem.
December 15, 2022
4.5 - podobała mi się nawet bardziej niż pierwsza część. Czekam na kolejną.
January 6, 2023
Angelou to ikona.
July 30, 2007
A sequel to Maya Angelou's autobiography "I Know Why the Caged Bird Sings," this book begins when Marguerite is in her late teens. Her beautifully-written prose describes the heartwrenching mistakes that she makes in her life decisions, as a result of her risk-taking and daring personality.
My scale (since the speed of my reading is directly proportional to how well I like the book):
1 - couldn't get through it
2 - actually got through it but it took months
3 - read it fairly consistently on the train (took a couple of months)
4 - felt compelled to read it while on vacation (and/or took about a month)
5 - read it before bed every night (two weeks or less)
My scale (since the speed of my reading is directly proportional to how well I like the book):
1 - couldn't get through it
2 - actually got through it but it took months
3 - read it fairly consistently on the train (took a couple of months)
4 - felt compelled to read it while on vacation (and/or took about a month)
5 - read it before bed every night (two weeks or less)
January 3, 2016
I love this woman with all my heart. Her writing style, her way of crafting a story, her life..
This volume was a bit sadder than the previous ones, but what a great read.
This volume was a bit sadder than the previous ones, but what a great read.
December 29, 2016
I enjoyed this more than Angelou's first memoir, which won't be a surprise to anyone who knows my tastes, because in this book she's a teenager/young adult while in the first she was a child. Adults make for active protagonists, while children are passive. So I enjoyed the content more and therefore appreciated the writing more. It's a short, quick read and kept me engaged, though, as in the first book, events sometimes seem disconnected from each other, and Angelou's tone can be so wry and detached that it's hard to tell how the events of her life affected her; when she does write about her feelings, there's often a sense of amusement behind it. I wanted a little more, especially since some of the events are so outlandish they're hard to believe (a naive teenager stumbles into opening a brothel and pressuring a couple of part-time hookers into staffing it? Whaaaaat?). Clearly creative license is being taken - hence all that dialogue that moves the story along so quickly - and I wonder just how much. But regardless, this is an enjoyable book with a strong voice and a fresh perspective.
February 17, 2024
Dr. Angelou Memoir #2
A warm and engaging continuation of Maya Angelou's memoirs, most notably her masterpiece "I Know Why the Caged Bird Sings".
This is an entertaining, and heartfelt account of Angelou's experimentation into different and diverse professions: sex work, waitressing, dancing, performing; caring for her son Clyde, “Guy Bailey� Johnson; exploring her relationships with her mother Vivian Baxter, her beloved brother Bailey, a humorous attempt at joining the US Army, and looking for love in all the wrong places.
But written with her trademark wit and aphorisms about life, "love is blind and hides a multitude of faults" (Angelou 135), it is vintage Maya Angelou reminiscing about a life that had been filled with adventure, lots of ups and downs and perseverance.
A warm and engaging continuation of Maya Angelou's memoirs, most notably her masterpiece "I Know Why the Caged Bird Sings".
This is an entertaining, and heartfelt account of Angelou's experimentation into different and diverse professions: sex work, waitressing, dancing, performing; caring for her son Clyde, “Guy Bailey� Johnson; exploring her relationships with her mother Vivian Baxter, her beloved brother Bailey, a humorous attempt at joining the US Army, and looking for love in all the wrong places.
But written with her trademark wit and aphorisms about life, "love is blind and hides a multitude of faults" (Angelou 135), it is vintage Maya Angelou reminiscing about a life that had been filled with adventure, lots of ups and downs and perseverance.
November 12, 2019
Well its no I Know why the caged bird sings, but it is just as brutally honest n lucid. Definitely worth a read!
"It's interesting that they didn't realize in those yearning days past, nor even in the present days of understanding, that if the female had the right to decide, she suffered from her inability to instigate. That is, she could only say yes or no if she was asked."
"It's interesting that they didn't realize in those yearning days past, nor even in the present days of understanding, that if the female had the right to decide, she suffered from her inability to instigate. That is, she could only say yes or no if she was asked."
