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“The wild nature has a vast integrity to it. It means to establish one's territory, to find one's pack, to be in one's body with certainty and pride regardless of the body's gifts and limitations, to speak and act in one's own behalf, to be aware, alert, to draw on the innate feminine powers of intuition and sensing, to come into one's cycles, to find what one belongs to, to rise with dignity, to retain as much consciousness as possible.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves

“It was like penetrating deep into white marble with the pounding live thrust of
his chisel beating upward through the warm living marble with one ”Go!��, his whole body behind the heavy hammer, penetrating through ever deeper and deeper furrows of soft yielding living substance until he had reached the explosive climax, and all of his
fluid strength, love, passion, desire had been poured into the nascent form, and the marble block, made to love the and of the true sculptor, and responded, giving of its inner heat
and substance and fluid form, until at last the sculptor and the marble had totally coalesced, so deeply penetrating and infusing each other that they had become one, marble and man and organic unity, each fulfilling the other in the greatest act of art and love known to the human species.”
― Irving Stone, The Agony and the Ecstasy

“I tutored myself in the art of solemnity, kept my euphoria private, and adopted a serious demeanour in keeping with everyone else and the general ambience of the house. I continued my solitary daily walks about the estate, carefully choreographing scenes and conversations yet to happen. I returned to those places of our clandestine moments together, replaying them in my head, languishing in his treasured words . . . and sometimes adding more. I stood under frosty sunsets, my warm breath mingling with the cold evening air as I watched the silent flight of birds across the sky. And even in those twilit autumnal days I felt a light shine down upon my path. For though he was no longer at Deyning, no longer in England, the fact that he lived and breathed had already altered my vision; and nothing, not even a war, could quell my faith in the inevitability of his presence in my life.”
― Judith Kinghorn, The Last Summer

“Dr. Samuel Johnson, who admired the novel with absolute conviction, famously remarked to Boswell, “Why, sir, if you were to read Richardson for the story…you would hang yourself��.You must read him for the sentiment.”
― Harold Bloom, The Bright Book of Life: Novels to Read and Reread

“I remembered all the Christmases we’d celebrated, always with a huge tree, situated next to the staircase where I now sat. As a child, I’d sat upon that same step, huddled up against the balus- ters, studying the tree, its shape and decorations; enthralled by the magical light and shadows upon the walls around me. Dancing. Over Christmas the only light in the hallway had come from the silver candelabra burning on the hallway table. But on Christmas Eve and Christmas Day night small candles were attached to the branches of the tree, their soft light reflected in the vast chande- lier suspended high above and thrown back across the walls like stars across the universe. I remembered the smell, that mingling of pine and wax and burning logs: the smell of home, the smell of happiness. I’d sat there in my nightgown, listening to the chime of crystal; the laughter, music and voices emanating from another room, an adult world I could only imagine. And always hoping for a glimpse of Mama, as she whooshed across the marble floor, beautiful, resplendent . . . invincible.”
― Judith Kinghorn, The Last Summer

“A scream so loud it shattered and splintered into a dreadful chorus that rattled and shook my brain and bones and cells and soul. I grabbed the telegram from Mama’s hand, threw it on the fire, ran out of the room into the hallway, and then outside into the square, and I continued running, zigzagging down streets, through mews, and on and on, as though I could escape from that moment; escape my brother’s death and run back through time.”
― Judith Kinghorn, The Last Summer

“İnsan etrafına rahatsızlık veriyorsa hiçbir işe yaramıyor demektir.”
― Stefan Zweig, Clarissa

“So, fill me in, what’s been going on here?��
“All kinds of scandal,�� Clarissa said. “Amy almost drowned, Demetria is going to beat up a patriarch’s wife, our room was trashed by conspiracy theorists, Dragon’s Head broke into the tomb in Connecticut, and Jenny has a crush on Harun.��
“Do not!�� Jenny said.
“In other words,�� said Demetria. “The usual.��
Odile laughed. “Man, I love this society.”
― Diana Peterfreund, Rites of Spring (Break)

“Why, Sir, if you were to read Richardson for the story, your impatience would be so much fretted that you would hang yourself. But you must read him for the sentiment, and consider the story as only giving occasion to the sentiment.”
― Samuel Johnson