August 23, 2020
Wow. I usually struggle with memoirs but this was a read that will stick around in my head for a long time.
March 30, 2025
4,5 🌟
Was hat diese Frau bitte in 2 Jahren erlebt??
Maya ist 17 zu Beginn des 2. Bandes ihrer Autobiografie.
Sie schlägt sich als alleinerziehende Mutter durch und hält sich mit verschiedensten Jobs über Wasser. Sie lässt sich sehr naiv auf Männer ein und begibt sich häufig in Gefahr.
Ich musste mich permanent selbst daran erinnern, dass das ihre tatsächliche Geschichte ist. Oftmals dachte ich an einen schlechten Roman, indem sich die Protagonistin doch wohl nicht schon wieder in Schwierigkeiten bringen kann�. Nein. Es ist kein Roman und ja, sie konnte sich erneut in Schwierigkeiten bringen.
Doch jedes Mal, schaffte sie es, sich herauszuwinden, aufzustehen und hat gelernt, für sich selbst einzustehen.
Dennoch war es für mich erschreckend, wie wenig in ihrem Leben in bestimmten Situationen gefehlt hat, um endgültig abzustürzen. Häufig sind es nur Nuancen, Zufälle oder unsägliches Glück oder eben Unglück was darüber entscheidet , welche Abzweigung wir im Leben nehmen und welche Konsequenzen diese Entscheidungen für unseren weiteren Weg haben werden.
Ich freue mich wirklich auf den nächsten Band. Sehr gerne folge ich weiterhin den Spuren einer außergewöhnlichen Frau.
Was hat diese Frau bitte in 2 Jahren erlebt??
Maya ist 17 zu Beginn des 2. Bandes ihrer Autobiografie.
Sie schlägt sich als alleinerziehende Mutter durch und hält sich mit verschiedensten Jobs über Wasser. Sie lässt sich sehr naiv auf Männer ein und begibt sich häufig in Gefahr.
Ich musste mich permanent selbst daran erinnern, dass das ihre tatsächliche Geschichte ist. Oftmals dachte ich an einen schlechten Roman, indem sich die Protagonistin doch wohl nicht schon wieder in Schwierigkeiten bringen kann�. Nein. Es ist kein Roman und ja, sie konnte sich erneut in Schwierigkeiten bringen.
Doch jedes Mal, schaffte sie es, sich herauszuwinden, aufzustehen und hat gelernt, für sich selbst einzustehen.
Dennoch war es für mich erschreckend, wie wenig in ihrem Leben in bestimmten Situationen gefehlt hat, um endgültig abzustürzen. Häufig sind es nur Nuancen, Zufälle oder unsägliches Glück oder eben Unglück was darüber entscheidet , welche Abzweigung wir im Leben nehmen und welche Konsequenzen diese Entscheidungen für unseren weiteren Weg haben werden.
Ich freue mich wirklich auf den nächsten Band. Sehr gerne folge ich weiterhin den Spuren einer außergewöhnlichen Frau.
September 15, 2016
Dr. Angelou has a way of beating you up that makes you thankful for getting that ass whupped.
Gather together in my name - the religious overtones guide the reader into a false sense of security before the late, great Dr. Angelou drops an anvil on your head. This brief little glimpse into the life of a very young woman between the ages of seventeen and twenty - this twinkle of an eye- to keep up with the religious tone - is hell on earth for this young woman.
A cook, a chef, a pimp, and a prostitute. She came close to serving her country but the country was too stupidly fearful of an idea to allow her in. She was armed solely with her intelligence. And she'd put up with just about anything, till someone regarded her as a dummy.
Then a young Dr. Angelou, Mother Angelou, the conscience of America - hemmed the fools up.
Hot tempered, sharp as a needle, charming, and a victim of a world that simply wasn't ready for her - she persevered and sought what we all do. Love.
Like her others, Gather is an incredible book. One that regards her own past not with bitterness, but with grace. Dignity. Poise. And the wherewithal to tell the truth in the midst of it all. 3 years of this young woman's life. Absolutely incredible.
Gather together in my name - the religious overtones guide the reader into a false sense of security before the late, great Dr. Angelou drops an anvil on your head. This brief little glimpse into the life of a very young woman between the ages of seventeen and twenty - this twinkle of an eye- to keep up with the religious tone - is hell on earth for this young woman.
A cook, a chef, a pimp, and a prostitute. She came close to serving her country but the country was too stupidly fearful of an idea to allow her in. She was armed solely with her intelligence. And she'd put up with just about anything, till someone regarded her as a dummy.
Then a young Dr. Angelou, Mother Angelou, the conscience of America - hemmed the fools up.
Hot tempered, sharp as a needle, charming, and a victim of a world that simply wasn't ready for her - she persevered and sought what we all do. Love.
Like her others, Gather is an incredible book. One that regards her own past not with bitterness, but with grace. Dignity. Poise. And the wherewithal to tell the truth in the midst of it all. 3 years of this young woman's life. Absolutely incredible.
February 4, 2024
The second volume of Maya Angelou's autobiography covers a couple of years in her late teens up to the age of nineteen. She was single mother to a baby son and tried out many ways to make a living, including cooking, waitressing, tapdancing, chauffeuring, trying to join the army, and sex work. She moved around several cities, fell in love a couple of times, and observed the impact of heroin addiction on people close to her. While the previous volume dealt with Angelou's childhood, this one covers her growing up, including this realisation about her son:
Angelou sets the scene of post-war America elegantly at the start of the book:
Her writing is as lucid and insightful as ever. While I didn't find quite as powerful as , it continues the story of Angelou's life with great verve and sensitivity. I look forward to reading .
I had loved him and never considered that he was an entire person. Seperate from my boundaries, I had not known before that he had and would have a life beyond being my son, my pretty baby, my cute doll, my charge. In the plowed farmyard near Bakersfield, I began to understand the uniqueness of the person. He was three and I was nineteen, and never again would I think of him as a beautiful appendage of myself.
Angelou sets the scene of post-war America elegantly at the start of the book:
I thought that if war did not include killing, I'd like to see one every year. Something like a festival.
All the sacrifices had won us victory and now the good times were coming. Obviously, if we earned more than rationing would allow us to spending during wartime, things were really going to look up when restrictions were removed.
There was no need to discuss racial prejudice. Hadn't we all, black and white, just snatched the remaining Jews from the hell of concentration camps? Race prejudice was dead. A mistake made by a young country. Something to be forgiven as an unpleasant act committed by an intoxicated friend.
Her writing is as lucid and insightful as ever. While I didn't find quite as powerful as , it continues the story of Angelou's life with great verve and sensitivity. I look forward to reading .
August 1, 2018
“Be the best of anything you get into. If you want to be a whore, it's your life. Be a damn good one. Don't chippy at anything. Anything worth having is worth working for.'
This is the second part of Angelou’s autobiography and covers her life between the ages of seventeen and twenty. It continues on from I Know Why the Caged Bird Sings left off with Angelou giving birth of her son and leaving her grandmother in rural Arkansas to live in San Francisco. The reader learns of her attempts to establish an independent life for herself and her son, taking a variety of low skill jobs including cook, waitress and perhaps most surprisingly of all as a brothel madam, her early love affairs including her ill-fated relationship with a married man. She is a precocious teenager who believes is tough enough to stand on her own two feet and she does often manage to get what she wants, at least in the short term, but it never lasts.
The title refers to all the mistakes that Angelou made in this period of her life and she certainly made some. As a single mother she had little option from working long, anti-social hours often leaving her son to be brought up by others and it is not until he goes missing does she acknowledge that she is little more than a child herself. She is naive and wants to believe in the best of others but this trust and desire to please often leads her down some very dark alleys, yet she never shies away from admitting to her mistakes.
Angelou’s life is undoubtedly extraordinary but never fantastical. She, like everyone else, learns that decisions made by ourselves and other people as well as forces outside of our control when we are young often affects our later life choices. The career paths that we set ourselves as teenagers can be deflected by unforeseen events meaning that the life that we actually live is often very different from the one we envisaged. This book is a fine example of that fact and also proves that sexual grooming is not a new phenomenon.
This is the second part of Angelou’s autobiography and covers her life between the ages of seventeen and twenty. It continues on from I Know Why the Caged Bird Sings left off with Angelou giving birth of her son and leaving her grandmother in rural Arkansas to live in San Francisco. The reader learns of her attempts to establish an independent life for herself and her son, taking a variety of low skill jobs including cook, waitress and perhaps most surprisingly of all as a brothel madam, her early love affairs including her ill-fated relationship with a married man. She is a precocious teenager who believes is tough enough to stand on her own two feet and she does often manage to get what she wants, at least in the short term, but it never lasts.
The title refers to all the mistakes that Angelou made in this period of her life and she certainly made some. As a single mother she had little option from working long, anti-social hours often leaving her son to be brought up by others and it is not until he goes missing does she acknowledge that she is little more than a child herself. She is naive and wants to believe in the best of others but this trust and desire to please often leads her down some very dark alleys, yet she never shies away from admitting to her mistakes.
Angelou’s life is undoubtedly extraordinary but never fantastical. She, like everyone else, learns that decisions made by ourselves and other people as well as forces outside of our control when we are young often affects our later life choices. The career paths that we set ourselves as teenagers can be deflected by unforeseen events meaning that the life that we actually live is often very different from the one we envisaged. This book is a fine example of that fact and also proves that sexual grooming is not a new phenomenon.
This entire review has been hidden because of spoilers.
September 13, 2017
As with I Know Why the Caged Bird Sings, I couldn't put this one down once I started reading. This autobiography picks up where I Know Why the Caged Bird Sings ends, with with 17-year-old Maya out of work and caring for her son Guy in San Francisco. In the two or three years covered by this book, she moves several times, even once back to Stamps, Alabama, and holds an amazing number and variety of jobs. She also learns some hard lessons about life and about herself. What a lot of courage and determination she had! And I admire her deep loyalty to her family, for whom she was willing to drop everything and help no matter what her circumstances.
I learned a lot about post-World War II race relations. I can see now how the fact that black people gained a measure of equality in the workforce during the war only to be sent back to pre-war working conditions after the war ended led to the civil rights movement of the '50s and '60s.
I must continue this journey and read her third autobiography. I'm very curious to know how she ended up becoming a writer and poet. In fact, at times her prose in this book read like poetry. Looking forward to the next one, and highly recommending this one.
I learned a lot about post-World War II race relations. I can see now how the fact that black people gained a measure of equality in the workforce during the war only to be sent back to pre-war working conditions after the war ended led to the civil rights movement of the '50s and '60s.
I must continue this journey and read her third autobiography. I'm very curious to know how she ended up becoming a writer and poet. In fact, at times her prose in this book read like poetry. Looking forward to the next one, and highly recommending this one.
September 27, 2013
Wow...so I guess fiction really can't touch real life.
Picking up where left off, this heart-wrenching memoir chronicles Maya Angelou's late teen years as an unwed mother, pimp, and prostitute desperately searching for love.
Her poetic yet blunt retelling of the events created a slight disconnect for me between the writer and the young girl she writes about. I sometimes had a hard time picturing this sophisticated/assured and generous woman as the selfish and feckless girl who struggled with making good choices when put in these seedy and precarious situations...but maybe that's the point.
Still it's good and I enjoyed it, and I can see why people are so pleased that she's finally getting recognized for her literary contributions.
Would recommend to those who enjoy a good memoir and elegant writing, and can stomach the raunchy realities of her young life. Probably best when read in order and in combination with her other memoirs.
Picking up where left off, this heart-wrenching memoir chronicles Maya Angelou's late teen years as an unwed mother, pimp, and prostitute desperately searching for love.
Her poetic yet blunt retelling of the events created a slight disconnect for me between the writer and the young girl she writes about. I sometimes had a hard time picturing this sophisticated/assured and generous woman as the selfish and feckless girl who struggled with making good choices when put in these seedy and precarious situations...but maybe that's the point.
Still it's good and I enjoyed it, and I can see why people are so pleased that she's finally getting recognized for her literary contributions.
Would recommend to those who enjoy a good memoir and elegant writing, and can stomach the raunchy realities of her young life. Probably best when read in order and in combination with her other memoirs.
January 5, 2016
I read I know why the caged bird sings a long while ago, and Maya Angelou told her remarkable life story. This follows on and it's equally well written.
In this book she's a teen mum living initially in SFO. She finds work as a cook, falls in love and it doesn't work out, and heads for LA before a diversion to San Diego and Oklahoma. She takes short term jobs cooking and waitressing to help her raise her son. Somewhere in this story she, at 18, runs a brothel.
The blurb tells you she dabbles in drugs and in Oakland she dabbled in prostitution before her brother brings her to her senses. She also falls in love left, right, and centre but all are bad news.
The story is again remarkable and very well written. If anything shocked me it was her leaving her son with virtual strangers for long periods of time whilst she worked. I guess times and communities have changed, at least they have in my experience, and now we don't have "mamas" who take in people's kids and virtually raise them, with the mother visiting on her day off. I liked seeing this reflection back to the past.
In this book she's a teen mum living initially in SFO. She finds work as a cook, falls in love and it doesn't work out, and heads for LA before a diversion to San Diego and Oklahoma. She takes short term jobs cooking and waitressing to help her raise her son. Somewhere in this story she, at 18, runs a brothel.
The blurb tells you she dabbles in drugs and in Oakland she dabbled in prostitution before her brother brings her to her senses. She also falls in love left, right, and centre but all are bad news.
The story is again remarkable and very well written. If anything shocked me it was her leaving her son with virtual strangers for long periods of time whilst she worked. I guess times and communities have changed, at least they have in my experience, and now we don't have "mamas" who take in people's kids and virtually raise them, with the mother visiting on her day off. I liked seeing this reflection back to the past.
August 2, 2017
I absolutely love Maya Angelou. Even when she is talking about all the wrong she has done, she shines brighter in my eyes. Because she pushed through those bad times, she fought to do better, be better, and of course, we all know she achieved the better. Everyone should read Maya Angelou, her poetic words of wisdom know how to pierce into your heart and stay with you forever.
December 30, 2023
Mais chocante do que o primeiro volume
September 1, 2021
Vallen en opstaan, vallen en opstaan. Dapper tegen de stroom in deze vrouw!
“Be the best of anything you get into. If you want to be a whore, it's your life. Be a damn good one. Don't chippy at anything. Anything worth having is worth working for.'
It was her version of Polonius' speech to Laertes. With that wisdom in my pouch, I was to go out and buy my future.�
May 12, 2014
A humbling, horrifying, addictive, beautifully written second part to her autobiography. What an amazing life, what an amazing woman: in part about every woman and our shared struggles through early adulthood and yet utterly personal and unique.
This volume charts Maya's life as a mother in her late teens, brutal in its honesty and miraculous in its lack of vitriolic self-judgement. Instead of self-flagellation, Maya Angelou's writing is redemptive and pitiless. Maya takes us on the next stage of her journey with her ongoing attempts (in vain) to find a dignified job worthy of her intelligence and unusual education, the shared, desperate fight to make ends meet, putting one foot in front of the other while seeking a sense of self, learning how to value herself and spot those that pretend to respect but only use. And above all the profoundly sad and resonant search for someone to love, a partner to take care, to nurture and value her. The magical weaving of her narrative blooms in the reader's mind with no less of the force and extraordinary poetry of 'I know why the caged bird sings' but gone is the enchanted innocence of early childhood. What remains untouched is her brutal honesty. It makes for grim reading but is all the more uplifting and incredible knowing who she became and how she triumphed against such adversity. And amid the grim, hard, depressing horror of her life is her awe and joyful wonder at the beauty, purity and perfection of her son.
This is a story for all women. A journey where we find something of ourselves in each turn of the page. It is a joy to walk in the cooling shade of this mighty, beautiful, lyrical poet. I cannot wait for the third book.
This volume charts Maya's life as a mother in her late teens, brutal in its honesty and miraculous in its lack of vitriolic self-judgement. Instead of self-flagellation, Maya Angelou's writing is redemptive and pitiless. Maya takes us on the next stage of her journey with her ongoing attempts (in vain) to find a dignified job worthy of her intelligence and unusual education, the shared, desperate fight to make ends meet, putting one foot in front of the other while seeking a sense of self, learning how to value herself and spot those that pretend to respect but only use. And above all the profoundly sad and resonant search for someone to love, a partner to take care, to nurture and value her. The magical weaving of her narrative blooms in the reader's mind with no less of the force and extraordinary poetry of 'I know why the caged bird sings' but gone is the enchanted innocence of early childhood. What remains untouched is her brutal honesty. It makes for grim reading but is all the more uplifting and incredible knowing who she became and how she triumphed against such adversity. And amid the grim, hard, depressing horror of her life is her awe and joyful wonder at the beauty, purity and perfection of her son.
This is a story for all women. A journey where we find something of ourselves in each turn of the page. It is a joy to walk in the cooling shade of this mighty, beautiful, lyrical poet. I cannot wait for the third book.
April 2, 2020
Her life was WILD. Her writing was still beautiful. I didn't love it as much as the first one, something about it just didn't hit me as hard, but I still very much enjoyed it.
December 29, 2022
Proza Mayi Angelou to strumień samoświadomości; samoświadomości, która zadziwia swą błyskotliwością, niejednoznacznością, ale i ogromną dojrzałością. Trudno bowiem traktować opowieść Angelou inaczej. Jej historia � w pełni prawdziwa, żywa, poruszająca � zawiera w sobie coś wielkiego; coś ponad wyświechtane frazesy, coś ponad ulepki pseudo mądrości, coś znacznie bardziej istotnego, niż puste sentencje wplecione w okrąglutkie zdania; coś więcej niż twór produkowany taśmowo, na potrzeby własnej próżności, złożony w chwale samemu sobie - pięknie opakowany, z dumą prezentujący się na księgarskim regale�
Autobiografia czarnoskórej kobiety postawionej w kontrze wobec świata hołdującego podziały, jest w istocie żywym świadectwem zmagania się z owym; próbą zrozumienia, przystosowania się, wywalczania; drogą prowadzącą przez wyboiste koleiny, wcale nie oczywistą i nie ukierunkowaną w stronę porażki, lub - zaskakującego sukcesu. Wręcz przeciwnie. Maya Angelou unika ocierania się o patos, gloryfikowania własnych czynów, usprawiedliwiania wyborów z zasady budzących kontrowersje; tutaj nie ma miejsca na nic podobnego. Jest za to przestrzeń dla wyrażania siebie, dla opowieści złożonej z mozaiki słodko � gorzkich wspomnień oraz doświadczeń.
Bogactwo myśli płynące z tych niepozornych akapitów ma wielką moc. I to taką, która porwie, oczaruje, pozostanie na dłużej
Autobiografia czarnoskórej kobiety postawionej w kontrze wobec świata hołdującego podziały, jest w istocie żywym świadectwem zmagania się z owym; próbą zrozumienia, przystosowania się, wywalczania; drogą prowadzącą przez wyboiste koleiny, wcale nie oczywistą i nie ukierunkowaną w stronę porażki, lub - zaskakującego sukcesu. Wręcz przeciwnie. Maya Angelou unika ocierania się o patos, gloryfikowania własnych czynów, usprawiedliwiania wyborów z zasady budzących kontrowersje; tutaj nie ma miejsca na nic podobnego. Jest za to przestrzeń dla wyrażania siebie, dla opowieści złożonej z mozaiki słodko � gorzkich wspomnień oraz doświadczeń.
Bogactwo myśli płynące z tych niepozornych akapitów ma wielką moc. I to taką, która porwie, oczaruje, pozostanie na dłużej
November 15, 2020
It was good, though I enjoyed the latter part a little less. How can she be so smart and world wise on the one hand and so naive and dumb at the same time. I wanted to shake her. I found it a bit frustrating at times.
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